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Fear intro and chapter 1 part 1



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Thu Sep 16, 2010 11:23 am
Lord Anzius says...



And yes this is not even the whole of the first chapter, this is gonna continue :D. Iw ould like to say thanks to especially Waitingforlife for being like my personal editor for this book: reading it, and helping me with the grammar mistakes I and the computer missed and giving suggestions, Huge help :D

Fear



Intro:

The Japanese word “fear” is written as a demon wielding a whip. For what would incite more fear in people than that which promises a truly painful end?
See are your sins, bare and raw across the dirt, the brown mud in front of you. A slash for each sin, says the oni. A slash for each wrong, a scream for each inflicted agony for your pain is my food, your joy my hunger and your screams my lullaby.

Fear me. Fear my being, my very essence that fills the souls of your kin, family, friends, and your mind. Have all shrouded, hope forgotten, and let no pair of eyes look at the sky with happiness or prayer. Let blood be spilled in my name, let war wage after I have gone, let sickness ravage, let mountains crumble, empires be destroyed. All who bow for me shall be forgotten, pain! Pain! I say!
Alas, lowly you are, squirm like a worm, laughter is my foe and tears are my wine.
Death! It follows me where I go, pain is inflicted by my words, war is waged because of me, weapons and temples built in my name. All loose hope in front of the demon with a whip! The oni called Fear.














It’s just a Dream.

He ran.
He did not know what he was running from, but he ran. His feet stamping the ground in clear rhythm. Like a bass drum, his feet hit the hollow surface under him, and made it beat.
Thump, thump.
The rhythm went on. Sweat prickled down his neck, a wet, red-dark vein coloured across his shirt front. Smell of his feelings rose around him, they were pungent, despicable.
There was nothing after him, clearly, and yet he ran with all his might, as if something had lingered, no, as if something had stuck to him.
Was he running from himself?
No! That was preposterous. His feet slowed down; there was nothing to fear… clearly.
It was all clear wasn’t it?
He spun around; he saw only white blackness, a start of oblivion, an end of a beginning.
His fingers were restless, as if they were too horrified to stay put, raping on his sides. Eyelashes shut and close as fast as lightning, for the fear that in the split-second that they closed something might appear.
“What is this?” asked a voice.
The man, the boy… just him, recognized the voice as his own.
“I don’t know,” he answered.
He spun around again, fast and clumsy. He almost fell.
He took a step, the feeling was back, and he took another. He ran.
“What do you run from?” asked another voice.

And then there was a slash.


The boy, the man, woke up screaming. He screamed sweaty, fearsome, high pitched, and then when he had ran out of breath, he inhaled and sobbed.
Quickly, gathering himself, the tears were wiped away by a fast swoop from his sleeve, leaving only a glistening trail of moistness on his pale skin.
There was a swampy, kind of lingering, ooze of sweat smell floating in the air. It stank of terror.
The man, the boy, shook, threw his legs to the side of the bed and held onto his knees. His pillow had long ago fallen to the floor as he had slept restlessly, spinning, and turning.
Gazing around, with a memento of the dream still floating in his memory, he noticed that the walls seemed to move inwards, closing in on him, his breath started speeding up, and the door to his bedroom was closed. He didn’t remember closing it. There was no recolection of how the door had closed, the window was not open; there was not a breath of air in the box of a bedroom.
Walls moved inwards.
He bounced off the bed, grasped the handle and threw the door open.
A sigh of relief, the walls settled back, retreated to their designated spots. Light spilled into the room, illuminating the bed with its richness. The moist shone in the light; the bed was like a clear sea. The bed robes settled on it like waves.
The fear was gone. It had hurried out of the room when the doorway had opened.
The man, the boy, sighed.

The alarm clock rang, three times.
Ring, ring, ring.
The boy, the man, jumped. He had been startled.
“It was just a dream,” he repeated to himself in all but a whisper, “Just a dream, nothing else.”
The clock was stopped, and winded again, for it to be ready for the next time it needed to alarm the man, the boy.
His breathing calmed, and shadows in the house started reclining; the way to the bathroom seemed more open.
The water ran; it ran in an ongoing stream, like a waterfall.
It seemed as if it cleansed him, he looked eyes wide, at the fall of the water, as the droplets hit his face, in a spray, as if from a machine gun.
The tears were washed away, hands scrubbed the remains of the sweat off his skin. The essence of fear vanished. Then the shower stopped in its tracks, as if an unseen force had put an invisible barrier to stop the flow, and he took his towel from the rack, it was the colour of dandelions, yellow, it made the man, the boy, think of himself as a brave lion when he scrubbed his hair dry, it was as if he had grown a main magnificent like the ones in the wilderness. A smirk started forming onto his bleak face. He tied the towel around his waist and went on to make himself a cuppa.
He settled down into his small kitchen, and drank from his cup while idly watching the news from an old television set.
“-Four people found buried dead at the memorial park. The police have no clues at the moment of the identity of the serial killer,” stated the newswoman, in a monotone. The man, the boy didn’t care to listen to the names of the victims. They weren’t anyone he knew anyways, so who cares?
He changed the channel, there were cartoons and he settled the remote down. He poured himself some more coffee and took a plate and filled it with cereals. The cartoons were re-runs of old Tom & Jerry’s. He dug into his cereals, and in large mouthfuls he swallowed the food.
By the time that his food was gone he had come to the conclusion that the cartoons were boring, baring in mind that he had seen all of them at least a hundred times before, he changed the channel back to news, and threw his dishes into the sink, they hit the other week’s worth of dishes with a clang. One glass broke… He stood there lazily staring at the broken glass, mind and face blank, like the worlds best poker face.
Empty, impassive.
He began gathering the pieces of glass with his hands.
One, two, three pieces, each laid on his hand, larger than the others.
Four-five-six-seven….. ten-eleven-twenty….
He yelped and pulled his hand out. A crimson red river ran down the length of his palm.
Dripping to the floor, a puddle of life lost.
Sticky of an irony quality. He looked at his life juice flowing away from the small wound on his hand and stuck it into his mouth.
“Salty,” he mumbled half-heartedly. He threw the remaining pieces to the dustbin by the bathroom door.

The man, the boy, glanced at the time; he was going to be late from work if he continued to loiter around home. Quickly he hurried into his old brown leather jacket. The jacket looked older than the boy, the man -which it most probably was- torn it was. There were holes in all the pockets and scratches scattered across the whole of the leather.
His shoes were black, general, dull of nothing to mention about, a working man’s shoes, they did not shine, they went well with his black trousers.
The trousers were small, and uncomfortable, but he hadn’t bothered to buy new ones, there was no real need for it. Was there?
There were gloves too, they had maybe once been brown, but now they were dusty and dirty. Their colour had left them long past. Faded, vanished.
He pulled them all on, tucked his shirt under his belt and left the house.

