Orli and Eden (1)

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Deleted because I needed to hand it in to school :(

Thanks to all who helped ;)


xxx
Last edited by Lost_in_dreamland on Tue Jan 20, 2009 8:27 pm, edited 1 time in total.
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This is miles better than the first piece I read by you.

It's very long...

let's see how far I get...

First of all. Communism? In Germany? Nah-uh. Germany was facist, kiddo. :)

heisst street


Rewrite: Heisst Street.
Also, I trust you, but make sure you don't just make up German-sounding names.

Ari


I'm pretty sure it's a boy's name. Yeah, it is.

Whereas Mr Cohen’s was a more poignant, emotional approach.


This is a sentence fragment.

A large house, with many windows, overlooking luscious greenery.


A sentence fragment again. Fit it in somewhere.

dreary routines, her usual warm smile


Replace the comma with a semi colon.

everyday


Every day. It's two words. :)

with it’s


With it is? I don't think so. Take out the apostrophe- it should be "its".

covers and observed Orli.


Um, what? This makes no sense.

He began to eat, not even bothering to check what he was eating.


The word eat/eating becomes repetitive.
Maybe re-write as, "He began to eat, not even bothering to observe what he was consuming".
A sentence fragment again. Fit it in somewhere.

I'll finish this later...

Hope this helped,
Sakura
Odi et amo. quare id faciam, fortasse requiris?
nescio, sed fieri sentio et excrucior.
-Catullus, Carmen 85




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Haruno Sakura wrote:This is miles better than the first piece I read by you.

It's very long...

let's see how far I get...

First of all. Communism? In Germany? Nah-uh. Germany was facist, kiddo. :)

Yep, I know :lol: Very hard to explain, basically, to begin with this piece was set in a whole different country, a whole different time. So I've accidentally left little fragments of the old piece in :lol:
Thanks for the review ;)
xxx
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Hey there Kirsten! Nitpicks first, overall afterwards. I'm going to do this now until Chapter 3, and finish it later.

:arrow: Do you like the characters? Are they well developed... The usual.

They are developing superbly, however you need to change the execution of how they are developing. Show, Don't Tell. Have your characters interacting thruogh dialogue and events, rather than doing huge profiles for each of them. See overall comments.

:arrow: The language - I need a lot of help here! People who have read some of my work know I have a huge problem with writing 'I be' and I really need help on that :lol: the language used is perhaps a bit too formal for the time period but I don't really want to change it.

That problem wasn't at all apparent here. I don't mind that it's slightly old-fashioned, because it makes your work so endearing from the pages of chick-lit styled writing on the forums. Many people write novels set in a more modern period, in a more old-fashioned style. It's refreshingly original.

:arrow: Overall opinions. Should I carry on with it?[/b]

YES!

:arrow: How can I improve the start? I'm having real problems with it and I hate it. Help ? ! :D

I've edited most of it in the nit picks.


My Father - much to our surprise was back at work, much more concealed now.


Rephrase: Much to our surprise, my father was now back at work, though the whole matter was much more concealed now.

His workplace was at the end of heisst street, a tall grey sandstone building, that seemed to my young eyes as though it went upwards forever.


Capitalise Heisst Street. [Oh and to Haruno - it is a legitimate German name, lol.]

A rotting placard hung limply above the small windows:


I love this.
But I think you should replace the colon with 'reading:'

“Benidikt Schwartz
Rechtsanwalt und Anwälte”


A lot of unnecessary space after these names.

My father had been fighting-unsuccessfully- a particular case for many months now.


My father had been fighting unsuccessfully on a particular case for many months now.

The case of the Cohen’s, one of my former friends’ family.


The apostrophe in friends' should be friend's.

Ari, she was averagely built, long chestnut curls coiled around her sharp chin, hypnotic chocolate eyes were set in line with small elfish ears.


Lovely description, but the first part of the sentence should simply read, 'Ari was averagely built.' It just flows better.

She had an interesting sense of humour, rather trivial. She was a quiet girl, shy amongst strangers, flawlessly polite, with impeccable manners.


This is a good insight, but you need to show rather than tell. Show us her personality through events, through how she interacts with other characters. Instead of narrating it, show your character talk with this girl, and through their dialogue show how she is quiet and how her sense of humour is trivial. I'll elaborate on this in the overall comments.

