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Your Ex-Lover is Dead (1)



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Mon Jul 14, 2008 6:19 am
Clo says...



I am going to finish this. So have faith in me, and throw a shoe at me if you don't see me submit anything else of this for a bit - though I will! o_o Needs a lot of work. Title from a Stars song.

The night kisses our old fears and desires, welcoming them home.

The radio on the bed played Top 40 and Danae sang along, though she didn’t know the words. She hummed and “ya-da-da”ed, walking around her apartment and sprucing up for the lovely little evening her neighbor Lisa had promised her.
She had been living in the city for a year now, and her company on the weekends usually consisted of her flippant and chemically blonde next-door companion, and the motley collection of friends the two of them picked up here and there. Being an extroverted youth in the urban world called for active weekends, which were also deserved for five days of eight-to-four work hours.
Her makeup table was littered with hand-mirrors, brushes and circlets of eyeshadow hues. Danae cleared them all away and pulled her purse out from under the table as she reached over with her other hand and flipped the radio off. She was out the door in the next instant, her keys chiming in her hand as she danced to the foyer.
Lisa had left earlier to pick up some friends from Batavia and someone from further east who had come in on a train, someone Lisa knew from her college days and whom she had been writing letters. Danae was supposed to meet all of them at the Comfort Zone coffeehouse and then they would hail a taxi.
Her heels clicked on the sidewalk and she swung her arms as she strolled, feeling generally light-hearted. There was nothing like a night out. The streets were busy, and dusk was breaking as shops turned on their lights and people slunk inside the bars and restaurant verandas.
The humidity clung to Danae’s skin, sucking her into the air and leaving her feeling exasperated and excited as she trailed the blocks to the Comfort Zone. The thick atmosphere made the city streets smell pungent, and cars that zipped by brushing a thin and cool breeze against her cheek.
She spotted Lisa before she arrived. She was wearing a buttoned down brown jacket and a little black skirt, her blonde hair alight around her face as she turned and waved at her down the walkway. Her and her three companions were sitting at a table outside, and they all turned as they saw her approaching.
“Hey, Danny!” Lisa stood up and gave her a brisk embrace as she reached them; the three strangers watched, sipping at their drinks. Smiling, her blonde neighbor angled toward them. “Danae, these are our three dining companions for the night: Alan, from the ‘Cuse, here,” her hand gestured to a portly, mousy haired man who still retained youthful freckles sprayed all across his face, both appealing and a put-off. Her hand moved over to indicate the black haired man next to him, wearing a suit and looking quite busy amongst them all, though he sat still just like the rest of them: “Damien, here; he deals at a casino.”
Lisa raised her eyebrows and gave Danae a brief glance before flicking her hand toward the last man: “And here’s Owen. We used to work together part-time at the radio station; you know about my stint there.”
Danae nodded her head politely to all of them, but the last man, the last face and his name vengefully attached to it, had dealt a fierce kick to her stomach.
Owen. The second the name had hit the air and sparked their surroundings electric she knew she couldn’t look at him, but she had to; she let her eyes slide awkwardly over him twice, before she averted them to the row of grande coffees with their cardboard holders on the table.
She was surprised, furious, comforted, by the fact that he looked more-or-less the same: styled dark hair, his eyes little almond bits that flashed an ink-blue. The only thing new was the small amount of facial hair on his chin; what she believed others called a “soul patch”.
He didn’t let the moment settle, but grinned in a strange way and held onto it. To Lisa, he said: “Yes, Danae and I know each other, actually.”
She wanted to slink down into the cracks of the sidewalk and hide.
“You do?” Her neighbor perked up, smiling like a little girl and laughing. “How do you know each other?”
“College.” Danae murmured, and then suggested they hail a taxi - before it was too dark out and the sidewalks were more crowded…

In which halos are slung.