Ice glittered; the shine of the sun blinded the man, the boy. His breath turned to a cloud, and it flew up into the sky. One breath after another they all vanished to the sky. He pulled his work bag closer to his body, startled by the merciless cold wind. It slashed at him, tendrils like knives whipping at his bare skin of the face. He began walking, one step at a time, and one slash of a knife at a time. Breath in, breath out. His shoes left prints into the icy moist ground. The blood on his finger had dried, though it had left stains on all of his clothes, he sighed; he’d have to clean them all again. It hadn’t been more than two months that he’d washed them last.
His armour against was flawed, insufficient against the razors of the breeze.
At least it wasn’t raining snow, he thought.
Now that would’ve been a bitch, came the afterthought.
He was quite an optimist, or so he liked to think. “Realistic optimist” he called himself.
Life could treat you wrong, he would say, and you knew that it might always get worse, it always did, but there was always a silver lining for the cloud, there had to be.
Right?
But then again… Every silver lining had an ornament made out of crap!
His, mood was a grey. Impassive, as he always was.
The pedestrian street opened in front of him, and a lone bus stop was revealed. A yellow sign, ice had conquered the tip of it. The man, the boy picked up his speed after glancing at his watch again.
He heard the sound of a motor behind him, and spared it a look, as he turned his head the bus drove past him, pulling a helpless cry out of his throat: “Wait!” he ran after it, he saw that the bus driver’s eyes caught a glimpse him, but then the motor run louder and the bus drove away… Far away.
He slowly decelerated his speed as he got to the bus stop; his eyes were dim, shone of no smile. He settled his bottom on the cold, red bench inside the glass walls of the stop.

Alas, will there be no good omen, or fortune in this godforsaken world, or will it all end in a tempest of lost emotions, the drip from a knife that surfs through the air, cutting and slashing like fangs?
He used to have things well, he remembered. Things hadn’t always been this way he recollected. There had been a loving mother and a strict, but equally loving father. He smiled at the memory. A home without roaches, and a new jacket when he needed one. He felt oddly warm in this created illusion of reality, as if he was not of this world anymore, but the man, the boy woke up from his half real of a dream to the mechanic roar of the new age dragon. He saw the headlights of the next bus and signalled it to stop.
Attended by the screech of rusted parts the bus, old and faded blue, halts in front of the boy, the man. The double doors open and reveal the face of a man at least as old as the vehicle itself.
In no case is a person supposed to have a beard such as the one the driver owned. It looked as if a wild beast might jump out of it and ravage your face any second.
The man, the boy took out his wallet, hands trembling with cold, he dropped the coins; the driver sighed and closed the doors behind the man, the boy with a movement of his finger on a button. Scrambling for his coins his face turned red from embarrassment, he gathered his wealth from the floor and moved it along to the driver, who took them with a grizzly hand, hand shaking not of cold but of age, shrivelled pale grasp that closed its claws around the coins.
“One ticket, please.”
The driver stayed silent, and with movements slow as a gravedigger’s shovel he clicked in the digits and soon, the man’s, the boy’s ticket came out of the machine.
His old fingers ripped it off the machine, and with a grunt he passed it to the man, the boy.
“Thank you,” he said as he took his ticket and pushed it into his back pocket.
His steps wavering slightly, feet still recovering from the cold air outside, he made his way for an empty seat… Preferably by a window.
Each seat he saw was occupied by someone or became occupied by a bag or carriage of some kind as he walked by, on the faces of people he only saw the ice cold looks of indifference and the solidarity radiated from their being.
Finally at the back of the bus he found two empty seats, he sat next to the window and set his suitcase next to him, battered and black it was; the seat was nearly as battered and of unexplainable colour that must’ve at some point in time been brown or yellow.
He watched as the bus began to move; his vision was blurred by the dirty glass. The world looked bleak, not much bleaker than normal, but dirtier, through the glass. The all consuming greyness of the asphalt, and the clouds seemed to fuse into a solid mush that made up the world outside the buss. It was cold outside, he remembered. Knives and whips it was out there.
The brief spots of green, the last of the dying plants, still fighting the unforgiving cold, went past very fast and soon the boy, the man was beginning to feel his eyelids close, although he had just awoken he felt tired, so very tired.
The bus rattled on the street, the man, the boy, felt like an infant inside a cradle, roughly but lovingly being helped to sleep with the jumps and bumps of the vehicle.
A warm feeling spread around him, he tried to fight the loving caress of sleepiness, but his will could not cope with the temptation of the misleading force.
Slowly but firmly he dowsed off into the hug.

He opened his eyes, abruptly, his view was blurry. It seemed to the man, the boy, as if he was seeing the world from both third person and his own eyes. He saw the world all around him but at the same times he only saw from his own eyes… It was, abstract.
Looking around from his double perspective he noticed that his back was touching a floor. There was no depth in his surrounding, no images, no wind or breeze.
With creaking knees he heaved himself up, face facing a wall, it hadn’t been there before. Up, down. Left, right. Walls everywhere.
He was closed, he was trapped.
His heart beat sped up!
Locked away. His hands were pressing against each other, like cleansing themselves without water. He was trapped.
“Anyone there!?” he shouted.
“Anyone?”
He fell to his knees, his breathing became heavy. He heaved, not breathed.
Huff, huff.
Eyes darting, to and fro. It was dark, even though the walls were white and there was an unseen light illuminating the room.
Nails scratched against cloth. He didn’t notice when but suddenly he was naked, his nails bloody.

Puddles of vermilion blood flickered on the floor, he was spinning hysterically.
Pain inside a closed room.
Hands kept scratching him, more life juice ran, hard, the wound healed instantly just to be replaced by new ones.
Suddenly!
He had clothes on and the walls were away, instead the man, the boy stood on a dark road, something was after the boy, the man.
The bass of his feet was there again, and once again he ran from the unseen menace.
“Just a dream! Just a dream!” he chanted.
As he ran he didn’t notice that the road ended, he hit his face onto a dark tree. It wasn’t only dark, it was black. A black oak.
He heard a whisper next to him, “This is the end of the road,” it whispered.

