Love and Coffee *temporary title*

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The over-crowded cafe hummed from conversations. Some somber, others not. I looked around from the corner, where I sat in a faded brown chair, holding a cup of strong black coffee and an well read copy of The Passion by Jeanette Winterson by my side. I looked at the world weary people walking in from the beating rain, shaking slightly like an animal before ordering their drinks. People talking to people for that one moment, that one moment will only last for as long they intend it to. In reality, there is no past, no future; only the present moment.

Minutes pass and I'm stirring my drink. I pull out the spoon and put the wet end of the scattered sugar on the table, grains caught in lovers carvings. Some clinging relentlessly to the M in Mary. Mary and Thomas. I couldn't help but wonder when this was written. Were they still together, or not? Did they now live in London with two girls, Emily and Claire, Claire likes to swim whereas Emily is fond of the clarinet. On sunday's do they take the car and go to their grandparents house on their mother's side? I would never know....yet, I couldn't help but contemplate anything else. A woman burst through the door, dragging my focus to her. She wore a moleskin coat, cream, with matching gloves. She pushed her dark brown hair out of her face, and it fell, wearily, to her shoulders. She put her hand into her pocket and pulled out a small silver purse, and made a start for the counter. There was only a small line, in fact just one man.
"Hello miss, what can i get for you?" The man had already been served and was waiting for his order to be made, she smiled weakly at him before turning to the worker.
"Large black please, two sugars." He nodded and punched it into the machine.
"Three pound fifty-five pence please." She zipped open her purse and began sifting through her money. She was counting out minimal change into her hand; she was obviously not one who usually deals with small change.
"I'm sorry, can you change a twenty?"
"Sorry," he said genuinely appologetic. The man piped up next to them.
"I'll get that for you." He smiled at her, she caught his eyes and dipped her head slightly. She didn't seem to know how to react.
"Are you sure?"
"Of course I am." He plunged his hand into his pocket and pulled out a handful of change. He slid it over to the man who swiftly deposited into the register. They seemed to linger for a moment, neither sure what to say. He opened his mouth to speak but was cut off by a drink being pushed across the counter towards him. He picked up his drink and scurried out of the shop, I watched him round the corner. He has gone. I looked back to the woman. She wore dissapointment across her face. Her back then turned to me, she was just going to wait for her drink and go I imagined. I looked down at the table, Mary and Thomas glaring back at me. Can love happen over coffee?

I seemed to drift back out into my reality, and thinking about what happened to Thomas and Mary now. Did Mary get offered a huge promotion and have to move Ireland, ripping the relationship in half? Did thomas take up smoking and devlopped lung cancer and died after the birth of their third child Luke? Did they have a messy divorce and now Luke, Emily and Claire only get to see their dad every other wednesday? More questions spilled around my head before someone burst through the door again disrupting my focus; he had come back.

I looked straight to the woman, she now wore happiness. The man walked up to her, shaking slightly.
"H-hi. My name's Zack."
"Hey. Jenny." They smiled at each other for a moment, their chests rising and collapsing just as quickly. The thick smell of coffee complemented the moment perfectly. Was this how Thomas and Mary started? My spoon had now gone dry and the sugar had welded itself to the back of my spoon, I began picking it off relentlessly whilst Zack and Jenny talked together. After a while i listened in to their conversation; it was ending.
"Oh right," Zack said, I had missed what this was in response to, "Would you go to dinner with me tonight?"
She smiled slightly, and bit her bottom lip slightly; her answer was yes. She nodded, and reached into her pocket. She pulled out a pen and wrote something on his hand, I imagined a phone number. She offered him the pen, as he took it she removed her glove and he scrawled something across the back of her hand; it would be a phone number.
"I'll text you my address." She said. She picked up her drink, which she must have received during their conversation, and walked out. He stood their for a moment, then smiled excessively, then walked out in the direction he went originally. I smiled to myself and I came to some decions. Thomas and Mary had three kids and moved to London. Thomas worked as a lighting director in the west end, for various musicals, whereas Mary climbed the corporate ladder and became a hot shot buisness woman. Claire went on to go the cambridge and studied Law, but was a member of the swim team. Emily moved to Paris and became a muscian and played across the globe. Both married and had children. Luke, unfortuently died as a child but he would never be forgotten. They lived together happily well into their twilight years until they retired to Devon they spent their final days watching the waves crash against the coast. They died with a month of each other.
I picked up my spoon and turned it in my hand, i grabbed the opposite end and began carving into the table. Jenny and Zack. Miracles could happen over coffee.