He was always dressed perfectly, down to the last smudge of polish upon his spotless hob-nailed boots.


Love this! :D

He indulged upon life’s pleasures without shame.


This should be, 'He indulged himself upon...' .

His wife - Eli, was an elegant woman, pretty and charming in nature and appearance, she had a natural mothering instinct, and Ari was treated very well - almost spoiled in a way, not in the way Orli and myself were though, a more subtle way, my father’s approach to spoiling involved money, lots of it. Whereas Mr Cohen’s was a more poignant, emotional approach.


Again - show rather than tell. But this was well written.

The Cohen’s had lived on an expensive estate.


No need for an apostrophe in Cohens, darling, as it's plural, not possessive.

I had wandered imperturbably past it many times, pondering over exactly how many rooms the house contained, how many nooks and crannies, were stuffed into the mansion.


Imperturbably doesn't quite fit here. I know it's hard, but as writers, we should try to fit the least possible amount of adverbs into our writing. Every time you're about to insert an adverb, think about whether it's actually going to do anything for the sentence. That will help you, as it has done me.

I often smiled to myself at that - the way no one is perfect, everyone has their flaws; myself no exception - perhaps even supplementary. I suppose I have always been a good comparison, a perspective, a way to realise that your worst fears are not frivolous, that they don’t really exist.


This is good, but irrelevant here. Think of somewhere else to recycle it.

Resulting in Orli becoming monotonous, her usual emotional state had been dejected amongst the angst of my father’s ever changing moods.


Change the comma to a semi-colon.

Her latest days were filled with dreary routines, her usual warm smile replaced with a grimace, her lime green eyes had lost their sparkle, now sadly placid.


Replace the comma after 'grimace' to a fullstop. Please believe me, it would give it so much more effect.

Despite our family’s depression the world went on, everyday the sun would rise, with a satisfying normality, the day ended and we were bathed in glints of moonlight, refracting Orli’s wearied eyes as I curled up in my small bed, with it’s scratchy covers and observed Orli.


Good, but there's some grammar amendments:
Replace the comma after 'on' with a fullstop.
Nix the comma after rise.
Replace the comma after normality with a fullstop.
Put 'then' before 'the day'.
Nix the comma after 'bed'.
Take out the apostrophe in 'it's'.
and replace the second 'Orli' with 'her'.

During the course of my observations I had discovered a change in Orli, she was different now, more thoughtful. I often caught her deep in thought, her eyes wrinkled in concentration, lost in dreams, pondering upon subjects that I did not care to think about. Philosophies.


Wonderful perception.

Her predictability had eased slightly, now that her soul seemed to be engaged in a subject that not only interested her, but captivated every piece of her to an extent that she was absent from the real world, her body was lifeless and still, a mere presence I didn’t contemplate over where her heart and soul really belonged, where they longed to be more than anything, I considered her behaviour simply a mark of who she was. A way to identify her from the rest. I knew that I was being typical of myself, I did not have a way to escape the realities of life, I didn’t have my own world to disappear to and unlike my sister I didn’t have a world to disappear into plainly because I had no desire to disappear, at least until the war. I wasn’t like Orli, I didn’t see point in disappearing, instead I concluded that life would be easier if I faced up to reality. If I lived in the real world, however harsh that world might be, and in doing so I inwardly accepted all shortcomings.


Overall Comments

I


Okay, Kirsten darling. This is all so great. It's perceptive and mature, it gives us such great insight into the characters. But you have a problem with your execution, and that is telling instead of showing. Take the huge chunk of paragraph I've quoted, and the couple before that, and transform them completely. Keep the ideas, the concepts, the wonderful emotions and descriptions and philosophies you work into them, and transform them into dialogues, events, interceptions, interactions.

II
The characterisation was great in this chapter. Okay, I hate talking to you about characterisation because I feel like a huge, huge hypocrite. So just try to forget that mine is so lame, for the time being. xD But the problem is, you're telling the characterisation, rather than showing it. It's like a huge character profile, rather than a story. It doesn't matter whether it's large scale, personal or inter-personal, you just need a way of showing your character's personality through other characters. Show your MC interacting with different people, seeing the world through their own perspective, having their inner monologues, contradicting themselves(yet make sure these contradictions apply consistently and make sense). I adore -ADORE all the characters you've created, you just need to make the execution better.

