Mezzo Forte #1

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Hey, everyone. Raymond Simmons has been bugging me to tell his story, and now I finally have. This is the sequel to Pianissimo. I would recommend you read that before you read Mezzo Forte.

This is part one.

-

“That’ll be fifteen cents, sir,” the liquor cashier said, eying the bottle of alcohol that was placed before him. His eyes, bright and wild, made it clear that he was just as drunk as Raymond Simmons wanted to be. Ray nodded and dug his long, pointed fingers into his coat pocket in search for change. He pulled out a dime and three pennies.
“Fifteen, not thirteen, sir,” the manager reinstated. He raised his bushy eyebrows at his customer. Ray bit his bottom lip.
“This is,” Raymond whispered, “all I have.” He didn’t dare look the liquor manager in the eye.
“Then we don’t have a deal.” The manager swiped the bottle of liquor from the countertop and stowed it underneath. Raymond stood behind the counter for a moment, uncertain of what to do.
“Is there anything else I can buy?” he asked, his eyes traveling up the man’s hairy arms. The cashier had a tattoo of a heart on his biceps. Cupid’s arrow pierced it. Because that’s how love always is, ain’t it? Always pierces you through the heart. When you least expect it – WHAM! You’re dead. You’ve fallen for the wrong dame, mister.
“Not here you can’t. Liquor is getting mighty pricey. You’d better get some change before it hits the twenty cent mark.”
Raymond nodded silently and turned his heel to walk out of the musty room. He looked through the grimy window and saw flashing lights – the jazz pub. Ray looked longingly at it.
He swiftly opened the door and stepped out into the polluted Chicago air. Raymond could make out the saxophones from the bar as they squealed out their tunes, high and screechy. He could distinctly tell apart the piano, ragtime by the sound of it, jazzing up the keys.
His gut churned violently. Oh, how he wished that he could be that pianist. Oh, how he wished that he could go in there and throw out a concerto like he had been able to do three years ago. Those were the days, he thought. Those were the last golden days of my life.
“Raymond! Hey, it’s Raymond!” a voice cried. Raymond, surprised, turned to his left and saw a large figure stumbling down the sidewalk. The man was wearing a brown top hat and a matching suit coat. His tie was what really made him stand out though – it sparkled in the jazzy lights, even though there was no sun to reflect off of.
“Hugo? Marley Hugo?” Raymond asked, exasperated. It couldn’t possibly be him! But it was! The large man had the same puffy moustache and little sideburns. His white hair declared his age to be older than he looked.
“It’s Mr. Raymond Simmons! No! It couldn’t possibly be you!” Hugo was just as shocked as Ray. His bright blue eyes seemed to dance in his sockets, extracting as much information as he possibly could.
“I can’t believe it!” Raymond said, grinning from ear to ear. “I haven’t seen you for ages!”
“Three years too long, huh?” was Hugo’s excited reply. He excitedly stuck out his arm and Raymond shook it.
“So, how have you been?” Hugo asked. His eyes brightly danced in the light.
“I’ve been alright. Nothing special. I’ve actually been searching for a job. You know, one of those local pubs. In fact, that’s where I was going next,” Raymond replied, pointing over to the jazz pub. Hugo followed his finger and laughed out loud.
“Well, you’ve got to be extremely good to get in there. Well, my God, look who I’m talking to! It’s Mr. Raymond Simmons! Who do I think I am?” Hugo laughed.
Raymond smiled politely. “Please, call me Ray. I like it better that way, Mr. Hugo.”
“And you must call me Marley,” was his reply. “Hugo is such a… fat man name.” The two men chuckled at that comment.
“Well… it’s a warm night and I have been itching for a drink. Do you mind the pub? I’ll buy.” Raymond was about to protest, but Marley held up his hand. “No, no, it’s my gift to you. After all, we haven’t seen each other in three years! What do you say?”
There was an awkward silence as Raymond thought about it. He had been longing for a beer – for that was the reason he had gone to the liquor store in the first place.
“Sure,” he said and grinned.