I left the coffee shop when my phone started to buzz in my pocket. I flipped it open, it was Alice, my girlfriend.
Hey Alice.
Yes I've chosen.
Well, I say let's do it.
Yes I'm serious.
Whenever you're ready. Tomorrow, next week, next year, whenever.
Yes I'm sure I want to move.
Yes but my life will be with you.
Oh and there's something else, will you marry me?
Yes I'm serious, I love you.
YES, that's excellent news! I'll be home soon.
Wait, you want to meet first? Okay, where?
Okay see you soon.

I flipped down my phone and walked back inside the shop smiling. Love and coffee seemed to work together perfectly, and always would.
Last edited by retrodisco666 on Sun Aug 07, 2011 9:10 pm, edited 1 time in total.
'I have loved to the point of madness, which for me is the only true way to love'
~Francoise Sagan




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That is really beautiful!
A few capitals missed out and I think you could create a better atmosphere of the cafe, maybe by adding more smells?




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You may want to put this in Romantic Short Stories. After all, love is in the title. If you can't decide on another title, I say keep it because it fits well and you explain it well. I thought it was extremely cute and I was unable to predict any of the events that happened. When Zack ran, I was sighing to myself and think, "Man... come on. Ask her out!" little did I know that he would come back! You describe a lot of the items in the story well, but only really describe Jenny, a person.

A question I have though is this: as we read through the story, we hear about Thomas and Mary. Is the MC an author and these are characters in a book he's writing? Or are they other names carved into the coffee table and he was making up a story for them? You need to clear that part up.

Spoiler
The over-crowded cafe hummed with conversations. Some were somber, others not so much. I looked around the corner from where I sat in a faded brown chair, holding a cup of strong black coffee and a well read copy of The Passion by Jeanette Winterson by my side. I looked at the world weary people walking in from the beating rain, shaking slightly like a dog before ordering their drinks. People talking to people for that one moment, that one moment will only last for as long they intend it to. In reality, there is no past, no future; only the present moment.

You set the environment with this paragraph. I can easily see in my mind the MC, sitting on a chair, being bored and staring at people. I changed some of the words around because they sounded wierd. For example, at the beginning I changed 'from' to 'with'. The second sentence was what really griped me though. It had so much detail but was so long. You can make it work in a single sentence, but I suggest breaking it into two. For example, "At my side rested a well read copy of The Passion by Jeanette Winterson."

Minutes passed and I stirred my drink. I pulled out the spoon and put the wet end of the scattered sugar on the table, grains caught in lovers carvings. Some clinging relentlessly to the M in Mary. Mary and Thomas. I couldn't help but wonder when this was written. Were they still together, or not? Did they now live in London with two girls, Emily and Claire, Claire likes to swim whereas Emily is fond of the clarinet. On sunday's do they take the car and go to their grandparents house on their mother's side? I would never know....yet, I couldn't help but contemplate anything else. A woman burst through the door, dragging my focus to her. She wore a moleskin coat, cream color, with matching gloves. She pushed her dark brown hair out of her face, and it fell, wearily, to her shoulders. She put her hand into her pocket and pulled out a small, silver purse and made a start for the counter. There was only a small line, in fact just one man.

The tense changes from past to present (I sat in the first paragraph and now I am stirring). I changed everything to the past tense, just for consistency's sake. The underlined part is a very good description, but hard to understand. "Put the wet end of the scattered sugar on the table" what? Did you mean the spoon's wet end? The next two parts when you talk about Mary, Thomas, Emily, and Claire are also a tad bit confusing, mostly because you introduce them out of the blue and we have no knowledge of them.

"Hello miss, what can I get for you?" The man had already been served and was waiting for his order to be made, she smiled weakly at him before turning to the worker.

"Large black black what? Coffee? Tea?please, two sugars," He nodded and punched it into the machine.

"Three pounds fifty-five pence please." She zipped open her purse and began sifting through her money. She was counting minimal change into her hand; she was obviously not one who usually deals with small change.

You have two words that end with -ly. So I suggest changing usually to often.

"I'm sorry, can you change a twenty?"

"Sorry," he said genuinely appologetic. You may want to add some dialouge here where the cashier says that he actually doesn't have enough change or that the bill is too big.The man piped up next to them.

"I'll get that for you." He smiled at her, she caught his eyes and dipped her head slightly. She didn't seem to know how to react.

"Are you sure?"

