Alright, so this is due tomorrow (thank goodness for snowdays) so I am posting it here and refreshing it when I have new parts...
Billy Joel’s stardom can be attributed to his ability to create anecdotal ballads that reflect the resilience of the human spirit. Through his songs, Joel exuviates his superstar image and invites listeners on a walk down memory lane, a journey that reinforces his humble beginnings as “the piano man.” In his eleventh album, Storm Front, Joel entwines social commentary and soulful musical arrangements to produce addictive hits that pay homage to his inception as an artist.
While many of Joel’s songs evoke feelings of hope or reminisce about previous times, The Downeaster “Alexa”, provides insight into the plight of the ordinary man and the struggles of the working class. The song is written in the perspective of an indigent fisherman, caught at the bottom of the hierarchy of society. As he is assailed with the comminatory challenges that accompany his position in a moribund trade, the fisherman laments his effete future and the sacrifices he made to conserve his lifestyle. His lugubrious journey is fueled off of waning false hope that he can still be successful despite his growing socioeconomic disadvantage. Throughout the song, Joel creates a sense of paralyzing despair that dominates the tone of the piece and reflects the true suffering of the protagonist. This disconsolate undertone not only aids in the listener’s comprehension of the fisherman’s woeful tale, but also is testament to his perseverance and the pliancy of his attitude.
The first verse sets up the backdrop for the fisherman and begins to depict an average day in his life. The narrator immediately introduces the song’s namesake, or the fishing boat, the Downeaster “Alexa” (“Well I'm on the Downeaster ‘Alexa’, and I'm cruising through Block Island Sound”). The Downeaster is presented as a point of pride for the fisherman, who has worked all his life to have the privilege of owning the boat. His comfort on the sea is displayed throughout the poem, and can be inferred by both his profession and the main setting of the song. The narrator speaks of the change of course he has made in his destination, alluding to the vagarious path his life has taken: “I have charted a course to the Vineyard, but tonight I am Nantucket bound.” In saying this, the listener is introduced to the fisherman’s overall helplessness in maintaining any sense of constancy in a world of indefatigable change.
The second verse focuses primarily on the quotidian struggles the fisherman encounters. Due to economic conditions, he has been unable to afford the upkeep of a mainland house (“Like all the locals here I've had to sell my home”), and has been banished to sea. This isolation extirpates the possibility of a stable lifestyle, and constrains him to abide by the tempestuous ways of the water. The fisherman is “too proud to leave” the carcass of his past, and is instead immortalized as paradigm of pride’s double-edged sword. The barren prospects of his future are an inequitable accolade for the years he “worked his fingers to the bone,” and haunt the fisherman as a reminder of his failed endeavors. Despite the despairing undertones of this portion of the song, the narrator does not indulge himself in the numbing comforts of self-pity, but rather braves the impediments that accost him, reminding the listener of the fortitude of the human spirit.
Although the song revolves around the theme of life’s hardships, the choruses bring in a fresh viewpoint and romanticize the journey of a fisherman. In the first chorus, the narrator reminisces about the genesis of his career, and the unadulterated hope that accompanied it: “So I could own my Downeaster ‘Alexa’, and go where the ocean is deep.” The lure of adventure attracted the fisherman to sea, promising “giants out there in the canyons,” and the opportunity to have a life of excitement. In adroit prose, Joel refurbishes the antiquated debate of appearance versus reality, contrasting the credulous idealism of a would-be fisherman against the scabrous actuality of the working world. The narrator switches perspectives in the second chorus, and redirects focus to his current situation rather than the antecedent. In this stanza, the fisherman bids a valediction to the Downeaster “Alexa”, a symbolic representation of his sophistic dreams. He also provides reassurance to his wife back on the mainland, and claims he is “trawling Atlantis,” a reference to the concept of pursuing a futile goal. The fisherman injudiciously believes that he still adjures his own future (“I still have my hands on the wheel”), an allegation that does little more than replenish his supply of false hope. In the third chorus, the narrator continues to describe the calamities of his profession, and insinuates the boundaries of his potential. Joel’s total comprehension of the characters emotional state illuminates the tone of his voice, once again reminding the listener of the great talent he possesses. Due to both economic and environmental obstacles, the fisherman is unable to obtain the necessary amount of fish needed for him to make a living. “More and more miles from shore each year” refers to the growing coastline erosion plaguing the shores, and also to the fisherman’s deteriorating luck. Government regulations also impinge his profit, as he is unable to “sell no stripers” due to the prohibition its sales. These three stanzas not only portray the exuberant number of challenges the fisherman faces, but also display his complex emotional depth, allowing the listener to regard him as a long-time friend, rather than merely a persona.
The song’s bridge begins with a chord change, introducing a new, dissonant layer to the piece. Previously, the fisherman focused primarily on himself, rather than others whom his actions impact, exemplifying his life of seclusion. His responsibility as a father permeates his decisions, and creates ancillary pressure for him to succeed (“I've got bills to pay and children who need clothes”). The fisherman is cognizant of the mitigating options he has for his future, but is bound by his obligations as the “bread-winner” of his family (“I've got people back on land who count on me”), and must find a way to make ends meet. He claims that “there's fish out there but where God only knows,” symbolizing his quest for a chimerical panacea to his problems.
In the coda, Joel recapitulates the past, present, and future of the fisherman, placing his inauspicious tale in perspective as a constituent of a greater story. In doing so, Joel illustrates the issue at large of a dying culture, and portrays the fisherman merely as a victim of a change-obsessed world. The narrator discusses the history of his trade “I was a bayman like my father was before,” and its ineludible fate, saying “there ain't much future for a man who works the sea.” These statements can be construed both as a synopsis of the fisherman’s life, and also as a testimony to the fleeting sense of constancy in a “sea” of eternal vicissitude. In the last, and possibly most poignant line of the song, the narrator expresses his concern that “there ain't no island left for islanders like me,” an idea that sums up the isolation inherent in the life of a fisherman. The poem “No Man Is an Island” by John Dunne conveys the idea that one cannot survive without the aid of others (“No man is an island entire of itself”) and that everyone plays a role in a larger endeavor (“every man is a piece of the continent”). Conversely, the narrator in the song no longer has a pertinent position in the fishing industry, leading to his wayward spirit. “Islanders”, or those similar to the fisherman, have no legitimate place in society and instead are drifters, floating from one “island” to the next, led by fallacy and delusion. As the song suggests, as the fisherman’s prospects dwindle, so do his quixotic hopes for a better life.
Downeaster “Alexa” is a tale of the clash between conventional and contemporary existence, and questions the survival of tradition in a society so focused on continual progress. What will happen to those who resist the way of the world, and prefer the dependability of another era? Will despotic modernism render the ideals of the past obsolete? Although this is a bold conjecture of the fate of the future, the concept has been proven true throughout history as innovative ideas supplant conservative ones. Joel himself is a self-proclaimed traditionalist, a position that influences the tone of many of his songs. Perhaps Downeaster “Alexa” is a culmination of his fears for a modern perdition, a place where talent and hard-work mean nothing in a land of mass-produced artistry. Despite this cynical outlook upon the future, Joel’s aim is not to spread despair among listeners, but to provide them with a muse as to how to act when in trying times. The fisherman’s resilience and pertinacious attitude gives him a strength that illuminates the darkness of any situation, a beacon of triumph in everyday struggles.
Please aidez-moi!