Lisa sat upfront in the taxi, and everyone else crammed into the back. Owen thanked some sort of higher power that Alan and Damien were wedged in the middle; Danae sat at the far end, her face pressed against the window. She stared outside at the passing lights, pointedly keeping every speck of her focus off him.
On the other hand, he found himself unable to keep from repeatedly looking over at her. After all, it had been almost three years since they had last seen each other. And this sudden reunion, if you could call it that, was unsettling, intriguing and awakened a fountain of other bizarre feelings in him. What he had forecasted as a dull evening was suddenly fascinating and awkward; he felt like an adolescent.
She seemed to think otherwise, her nose up against the taxi window.
Lisa chattered on in the front, Damien sometimes answering her, Danae giving unintelligible responses. He leaned back, his thoughts a flood.
She had grown her hair out. When they had dated in college, her hair had been cropped short to form a thin honey-brown halo. She had looked like a cherub, her brow porcelain smooth. Now her hair fell down to her shoulders, ringlets curling around her face, hairpins holding them at bay. He had never once imagined that her hair would give way to free-spirited curls if she didn’t hack it short once a month like she once did.
In the front seat, Lisa twisted her body around and looked over at him. “So, how did you and Danae meet in college?” She was searching for saccharine conversation for their small group and beamed back at all of them.
He saw Danae’s lips twist subtely into an obvious expression of distaste. She didn’t want to mention a thing that would somehow transform them into an item in the others’ eyes. But still, for the first time she looked over at him willingly.
“We met in the dorms. We…” Owen answered first, stalling then as he watched her suddenly neutral expression. She was still attractive in that innocent, unbeknownst-to-her sort of way and he pondered their past. She finished the reply for him.
“We dated briefly. Ended badly.” She laughed it off. Lisa laughed too, recognizing an end to the conversation, and turned back around to spark another with the cabby.
He was amazed at how she had pinned down several months of sublime with such succinct sentences. He wondered if a bad ending made that much of a difference, if it soured every last aspect of the relationship; he had been young, or at least younger, and had made a mistake. He still remembered enjoying his time with her despite that, a sweet memory to call back at certain times.
He tried to remember her last name, and found that he couldn’t.

The Stargazer.

Creative writing class was a bad choice, Owen pined, a fumbling college student back then. He had been trying to bury the artist in him for years now, and he found himself forced to grumble over his poems, blushing an awful red. He remembered then how he had quit the dream upon discovery of his dislike of critiques.
And then there was fact that that girl with the pageboy looks, Danae whats-it, was in his class and recognized him from their dorm building. She was insufferably animated and also happened to be an editor for the campus literary journal,
the Stargazer. The second she saw him sauntering to the front of the classroom with his crinkled poem in hand, she recognized his face and proceeded to pester him in the downstairs lobby of their building whenever she saw him with laundry basket in hand.
He would refuse to go down into the lobby with his friends because of this, in fear that because of her they might discover he was some sort of poet.
She would put down her own pile of laundry when she saw him, looking as if she would hop over the washer to succeed in her harassment, grinning from ear to ear.
“We need contributing writers. We need an increase in our submissions.” she would say to him. “Nobody writes anymore. Nobody cares about the journal.”
“I can’t help you.” He tried repeatedly to put his foot down, but she was persistent. And infectious. She cast him encouraging smiles in creative writing, and he began to look forward to them. After all, encouragement was something refreshing.
Eventually he caved. She took him out to dinner to celebrate, smiling brilliantly at him, like no one ever had before.
Back in her dorm room, she carefully unfolded printed out stories, reading them aloud to him and speaking of her dreams.


Duck, duck, goose.

