Maggie: A Love Story (Prolouge)

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The strides he took from the stairwell were subconsciously quick and silent, weighing down with each pace the faded boards, stiff and decrepit underneath his soles. Still, the flickering chandelier had not been attended to and the dust gathered on the tables, piling up in his lungs and sticking to the walls of his throat. He coughed.

Ambition had already faded from the eyes and his dry mouth foamed from all the panting which lifted up the dust from his aching heart, making him gag under the weight of his breath. His color was faded and his ears kept the time, continuously beating faster as the blood made its way through the habitually impervious crust that surrounded his brain. Not vexed, but bemused, and not without reason, but without judgment, and no one before him could push him backwards into the tub of water so that he could open his eyes.

Through the hall and into the bedroom he stopped before catapulting the uncomfortable shoes off from his feet and ripping the glasses from his face.

How much time was I down there? What time is it? Is it no matter? I think so, but I can’t be sure.

Dry, shaking hands made their way slowly to his collar button, and undid the demon that had constricted his poor, dusty throat. His cheeks blushed as the blood began to run back into his face, the light-headedness rushed through his body, leaving him to stumble into the adjacent bathroom and collapse on the counter.

Hitchcock’s Psycho won some fucking award. I heard it in the papers. What about Vertigo? Motherfuckers.
The dust was sprawled out on the counter, a pillow for Jackie to rest his head. A tear of exasperation made its way down his face, and his arms shook until his breathing calmed and his eyes were closed in relief, thoughts coherent and hands steady. He sighed.

He turned the faucet on.

Cold water splashing to the face, frosted cheeks and wider green eyes, and Jackie’s usually curly hair was now flattened and crawling with indolence into his eyes. The drops of water travelled down his face and off the tip of his chin, dripping and making their way down the contours of the porcelain sink.

A crow flew towards the house, and the benthos etched a claw against the siding, twisting Jackie’s ears.

Crooks never repainted the fucking floors, that shit.
He found a towel and rubbed it in his hair and face before throwing it to the floor. It curled up into a discolored yellow ball with a small flag-shaped piece sticking out at an end. Before a few seconds passed, it was kicked into the far corner of the room, shapeless and dirty.

Ronnie moaned.

The dust went back down into his body with that gulp, as the bright eyes flashed and the violent pulse in his neck recommenced. The moaning grew louder. He coughed.

The sun finally dipped below the horizon and the once bloodstained sky turned a deeper blue, while the last crows cried into the empty air and flew back into their holes.

The light-switch in the bathroom was flicked off and the paces resumed, now starting in the direction of the winding stairs. Most of the way down already, the body was visible, unrecognizably bloody and sprawled like a star in the center of the open foyer. Jackie used the cuff of his white sleeve to wipe off the lone tear that gently flowed down his cheek, and took a few steps towards the body of his dying brother.

“You’re a bloody mess.”

Ronnie slightly opened his left eye, and murmured a stifled “Who could have done this to me?”He smirked and then closed his eye, breathing incessantly soft and calm.

Jackie looked at his brother, and a look became a stare, and with the last warmth of his heart he walked over to him, and took a knee beside him and placed his brother’s head on his knee. The same white cuff he grabbed with his fingers and wiped off the blood from his brother’s face, rusted and aged. Ronnie’s face was crimson with blood; the skin of his cheek had been clearly cut open, and his left ear was spilling with the same blood it had filled up with.

His body was one of a dead man, and yet he still lived. A slash to the gut had left his oxford shirt utterly drenched, and his once blue jacket was now blotched with the color of wine. His entire body was bruised or broken, leaving him to yearn for the moment when his brother would end his life and the bottom-feeders would crawl through his skin and eat him from the inside.

"I can’t look at you like this, but you made too big a mistake. It was too big a mistake for me to keep you alive. A love you can’t let go is just that, and murder is just the hole that we shit in. I’m sorry, this...I-I know it probably doesn’t mean anything to you at all now, but we both know this was my mistake. But I couldn’t let go, Ronnie, I couldn’t let go.” He stroked his brother’s hair and kissed his forehead, still warm but transformed white from the color that left his body.