Abruptly, the man the boy opened his eyes and woke up, startling even the old bus driver that looked at him weary eyed.
“This is the end of the road,” he repeated monotonously.
Quickly collecting himself the boy, the man, nodded fast and took his suitcase and hurried out of the buss.
The last stop wasn’t too far from his work place so he could just walk. His steps were brisk and fast. He sobbed once and twice and then decided to stop before people would start wondering what was wrong with him.
Hastily wiping his eyes and hastening steps he made his way to an ugly concrete office building.
The thud of feet hitting the ground, quickly, faded away, leaving only echoes after them.
The boy, the man, found himself standing in front of glass and brass double doors alone. Not a soul moved behind him, nor did he see anyone inside.
Sigh, was the only thought that his mind carried inside its all too empty knapsack.
Glowering at the doors as if hating them would make them disappear, ideas of just going back home were springing into his mind. How pleasurable would it be just to have a day of leisure? He thought, but he knew that he couldn’t, since it was a fairly new company and people needed to work hard to make it big, as their CEO said: “This small company will, without a doubt, in a few years be on the top, if everyone works hard ‘till they can’t work no more.”
Time flew, and the man, the boy, had not budged, he stood there like a statue, inanimate.
The wind blew cold, and the warmth of the bus was wearing off of him. The breeze felt like a breath of a person on his neck.
“I wait for you in the dark,” The boy, the man, heard a voice say behind him. Hastily he jerked his whole body forward, away from the origin of the voice, and pivoted around to see who had spoken, he saw no one… The street was silent; the only sound present was the sound of passing vehicles and the worsening blow of the unwavering cold.
With shaking hands he pushed a door open and walked inside the office building.
He was met by a smell of mould, that had the habit of loitering around in every hallway in the building, the CEO told them to think of it as: “A substitute for the normal, boring office smell.”
Apparently their heating system was still working poorly, since it was still quite chilly inside the building. The heating system consisted of a broiler in the cellar of the building, it had been built somewhere in the seventies, the fact that it was still “working” meant that the CEO had no responsibility to change it.
The walls were a dull brownish colour, yellowed by age and browned by critters that could not be seen at that particular moment. Each corner owned and harnessed its own pungent and revolting stink, which could bring a full grown man to his knees with tears of torture in his eyes.
The man, the boy, didn’t wish to remove his jacket just yet, and decided to wait till he got into his cubicle.
Rushing up the stairs, after he had noticed that he was going to be late soon because of his loitering in front of the doors, he took long steps, jumping two steps at a time, until he finally reached the second floor and he sprang into the “cubicle complex”, as he had baptised it.
Manoeuvring through the rows of work places, where people went on with their work, tapping with vigorous speed on the buttons of their computers, he prayed silently in his mind that he would not meet John Carson that day. He truly and deeply wished for that. Sighing in relief for not meeting the man as he reached his own cubicle, he took of his jacket. It wasn’t as chilly there as it had been in the hallway, due to the amount of people inside the room. He walked into his cubicle only to groan in distaste as he noticed a familiar figure sitting on his chair, fiddling with a rubber band.
John looked up his face lighting up as he noticed the boy, the man.
“Oh there you are!” his voice was full of jovial cruelty.
“I’ve been waiting for you for at least half an hour.”
The man, the boy, grunted, trying to avoid a conversation. He set his carrions onto his desk, trying not to even look at Carson.
A sharp stinging pain hit the back of his head, his hand shot up to rub the spot.
“Ow!” he yelped.
He turned around, just to find John grinning; the rubber band had vanished from his hands.
“You could even say hello.”
The boy, the man, grimaced, but he swallowed his pride and told him his hellos.
After opening his suitcase he turned around to face John, who was still comfortably seated in, the man’s, the boy’s, uncomfortable chair.
“Could you, leave?”
John seemed preoccupied by some invisible stimulus on the work table, and the man, the boy had to repeat his question. This time Carson did lift his head, there was a faint twitch by the side of his lips, as if he was repressing a laugh, and it was almost as if he was saying: “Made you ask it twice.” Laughter played across his eyes.
The man, the boy, was now, exceedingly, visibly annoyed; he started having hallucinations of grabbing John and smashing his face on the computer screen, by the means of repeating and harshening blows, possibly twisting the man’s neck at the same time.
His waves of aggressive thoughts were not even cut by the enraging snicker that momentarily escaped John. His waking dreams of smashing a pickaxe into the man’s balls were a long time ambition of the boy, the man.
“Just kidding, just kidding!” Carson said, and tapped the man’s, the boy’s, shoulder benevolently, as if talking to a long time friend.
In the whim of the moment, the man, grabbed John’s hand by the wrist and threw it away.
John looked at him, deviousness replacing the benevolent intentions on his face, as if he had thrown away a mask. He took a threatening step towards the boy, smile slowly turning into a grin his eyes shining with malice, red light glinting from them, though the redness could have been anything, reasoned the man, the boy.
“What’s going on here!?” Shawn Leerie was standing at the gap into the cubicle, his hand lifted to hide his open mouth as he yawned loudly. The breath escaped his throat in a way that seemed somehow very fitting for Shawn’s character, which was quite easygoing and lazy as a hedgehog in the winter. His hair pointed upwards like spikes on a fence, giving him a certain look that reminded people of some kind of a pop singer. His chin wasn’t pointed, but neither was it entirely round, and he had light brown eyes of slightly wet beach sand. He wasn’t exactly heavily built, he was slim and of medium heights, but you could see the muscles tensing under his shirt, and just too short sleeves.
Carson’s body tensed. All expression melted from him, each and every muscle in him seemed to get sprung, like the line in a bow; he looked like he was ready to bounce, but Shawn stood behind him, a relentless, yet quite, passive force.
An angel like smile spread across John’s face as he turned, and with an effort of will he seemed to be able to relax his body.
“Hullo! Leerie, what’s up?” he asked, hardly able to hide the scorn in his voice; red hatred bubbled behind his eyes, a fire only growing stronger as more coal was thrown into it. “Just here chatting with my pal.”
Carson took the boy, the man, by the shoulder as a friend might. The man, the boy hastily broke free of the touch.
Shawn lifted an eyebrow, “John Carson, hasn’t anyone ever told you not to pick on people who are smaller than you?”
He shook his head in false shame, not even trying to camouflage his mischief.
Carson grimaced, fast, almost unnoticeable; he excused himself, mumbling something about someone calling for him.
After he had gone, the man, the boy, slumped into his chair, and sighed in quiet relief.
“Thanks,” he said.
Shawn just beamed at him and said “Don’t mention him, can’t take that fucking bastard anyways!”
He gave the cubicle a passing glance and turned on his heels; he stopped by the gap into the cubicle. “Well I’ll be on my way,” unjustified joy still filling his voice. Cheery character he was, Shawn Leerie.
“Tell me if that fucktard gives you anymore trouble, ‘kay?”
The boy, the man, grunted in agreement.
Leerie stepped out of the cubicle.
The boy, the man, turned around wearily, he seemed tired, and felt like it. He turned his stone aged working computer on and began working.
He had the company’s account and other prosperity businesses to handle, all of which were as interesting as a steaming pile of cow dung.
He began writing; columns after columns of numbers and letters appeared as his fingers soared over the buttons with lightning speed. His eyes intent on the screen, not an ounce of interest was poured into anything else, since if he made a mistake in the wrong place he might not get paid at all before Christmas.
Money here, other money goes there, those thousands went there last month and these hundredths are now here; all this money that he would never ever see anymore of than what was written on his pay check and even from that the tax was taken away from. If only he could just snatch a few thousand from those numbers into his own pocket for Christmas and get that new heater that he wanted.
Hate, depression, a blue-dark air was about him, moving in un-seen waves over his head, his gaze fixated on the computer as if they were affected by witchcraft. His eyes wanted to close, but the pink machine inside his skull would not let them, instead it ushered them, like a dictator. With the enthusiasm of a man pointed with a gun the man, the boy, worked on, and on… and on.
All this time, the hatred and the frustration that he had fused, they mingled with each other. He saw himself strangling John, murdering the man when he was asleep. He saw himself breaking an axe into his computer and stealing the company’s money.
All naught but dreams. All naught but wishes.
In his moment of harbouring revenge a shock of theatricality met him.
“To be or not to be?” he whispered and chuckled.
His chuckle increased to laughter, and his laughter was coloured with scorn. His scorn turned to malice and his laughter to maddened barks.
Of course all silent, otherwise people would think ill of him, of him and the problems that he had.
So the boy, the man, shut his mouth and carried on.
The dark-blue air that was hovering there in the cubicle, was obviously to blame for his madness, what other contraption of man or God could do such a thing to a person, he thought. The fault is on God, the fault is on Man. Hate, death, destruction, an unwavering war of ideals.
Let all of man fight, for land for God. It is all a lie!
No one sees, no one does anything. Those who see are called crazy and dismissed. Why should one care about the death of people? Everyone dies, everyone kills but everyone does not acknowledges the murders they have committed
Why should I care? He thought. It is not my burden to bear.