The restaurant was full of people, and the waiter looked exasperated and red in the face as they were guided to their tables.
They sat away from the windows, near the back, an orb-shaped lamp hanging over them, a potted plant spreading it’s foliage over their heads. Alan from the ‘Cuse spent the first five minutes there trying to determine if it was real or not before ever glancing at his menu.
Danae held her unfolded menu up to her face, wanting to hide. She could see from the corners’ of her sight that Owen was casting her frequent surreptitious glances; she could just hear the puzzle pieces grinding around in his head as he tried to sort out his thoughts. She didn’t want to know what he was thinking.
The three men present decided to split Buffalo wings; Lisa and Danae both ordered dolma. As to be expected, they were forced to sit a half hour and chat before receiving their meals.
“How was the train, Alan?” Lisa asked, ever the conversationalist.
He looked up from lining up his forks and knives. “It was as good to expect from a train ride. Full of suits this time. They were all sitting behind me and kept talking, loudly, about the clubs they had visited in N’York. All the margaritas.”
“People brag in big company.” Damien said.
“So, you and Lisa went to college together then, Alan?” Danae asked, watching the waiters scurry like lab mice. “Do you and Damien know each other?”
“Yeah. I met the two of them back when they were in Uni and I was working at the local CVS, going to their parties. Never did do the whole furthering the education thing.”
“But you make more money at the casino than I probably ever will journaling.” Lisa mourned. “That’s why I worked radio for a while. Owen, we know what sort of money that brought us. Can’t make anything decent acting as a substitute DJ.”
“I worked evenings DJing for a short while in Rochester.” Owen reminded, but he didn’t sound particularly excited. “Not like I do that anymore. Good thing I minored in Social Sciences and have my job now at People, Inc.”
“You can’t make money doing what you love.” Lisa sighed, shooting Danae a critical look. “Right, Miss Freelancer?”
She plucked the lemon off the side of her water, frowning. “You live in the same apartment I do. You know I don’t make much, no need to announce it to the masses. But it’s my profession, so I’ll keep trekking onward.”
“You write?” Owen asked then, looking surprised and intrigued. She found herself feeling utterly indifferent to his curiosity, merely nodding in response.
She imagined what he thought. All of the time she had spent dreaming of being a writer, stringing up her sentences to make some sort of linguistic masterpiece. And she was actually living out some watered down, anemic version of all her high aspirations. Yet it didn’t really matter whether he was happy or scoffing at her, because who, in reality, was he? They had been in love once; but love faded away, like old acrylic paints, dusting off the pores of a canvas from another era.
She prodded her memory of him, of their relationship, and felt cold that there was no residue of emotion. There was the strangeness that hung over their table right now, but beyond that - she was removed from the world that she and Owen had once inhabited. She looked back and saw that Danae as something separate from herself, a mythical creature with strange habits and dreams much too big. All of the feelings once felt were now stories of that Danae, things she could ponder about but not feel in the core of her being.
It was disturbing how someone could be everything to you once upon a time, and then dissolve into nothing more than memory as acidic time took its toll. Electric firing of synapses in the brain; science was not romantic. She wondered if she was being human to feel such indifference.
She missed love, but did not feel it.
The food arrived and everyone’s eyes were turned away from each other’s faces, neurons leaving memories alone in that brief moment.
Last edited by Clo on Mon Jul 14, 2008 6:21 pm, edited 1 time in total.
How am I not myself?
  





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Mon Jul 14, 2008 4:47 pm
andimlovegalore says...



I like this a lot =] I love that song by Stars too <3 I just clicked the title all excited not even realising it was you (although that made it even better of course ^_~). Great characters, for a situation like going for a meal, getting a taxi, you really made it interesting and meaningful. I like the differences in their personalities - especially Danae and Lisa - contrasting friendships. The chemistry between Owen and Danae a lot, I'd love to see what happens there, her distance is intriguing.

I love your writing =] very intricate.

Some stuff I saw:

“ya-da-da”ed

that looks pretty weird, but I don't know how else you could do it.

sprucing up

sprucing IT up maybe.

which were also deserved for five days of eight-to-fours work hours.

this sounds a bit funny...maybe eight-to-four rather than fours.

someone Lisa knew from her college days and whom she had been writing letters.

someone -> maybe who instead, you said someone just before that.

The streets were busy, and dusk

Do you need that comma?

a put-off

not sure about this word, bit too slangy.

And this sudden reunion

no and.

like she once did.

I think this sentence would be better without that.

He tried to remember her last name, and found that he couldn’t.

Love this =]

she would say to him.

capital s

she could just heard the puzzle pieces

just hear

She wondered if she was being human to feel such indifference.

I don't really understand this. Do you mean she wondered if the indifference was inhuman?
  





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Wed Jul 16, 2008 1:55 am
Clo says...



I know bumping is bad, but I really need more reviews on this... ^_^;;

Much apologies. :(
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Wed Jul 16, 2008 7:53 pm
StellaThomas says...



Stella to the rescue!

(I should so change my name to SuperStella! I am so going to do that right after I do this critique!)

Right so, this is how it's going to work. I've read your piece, and I liked it. So right now, it's sitting in a big quote box. Everything that I don't want to draw attention to disappears, everything, good or bad, that needs mentioning goes into my nitpicks. Then I'll look at specific issues.


I. NITPICKS

She had been living in the city for a year now, and her company on the weekends usually consisted of her flippant and chemically blonde next-door companion, and the motley collection of friends the two of them picked up here and there.


There should be no comma after "now".

which were also deserved for five days of eight-to-four work hours.


This is awkward. I'd go for something along the lines of "and after five days working eight to four, Danae felt she deserved it" or something.

By the way, Danae is an awesome name!

Lisa had left earlier to pick up some friends from Batavia


Where's Batavia?

the Comfort Zone coffeehouse


Cool name :D

and cars that zipped by brushing a thin and cool breeze against her cheek.


brushed, not brushing.