III

There was a problem with Telling instead of Showing. This is really common, and easy to solve, if you have the right guidelines. So, I've told you these a thousand, thousand times. But I'm just going to ramble on, because a) I like writing them for some sad reason.
b) Then, you'll have another copy. :lol:

1. Use Dialogue It allows the reader to experience a scene as if they were there, and can give your reader a great deal about character, emotion and mood. I noticed you were telling a lot of the dialogue passively, instead of having it happen actively, which is what you should be doing. It would also help a lot with your characterisation problem.

2. Use Sensory Language In order for readers to fully experience what you’re writing about, they need to be able to see, hear, taste, smell and touch the world around them. Try to use language that incorporates several senses, not just sight.

3. Be Descriptive. I’m sure everyone remembers learning to use adjectives and adverbs in elementary school. When we’re told to be more descriptive, it’s easy to go back to those things that we were taught. But being descriptive is more than just inserting a string of descriptive words. It’s carefully choosing the right words and using them sparingly to convey your meaning. Take basic information and paint a picture with it, maybe using figurative language. When using description, it’s important not to overdo it. *COUGHS* Because that's not me at all. *COUGH COUGH*

4. Be Specific, not Vague Vague, fuzzy language tends to just frustrate the reader. Take the time to try and describe what that feeling was, and then decide how best to convey that feeling to the reader. Your readers will thank you for it. This isn't actually one of your biggest problems,as you have clever ways of describin gfeelings. Just try to keep it consistent.

The day of the Cohen’s court case. My father was up at the crack of dawn, racing around the house frantically, he held small sheets of yellow tatty paper, which curled at the edges with hoariness. His writing was scrawled all over them.


Absolutely love this, but the first sentence should be a heading, and 'hoariness' is the wrong adjective.

Conclusion

Anyway, Kirsten. I really enjoyed reading this. You know I'd take your characters out for cake any day. xD Your philosophies and concepts are so mature and deep, your perception is so clear for somebody of your age. I love the plot, it's riveting even though it's not action packed. The only problem is how you've executed this. Oh Kirsten, this could be so, so great. You just need to re-write it. Hey - we're talking on MSN at the moment, obviously, and I would ADORE to help you with the re-write, giving you examples of how to show instead of tell, and changing your telling into dialogues and interactions. So yeah, just drop me a line.

Good luck! Well done!

-Sarah
xxx
Had I the heavens embroider'd cloths,
I would spread the cloths under your feet.
But I being poor, have only my dreams,
So tread softly, for you tread on my life.




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Lost_in_dreamland wrote:Note:[u]



My Father - much to our surprise, was back at work, much more concealed now. His company worked solely for Jewish people, before the war he had focused on Jews, but his desire for justice led him to allowing others into his office. His workplace was at the end of heisst street, a tall grey sandstone building, that seemed to my young eyes as though it went upwards forever. A rotting placard hung limply above the small windows:

“Benidikt Schwartz
Rechtsanwalt und Anwälte”


My father had been fighting-unsuccessfully- a particular case for many months now. The case of the Cohen’s, one of my former friends’ family. Ari, she was averagely built, long chestnut curls coiled around her sharp chin, hypnotic chocolate eyes were set in line with small elfish ears. She had an interesting sense of humour, rather trivial. She was a quiet girl, shy amongst strangers, flawlessly polite, with impeccable manners. Her father, Mr Caleb Cohen, was the local doctor, a stout man, strict both in conduct and manner. He was always dressed perfectly, down to the last smudge of polish upon his spotless hob-nailed boots. He indulged upon life’s pleasures without shame. He had never been one to put on any sort of façade, always preferring to see things the way they were - hence the way he spent money. His wife - Eli, was an elegant woman, pretty and charming in nature and appearance, she had a natural mothering instinct, and Ari was treated very well - almost spoiled in a way, not in the way Orli and myself were though, a more subtle way, my father’s approach to spoiling involved money, lots of it. Whereas Mr Cohen’s was a more poignant, emotional approach.