“I-I couldn’t do it either, Jackie. That’s w-why I did it.”

“I can’t think, I can’t breathe anymore, Ronnie. You should’ve changed my mind; I need her too badly. And tell me, what am I now? I’m a poor lump of a man helpless praying to a God that I’ve never met and dreaming for a life that I could never possibly live! O Jove! O Jove! Strike me now and again, now and again; my love is nothing sans truth and my truth nothing sans my love, and my life slow and my bed cold and empty, my home rotting and my mind drooling.” He was about to wipe his tears again, but the blood soaked his cuffs, and the tears came down salty and cold, the deep ocean unveiled. He reached by his waist to his holster and pulled from it his arm’s extension, cold metal, heavy and dense.

“What did you do when you found out for sure Maggie was dead?”

Ronnie’s bright blue eyes shone at his brother as he managed a weak smile. “I killed a lot of people, Jackie. Listen, I’m already fucking dead anyway. Take a last one, put me out.”

Jackie’s cold tears ran down his face fluid and infinitely, and the dust built up in his throat. He pressed the pistol against the back of his brother’s neck. Love’s blessing is what takes it away.

“Listen Ronnie…I fucking love you.”

And before the bullet penetrated his skull and reached his medulla oblongata, Ronnie murmured, “I love you too.”

And the crows sat by the window, staring, waiting for the moment when they would peck at his body and plunge their daggers into his eyeballs.
Last edited by 322sivart on Fri Jun 17, 2011 12:49 am, edited 2 times in total.
Need reviews?
I'd be happy to give them.
http://www.youngwriterssociety.com/topic76104.html




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First thing, and, I hate to sound naggish, but look, you can't just post a big block of words like this! It isn't even that long, dude, you could space out the paragraphs in less then a minute and your reviewers would love you for it! Just start from the top, hold down "CTRL", push the down arrow, and enter, down, enter, and so on. Easy peasy!

A'ight, now that that's out of the way, time for nitpicks!


The strides he took from the stairwell were subconsciously quick and silent, weighing down with each pace the faded boards, stiff and decrepit underneath his soles.


This is kind of a stupid nitpick, because I don't think there's anything wrong with this exactly, but when I read it, it didn't quite sound right. I think there should be a comma between "pace" and "the" but that's moreover so a preference.

Is it no matter?


Okay, so, there's this part where your MC or whatever is asking himself all these questions. I think you should definitely italicize these, and all other direct thoughts. The reason I quoted this question in particular is because, it sounds kind of odd. Maybe your MC just has a weird dialect, but I thought, perhaps, it was a typo.

“Listen Ronnie…I fucking love you.”


I think this could be a powerful statement- it is, but, here's the thing: Jackie just said...

"Ronnie, I love you."


Do you know what I mean? "I love you," it's an interesting thing for two grown men to say to each other. It's special, it's strong, and you shouldn't use it too much.

Okay, so, my overall impression is: The beginning? I got confused. I understood what was happening in the middle and at the end, but after I read it all, I went back, and I still don't quite understand the beginning. I suppose that's what you were going for, yes? It'll all be explained later? If not, I don't get it.

It did make me curious... and the overall writing style was great.

--
Tabby




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Hey, here I am as requested! First things first, I thought this was really mysterious and intriguing - I want to read more! And I think you have a brilliant writing style, particularly in the way you describe the scenes.
Just a few comments:
You've obviously got a talent for description and I'd like to see some description of the characters' appearance. While a full description isn't essential in the prologue, maybe a few details thrown in here and there would be good, for example:
Ambition had already faded from the eyes

I think you could easily describe his eyes here.

I'm a poor lump of a man helpless praying to a God
I don't know if it's just me, but your word order seems a little odd here, I think 'a poor, helpless lump of a man' would sound better.

I can see that swearing is part of your character's language and thoughts, but to be perfectly honest I find the use of the C word unnecessary and slightly offensive. Of course it's your call, but I think a different swear word could be used here to the same effect.