They were instantly greeted with the delicious aroma of alcohol. The beverage was served heavily in the pub, only to be downed by thirsty men. At this time of night, the bar was full of people – drunk and swaying. The act was performing on stage, and the ragtime was banging over the crowd.
Marley tugged on Ray’s shirt and motioned to follow him. The two men walked through the thickening pub and collapsed on a table. Marley waved to a waitress, and they ordered a shot of whiskey.
“So, how have you been doing? Find yourself a wife?” Marley asked, licking his lips.
A wife? Ray frowned and bit his lip. He didn’t want to be reminded of Lydia. She was gone. Out of his hands.
“No, I don’t need a wife.” They chuckled sheepishly.
“What about you?” Raymond asked. “Are you and Martha still together?” Marley didn’t reply for a while. He stared at the table, his fingers tracing the etchings on it.
“She passed away a year ago…”
“Oh,” Raymond whispered. “Marley, I’m so sorry. I didn’t mean to bring her –“
“Nah, it’s fine. What’s gone is gone. We can’t waste our life dwelling on what’s passed. So, I decided after the funeral that I would pick myself up. I’d move towards the future.”
Ray froze. Those words – ‘We can’t waste our life dwelling on what’s passed’ – hit him like a bullet.
Lydia. She was his. She and him. They always used to go together. It was never just Raymond. It was never just Lydia. It was always them.
Until Peter came along and stole her heart away. He chained it up and locked it in a box. Soon, Lydia and Raymond became two again.
Raymond hadn’t picked himself up like Marley had. He had been left in the gutter of love. The filthily gutter. It trapped him in it, never releasing. It was like the shackles that convicts had to wear, with the lead balls and iron chains.
“Here you are,” the waitress quickly slapped the shots on the pub table. Marley glanced cheerfully at her, red in the face.
“Thank you m’dear.” Ray watched Marley's eyes lower to her butt as she scurried off. He chuckled again. “Such fine women they have these days…”
“So, Marley,” Raymond changed the subject, “are you still working in a performance hall?”
“Eh? Ah, no. I’ve retired. I’m getting too old for a full time job, anyway. And besides, now there is room for another person to take my job. I wouldn’t want to be wasting money, you know?” He winked.
“No,” Raymond muttered, tracing an etch in the table. “No, I don’t know. I’m looking for a job right now. I was going to come here and see if they needed me in the band, but it looks full at the moment.” His whiskey remained untouched, while Marley had drained his.
“A job, you say?” Marley bit his bottom lip and itched his head. “I remember an opening down at a club just east of here. It’s just over a few streets. Not that bad of a place. Well, not as good as this place here, but it would do you good. I’m sure that they would love to have a concert pianist!”
“Are you talking about ah, what’s the place? The, uh, pub where the whores swarm?” Raymond raised his eyebrow and spoke in a hushed whisper.
“That’ll be the one!”
Raymond sighed and picked up his shot glass. He raised it level with his eyes and watched the amber liquid fizz and bubble. Then he placed it on his lips and downed it, wiping his mouth after.
“Well, I’m not too sure about that place. I wouldn’t want to get in any trouble.”
“Oh, no! You wouldn’t get in trouble at all!” Marley added, “The whores aren’t very attracted to musicians for some odd reason. Just the customers.”
“Well –“
“Come on. You need a job, and I’m giving you the details! You either take it or leave it. You’re choice.” Marley folded his arms stubbornly, although Raymond could see a faint twinkle in his eyes. Raymond smiled sheepishly.
“Sure. I’ll take it.” I hope the pay is decent.