Alan, from the ‘Cuse, here,


You describe him as this a number of times. Where's the 'Cuse?

they were guided to their tables.


Surely just one table?

potted plant spreading it’s foliage over their heads.


its, not it's.

“But you make more money at the casino than I probably ever will journaling.”


Wasn't Damien the one from the casino?

“I worked evenings DJing for a short while in Rochester.”


Hehe, Rochester. Like in Jane Eyre.

“You live in the same apartment I do.


I thought she was next door.

But it’s my profession, so I’ll keep trekking onward.”


This seems rather forced.

She wondered if she was being human to feel such indifference.


This seems awkward. Play with it a little.

Right so.

II. PUNCTUATION

Okay, don't get put out, because I only got this explained to myself a few months ago.

"My teddy bear's called Edward," said Mary.


Okay, you see that? It's correct.

"My teddy bear's called Edward." said Mary.


This isn't.

The speech tags at the end (said Danae, murmured Owen etc.) are simply a continuation of the sentence but they're outside the speech marks. So saying the second example isn't right. If there's a speech tag, then the part inside the inverted commas always ends with a comma, not a full stop. Make sense?

Except, of course, in the case of question marks and exclamation marks, they stay the same.

That was pretty much the technical bit.

Oh, and:

The cat ate its dinner.


is quite alright.

The cat ate it's dinner


"The cat ate it is dinner."

You remember because the apostrophe makes it longer, and "it is" is longer than "its." :D

III. CHARACTERS

A. Danae: Danae from the top, seems innocent and sweet and we later learn that she was that sort of free spirit in college. But then she changes, becomes sort of cold and unfeeling towards Owen.

What you need to do is take a hard look at her and decide how whatever he has done has affected her. Is it only in his presence that she's changed? Or altogether?

B. Owen: Owen seemed human, but at the same time, a bit mundane. Why did Danae return his love? You need to show us this, because I'm not really feeling it, just getting one boy's obsession over a wild girl. You need to show us both sides for us to genuinely feel for them.

C. Lisa: Surprisingly, it's often these best girl friends who are the most human of the lot. Possibly because they're people we know every day. Lisa was good. Use her to model the others, ie., she has human traits, the bottle-blonde hair, the gregarious, generally good nature, she's much easier to imagine because she's a lot more simple.

D. Alan and Damien: I found it hard to differentiate between the two. Give them some soul!

IV. PLOT

So far, two people have met up.

There's nothing to draw us in further to the story except the memories. It was good, and gripping while it lasted, but when it finished I didn't find myself wanting more. That doesn't mean that you need a better ending, but you need to leave clues along the way, titbits of what's going to happen next, to make a reader beg you for more.

V. OVERALL

I thought it was well written. Most of the characters seem well developed, and with just a little tweaking this can be really good!

Hope I've helped!

Feel free to PM me if you have any questions!

-Stella x
"Stella. You were in my dream the other night. And everyone called you Princess." -Lauren2010
  





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Mon Jul 21, 2008 9:57 pm
Rei says...



To be perfectly honest, this didn't hold my attention very well. I think it was the pace and the lack of real exposision. I had no idea what was going on or really who these characters were. So what I would suggest is to slow down. Don't worry about getting the plot out. Also, be visual and specific so that everything is clear to the reader. e.g. In your second paragraph, talk about all those things they do in the weekends.
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Tue Jul 22, 2008 1:19 am
ashleylee says...



I liked this! I felt the characters were all very unique and they held my attention. I think all the grammatical and other such errors were covered for me, so I really don't have much to comment on.

Characters

Danae: I liked her. She seemed like the excited, ambitious college student but then, once out of school, reality seemed to sink in and she had to grow up. You can definitely explore with her. She seems to be a fun character to have!

Lisa: The best friend. She's peppy, friendly person. But I feel that she is too...unoriginal??? maybe?? I'm not sure that's the right word I'm looking for but I think that you could put more into her.

Owen: The boyfriend from college. He seems like a promising character. Curious about Danae but otherwise...I really know nothing about him except that he used to write poetry. I think that you need to include more into his character. Explore the possibilities.

Alan and Damien: I have to agree with Stella Thomas that these characters are EXTREMEMLY similiar. I struggled telling them apart. Try to make them differ from each other, make them unique!

