Sometimes words stand on edge like fingertips pressed to a windowpane.
I know a girl who constantly hushes herself, pretends she's an angry librarian with no one to read her books. She speaks softly when she feels alone and never speaks when spoken to. I think she may be a rebel who doesn't know how to fight.
I told her that I thought words were a way for me to press my fingers against her lips until she kissed lovers with my fingerprints. She told me that words meant nothing, as she always kissed lovers with my fingerprints.
Sometimes words stand on edge like fingertips pressed to a windowpane, but sometimes they wait in my lap, held captive between folded hands.
Last edited by Nightshade on Mon Apr 02, 2012 5:48 am, edited 1 time in total.
Caught by surprise in falling snow, I offer a soldier's promise. "I'll be home soon." And I breathe through cigarette filters.
Outside on the ice, tires spin as they search for something to grab hold of. In the kitchen her eyes start frosting over, as if she's already a widow who sits in her chair while cataracts turn everything into a plastered wall.
Steam builds in my lungs as I inhale and stare at her. I hold the steam there for a moment, let my chest puff as I step back inside and press my lips to her eyelids.
Exhale like a father, exhale like a husband, then find the difference.
Old friends cough before shaking hands. The men cling to their skin like grapefruit cut from the trees and clasped between the hands of young boys.
Teeth marks say "I love you" better than words, and skin breaks easily. Juice washes pulp from the tongue, and boys are content with the sweetness that follows bitterness.
But old friends insist on shaking hands and covering their mouths when they cough. Perhaps they are afraid of baring their teeth and scaring each other away.
We birthed children in scattershot, telling them the blisters on their fingers were from holding hands with god. And now we ask for god's help when they wait in line, telling us that to suffer is to love.
On the stairs of a church, I was baptised by an infant's fingers. They pressed against my palm, and I was afraid of him because he couldn't remember yesterday and I could.
Just for today, houses look like the altars he drew on my fingerbones. I rub the joints to find each nail and the splintered wood that surrounds it. The cracks in my skin record the past, and promise that today will be worth remembering.
Father daughter, surprised by laughter, they skipped rocks on a frozen lake.
Intubated and incubated like a chick caught- rows and rows in the hatchery. She found pneumonia.
Now she trades a kiss for some kicks. Now she talks in tongues and whispers in latin, spoken word for the fathers and the Romans.
Bent over calculus, she tries to integrate some innocence, but she's not a girl. She's not a girl, even while each skirt unfurls and pulls her down.
The curtain falls on each ankle, and she kisses like she loves, to the flick of a heartbeat, to the tick of a clock on the mantlepiece. But tell her he sold her soul, and she sputters and drowns in wax.
No, it's not that you didn't succeed. You accomplished a lot, but, if you want to touch people, don't concentrate so much on rhyme and metre. Think more about what you want to say instead of how you're saying it. — LCDR Geordi La Forge