Raymond didn’t even have to audition. As soon as Marley and him stepped into the whore pub, the band conductor greeted them kindly. It seemed as if they had known each other for quite a while.
“Raymond Simmons, this is Arnold Freeman, the jazz conductor,” Marley spoke proudly. Arnold Freeman was a black man, but very tall and lean. He was completely bald, and his head glared in the lights. He stuck out his hand, and Raymond shook it.
“Raymond was a concert pianist a few years back, but has gotten off of the hook if you know what I’m saying.” Marley winked. “He’s interested in the opening that you have for a new pianist.”
“Really?” Arnold Freeman smiled and showed his white teeth. “Well, we’ve never had a concert pianist before. He should be interesting.” The man studied Raymond for a moment and then said, “We perform every night at seven thirty. Pay is two dollars and sixty cents a performance. The music ain’t that hard at all. You’d need to have it memorized by next Thursday.”
“Yessir,” Raymond said and nodded. “I can do that.”
“Good. That’s what I like to hear. Let me go get you the music. I’ll be right back.” Arnold Freeman walked off into his back office and Marley nudged Raymond with his arm.
“See? Eh? I got you a job!” The old man squealed with excitement.
“Thank you,” Raymond said gratefully. “Thank you so much.”

Raymond wasn’t happy. Raymond wasn’t happy at all. He didn’t want to work in a prostitute pub much more than he wanted to work in the sewers. He knew he didn’t have a say in the matter; a job is a job. What’s done is done. ‘We can’t waste our life dwelling on what’s passed’ in Marley’s words.
“Yeah,” Raymond muttered later that night as he felt the familiar piano keys under his long fingers. The music was laid out in front of him, urging him to practice until dawn.
And that’s what he did. Raymond Simmons played the piano for the first time in three years. He knew he had to move on. He had to get another life – one besides the one with Lydia. She was lost.
Until he found her at the whore house.
Last edited by BigBadBear on Tue Jun 03, 2008 4:12 am, edited 1 time in total.
Just write -- the rest of life will follow.

Would love help on this.




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Hey 3B!

Thanks for telling me about this! It really deserves a full critique, but as you know I am a huge fan of yours and can be pretty biased...

However this was good. You reintroduce us to your characters well, and we are left in no doubt that Ray is a broken man. I'm interested to see what happens next.

My only concern would be the last part at the end, where he gets back to the piano. Stretch it out, I think. How does he feel to be sitting on that stool? Is it instinctive? Has he forgotten? Also, what about the piano in question? Perhaps it's an old upright that some notes don't sound on, or is it a sweeping grand like he's used to? Tell us more. Also, about the pub itself. How does it compare to the life Ray has been leading for three years?

Apart from that, good job!

PM me if you have any questions!

Looking forward to a big confrontation with Lydia!

Stella x
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I agree with Stella: what does it feel like to be back in the game, whether or not he is uncomfortable with his surroundings. Is it like bicycle: you never forget? Or is it more like school: it takes a while to get into it? And how does this new piano feel? Give us the musician's take on it, not just Ray's. What is his inner muse telling him about this job?

long and pointed fingers

"long, pointed fingers" maybe? The 'and' just seems unnecessary.

“Is there anything else I can buy?”

It sounds a bit better this way. I mean was trying to buy something already, so what else would he try to guy?

Because that’s how love always is, ain’t it? Always pierces you through the heart. When you least expect it – WHAM! You’re dead. You’ve fallen for the wrong dame, mister.

Is this Ray thinking? It sounds a bit uneducated for him. Is this remembering dialogue from some other character? If so, who? If it is Ray, I would rewrite it to be a bit more eloquent. It doesn't sound like Ray at all.

The fifthly gutter.

I think you mean "filthy".

the led balls

"lead"

Ray watched his eyes lower to her butt as she scurried off.

I know you mean Ray watched Marley, but when I first read this, I was like "How is Ray watching his own eyes? And can't he control them?" I would put in "Marley's" instead of "his" to make it clear.

Ooh, cliffhanger. Looking forward to it!

Very nice work here 3B. Very nice!