Plot

There really isn't much to go on right now. Only that there is going to be some sort of past/memories/boyfriend reuniting/ going on...or something like that! :wink:

But I did enjoy this. My only worries are:

1) PACE. It seemed that you rushed to get to the part with her meeting Owen. I want to remind you too keep it even, keep it smooth. Sometimes I felt it was choppy so just be careful of that.

2) FLASHBACKS. When you want to go back into the past, italics is usually the way to go. But I think maybe you messed up with your italics in the story, like it didn't copy fully, or something. So watch for that.

3) SWITCHING PEOPLE'S VIEWS. I noticed that when you go from one person's point of view to the other, it got kind of confusing. Just make sure that you keep an open eye for stuff like that.

Umm, but other than that, I found this to be a very enjoyable and hooking piece. I look forward to the next installments!

Keep Writing!
"Woe to the man whose heart has not learned while young to hope, to love—and to put his trust in life."
~ Joseph Conrad


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Tue Jul 22, 2008 10:46 am
niccy_v says...



Oh my god i love the song that has the same name as this!!!!!! From the OC... i love the song... haha random.

Getting onto the crit now once i've finished my homework. Bear with me.
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Tue Jul 22, 2008 12:41 pm
niccy_v says...



Okay:

The story begins strong and it's so realistic! I love when Owen is introduced. The awkwardness Danae feels makes me want to read on, and quickly. But i am having a hard time imagining her. I've got nothing to go on so this is an area to work on. I don't even know the colour of her skin (guessing she's the average Caucasian chick with long hair and a pretty face? am i right?)

How many people fit into this taxi you mention? Since when do four people fit in the back?
What country is this story in? America?

Gosh this is an impressive piece of writing. Love it to pieces.

Owen and Danae's relationship flashbacks or thoughts moreover, are a strong point in your piece. It brings a thousand questions to mind and i want to read on, have to read on, NEED to read on. I'm hooked. The secretive manner it's all discussed with is so good i just want to know what happened. I love how you've done that!

Overall there isn't that much to get picky about. I love it. Keep going. I want more of it!
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Tue Jul 22, 2008 1:01 pm
Avens Dolor says...



Comments in red!


The night kisses our old fears and desires, welcoming them home.