The Cohen’s had lived on an expensive estate. A large house, with many windows, overlooking lusciousLush greenery. I had wandered imperturbably past it many times, pondering over exactly how many rooms the house contained, how many nooks and crannies, were stuffed into the mansion. Cuit that sentence. Clumsily worded and I can't see a way to fix it.The problem they now faced was to do with money, an ironic prospect within such a rich household. Mr Cohen had been overthrown, Fired simply for being Jewish. His job had been given to a semi qualified German ’moron’, as quoted by Cohen himself. His house and possessions had been given away, for the best offer, Cohen and his family had been thrown onto the streets, all solely because of prejudice on the Germans’ behalf. His property now housed a different occupant. A German soldier and his family; Kurt Weiss, a tall, broad shouldered man, patriotic down to the very last detail, with ash blonde hair and liquid blue eyes. Not with many academic prospects. I often smiled to myself at that - the way no one is perfect, everyone has their flaws; myself no exception - perhaps even supplementary.Remove perhaps even supplementary, it sounds rather twerpish I suppose I have always been a good comparison, a perspective, a way to realise that your worst fears are not frivolous, that they don’t really exist.

What on earth are you talking about? The language is not only that of a child, it is not how someone would talk at that time, or any other. Will talk more on this later

Upon the case of Mr Cohen my father had began to doubt his talents, his depression resulted in my family becoming quieter- a strange spectacle with regard to our usual talkative spirits. Resulting in Orli becoming monotonous, her usual emotional state had been dejected amongst the angst of my father’s ever changing moods. Her latest days were filled with dreary routines, her usual warm smile replaced with a grimace, her lime green eyes had lost their sparkle, now sadly placid. Little bit of an over-reaction, don't you think? The father wouldn't influence the child so much and besides, it's just work. There were many more pressing problems at that time
Despite our family’s depression the world went on, everyday the sun would rise, with a satisfying normality, the day ended and we were bathed in glints of moonlight, refracting Orli’s wearied eyes as I curled up in my small bed, with it’s scratchy covers and observed Orli. During the course of my observations I had discovered a change in Orli, she was different now, more thoughtful. I often caught her deep in thought, her eyes wrinkled in concentration, lost in dreams, pondering upon subjects that I did not care to think about. Philosophies. Her predictability had eased slightly, now that her soul seemed to be engaged in a subject that not only interested her, but captivated every piece of her to an extent that she was absent from the real world, her body was lifeless and still, a mere presence I didn’t contemplate over where her heart and soul really belonged, where they longed to be more than anything, I considered her behaviour simply a mark of who she was. A way to identify her from the rest. I knew that I was being typical of myself, I did not have a way to escape the realities of life, I didn’t have my own world to disappear to and unlike my sister I didn’t have a world to disappear into plainly because I had no desire to disappear, at least until the war. I wasn’t like Orli, I didn’t see point in disappearing, instead I concluded that life would be easier if I faced up to reality. If I lived in the real world, however harsh that world might be, and in doing so I inwardly accepted all shortcomings.

Good paragraph. Very Jane Eyre :)

I cared not to delve into business that was not mine to delve into, however, it was obvious that the Cohen case had improved, my father now walked to work with a skip in his step, and a whistle as opposed to his usual despondent frown. A kiss was deposited upon my small cheeks every-day before he left eagerly for work. And so arrived the 12th of September. The day of the Cohen’s court case. My father was up at the crack of dawn, racing around the house frantically, he held small sheets of yellow tatty paper, which curled at the edges with hoariness. His writing was scrawled all over them. On a rare inattentive moment on my father’s behalf I caught a glimpse of them. Desperately inquisitive as to how the case was managing I attempted to read; the illegible hand writing refused to make it easy for me, and much to my annoyance I had to give up. At around nine Father left, running back only to plant the kisses he had forgotten earlier upon our heads. Upon my asking of how Father managed to go through all these cases without shedding a single tear he told me that when he left for work he left his heart in our hands, asking us to look after it for him until he returned. Aww, that's very sweet. Lovely.


Chapter 3
Cohen.

My father returned from the Cohen case with remorse abstracting his face. He did not wish his heart to be returned that night, I was to keep it for him, until he wished to redeem it. The case had not gone well, not only was it not going my father’s way but there were people there - a certain type of people - people that sent controversy everywhere they went. Tall men, it seemed apparent to my father that they all dressed the same, in long coal black jackets that trailed down to their ankles, and shiny boots. However I knew this to be untrue, my father, ironically, went against his cleverness and did not administer to his usual inclinations of scrutinizing every detail about a single person, instead he seemed wary, reluctant to discover the truth surrounding these people. He began to eat, not even bothering to check what he was eating. After his meal he rose from the table and declared that he was going to bed. Slowly after me and Orli followed.