A hint of air into the lungs, the lungs grow larger, and a breath out. Calmness, the blue-dark air vanishes and so does the confusion of mind, welcome peace, welcome sanity.

The man, the boy, looked at the time, it was lunch hours.
Fast his fingers hit CTRL and S, and he shut the computer with the next press of a button. He hurried out of the square of a working place and jogged towards the cubicle of his friend.
Last edited by Lord Anzius on Wed Aug 24, 2011 7:43 pm, edited 3 times in total.
To copy reality is good... But to create reality is much, much better.
-Giuseppe Verdi-
  





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Thu Sep 16, 2010 12:58 pm
iceprincess says...



Hey Lord Anzius! iceprincess here to review! :D

Your intro was brilliant. Seriously. One of the best prologues (or intros, if you will) I've ever read.

A slash for each wrong, a scream for each inflicted agony for your pain is my food, your joy my hunger and your screams my lullaby.

Fear me. Fear my being, my very essence that fills the souls of your kin, family, friends, and your mind. Have all shrouded, hope forgotten, and let no pair of eyes look at the sky with happiness or prayer. Let blood be spilled in my name, let war wage after I have gone, let sickness ravage, let mountains crumble, empires be destroyed. All who bow for me shall be forgotten, pain! Pain! I say!


This was the best part for me in this whole story! I really liked your writing style here; you depicted the narrator as a cruel and cold and a real living, breathing evil person without overdoing the fantatical self-praise. Very well done!

With that being said, on with the real review! :P

There was a swampy, kind of lingering, ooze of sweat smell floating in the air. It stank of terror.


"Ooze" is not a noun, unless you meant this was "an infusion of vegetable matter," or "soft mud or slime"; but I'm pretty sure you meant neither the former or the latter. Change this, though I quite liked this sentence :P

The moist shone in the light; the bed was like a clear sea, blue. The bed robes settled on it like waves.


Very good description!

The shower stopped and he took his towel, it was yellow.


I really don't like this sentence. It doesn't match with your original writing style; it just feels...bland. You can write some really good descriptions, and I think it'll be better if you rewrote this sentence.

“-Four people found buried dead at the memorial park. The police have no clues at the moment of the identity of the serial murderer.”
Stated the newswoman, in a monotone.


You don't have to space it into another paragraph! This would be okay already:

“-Four people found buried dead at the memorial park. The police have no clues at the moment of the identity of the serial murderer.” Stated the newswoman, in a monotone.


He changed the channel, there were cartoons and he settled the remote down. He poured himself some more coffee and took a plate and filled it with cereals.


I don't know why, but these closing sentences irks me. It seems like the boy has forgotten his nightmare or something... Maybe you wanted it to be so, but can you please change this? It just isn't a fitting ending to this good story.

So, overall, this was an absolutely wonderful opening to a story (besides the few points that I made above). I really don't know know what else to say, except that I would love to read more! :D

Keep writing! I hope to read more soon! :D

~iceprincess =]
you'll never find another sweet little girl with sequined sea foam eyes
ocean lapping voice, smile coy as the brightest quiet span of sky
and you're all alone again tonight; not again, not again, not again.
and don't it feel alright, and don't it feel so nice? lovely.


  





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Thu Sep 16, 2010 10:31 pm
LindsayG says...



that's amazing!!! keep writing you're awesome
I write because there's nothing left to say...
  





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Sun Dec 26, 2010 4:30 pm
Yuriiko says...



Hello there Anzius!

Here as requested. :D

The Japanese word “fear” is written as a demon wielding a whip.


So meaning "fear" is a Japanese word?

All loose hope in front of the demon with a whip! The oni called Fear.


"Lose"?

He ran.
He did not know what he was running from, but he ran. His feet stomping the ground in clear rhythm. Like a bass drum, his feet hit the hollow surface under him, made it beat.
Thump, thump.


I could sense a bit of repetition going on here because of the way you describe his running.

There was a swampy, kind of lingering, ooze of sweat smell floating in the air. It
stank of terror.


Sweat is repetitive and be careful of the blank spaces. 'Backspace' it.

The alarm clock rang, it rang and it rang hard.


Is this something necessary to say it thrice a row? Oo

The boy, the man, jumped. He had been startled.