The radio on the bed played Top 40 and Danae sang along, though she didn’t know the words. She hummed and “ya-da-da”ed, walking around her apartment and sprucing up for the lovely little evening her neighbor Lisa had promised her. I love this. You've put so much subtle characterization in so small a space. For some reason, though "lovely little evening" sounds kind of weird to me. It may just be the touch of alliteration, but I would try to change it.
She Danae or the neighbor? Change to the name so that readers will know. had been living in the city for a year now, and her company on the weekends usually consisted of her flippant and chemically blonde next-door companion Just say neighbor., and the motley collection of friends the two of them picked up here and there. Being an extroverted youth in the urban world called for active weekends, which were also deserved for five days of eight-to-four work hours. The last clause "which were also deserved...work hours" is pretty confusing. I had to read it over three or four times before I understood that you were referring to the weekends.
Her Danae's makeup table was littered with hand-mirrors, brushes and circlets of eyeshadow hues. I'm an Oxford-comma supporter, so I am obligated to say you need one between "brushes" and "and". ;) Danae cleared them all away and pulled her purse out from under the table as she reached over with her other hand and flipped the radio off Too much action for one line. Slow down.. She was out the door in the next instant, her keys chiming in her hand as she danced to the foyer. This is a little action-heavy too. I think I'd change it to "Then she was out the door, keys chiming in her hand as she danced into the foyer" or something similar. But I wouldn't use "chimed". Keys aren't really light enough to chime. They kind of clatter. Except not really clatter...I'd have to think of a different descriptor.
Lisa had left earlier to pick up some friends from Batavia and someone from further east who had come in on a train, someone Lisa knew from her college days and whom she had been writing letters. Info dump! Just say that Lisa was picking up friends, and then let their later dialog explain where they're from. Danae was supposed to meet all of them at the Comfort Zone coffeehouse and then they would hail a taxi. "...coffee house, where they would..."
Her heels clicked on the sidewalk and she swung her arms as she strolled, feeling generally light-hearted. No need to say that she's feeling light-hearted. We get that from the action. There was nothing like a night out. The streets were busy, and dusk was breaking as shops turned on their lights and people slunk inside the bars and restaurant verandas.
The humidity clung to Danae’s skin, sucking her into the air and leaving her feeling exasperated and excited as she trailed the blocks to the Comfort Zone. I don't know that "exasperated" is the word you want here. It counteracts all of the giddiness she's been exhibiting. The thick atmosphere made the city streets smell pungent, and cars that zipped by brushing a thin and cool breeze against her cheek. "...that zipped by brushed a thin..."
She spotted Lisa before she arrived Is she psychic? I don't know how else you can see someone...before they're there.. She was Who was? When you've got mulitiple characters of the same sex, it's important to clarify who is doing/saying what. wearing a buttoned down brown jacket and a little black skirt, her blonde hair alight around her face "alight" doesn't really work here. Do you mean that it's catching the light? Say something more direct. It sounds odd since you move from visual to action. as she turned and waved at her down the walkway. Her and her three companions were sitting at a table outside, and they all turned as they saw her approaching. Who was sitting and who was approaching? See what I mean? I mean, logically the reader knows who is doing what here, but it's just so much easier to follow if you name-drop.
“Hey, Danny!” Lisa stood up and gave her a brisk embrace as she reached them; the three strangers watched, sipping at Strike "at" their drinks. Smiling, her blonde neighbor Lisa angled toward them. “Danae, these are our three dining companions for the night: Alan, from the ‘Cuse What is the 'Cuse?, here,” her hand gestured to a portly, mousydashhaired man who still retained youthful freckles sprayed all across his face, both appealing and a put-off. Move the last clause to a new line. Her hand moved over to indicate the blackdashhaired man next to him, wearing a suit and looking quite busy amongst them all, though he sat still just like the rest of them: “Damien, here; he deals at a casino.”
Lisa raised her eyebrows and gave Danae a brief glance before flicking her hand toward the last man: “And here’s Owen. We used to work together part-time at the radio station; you know about my stint there.”
Danae nodded her head politely to all of them, but the last man, the last face and his name vengefully attached to it, had dealt a fierce kick to her stomach.
Owen. The second the name had hit the air and sparked their surroundings electric she knew she couldn’t look at him, but she had to; she let her eyes slide awkwardly over him twice, before she averted them to the row of grande coffees with their cardboard holders on the table.
She was surprised, furious, comforted, by the fact that he looked more-or-less the same: styled dark hair, his eyes little almond bits that flashed an ink-blue. The only thing new was the small amount of facial hair on his chin; what she believed others called a “soul patch”. She's young, right? The "what she believed others called a "soul patch" thing makes her sound like an old woman. ("These new-fangled things the kids are coming up with today!")
He Owen didn’t let the moment settle, but grinned in a strange way and held onto it. If he didn't let it settle, he has no other option but to hold onto it. And how is he grinning? Describe it instead of just saying "strange". To Lisa, he said I don't think that you need that last comma, but I'm not entirely sure. It just looks a little weird.: “Yes, Danae and I know each other, actually.”
She Danae wanted to slink Probably "slip" or "melt" down into the cracks of the sidewalk and hide.
“You do?” Her neighbor perked up, smiling like a little girl and laughing. “How do you know each other?” Just say "How?"
“College.” Danae murmured She's embarrassed. She would probably mutter rather than murmur., and then suggested they hail a taxi - before it was too dark out and the sidewalks were more crowded… leave off the "before it was..." part. It's fine without it and readers will get more of the nuances without an attempted cover story.

In which halos are slung.