*thumbs up*

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Great!!!
thats so....wow......

hey but i have a question,

Until Peter came along and stole her heart away. He chained it up and locked it in a box. Soon, Lydia and Raymond became two again.


You mean that they seperated right?
by becomind two again?
sorry it probably makes sense to every one else but i get confused really easily.
for some odd reason.

hey but good job!
so this is part one right? or is there another begining?
Im looking forward to some more!
When the power of love is greater than the love of power, there will be peace.




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First off, I just want to say that I thought this extremely well-written, and I have very little to critique. I liked this better than the first part. I do have a few nitpicks, but that's all they are. :)



NITPICKS:


That’ll be fifteen cents, sir

Only fifteen cents? was my first thought. Then, somewhere near the end of this piece, I realized that this IS NOT 2008. Maybe it's just me, and I was being dumb, but this was a surprise to me. I'd thought I was reading this in present-day.

You need to make this more clear. I would suggest putting the city/date at the very top.


Ray nodded and dug his long, pointed fingers into his coat pocket in search for change.

Cut pointed. It makes me think he has claws or something. Didn't like that image.


He didn’t dare look the liquor manager in the eye.

Why not? Explain.


When you least expect it – WHAM! You’re dead. You’ve fallen for the wrong dame, mister.

I felt that this took away from the flow of the piece. I would suggest cutting it, and replacing with something else.


Ray looked longingly at it.

Up until this point, you've referred to your MC as Raymond. Then later, you keep switching back and forth between these two names. Choose one, to keep consistent.


“Hugo? Marley Hugo?” Raymond asked, exasperated.

Why is he exasperated? Later he seemed happy to see the fat guy.


His bright blue eyes seemed to dance in his sockets, extracting as much information as he possibly could.

Didn't like the eye-socket description. And explain what kind of info Marley is trying to extract. I found that confusing.


Out of his hands.

Odd wording. I think out of his life would be better.


They chuckled sheepishly.

For such a bitter statement, I don't think 'sheepishly' is the right word. And they both laugh, after such a tense moment? Hmmm....


‘We can’t waste our life dwelling on what’s passed’

Be better in Italics.


He chained it up and locked it in a box. Soon, Lydia and Raymond became two again.

Awkward wording. Here's an example of how I would do this: Soon after that, Lydia and Raymond became two once more.


“Here you are,” the waitress quickly slapped the shots on the pub table.

the should be capitalized.


His whiskey remained untouched, while Marley had drained his.

Explain; why isn't he drinking? I thought that was all he wanted. And especially after being reminded of Lydia, he'd WANT to drink his sorrows away.


You’re choice.”

Your


And that’s what he did. Raymond Simmons played the piano for the first time in three years. He knew he had to move on. He had to get another life – one besides the one with Lydia. She was lost.

The others are right. This is too abrupt. Expand. Relax and slow down. Tell us about Raymond's emotions, struggles, etc.


OVERALL IMPRESSION:

Basically, I've already given it to you at the top. Just watch those inconsistencies. Loved it, and especially your last line. Great way to end and leave the reader wanting more. Keep writing.




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ZOMG Jared. That's such a mean cliffhanger. X(F)

Again, I can't tell you how much I love Raymond. He's a grand balance--though his story is melancholy, it's also beautiful. He's torn between a sober, realist's view of life and childish hope, and is driven by his love for someone he can't have. It's heartwrenching and compelling at the same time.

If I repeat any tips, smack me.

I LIKE...AWKWARD PAUSES

My geology teacher is probably a very nice man who can cook up a mean baby-back rib in his spare time. However, he's really, really aggravating to listen to when he lectures--he puts pauses in the...weirdest places. It's almost...like listening to a scratched...CD. Capiche? ^_~ The truth of the matter is, humans are social animals, and what bugs us in real life is apt to bug us in fiction. That's why you've got to pay attention to "social skills" you use when constructing your dialogue.