I think you should slash out the highlighted sentence. It is like saying "He slept. He had been very sleepy all day long" which just makes a pretty obvious sense.

The clock was stopped


Slash out "was" for a better flow.

It seemed as if it cleansed him, he looked eyes wide, at the fall of the water, as the droplets hit his face, in a spray as if from a machine gun.


There's a lot of pause here because of commas, try merging them into a shorter sentence.

The shower stopped in its tracks, as if an unseen force had put an invisible barrier to stop the flow, and he took his towel from the rack, it was the colour of dandelions, yellow, it made the man, the boy, think of himself as a brave lion when he scrubbed his hair dry, it was as if he had grown a main magnificent like the ones in the wilderness, a smirk.


This is a very long sentence, separate it into two or something.

took a plate and filled it with cereals.


'took a bowl'?

He dug into his cereals, almost as if he was digging for gold, and in large mouthfuls he swallowed the food.


When I read this, I imagine him dipping his hand into the bowl. And I'm like, "O_o", would've a spoon come in handy?

By the time that his food was gone he had come to the conclusion that the cartoons were boring, baring in mind that he had seen all of them at least a hundred times before, he changed the channel back to news, and threw his dishes into the sink, they hit the other week’s worth of dishes with a clang.


Again, try making this one shorter.

like the worlds best poker face.


You need an apostrophe.

He began gathering the pieces of glass with his hands.


You don't need to mention that he gathers it with his hands... well, unless he did it with his feet. Oo

A crimson red river ran down the length of his palm.


So meaning the bleeding is severe?

Quickly he hurried into his old brown leather jacket. The jacket looked older than the boy, the man -which it most probably was- torn it was.


Quite awkward to read, maybe try to replace the other "jacket" to pronoun "it" and rephrase the second sentence.

His shoes were black, general, dull of nothing to mention about, a working man’s shoes, they did not shine, they did not glitter they went well with his black trousers.


'Dull of nothing to mention about'? So why still bother to describe the shoe if it's glittering or not?

One breath after another they all vanished to the sky.


That seems a bit unnecessary.

His, mood was a grey.


Erase the comma.

world outside the buss.


One 's' only.

He heard a whisper next to him, “This is the end of the road,” it whispered.


Change comma to period and slash out 'it whispered' because it seems redundant.

The thud of feet hitting the ground, quickly, faded away, leaving only echoes after them.


Delete the comma after 'quickly'.

the only sound present was the sound of passing vehicles


Repetition strikes again. I would erase the second 'sound' so it would be like this: "...the only sound present was of the passing vehicles...". Something like that.

The heating system consisted of a broiler in the cellar of the building,


I think there's another word for that. Look it up in a thesaurus. A heater or radiator might be a good replacement for that.

Manoeuvring through the rows of work places,


Maneuvering.

He truly and deeply wished for that.


They basically mean the same, right? Oo

“Oh there you are!” his voice was full of jovial cruelty.
“I’ve been waiting for you for at least half an hour.”


Unless it's another person speaking, separate the dialogs by spaces, if not, compress them.

“You could even say hello.”


'could have'?

but he swallowed his pride and told him his hellos.


'Greet' is much shorter.

seated in, the man’s, the boy’s, uncomfortable chair.


Change it to 'him'.

“Could you, leave?”


No comma needed.

The man, the boy, was now, exceedingly, visibly annoyed;


How do you show that he's annoyed? Make his knuckles white, jaws clenched, his fist closed or something.

In the whim of the moment, the man, grabbed John’s hand by the wrist and threw it away.


Be consistent of 'the man, the boy' because if you wouldn't, it would only appear that you're lazy to type it... something like that. *shrugs*

John looked at him, deviousness replacing the benevolent intentions on his face, as if he had thrown away a mask.


Show.

Shawn just beamed at him and said “Don’t mention him, can’t take that fucking bastard anyways!”


Erase the 'just' because it would only tell that Shawn didn't only beam but said something to the man, the boy.

and these hundredths are now here;


'Were'?

His chuckle increased to laughter,


"It"

Why should I care? He thought.


Italicize this because it comes from his thought.

A hint of air into the lungs, the lungs grow larger, and a breath out.


'A hint of air' what exactly? I think you missed a verb.

~

Final thoughts:

The first thing I have noticed here was your formatting. Check or look at it again. Are you noticing something?

There were gloves too, they had maybe once been brown, but now they were dusty and dirty. Their colour had left them long past. Faded, vanished.
He pulled them all on, tucked his shirt under his belt and left the house.


This is a part of a paragraph and you can see that these two sentences are separated which isn't very necessary to do. You only have to separate sentences when there's a new idea or matter being talked about. Perhaps maybe it has something do with the program you're using but still, you should have at least preview before publishing it here. :smt001

So it should be like this:

There were gloves too, they had maybe once been brown, but now they were dusty and dirty. Their colour had left them long past. Faded, vanished. He pulled them all on, tucked his shirt under his belt and left the house.


Second of all, it seems that you have long sentences, and those that could still be shorten up. As what based from my nitpicks, try replacing the comma to a period s you can have another sentence. Perhaps it has something to do with you punctuations too.

By the time that his food was gone he had come to the conclusion that the cartoons were boring, baring in mind that he had seen all of them at least a hundred times before, he changed the channel back to news, and threw his dishes into the sink, they hit the other week’s worth of dishes with a clang.


Like for this example, there could have been other ways of describing your character's action which are much simpler and shorter. Sometimes your description to a particular object is going off beyond the tiny thread. Make it concise as much as possible. If you're describing an old man which isn't basically a very major character in the story then only depict some bits of him. Refrain from narrating about his clothes, family, etcetera. Because first of all, is it really relevant to your story? How will it affect your character? So try asking yourself these questions before typing anything that might bore your readers. :wink:

Adverbs are another thing that you should avoid. This only makes your prose weak. However, I like some of your descriptions, some are mixed well with metaphors, similes and I like that kind of style. Just remind of yourself that too little and too much are both bad things. Balance them out.

Your main character is quite good. Deep thoughts are well-expressed in his mind, but since this is in a third POV which relies on "he, she, it", be careful on some things that your readers might not comprehend well.

Overall, this is a good read. Even though it's a bit long, you have a good story idea. A good opening paragraph you have there. But then again, attract your reader's attention all throughout the story, not only in the first and last part. Hope this helps and PM me for any questions. :D

Keep writing,
Yuri
Last edited by Yuriiko on Mon Dec 27, 2010 2:55 am, edited 2 times in total.
"Life is a poem keep it in the present tense." -Sherrel Wigal
  





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Sun Dec 26, 2010 6:09 pm
Sins says...