Orli was talking to me as usual, her normal sparkle returned at long last to her green eyes; she was talking of the Cohen’s, about Lizza Cohen, the late grandmother of Ari. Of late Orli had become particularly friendly with Ari Cohen, consoling her, sympathising with her. Lizza Cohen was an elderly woman, both in mind and physique. She was schizophrenic, living a life of solitude in a mental institution, for she did not live alone but she lived within herself. Unintentionally alone. Rumours fluttered around the town, conspiracies flew around the town that Caleb Cohen had disowned Lizza as soon as she had become ill, although the precise details were unclear. Orli was stating that she would rather die than be mentally ill, I had answered wryly that I wasn’t so sure. She hated the idea of not truly being herself, not being slightly tuned into reality, as much as her own little world mattered to her she had decided that staying slightly tuned into reality was important. I thought differently. Perhaps not really being yourself would be good, perhaps letting go of the real world would be a rewarding prospect, an interesting spectacle even to me. The irony of the situation made me laugh, Orli was the creative one, the one that loved to disappear, who’s soul remained vacant from the real world almost every minute of every day, where as I; I didn’t like my world, I was a realist, choosing reality over anything else and I was willing to totally let go of the world. I was left pondering over my incongruity inconsistancy as Orli put out the light and bid me a goodnight.

Father was gone by the time I had got up. It was a shame, I had forgotten to ask him if he wished his heart back! The sun had risen earlier than normal, ebbing away all traces of the previous darkness that had engulfed the whole countryTake it out, the sun rises, it happens everyday, who cares?. Mother
You have a mother?? Then why didn't you mention her till know? Surely she would be more influenced by the father's mood. Give her a character too.
had awoken me at around six, to inform me that school had finished, at least until times were safer. I had asked her when times would be safer, and she had replied that she did not know. And so began my boredom. Orli would sit beside me and tell me stories all day long, but I grew uninterested, as I could not allow myself to disappear, I couldn’t understand her stories with the imagination she had told them with, and so I grew tedious. Orli preferred then to tell her stories to no one, but the scrawls of paper upon which she spent many hours staring at. The journal that I had given her for her 14th birthday had been well used, it was frayed at the edges, from being used so much.
Change to: Had been so well used it was fraying aorund the edges.
I contented myself by sitting talking to mother, no commaabout recent matters of interest whilst listening to the scratching of Orli’s pen scrawl across the pages of her exhausted journal.

Father arrived home later than usual, an abnormality amongst his usually perfect timing. He came jogging into the house breathing in ragged uneasy breaths. He looked at us first, as if for the first time ever, surveying every one of our faces one at a time, swallowing up every detail. He sat down, not saying a word and turned to me.
“Eden.”
“Yes Father.”
“I’ll have my heart back now”, I smiled brightly, him doing the same; mirroring my actions.
“You’ve won!?” , I asked intrusively.
“Not quite ,Eden.” “Almost.”
“The most curious situation came about today, Mr Cohen did not attend court. His own court case and he did not attend, how odd?”
The room was silent as it was enveloped in intrigue.
Orli came running up to father, the prospect of optimism upon her face. Her eyes flickered brilliantly in the dark room, sparks of fire reflected her deep orbs, shimmering wildly. She looked up at father, catching his attention, they exchanged a look of apprehension, which vanished as quickly as it had appeared.


Father had beamed up at me, and placed his hands upon my face:
“Eden, I want you to know that whatever happens, no matter what, I’ll always love you, and although I’ve accepted my heart, I never truly want it, I want you to have it. You, and Orli, and your Mother.”
“You look after mine and I’ll look after yours”, I replied truthfully.
I reached up and wiped his face as a tear began to gently roll down his cheek.