“This is,” Raymond whispered, “all I have.”


Say this line out loud. Does it make sense? I feel like I want to pick up Raymond and fling him into the second part of that fragmented clause. You can be creative with your dialogue, but don't try to be creative with human psychology. It makes for a lot of torches and pitchforks.

WITH CHARMIN ULTRA, LESS IS MORE

...or rather, Jared Ultra. But you get the point.

Raymond hadn’t picked himself up like Marley had. He had been left in the gutter of love. The filthily gutter. It trapped him in it, never releasing. It was like the shackles that convicts had to wear, with the lead balls and iron chains.


When you're using figurative language, you need to be really careful about not going overboard. Extended metaphors are nice, but subtlety is key, especially when you're dealing with "heavy" emotions like DOOM GLOOM AND DESPAIR. Otherwise, you can turn something that was originally sad into something that is kind of funny.

You know me. I'm the queen of plain. How can you show that Raymond's feeling heavy without the ol' ball and chain metaphor?

__

Ohmygoodnesswritemore. That's all I have to say. ^_^
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Hey Jared,

sorry it took me so long to get to this, school has been eating me. You did a great job at bringing us back into the story and reminding us of the wonderful characters you have. Raymund is awsome, I must say, but I'm also really fond of Marley.

:) Characters

Your introduction of Ray goes very well, you can tell from the moment he opens his mouth or even before then that he is a broken man. Marley on the other hand is just sparkling with life and enery (That's why I love him.) and your introduction of him also is very fitting.
Love your characters, really.

:idea: Plot

Mighty alrighty I can see that this is leading to trouble, although I must echo Sam. Hate you for leaving us off right there! ;)

To me the plot developement is going very well, he's just struggeling to get his life back under control and stop crying after her and then BAM! He sees her again. The question is: Slam down or happy ending? Why's she in the whore house? What the ... is she doing there?

Hahah, you can see you've got me hooked.

The only thing I'd want you to note is that I think people who haven't read Pianissimo would perhaps need a little longer time to adjust to the characters before you get moving with the plot at this speed, but to me: Yes!

The only thing that bugged me a little were some of the rusty metaphors. You tend to use a lot of phrases like:
- the golden days
- balls and chains
etc.

In most places they didn't bother me too much and I guess it's partly Raymund that's putting them in, since he's in this dramatic-tragic-heartbroken mood, but see if you really need all of 'em.

Other than that kudos!

PM me when more of this is up. Hopefully you won't have to wait for your crit as long next time.

All the best,
~Kalliope
If you don't know where you are going, any road will take you there. - Lewis Carol (1832-98 )


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BigBadBear - So I finally got around to critiquing this… Sorry for the wait, but finals were murdering me ^_^



Quote:
Not here you can’t.

Yes, yes, dialogue, I know, but it still bugs me.


Quote:
it sparkled in the jazzy lights, even though there was no sun to reflect off of.

I’d substitute that “jazzy” for something else, solely because of “jazzing up”. Or you can put it on account of my paranoia and leave it be.


Quote:
It couldn’t possibly be him! But it was!

Me no like those exclamation marks…


Quote:
“Three years too long, huh?” was Hugo’s excited reply. He excitedly stuck out his arm and Raymond shook it.

Scrap one “excited/ly”.


Quote:
His eyes brightly danced in the light.

Awkward phrasing, consider rephrasing.


Quote:
So, I decided after the funeral that I would pick myself up.

I don’t like the punctuation up there, makes it seem awkward. Hmm, consider rephrasing?


Quote:
He chained it up and locked it in a box. Soon, Lydia and Raymond became two again.

Second sentence seemed to come out of the blue.


Quote:
The filthily gutter.

Filthy?


Quote:
“Here you are,” the waitress quickly slapped the shots on the pub table.

Tag in capitals, I think (the - The).