Sorry if this comes across a bit harsh, I do think this is a great piece of work and it's very dramatic.
I am eager to read more of this story!

-Megan
~Una palabra no dice nada y al mismo tiempo lo esconde todo~ Carlos Varela




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Here I am, finally.

Before we move on to the juice of the review, there're a few little nitpicks I'd like to point out.
Crooks never repainted the fucking floors, that shit.
He found a towel and rubbed it in his hair and face before throwing it to the floor. It curled up into a discolored yellow ball with a small flag-shaped piece sticking out at an end. Before a few seconds passed, it was kicked into the far corner of the room, shapeless and dirty.

Weird how Jackie's thought isn't separated from the rest of the paragraph by a space; you move on to a new line without inserting an actual line between them, like you do throughout the rest of the prologue. This happens again earlier, but the penultimate time he thinks something, you do put a space below it. Homogenized formatting looks much more professional than sporadic formatting does.
The strides he took from the stairwell were subconsciously quick and silent, weighing down with each pace the faded boards, stiff and decrepit underneath his soles. Still, the flickering chandelier had not been attended to and the dust gathered on the tables, piling up in his lungs and sticking to the walls of his throat.

Alrighty. "Weighing down" could normally be perfectly fine without an "on" following it, but the way you have it set up causes the lack of "on" to sound incorrect - hence, my recommendation would be to insert it after "pace." In the next sentence, your saying that the chandelier had not been attended to in the past perfect tense is not in sync with your description of the dust. Unless it is gathering at the very moment that Jackie is walking towards/past it, which I doubt, it should read, "...the dust had gathered on the tables...."
Dry, shaking hands made their way slowly to his collar button, and undid the demon that had constricted his poor, dusty throat.

"Demon" is much too powerful a word for such an insignificant nuisance as a collar.
O Jove! O Jove!

Why? Why did he repeat this? Why did he say it at all? It sounds awfully fake.
Jackie’s cold tears ran down his face fluid and infinitely, and the dust built up in his throat.

Technically, "infinitely" should be shortened to adjective form so that it and "fluid" are standardized, but "infinite" isn't quite the right word anyway. I find it hard to believe that Jackie's tears could come anywhere near an infinite quantity, no matter how numerous they are.

Anyway, this is definitely a commendable beginning. Your descriptions effortlessly draw me in, and your language is crisp and powerful. Is this necessary in a story with such a subject as this? Perhaps not. While this technique can be infinitely effective in certain contexts, one must acknowledge that there are instances in which description is hardly an asset. When you described the towel, for example - did this benefit the story, or did it obstruct it? While minimalism is often discouraged, a healthy story contains a balance of both heavy and light description.

One would think, however, that you would follow through with your descriptions towards the end. In this way your prologue is pretty top-heavy - your descriptions kind of evaporate as soon as you hit that awkward mentioning of Ronnie's body below the staircase. I have absolutely no idea what the room in which Ronnie is lying looks like - and this would be fine, except for the fact that you already spent so much time describing the second floor.

As far as the story, vagueness seems to be what you're aiming for. I find the subtlety to be somewhat overwhelming, however - you make so many intangible references that you leave the reader - not guessing, not excited to see how some enigma plays out, but utterly swamped and bewildered. Perhaps, instead of providing mounds and mounds of unexplained pieces of information for the reader to helplessly try to piece together, you could start us off one underlying mystery, one crucial piece of data that can be utilized later in the story. That is what prologues are for, anyway.

Also, Jackie's tendency to be vulgar in his thoughts nearer the beginning made me believe that he was more of the thuggish personality. However, his conversation with Ronnie - especially near the closure - sounded more along the lines of a melodramatic Shakespearean playwrite.

I very much hope that I did not come across as overly harsh or critical, because this was, overall, a superb piece. Like I said, your writing style is beautiful, and I will without doubt keep an eye out for further installments.

Keep writing! Seriously.

-Kafka
#TNT

WRFF



how insane i exist in rooms i'm not in at the moment
— fatherfig