Much to my surprise I was sent to bed early that night, it had merely reached seven upon the old wooden clock, which rested against the mantelpiece, instinctively I had left the room, careful not to anger father. His recent evocative speeches had tired him. Upon my departure from the room I heard Father arguing, not of a pugnaciousum, would anyone say pugnacious in real life, ever?
nature, but nevertheless arguing. I was inclined to inquire as to what they were arguing about, but thought it favourable on behalf of both parties- if I just stayed out. I stood loitering beside the door for some time, staring at the spiralling oak patterns, that glided up the doorway, eventually ebbing away into nothingness. There was a voice coming from inside- one that I did not recognize, a rather elderly man I guessed, by the sound of the muffled voice coming from within, interrupted regularly by fits of coughing. I wandered further through the hallway, contemplating over no over necessarywho the visitor was.



It was only when I passed the front room that I realized who the presumed speaker was. It was none but Mr Cohen himself. A crippled version of Mr Cohen. His hands were black, burnt to a crisp, charred to a cinder. His clothes were ragged and bloody. Holes formed almost every area of the thin material. The little that remained was drenched in blood. Crimson red stained his face, like war paint. He was breathing intermittently, irregularly. I could not stand to look at him one more minute. I closed my eyes tightly, willing them to stay shut forever.


“Bloody….” I couldn’t hear the conversation, I was somewhere else, for the first time ever I wished I was in Orli’s world, I wished I could be lost forever, and never found again. I slowly unlocked the blinding force of my eyes, that was shutting out the world. I couldn’t take it anymore. Mr Cohen was rich, more than rich, he was respected, whoever would dare do such a deed to one such as Mr Cohen must have been fearless to say the least, and gullible at best. A gasp escaped my mouth, not portraying half of the remorse that was engulfing my body. Mr Cohen turned to me, his eyesight obviously impaired.
“Who…(cough)…is thaaa(cough)…?
“Who goes there?”, my father had pursued in Mr Cohen’s wonderings.
“Sss..sorry, Father.”, I replied careful to keep my tone normal as not to disturb Mr Cohen.
“Come here child…(cough)…I have not seen you in …(cough)…a long time”


I came closer to Mr Cohen, careful as not to suddenly lose my poise.
“I..bbbeg your pppardon ssirr, but whaaat exactly happened?”, my words were slurred and came out in raggedy syllables.
“Hmph… (cough) sir.” “Call… me by my (cough) name child”
“Sssorry Mr Cohen.”
“No child … (cough).”
“Caleb”, he said his own name as if for the first time, throwing the word around his mouth. It reminded me of the time that I had first embarrassed myself on that day in July. It seemed childish now, the embarrassement at having said ’lookerafterer’. This was the real world, the world that I had once told Orli was better than her world. I thoroughly doubted my theories now.
Aw, beautiful. The death of innocence.
“Whaa.. (cough)… whaaat dignity do I have now?”, he asked sadly.
I did not know how to answer such a question, so I proceeded to sit on the floor beneath him as he recalled his story, letting the tears sail like gondolas down my cheeks.


It was none but the day before yesterday, that they had come; tall men, dressed in suits, all rather similar. They had passed Mr Cohen, on his way home from court, making a shrewd comment upon his court case, what a pointless man he was, for attempting to pose a threat to the ‘others’, as they had called them. He had questioned them upon their hypothesis, resulting in their anger at being talked to by ‘scum’. Caleb had ran, ran for miles, as fast as he could until he was a safe range from the men. He had dreaded returning to his family, in case by any chance these ‘people’, should be obliged to track down his family. By the time he had returned theories had ignited in his head of what these people had done to his family. Upon his arrival he had found his family safe and well. Perfectly serene, no change to their composure except perhaps, maybe, Mrs Cohen’s eyes had widened by half a millimetre, at the spectacle of how on earth her husband had become so roused over matters that she had no concern over. Momentarily anyway. That night he had gone to bed, yet not slept peacefully nor serenely. He had longed for apathy, not one moment did he spend perfectly tranquil. As night had finally passed, and daylight enveloped his bedroom he had got up and put his best suit on. Kissed his family, and said his goodbye’s. That evening he did not return, nor did he show up at court. Caleb claimed that after that morning he did not remember a thing, he could not recall what had happened or who was involved. All he was sure of was that his wearies were all directed at the men. No one had seen any of the men since the first day of court; they had simply disappeared.


Chapter 4
Splinters.