Quote:
Marley glanced cheerfully at her
(…) glanced at her cheerfully



Quote:
As soon as Marley and him stepped into the whore pub, the band conductor greeted them kindly.

Me no like “kindly”. Doesn’t seem… apt?


Quote:
but has gotten off of the hook if you know what I’m saying.”

Comma before “if”.


Quote:
‘We can’t waste our life dwelling on what’s passed’ in Marley’s words.

Comma, I think.



ADDITIONAL COMMENTS, in no particular order:

-> Those exclamation marks. Later on, in the dialogue, they’re fine. But before? I really didn’t like them. They seemed… false.

-> Opening sentence - fantastic.

-> Ending sentence- read above.

-> Well-written, interesting, etc.


Raymond.

There were to situations that clashed, and those would be:
-> When he sees Hugo, he’s exasperated. And then he is suddenly grinning form ear to ear… (needs a smoother transition).
-> The job scene. He’s grateful. And the next line, it states that he isn’t in fact happy. (Add “but”, or something like that, and all will be well).

KJ pointed out (and yes, for once I skimmed through previous reviews, and sorry if I did repeat what others said later on) that Raymond didn’t drink his whiskey. Elaborate there, yes. I’d echo the pauses, and that I’d also like to see that piano moment expanded.


Hugo - “squeal in excitement” - that I see as a successive attempt at making a characteristic character. Add a few more phrases/words/situations like that? But, all in all, I like him.



Cheers,
Esme




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I appologize that it took me so long to comment after i got your email. Your story has been sitting in my printer for no shorter than a month, and every time I saw it I knew i was too busy to get to it. Well, here i am! Finally. Here we go.

I have no comments for the first half a page. I enjoyed the spin off of Pianissimo, although I'm not entirely sure if you mentioned how much time had passed from Pianissimo to Messo Forte.

The beverage was served heavily in the pub, only to be downed by thirsty men. At this time of night, the bar was full of people - drunk and swaying. The act was performing on stage, and the ragtime was banging over the crowd.


I would change a few things here:

The beverage was served heavily in the pub, [s]only to be[/s] quickly downed by thirsty men. At this time of night, the bar was full of people - drunk and swaying. The act was performing on stage, [s]and [/s] the ragtime [s]was[/s] banging over the crowd.

Raymond and Marley's convo about 'what's done is done' is fine, but I didn't find it exceptionally heart-wrenching. These men have lost the loves of their lives; for one of them to say 'oh i just forgot about it, what's done is done' either is a HUGE step in the greiving process for him, or means that he never quite loved her. If you want you can easily make him into one of those old men who look for young women (which could be backed up by his glances at the bar lady), but that may be going way too far in a totally different direction from which you are aiming. I'd try and amp that convo up a little, inject some life into it.

Soon, Lydia and Raymond became two again.


[s]Soon[/s]After Peter, Lydia and Raymond became two again.

When Raymond and Marley are discussing jobs, and Marley says he left his job and now someone else can have the spot, why didn't Marley offer Raymond that job - rather than a job at a whore bar?

I hope the pay is decent, Raymond thought


He knew he didn't have a say in the matter; a job is a job. What's done is done. 'We can't waste our life dwelling on what's passed' in Marley's words


Um...Ok honestly this really bothered me. I'm really sure that that isn't what Marley meant when he said that. From what I've read in Pianissimo and this story, Raymond seems smarter and more resilliant than to just give up and take a job and say he doesnt have a choice in the matter, and then have the audacity to quote his friend in order to convince himself that he doesnt have a choice! I don't know... I just have a problem with that, but it is your story, so you're the boss.

Until he found her at the whore bar


It would seem natural that Raymond would find her at the whore bar, rather than the whore house. Unless of course he got so depressed that he needed a trip to the whore house as a pick-me-up, but in the context of this story it makes more sence that he would find her at the bar.

Let me know if you have any questions about my comments. :-) Overall, I liked where you took this story. Happy writing!
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