"Of course I am." He plunged his hand into his pocket and pulled out a handful of change. He slid it over to the man who swiftly deposited into the register. They seemed to linger for a moment, neither sure what to say. He opened his mouth to speak but was cut off by a drink being pushed across the counter towards him. He picked up his drink and scurried out of the shop, I watched him round the corner. He was gone. I looked back to the woman. She wore dissapointment across her face. Her back then turned to me, she was just going to wait for her drink and go I imagined. I looked down at the table, Mary and Thomas glaring back at me. Can love happen over coffee?

You describe an awkward moment perfectly. Just needed to let you know. Also, I still don't know who this Mary and Thomas are. Did a paragraph accidentally get omitted? Or are they characters from The Passion and I don't understand the reference because I didn't read the book?

I seemed to drift back out into my reality, and thinking about what happened to Thomas and Mary now. Did Mary get offered a huge promotion and have to move Ireland, ripping the relationship in half? Did Thomas take up smoking and developed lung cancer and died after the birth of their third child Luke? Did they have a messy divorce and now Luke, Emily and Claire only get to see their dad every other wednesday? More questions spilled around my head before someone burst through the door again disrupting my focus; he had come back.

I looked straight to the woman, she now wore happiness. The man walked up to her, shaking slightly.

"H-hi. My name's Zack."

"Hey. Jenny," They smiled at each other for a moment, their chests rising and collapsing just as quickly. The thick smell of coffee complemented the moment perfectly. Was this how Thomas and Mary started? My spoon had now gone dry and the sugar had welded itself to the back of my spoon. I relentlessly began picking the grains off whilst Zack and Jenny talked together. After a while I listened in to their conversation; it was ending.

Yay, Zack came back.

"Oh right," Zack said, I had missed what this was in response to, "Would you go to dinner with me tonight?"

She smiled slightly, and bit her bottom lip slightly; her answer was yes. She nodded, and reached into her pocket. She pulled out a pen and wrote something on his hand, I imagined a phone number. She offered him the pen, as he took it she removed her glove and he scrawled something across the back of her hand; it had to be a phone number.

That's a bit wierd that a woman with that much money would so easily allow someone to write on her hand. Maybe it should be a napkin instead.

"I'll text you my address." She said. She picked up her drink, which she must have received during their conversation, and walked out. He stood their for a moment, then smiled excessively, then walked out in the direction he went originally. I smiled to myself and I came to some decions. Thomas and Mary had three kids and moved to London. Thomas worked as a lighting director in the west end, for various musicals, whereas Mary climbed the corporate ladder and became a hot shot business woman. Claire went on to go the Cambridge and studied Law, but was also a member of the swim team. Emily moved to Paris and became a musician and played across the globe. Both married and had children. Jonothan, unfortunately died as a child, but he would never be forgotten. They lived together happily well into their twilight years until they retired to Devon. They spent their final days watching the waves crash against the coast. They died with a month of each other.

I picked up my spoon and turned it in my hand, I grabbed the opposite end and began carving into the table: Jenny and Zack. Miracles could happen over coffee.

Is it that easy to carve that into a table? Wouldn't someone stop him if he was in a crowded coffee shop?

I left the coffee shop when my phone started to buzz in my pocket. I flipped it open, it was Alice, my girlfriend.

Hey Alice.

Yes I've chosen.

Well, I say let's do it.

Yes I'm serious.

Whenever you're ready. Tomorrow, next week, next year, whenever.

Yes I'm sure I want to move.

Yes but my life will be with you.

Oh and there's something else, will you marry me?

Yes I'm serious, I love you.

YES, that's excellent news! I'll be home soon.

Wait, you want to meet first? Okay, where?

Okay see you soon.

I flipped down my phone and walked back inside the shop smiling. Love and coffee seemed to work together perfectly, and always would.

Did you leave quotations out on purpose? If it was a conversation on the phone, I feel like you should put quotations. If they were texting their conversation, maybe you could leave the quotes off. I understand that these are just the responses he is giving, but it still feels unnatural.

I say the two biggest issues you have is punctuation and spelling. Other than that, try to describe the characters a little bit more, namely Zack. We get a feel of his personality, but not his looks.


If words are just letters put together, why do we decide on what they mean?

I step away from the grammar to review the story.

I don't do poetry.




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Hi there! Thanks for being my first requested review! Spread the word!

This was a good story. I enjoyed reading it and it made me smile. You did a great job developing your charactes. Although, I would really like to know more about the narrator. By the end of this story the only thing I knew was that he likes to drink coffee, he has a girlfriend named Alice and he's going to get married. What's going on in his head? What kind of job does he have? How often does he come to the coffee shop?