Christmas arrived, and life had grown too arduous to survive. We were to leave the country. Forever. An air of childish innocence had passed over our household; at the idea of regaining our grip on reality. In the past months Orli had become even more distant; her soul completely vacant from the world. The Orli I had previously known had gone. She had simply vanished from the world. Her eyes were different now too; they were no longer set alight with every spark of excitement; they were darker now - more mysterious. She didn’t exist anymore. I knew deep down; somewhere lost amongst her newly angst ridden trait; she existed. Shying away inside of herself had driven her to sheer madness; somewhere inside her the illustrious Orli we all loved lived, waiting to be brought back up to the surface. Went on about Orli too long. We don't care that much about her yet.


And so we were to escape. My cynistic Cynical nature doubted that life would become completely customary; we would be affected forever by the war. I contemplated upon that mere fact; the way such a few people had made so mamy lives living hells. A single person could ruin the world; one person, tearing the souls from so many - it wasn’t right; what gave one person the right to do so? My world was very much full of less riches now. CommunismFacism affected my family in every possible way - wrenching all goodness from our lives - taking our wearies and mingling them amongst even more troubles. My father’s’ wage had been cut; we lived upon meagre necessities.But it's not like anything has even happened to you yet. Where is the fear?



Ok, I have to say the subject matter and the characters need some serious work. Your narrator sounds a lot older than eleven. The dreamy sister is one dimensional, as is the mother. The father I like, sounds like Atticus Finch :) Also, what happens in this story, really? Not a lot. It's okay to be filled with self reflection some times, but it is irrelvant when we don't care what the characters think. But you definately improved your turn of phrase and abilty to make me angry from last time :lol:
The story needs more meat to it though, for sure. A lot of books have been written about Nazi Germany and the Jews there. To make yourself stand out you need an extraordinary story and relatable characters. However, I really liked your death of innocence theme. It fits really well with the subject matter.
When you look at your life, in a strange new room, maybe drowning soon, is this the start of it all?




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Kirsten, after your many critiques of my work, I thought your own deserved some attention. I'm glad I decided to review this, because it really is exceptional. 8) I love the subject matter, I love the time period, so this is a winner as far as I'm concerned.

Let's get onto those nitpicks.

My Father - much to our surprise was back at work, much more concealed now.
Blah! You know, I liked this story a lot, but this opening sentence does not work. It actually makes no sense, and that it is wholly down to error in punctuation. Maybe it should be: My father - much to our surprise - was back at work, and much more concealed now. Okay, perhaps it sounds a bit long-winded, but at least it makes sense now.

His company worked solely for Jewish people,
You mentioned this before, I know. There really is nothing wrong with saying Jews. That is a correct word. You can say Jewish people, but that is probably used more by people who try so hard to be PC that they are quite the opposite. This is just opinion here.

His workplace was at the end of heisst street, a tall grey sandstone building, that seemed to my young eyes as though it went upwards forever.
Capitals needed for the name of the street has already been mentioned. Can I just say, though, that I loved your description of the building - it perfectly captures it in the eyes of a child.

My father had been fighting-unsuccessfully- a particular case for many months now.
Eek, more abuse of punctuation I think. It's a shame, because aside from that your writing is quite faultless. Lucky for you, however, it is a skill you can learn, unlike suffering from telling not showing, etc. Why hyphenate? I think: My father had unsuccessfully been fighting a particular case for many months now. Try not to fall back on hyphens too much - they can be used cleverly and unnecessarily.

she was averagely built, long chestnut curls coiled around her sharp chin, hypnotic chocolate eyes were set in line with small elfish ears.
Your descriptions are otherwise vivid and memorable, but this was a bit YA. It's like you tried to describe her whole appearance - WHAM - in one sentence. I think subtlety is required.

Despite our family’s depression the world went on, everyday the sun would rise, with a satisfying normality, the day ended and we were bathed in glints of moonlight, refracting Orli’s wearied eyes as I curled up in my small bed, with it’s scratchy covers and observed Orli. During the course of my observations I had discovered a change in Orli, she was different now, more thoughtful. I often caught her deep in thought, her eyes wrinkled in concentration, lost in dreams, pondering upon subjects that I did not care to think about. Philosophies.
This is what I mean about vivid imagery in your narration. I pictured this - it was a touching scene. And subtle! Very moving, too.