Heya Lord. :)

I'm here to review as requested. I'm not going to blabber on, which I do very often, and instead, I'll just get straight onot the reveiew! If you have any questions or anything after this, be sure to ask me. I'll be happy to answer them.

I'm not actually too sure what I think of this. I will start by saying that this isn't normally my type of writing style to read, but I will try to put my biased opinion aside. As I said though, I'm not sure what I think of this. I am very fond of the idea of the whole thing because it's certainly ineresting. I think that there are just some elements of the story that I'm a little unsure about, probably moslty based on the style of your writing though. Because of that, I don't think I'm going to be able to help you out much...

I certainly did enjoy some elements of this though. Some of your descriptions were really great, but that's actually something I'd like to bring up in my critique. You'll see what I mean later! Although there is a bit of a problem in them for me, the descriptions themselves were very good. I really like your MC as well... He's slightly creepy, but I like. The atmosphere you've created is clear and effective too, so well done for that.

I'll start off with your descriptions. Like I said, they are very good descriptions, but there's a little issue I have with them. Even though they are great, they're rather distracting because you do ahve an awful lot of them. I will be honest and say that, at times, because of the never ending descriptions, I found myself skimming some parts of this. It's just that I have a seriously bad attention spam; I swear I have ADHD or something. I'm one of those people who get bored of things quite easily, and because the descriptions weren't really progressing the story, I sometimes got a bit bored of them.

The alarm clock rang, it rang and it rang hard.


This for example, is a rather unnecessary description. The alarm clock rang. Great, and that's all we need to know. You tend to take your descripitons a step too far. It's good to be descriptive, but don't let the descriptions swallow the rest of the story and its charcters.

The moist shone in the light; the bed was like a clear sea, blue. The bed robes settled on it like waves.


The water ran; it ran in an ongoing stream, like a waterfall it was.


He dug into his cereals, almost as if he was digging for gold, and in large mouthfuls he swallowed the food.


I saw a lot of these kind of descriptions too. Now, they are really wonderful descriptions, but when there's a load of them in one part, it becomes off putting. For example, do you really think us readers care much about how he eats his cereal? I want to know more about the plot itself. What's up with the dream? What about his work buddy? Why does your MC hate him so much? Is your MC nuts, or just angry? Why is he living on his own? Not, how does he eat his cereal?

I don't mean to sound blunt because I know that's exactly how I sound. Honestly, though, the descriptions themselves are good. They just get boring after a while. They do for me anyway. In the end, this is more of an opinion based thing, but I do think that a lot of poeple would agree with me. Make sure that every single word in your novel is important and adds to the story, otherwise, things will get boring. ;)

Other than that, there's nothing that major that bothers me. I do think that the structure of this is a little odd and sometimes awkward, but the structure of the whole thing is up to you in the end. I's the paragraph structure I'm on about here. I won't go into much detail on that because I see that Yurii's already mentioned it. Another thing about the structure which distracts me a little is the whole the man, the boy thing. I'm not sure what effect you wanted to give off with it, but I don't really think it's fallen through. It got quite annoying for me after a while. Is the dude a boy or a man? Just tell me. xD That may just be due to my short attention spam though...

Overall, I do think that this is a pretty good piece, Lord. It makes me want to read on, and that's the most improtant thing really. Negatives aside, the plot idea so far is great and certainly original. There are some things that I think you can improve on, but there shouldn't be a huge problem in fixing them.

Keep writing,

xoxo Skins
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Sun Dec 26, 2010 10:45 pm
Azila says...



Hullo, Anzius! Here I am to review, as requested.

The first thing I did when I started reading this was scroll down and take a look at how long it was. Then, I started reading. And I have to agree with iceprincess on this one: the prologue is fantastic. It's much too abstract to be called just prose--it definitely has elements of the poetic, in that I don't feel like what is being said is as important as how you're saying it. The point of that intro (or what it seems to be at this point) is to set a mood. It's a creepy, maniacal, bloodthirsty mood that can not be portrayed in simpler, or more traditional, prose. Or maybe it can, but not nearly as effectively as you have done it here. Honestly, I can almost hear the cackling and cracking of knuckles of some beastly menace lurking in the shadows right behind me.

As I read on, I found myself needing to constantly remind myself not to think of what I was reading as "something on the internet." The internet is a fabulous thing, but I've found that it makes untraditional writing sound cheap. My first assumption when I started reading past the intro was "this is someone for whom English is a second language, and they have a somewhat limited understanding of this language's grammar. I will have to explain to this person how to use a comma." But as I read on, I realized that yes, you use grammar in an unconventional way, and for all I know English very well may not be your first language--but whatever the reason, your writing has a very original and refreshing effect. By using grammar solely to get your message across, and not really paying attention to the "rules," you've continued the poetic feel of the intro. Words are words, and they have meanings, and it hardly matters how you string them together. It is a very refreshing thing to see. I also really like that the only thing we know the character by is "the boy, the man" or "the man, the boy." It is very elegantly done and adds just the right sense of almost humorous surrealism. Have you read The Book Thief by Markus Zusak? If not, I highly recommend it. It is a novel which is written in a prose that borders on poetry, and in that way your writing reminded me of it.

Anyway, back to your story. Like I say, I quite liked your unconventional style, and I loved the imagery, but as the chapter wore on, I, like Skins, started getting a little tired of it. Unlike her, I did not skim--but I didn't read all the way through. I would read for a bit, then get up and start some water boiling, then read a bit more, then make myself some tea, then read a bit more, talk to my brother for a bit, then read a bit more... and so on until I finished it. I think this is because it feels like poetry--and it doesn't feel like an epic poem. It feels like the kind of poem that would the three or four small stanzas; the kind of poem you read slowly and savor because there is so little of it. But there isn't a little bit of this chapter--there's a lot of it. And I found it a bit hard to swallow. I think this may have something to do with what Skins was saying: there is a lot of imagery. Every action the the character does, and every thing that he sees and/or interacts with, seems to have equal importance because you deal everything the same amount (and quality) of descriptions. I didn't find it all that bad for the beginning of the chapter, because I felt like it was helping to develop the character, but when the "action" started, I found it a little distracting. It's up to you if you want to change it, though, because there's nothing really wrong with it--I just found it a little hard to read after a certain point.