Here's a few suggestions I have to make this story better:

...hold a cup of strong black coffee and an a well read copy of The Passion by Jeanette Winterson...

You only use 'an' in front of a word starting with a vowel. And book titles should always be underlined.

Minutes pass and I'm stirring my drink.

Pick present or past tense and stick with it. You started off with past tense, but then you switched yo present tense here. Then you switched back later. Try to keep it consistant.

Did thomas Thomas take up smoking and developped develope lung cancer...

Watch capitalization of proper nouns and watch your tenses as well.

She smiled slightly, and bit biting her bottom lip slightly; her answer was yes.

Repeating the word 'slightly' here makes the sentence sound awkward.

He stood their there for a moment...

Watch the their, there confusion. Remember, their is a two person possessive and there is a place.

Hey Alice.
Yes I've chosen.
Well, I say let's do it.
Yes I'm serious.
Whenever you're ready. Tomorrow, next week, next year, whenever.
Yes I'm sure I want to move.
Yes but my life will be with you.
Oh and there's something else, will you marry me?
Yes I'm serious, I love you.
YES, that's excellent news! I'll be home soon.
Wait, you want to meet first? Okay, where?
Okay see you soon

This last part confused me. Is this an actual phone conversation? Is he saying all of this or is he having an actual conversation with Alice? You may want to add quotation marks and explain who's talking.

All in all this is a good start. It could use some editing, but it's a really good idea! Keep writing! :)
Noelle is the name, reviewing and writing cliffhangers is the game.

Writer of fantasy, action/adventure, and magic. Huzzah!

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Hi there! Sorry for not getting back to you earlier. :)


I looked around from the corner, where I sat in a faded brown chair, holding a cup of strong black coffee and an well read copy of The Passion by Jeanette Winterson by my side.


This is quite a sprawling sentence that holds many ideas. From this only, we learn that:

- the narrator sits in the corner
- the chair s/he sits is faded and brown
- s/he is holding a cup of coffee
- the coffee is strong and black
- s/he has a book by his/her side
- the book is The Passion by Jeanette Winterson
- the copy is well read, so s/he must like the book

You managed to stuff all that information into one sentence only, which makes it more difficult to read because you don't let the readers catch their breath in between introducing new things. When there's a danger of making your sentences too long, you have at least two options:

a) Make one sentence into two or more. All you need is punctuation and capitalisation.
b) Make the sentence shorter. It's very easy to cut down on adjectives, for example - "strong" coffee is usually always black, and "black" coffee is usually always strong, so you don't need to say both. Also, do the readers really need to know that the chair is faded and brown? If so, you can tell that later on, but if it was just a filler, you can safely leave it out.


Minutes pass and I'm stirring my drink.


Is the tense change intentional?

She pushed her dark brown hair out of her face, and it fell, wearily, to her shoulders.


Why the commas around wearily?


There was only a small line, in fact just one man.


So there is no line.


"Hello miss, what can i get for you?" The man had already been served and was waiting for his order to be made, she smiled weakly at him before turning to the worker.


I'd suggest you hit Enter after the speech.


"Sorry," he said genuinely appologetic. The man piped up next to them.



She wore dissapointment across her face.


"disappointment"


I looked straight to the woman, she now wore happiness.


"She looked happier now".


So, one quick piece of advice: don't forget spell-check. You had a few spelling errors there, but I didn't bother to point them all out, because the red squiggle does that for you.

Also, when you proofread your text, you should notice all the lowercase letters that should be uppercase - in, for example, "Cambridge" and "Claire" etc.

I think the idea you had here was quite cute and nice. However, you should've made the "Thomas and Mary" thing clearer. I thought the initials were carved into the spoon for some reason, even though they apparently were in the table. You should also be clear about the fact that the narrator does not know who these people are, and that he's only imagining all those things that might have happened to them and their family.

Also, the narrator's way of narrating the interaction between the man and the woman annoyed me a little with all the "He wrote something on her hand, probably a phone number" and "She wrote something on his hand, this would be a phone number". At those points, I would've just wanted to focus on reading about the man and the woman without getting interrupted by the narrator all the time. When we're supposed to care about the man and the woman, we don't want to be constantly reminded of the narrator that seems to be obnoxiously yelling "I am here too! Look at me!"

I hope I could help you, even a little! See you around!


Demeter
x
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