Lisa sat upfront Since they're supposed to be young, I would probably say "shotgun", but maybe that's not the image you're trying to get across. in the taxi, and everyone else crammed into the back. Owen thanked some sort of higher power that Alan and Damien were wedged in the middle I thought he had enjoyed the awkward moment? Why are we suddenly in his head?; Danae sat at the far end, her face pressed against the window. She stared outside at the passing lights, pointedly keeping every speck of her focus off him. The last clause is awkward.
On the other hand, he Owen found himself unable to keep from repeatedly looking over at her I'm not sure how I feel about this flip to Owen's perspective.... After all, it had been almost three years since they had last seen each other. And this sudden reunion, if you could call it that, was unsettling, intriguing and awakened a fountain of other bizarre feelings in him. What he had forecasted as a dull evening was suddenly fascinating and awkward; he felt like an adolescent.
She seemed to think otherwise, her nose up against the taxi window.
Lisa chattered on in the front, Damien sometimes answering her, Danae giving unintelligible responses. He Owen, unless it's Damien doing this. leaned back, his thoughts a flood.
She had grown her hair out. When they had dated in college, her hair had been cropped short to form a thin honey-brown halo. She had looked like a cherub Like a chubby baby boy? Not too flattering., her brow porcelain smooth. Now her hair fell down to her shoulders, ringlets curling around her face, hairpins holding them at bay. He had never once imagined that her hair would give way to free-spirited curls if she didn’t hack it short once a month like she once did. "like she used to".
In the front seat, Lisa twisted her body around and looked over at him. “So, how did you and Danae meet in college?” She was searching for saccharine conversation Awfully big words for the scene. for their small group and beamed back at all of them.
He saw Danae’s lips twist subtely "subtly" into an obvious expression of distaste You can't have something happen subtly and to make something else obvious.. She didn’t want to mention a thing that would somehow transform them into an item in the others’ eyes. But still, for the first time she looked over at him willingly.
“We met in the dorms. We…” Owen answered first Just say "said", stalling then Strike "then" as he watched her Danae's suddenly neutral expression. She was still attractive in that innocent, unbeknownst-to-her sort of way and he pondered their past. She finished the reply for him.
“We dated briefly. Ended badly.” She laughed it off. Lisa laughed too, recognizing an end to the conversation, and turned back around to spark another with the cabby.
He was amazed at how she had pinned down several months of sublime with such succinct sentences That's not really a sentence. And sublime doesn't work there.. He wondered if a bad ending made that much of a difference, if it soured every last "other" aspect of the relationship; New line. he had been young, or at least younger, and had made a mistake. He still remembered enjoying his time with her despite that, a sweet memory to call back at certain times.
He tried to remember her last name, and found that he couldn’t. ...Really? He goes on and on about her, but can't remember her last name? Very strange.

The Stargazer.

Creative writing class was a bad choice, Owen pined, a fumbling college student back then. He "pined"? I think not. He had been trying to bury the artist in him for years now, and he found himself forced to grumble over his poems, blushing an awful red. He remembered then how he had quit the dream upon discovery of his dislike of critiques. "He remembered then why he had first quit the dream. His fear of critiques, of being wrong, had....blah blah blah".
And then there was fact that that girl with the pageboy looks, Danae whatapostrophes-it, was in his class and recognized him from their dorm building. She was insufferably animated and also happened to be an editor for the campus literary journal,
the Stargazer. The second she saw him sauntering to the front of the classroom with his crinkled poem in hand, she recognized his face and proceeded to pester him in the downstairs lobby of their building whenever she saw him with laundry basket in hand. You say the "The second she saw him" and then start talking about something that happens days later.
He Owen would refuse to go down into the lobby with his friends because of this, in fear that because of her they might discover he was some sort of poet. It seems odd that they wouldn't know he was taking a creative writing class.
She would put down her own pile of laundry when she saw him, looking as if she would hop over the washer to succeed in her harassment, grinning from ear to ear.
“We need contributing writers. she would say. We need an increase in our submissions.” she would say to him. Strike description and put in action. "She shook her head" or "she touched his arm". “Nobody writes anymore. Nobody cares about the journal.”
“I can’t help you.” He tried repeatedly "He always tried". Budget your adverbs. to put his foot down, but she was persistent. And infectious. She cast him encouraging smiles in creative writing "in class", and he began to look forward to them. After all, encouragement was something refreshing.
Eventually he caved. She took him out to dinner to celebrate, smiling brilliantly at him, like no one ever had before.
Back in her dorm room, she carefully unfolded printed out Strike "out" stories, reading them aloud to him and speaking of her dreams.


Duck, duck, goose.