Another thing that made it kind of hard to read is something that may seem trivial to you, but it actually has a huge effect on peoples' impressions of your writing. I think Yuriiko already pointed out that your paragraphs are very short, and suggested that you combine them to make them longer. Well, I actually don't agree with that. In the beginning of the chater, some of the paragraphs are only one or two sentences long, and they were in little clusters, like likes of a poem in a stanza. I actually liked it. It helped to reinforce the poetic element of your writing. But I only think it worked in the beginning, because the "clusters" (I'll just call them stanzas) were so short that it almost felt as though you were thinking of them in the way most people think of paragraphs. But as the story dragged on, these stanzas got longer and longer until the last one felt rather like a huge block of text--and those tend to be daunting to read. Before I ramble on a little more, let me show you an example. Here's the second of what I'm calling your stanzas:
Spoiler! :
The boy, the man, woke up screaming. He screamed sweaty, fearsome, high pitched, and then when he ran out of breath, he inhaled and sobbed.
Quickly, gathering himself, the tears were wiped away by a fast swoop from his sleeve, leaving only a glistening trail of moistness on his pale skin.
There was a swampy, kind of lingering, ooze of sweat smell floating in the air. It
stank of terror.
The man, the boy, he shook. Held onto his knees, his pillow had long ago fallen to the ground as he had slept restlessly, spinning, and turning. The walls seemed to move inwards, closing in on him, his breath started speeding up, and the door to his bedroom was closed. He didn’t remember closing it. There was no memory of how the door had closed, the window was not open; there was no breath of air in the box of a bedroom.
Walls moved inwards.
He bounced off the bed, grasped the handle and threw the door open.
A sigh of relief, the walls settled back, retreated to their original spots. Light spilled the room, illuminating the bed with its richness. The moist shone in the light; the bed was like a clear sea, blue. The bed robes settled on it like waves.
The fear was gone. It had hurried out of the room when the doorway had opened.
The man, the boy, sighed.
In that case, the first paragraph of the stanza was "The boy, the man, woke up screaming. He screamed sweaty, fearsome, high pitched, and then when he ran out of breath, he inhaled and sobbed." The second one was "Quickly, gathering himself, the tears were wiped away by a fast swoop from his sleeve, leaving only a glistening trail of moistness on his pale skin." ...and so on. But even though those were technically paragraphs (because you pushed "return" between each one, starting each on a new line) it feels more like that whole stanza was a paragraph because it's roughly the shape and size of one. But here's the third to last stanza:
Spoiler! :
Abruptly, the man the boy opened his eyes and woke up, startling even the old bus driver that looked at him weary eyed.
“This is the end of the road,” he repeated monotonously.
Quickly collecting himself the boy, the man, nodded fast and took his suitcase and hurried out of the buss.
The last stop wasn’t too far from his work place so he could just walk. His steps were brisk and fast. He sobbed once and twice and then decided to stop before people would start wondering what was wrong with him.
Hastily wiping his eyes and hastening steps he made his way to an ugly concrete office building.
The thud of feet hitting the ground, quickly, faded away, leaving only echoes after them.
The boy, the man, found himself standing in front of glass and brass double doors alone. Not a soul moved behind him, nor did he see anyone inside.
Sigh, was the only thought that his mind carried inside its all too empty knapsack.
Glowering at the doors as if hating them would make them disappear, ideas of just going back home were springing into his mind. How pleasurable would it be just to have a day of leisure? He thought, but he knew that he couldn’t, since it was a fairly new company and people needed to work hard to make it big, as their CEO said: “This small company will, without a doubt, in a few years be on the top, if everyone works hard ‘till they can’t work no more.”
Time flew, and the man, the boy, had not budged, he stood there like a statue, inanimate.
The wind blew cold, and the warmth of the bus was wearing off of him. The breeze felt like a breath of a person on his neck.
“I wait for you in the dark,” The boy, the man, heard a voice say behind him. Hastily he jerked his whole body forward, away from the origin of the voice, and pivoted around to see who had spoken, he saw no one… The street was silent; the only sound present was the sound of passing vehicles and the worsening blow of the unwavering cold.
With shaking hands he pushed a door open and walked inside the office building.
He was met by a smell of mould, that had the habit of loitering around in every hallway in the building, the CEO told them to think of it as: “A substitute for the normal, boring office smell.”
Apparently their heating system was still working poorly, since it was still quite chilly inside the building. The heating system consisted of a broiler in the cellar of the building, it had been built somewhere in the seventies, the fact that it was still “working” meant that the CEO had no responsibility to change it.
The walls were a dull brownish colour, yellowed by age and browned by critters that could not be seen at that particular moment. Each corner owned and harnessed its own pungent and revolting stink, which could bring a full grown man to his knees with tears of torture in his eyes.
The man, the boy, didn’t wish to remove his jacket just yet, and decided to wait till he got into his cubicle.
Rushing up the stairs, after he had noticed that he was going to be late soon because of his loitering in front of the doors, he took long steps, jumping two steps at a time, until he finally reached the second floor and he sprang into the “cubicle complex”, as he had baptised it.
Manoeuvring through the rows of work places, where people went on with their work, tapping with vigorous speed on the buttons of their computers, he prayed silently in his mind that he would not meet John Carson that day. He truly and deeply wished for that. Sighing in relief for not meeting the man as he reached his own cubicle, he took of his jacket. It wasn’t as chilly there as it had been in the hallway, due to the amount of people inside the room. He walked into his cubicle only to groan in distaste as he noticed a familiar figure sitting on his chair, fiddling with a rubber band.
John looked up his face lighting up as he noticed the boy, the man.
“Oh there you are!” his voice was full of jovial cruelty.
“I’ve been waiting for you for at least half an hour.”
The man, the boy, grunted, trying to avoid a conversation. He set his carrions onto his desk, trying not to even look at Carson.
A sharp stinging pain hit the back of his head, his hand shot up to rub the spot.
“Ow!” he yelped.
He turned around, just to find John grinning; the rubber band had vanished from his hands.
“You could even say hello.”
The boy, the man, grimaced, but he swallowed his pride and told him his hellos.
After opening his suitcase he turned around to face John, who was still comfortably seated in, the man’s, the boy’s, uncomfortable chair.
“Could you, leave?”
John seemed preoccupied by some invisible stimulus on the work table, and the man, the boy had to repeat his question. This time Carson did lift his head, there was a faint twitch by the side of his lips, as if he was repressing a laugh, and it was almost as if he was saying: “Made you ask it twice.” Laughter played across his eyes.
The man, the boy, was now, exceedingly, visibly annoyed; he started having hallucinations of grabbing John and smashing his face on the computer screen, by the means of repeating and harshening blows, possibly twisting the man’s neck at the same time.
His waves of aggressive thoughts were not even cut by the enraging snicker that momentarily escaped John. His waking dreams of smashing a pickaxe into the man’s balls were a long time ambition of the boy, the man.
“Just kidding, just kidding!” Carson said, and tapped the man’s, the boy’s, shoulder benevolently, as if talking to a long time friend.
In the whim of the moment, the man, grabbed John’s hand by the wrist and threw it away.
John looked at him, deviousness replacing the benevolent intentions on his face, as if he had thrown away a mask. He took a threatening step towards the boy, smile slowly turning into a grin his eyes shining with malice, red light glinting from them, though the redness could have been anything, reasoned the man, the boy.
“What’s going on here!?” Shawn Leerie was standing at the gap into the cubicle, his hand lifted to hide his open mouth as he yawned loudly. The breath escaped his throat in a way that seemed somehow very fitting for Shawn’s character, which was quite easygoing and lazy as a hedgehog in the winter. His hair pointed upwards like spikes on a fence, giving him a certain look that reminded people of some kind of a pop singer. His chin wasn’t pointed, but neither was it entirely round, and he had light brown eyes of slightly wet beach sand. He wasn’t exactly heavily built, he was slim and of medium heights, but you could see the muscles tensing under his shirt, and just too short sleeves.
Carson’s body tensed. All expression melted from him, each and every muscle in him seemed to get sprung, like the line in a bow; he looked like he was ready to bounce, but Shawn stood behind him, a relentless, yet quite, passive force.
An angel like smile spread across John’s face as he turned, and with an effort of will he seemed to be able to relax his body.
“Hullo! Leerie, what’s up?” he asked, hardly able to hide the scorn in his voice; red hatred bubbled behind his eyes, a fire only growing stronger as more coal was thrown into it. “Just here chatting with my pal.”
Carson took the boy, the man, by the shoulder as a friend might. The man, the boy hastily broke free of the touch.
Shawn lifted an eyebrow, “John Carson, hasn’t anyone ever told you not to pick on people who are smaller than you?”
He shook his head in false shame, not even trying to camouflage his mischief.
Carson grimaced, fast, almost unnoticeable; he excused himself, mumbling something about someone calling for him.
After he had gone, the man, the boy, slumped into his chair, and sighed in quiet relief.
“Thanks,” he said.
Shawn just beamed at him and said “Don’t mention him, can’t take that fucking bastard anyways!”
He gave the cubicle a passing glance and turned on his heels; he stopped by the gap into the cubicle. “Well I’ll be on my way,” unjustified joy still filling his voice. Cheery character he was, Shawn Leerie.
“Tell me if that fucktard gives you anymore trouble, ‘kay?”
The boy, the man, grunted in agreement.
Leerie stepped out of the cubicle.
The boy, the man, turned around wearily, he seemed tired, and felt like it. He turned his stone aged working computer on and began working.
He had the company’s account and other prosperity businesses to handle, all of which were as interesting as a steaming pile of cow dung.
He began writing; columns after columns of numbers and letters appeared as his fingers soared over the buttons with lightning speed. His eyes intent on the screen, not an ounce of interest was poured into anything else, since if he made a mistake in the wrong place he might not get paid at all before Christmas.
Money here, other money goes there, those thousands went there last month and these hundredths are now here; all this money that he would never ever see anymore of than what was written on his pay check and even from that the tax was taken away from. If only he could just snatch a few thousand from those numbers into his own pocket for Christmas and get that new heater that he wanted.
Hate, depression, a blue-dark air was about him, moving in un-seen waves over his head, his gaze fixated on the computer as if they were affected by witchcraft. His eyes wanted to close, but the pink machine inside his skull would not let them, instead it ushered them, like a dictator. With the enthusiasm of a man pointed with a gun the man, the boy, worked on, and on… and on.
All this time, the hatred and the frustration that he had fused, they mingled with each other. He saw himself strangling John, murdering the man when he was asleep. He saw himself breaking an axe into his computer and stealing the company’s money.
All naught but dreams. All naught but wishes.
In his moment of harbouring revenge a shock of theatricality met him.
“To be or not to be?” he whispered and chuckled.
His chuckle increased to laughter, and his laughter was coloured with scorn. His scorn turned to malice and his laughter to maddened barks.
Of course all silent, otherwise people would think ill of him, of him and the problems that he had.
So the boy, the man, shut his mouth and carried on.
The dark-blue air that was hovering there in the cubicle, was obviously to blame for his madness, what other contraption of man or God could do such a thing to a person, he thought. The fault is on God, the fault is on Man. Hate, death, destruction, an unwavering war of ideals.
Let all of man fight, for land for God. It is all a lie!
No one sees, no one does anything. Those who see are called crazy and dismissed. Why should one care about the death of people? Everyone dies, everyone kills but everyone does not acknowledges the murders they have committed
Why should I care? He thought. It is not my burden to bear.
See how long that one was? If it we're thinking of stanzas as paragraphs, then that is one huge paragraph! I think I can probably blame this on the internet as well, since it's harder to read big blocks of text on a computer screen than on a piece of paper. So this might not be a problem if the story was printed out--but it's not. It's on the internet. So I suggest you space this out a little to be easier on your readers.