I wasn’t like Orli, I didn’t see point in disappearing, instead I concluded that life would be easier if I faced up to reality.

I wasn't like Orli; I didn't see the point in disappearing. Instead, I concluded that life would be easier if I faced up reality.


“Yes Father.”
“I’ll have my heart back now”, I smiled brightly, him doing the same; mirroring my actions.
“You’ve won!?” , I asked intrusively.
“Not quite ,Eden.” “Almost.”

Punctuation, again, seems to have been butchered. Sorry, Kirsten! It's all fixable, though. Commas should be within speech-marks, new dialogue should be on a separate paragraph.

“Who…(cough)…is thaaa(cough)…?
“Who goes there?”, my father had pursued in Mr Cohen’s wonderings.
“Sss..sorry, Father.”, I replied careful to keep my tone normal as not to disturb Mr Cohen.
“Come here child…(cough)…I have not seen you in …(cough)…a long time”
I came closer to Mr Cohen, careful as not to suddenly lose my poise.
“I..bbbeg your pppardon ssirr, but whaaat exactly happened?”, my words were slurred and came out in raggedy syllables.
“Hmph… (cough) sir.” “Call… me by my (cough) name child”

Seeing as this is not a play-script, I don't think the "(cough)" additions are necessary. But that's up to you. I also have an issue with you writing "bbbeg" and "ssirr" etc. Can't you describe how she is speaking and then type it out properly?

My cynistic nature
I think you meant cynical. Typo?

A single person could ruin the world; one person, tearing the souls from so many - it wasn’t right; what gave one person the right to do so? My world was very much full of less riches now. Communism affected my family in every possible way - wrenching all goodness from our lives - taking our wearies and mingling them amongst even more troubles.
Punctuation, again, has gone a bit awry, but other than that, it was very affecting.


SO...

I thought this was great. I realise it doesn't look that way with my fussy nitpicks, but I think you'll find they are largely punctuation/grammar based. Apart from that, it was brilliantly written. You obviously read grown-up novels and that shows - it had not the least cliche or YA aspect to it. It was hard-hitting, real, no-nonsense. It worked brilliantly.
I was intrigued at how you didn't fall into the trap of insy-winsy paragraphs for effect. They were long like in a proper novel, and not dull or pedantic at all. Altogether, it was very mature.

The characters... I thought Eden was interesting. I liked to hear from her POV. Perhaps there was something missing, though - I don't think it was your fault, but rather that you were trying so hard to portray the setting and the political backdrop. Eden spoke of other people a lot, but not much of herself.
I'm not that well-informed on the history of the time, but I was wondering if you researched at all? One thing I was wondering about was the names of the characters. Are they all authentic German? I'm probably wrong but at times I did wonder if you'd just taken them from the top of your head because you thought they sounded German?

I don't think it was too formal at all. I think that people who say it is are perhaps better suited to a different type of fiction. This is mature stuff, not your typical run-of-the-mill adventure stories or romances. Of course, this needs a strict edit, to tidy up little errors, but then I think you have a strong story on your hands. I hope that you can keep it up!

In conclusion, do carry it on! It had me hooked, surprisingly. It was a bit long. Better, I'm sure, to read on paper than at the computer :roll: I look forward to the next installment.




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Lhighton, thankyou so much for the review :) :D
You rock, and thanks to everyone else too, who's taken the time to review it xD

Lhighton, you made a genius comment about how Eden talks of others, but not of herself. I think that might be why some people don't think the character development is right. So, thanks millions :D and I shall find a way to fix that problemo :)

xD
for what are we without words and stories?




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Hi there!

I'm not sure why you took this down... Just because you have to bring it in to school doesn't mean it can't still be up here for everyone to see it!

Anyway, I'm not sure if you still wan this, but this is the overdue review on your piece!!! (I know, it's been what, a month?) * Is very guilty *

I'll post it anyway, in case you want to use the comments for a future revision.

Sorry I couldn't do this sooner!


~Lupis
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canislupis thanks so much for the review :D
I had to take it down because it might be included in coursework which is sent to the national exam board, anything that has been previously on the internet MUST be taken down. Thanks :D
xxx
for what are we without words and stories?



Follow your passion. Stay true to yourself. Never follow someone else's path unless you're in the woods and you're lost and you see a path. By all means, you should follow that.
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