The restaurant was full of people, and the waiter looked exasperated and red in the face as they were guided to their tables. Unless the waiter was also guided to the table, say "as he guided them..."
They sat away from the windows, near the back, an orb-shaped lamp hanging over them, a potted plant spreading it’s foliage over their heads. Cut one use of "over". Alan from the ‘Cuse I still don't know what the 'Cuse is. I feel like I'm missing something obvious. spent the first five minutes there Strike "there". Where else would he be? trying to determine if it was real or not before ever glancing at his menu. "whether or not it was real"
Danae held her unfolded menu up to her face, wanting to hide. She could see from the corners’ of her sight that Owen was casting her frequent surreptitious glances "frequent" and "surreptitious" is, well, surreptitious.; she could just hear the puzzle pieces grinding around in his head as he tried to sort out his thoughts. I believe the phrase is "gears" not "puzzle pieces" She didn’t want to know what he was thinking.
The three men present As opposed to the three men who weren't present? Just say "The three men" decided to split Buffalo wings; Lisa and Danae both ordered dolma. As to be expected, they were forced to sit a half hour and chat before receiving their meals. Buffalo wings and Dolma? In the same restaurant? Woah. Also, I've never, never known men to split food. It just doesn't happen.
“How was the train, Alan?” Lisa asked, ever the conversationalist. We know that she's a conversationalist. Don't tell us.
He looked up from lining up You use "up" twice very close together here. his forks and knives. “It was as good to expect from a train ride. "It was as good as can be expected from a train ride". Full of suits this time. They were all sitting behind me and kept talking, loudly, about the clubs they had visited in N’York. All the margaritas.” N'York? Is this an accent of some kind or is he making fun of them?
“People brag in big company.” Damien said.
“So, you and Lisa went to college together then, Alan?” Danae asked, watching the waiters scurry like lab mice. “Do you and Damien know each other?”
“Yeah. I met the two of them back when they were in Uni and I was working at the local CVS, going to their parties. Never did do the whole furthering the education thing.”
“But you make more money at the casino than I probably ever will journaling.” Lisa mourned. "Mourning" is kind of drastic. Maybe "teased". “That’s why I worked radio for a while. Owen, we know what sort of money that brought us. "Owen knows what kind of money that brought in." Can’t make anything decent acting as a substitute DJ.”
“I worked evenings DJing for a short while in Rochester.” Owen reminded "Owen reminded" isn't a clause. It's either "Owen said" or "Owen reminded her"., but he didn’t sound particularly excited. “Not like I do that anymore. Good thing I minored in Social Sciences and have my job now at People, Inc.”
“You can’t make money doing what you love.” Lisa sighed, shooting Danae a critical look. “Right, Miss Freelancer?”
She plucked the lemon off the side of her water, frowning. “You live in the same apartment I do. You know I don’t make much, no need to announce it to the masses. But it’s my profession, so I’ll keep trekking onward.” This dialog isn't really believable. I'm sorry but it's just not. Your diction is pretty scattered. I don't think anyone says "profession" or "trekking onward" in real life.
“You write?” Owen asked then, looking surprised and intrigued. She found herself feeling utterly indifferent to his curiosity, merely nodding in response. Uh. Yeah. She was editor of the literary journal. Maybe "You still write?" if that's what you're intending.
She imagined what he thought. All of the time she had spent dreaming of being a writer, stringing up her sentences to make some sort of linguistic masterpiece. And she was actually living out some watered down, anemic version of all her high aspirations. Yet it didn’t really matter whether he was happy or scoffing at her, because who, in reality, was he? They had been in love once; but love faded away, like old acrylic paints, dusting off the pores of a canvas from another era.
She prodded her memory of him, of their relationship, and felt cold that there was no residue of emotion. There was the strangeness that hung over their table right now, but beyond that - she was removed from the world that she and Owen had once inhabited. She looked back and saw that Danae as something separate from herself, colon a mythical creature with strange habits and dreams much too big. All of the feelings once felt were now stories of that Danae, things she could ponder about but not feel in the core of her being.
It was disturbing how someone could be everything to you once upon a time Strike "once upon a time". It looks back too far, and waters down the rest of the sentence., and then dissolve into nothing more than memory as acidic time took its toll. Electric firing of synapses in the brain; science was not romantic. This is just weird. I don't know. She wondered if she was being human to feel such indifference.
She missed love, but did not feel it. Well, to miss it she would obviously not feel it. I don't understand.
The food arrived and everyone’s eyes were turned away from each other’s faces, neurons leaving memories alone in that brief moment.


Hm. It started well, but I really wasn't into the ending. I just cant see the bridge between the bubbly girl at the beginning to the woman thinking seriously about synapses at the end. I understand that you probably wanted to have that dichotomy with all of the pep falling out by the end, but it just reads as too stark a contrast. The last couple of paragraphs were also a little too "pseudo-philosophical" for me. These are topics that have been covered again and again, and you'll have to pump new life in them to make them work. And more of Danae's original, scattered personality.

Let me know if you have any questions!

Avens
  








"It suddenly struck me that that tiny pea, pretty and blue, was the Earth. I put up my thumb and shut one eye, and my thumb blotted out the planet Earth. I didn't feel like a giant. I felt very, very small."
— Neil Armstrong