Now that I've said that, I'd like to say that I really like the character. You're doing a great job of developing his personality. Especially considering the fact that I don't know his name yet (or even whether he's a man or a boy!) I have a surprisingly good sense of who he is. Really, I know next to nothing about him, now that I think about it, but I feel like I have just met him--or better yet, been him for a little while. I also think he is a very promising character for a novel, considering that I don't think he's a "good" person (I have a feeling he's quite "bad" actually) but I still like him. I have a feeling he is completely nuts and probably quite dangerous to boot, but I still feel bad for him, and I still care about him. Great job with that, Lord Anzius!

All in all, I think you have something really unique here. I really admire you for writing it, and I wish you the best for the rest of the novel! Let me know if you have any questions or comments or anything about anything I've said.

I hope this helps!
a
  





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Sat Jan 01, 2011 11:57 pm
Sunshine says...



Here as requested! I'm afraid this will probaly be the only chapter I review. I'm not a fan of 16+ or 18+. I do admire your writing skill though! All nitpicks seem to be done. (Jeez that always happens to me...) You have amazing descriptive skills and an interesting writing style. However, this is a novel am I correct? You need to post novels to the novel foroum so chapters are all together. I think all has been said. I know how lame that sounds but everyone else has run you pretty throughly and I hate to be a repeat. So...Bye!
I have loved the words and I have hated them. I only hope I have made them right.

---The Book Thief---

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If I feel physically as if the top of my head were taken off, I know that is poetry.
— Emily Dickinson