Minos - chapter 2

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I had abit of trouble writing this chapter, I just couldn't seem to get flowing today, so all reviews/comments etc. are all very welcome, I want to improve this alot.

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Chapter 2


Chaos. Just Chaos. The clearing seemed to explode with screams. The Minos where hacked to pieces where they stood, unable to react quickly enough to the sudden attack.

To Bártak, it seemed as though the world was crumbling around him. Men streamed in from all sides, their faces stern in anticipation of the kill. More Minos fell, more blood stained the floor, and more screams raked the air.

Bártak was brought back to reality by the shout of Liana, one of the friends he had just joined. She was hemmed in by two men, both brandishing long swords. They were advancing menacingly, large grins drawing themselves across their faces. Moving in for the kill, they swept in with their swords.

But they never made it. Together, Bártak and Tolko sped in, pulling daggers from their belts. Ramming them hard with their heads, they knocked the two men of their feet, who gave out shouts of shock as they realised there was resistance.

Bártak gazed into the core of the man’s eyes, which were coloured the deepest green. They stared back at him, full of fear, before they faltered, assuming the shape of two dark slits, glaring up at him. They flickered to too the man’s hands and Bártak reacted too slowly, turning as the blade hit his side with a horrible hiss, knocking him to his side.

‘Look what we got here!’ snarled the man, calling to his companion, who had Tolko pinned down under his knees. ‘Two young ‘uns, just what Lord Lutatus will be after.’

Bártak struggled, trying to make out the shapes of his other companions, Liana, Bertha and Yupik, but they were gone, vanished into the smouldering battle that was still raging around them.

They were dragged to their feet, daggers jabbed into their backs as they were dragged to the edge of the clearing. Tolko glanced back at the camp, now burning with a fiery rage, smoke billowing up into the clear evening sky, dotted with sparkling stars, and the flash of a comet as it passed over the atmosphere. The moon, its ever persistent white glow, stood watch over the scene.

Everywhere around them, those who hadn’t been killed outright, where being rounded up, leashed together by thick cords of rope.

Tolko was brought back to his own situation, by the tug of the rope, whipped over his neck, and tightened, excruciatingly tightly around his chest.

‘Move!’ came the shout, and there was a tug, as the group moved off, about eight or nine of them, the ones who had survived the initial onslaught. Tolko looked around, trying to get a glimpse of his father, the Tokrakc, but he couldn’t seem him, and his heart plummeted. His only living relative. Gone.

Bártak struggled as he was dragged along, his hooves slipping across the hard earth, barely able to stay upright. Everything his people had been fighting for, everything they stood for. Gone.


The Minos were herded up about half a mile away, on the edge of a narrow dirt track. They were given a hunk of bread to eat, and a small jug of water was passed around for the prisoners. They sat, huddled together, unable to speak, still in shock from the destruction they had witnessed.

As night began to fall, an old man came riding down the track, his white horse snorting as it clopped along. The man had thin white hair, its wisps streaking around his head. Accompanying him was a younger man, thin, dressed in a dark red robe, and dark brown hair, which drapped down his shoulders.

As he neared, the soldiers rose to their feet, snapping into smart salutes.

‘At ease men.’ Called the commander, raising his hand as he came to a halt. A man stepped forwards, and helped him get awkwardly of his horse. Bártak looked on, noticing the way the man carried himself. There was something in him, some hint of kindness in him.

‘Sir, we have captured these eight who resisted.’ Said Marcellus, stepping forwards from his band of men, who stood, their weapons drawn, alert to any resistance that the captured Minos might ensue. But none came, the Minos felt defeated, all hope had drained from their hearts.

‘Good work Captain.’ Replied the commander, turning his gaze over the captured. ‘But did I not tell you that all where to be killed?’

Marcellus was slightly taken aback, the shock clearly written across his face.

‘What is it Captain?’ The commander enquired, stepping forwards. He had been convinced by Lutatus that it was for their own good that the Minos be eradicated. He hadn’t remembered everything exactly, yet it seemed as if he had been living in a daze. Everything that Lutatus had said was indeed true. Lutatus had helped him see things alot clearer.

At that moment, a single rider bolted up the track, his hair waving behind him as he thundered on towards the group.

‘Sir!’ Lutatus cried, alerting his commander to the new threat. ‘A man, riding up the track.’

The rider reached them within moments. His horse, dark black in colour, flustered slightly as it came to a halt. The rider was also garbed in black. He wore a coat of chainmail, which drapped down his chest and stomach, and plates of mail sat upon his thighs and shins. Drapped around him was a long black cloak, and his head was protected by a large square helmet, with two thin slits to allow the eyes to see out. Stepping of his horse, the man drew out a scroll, sealed by a large black stamp centred in the middle.

‘Commander Italia’s.’ He announced, stretching out his gloved hand, placing the scroll in the commanders hand. ‘A message from King Tyros himself, decreeing the movement of these...slaves...to his capital city Dragonhead.’

The Commander took hold of the scroll, breaking the seal and pulling it open, his eyes scanning the message written upon it:


By royal decree, his highness, King Tyros of the seven kingdoms of the human empire, requests the slaves acquired by right honourable Commander Italia, be transported to the Royal capital city of Dragonhead, where they shall form part of the great display that his highness, King Tyros is eager to create. The show, the Labyrinth, will be one of the great new wonders of the human world.



Commander Italia rolled up the scroll again, handing it to Lutatus as he addressed the messenger.

‘We are honoured to be part of the great Labyrinth that his highness has ordered by created. We shall accompany you to Dragonhead.’




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First post again! I'm never this lucky.

Though I originally bugged you about being repetitive, repeating "gone" at the end of those two paragraphs after the Minos were captured worked well! I love praising people for fixing old mistakes.

One grammar mistake that bugs me: after a person says something, if there is no exclamation or question mark, a comma should be there instead of a period if you're going to put who said it directly after! I realize I probably worded that oddly so I'll make an example.

Ex:
‘Good work Captain.’ Replied the commander...

Should be:
'Good work Captain,' replied the commander...

It's something easy to fix, easy to forget about. Everyone does it so it's not major.

And to finish, loved it. :) Keep writing this and I will keep reading. ^_^
Who's ever name is written in this note shall die.
My allegiance is to L, the world's greatest detective.
But my twisted mind enjoys Kira's exploits.




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Thank you very much for the review.

I'm glad you liked it, and I'll be looking to fix the little errors that you have pointed out! :)




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Alrighty, so Walker here with another review!

Nit-Picks:

Chaos. Just Chaos. The clearing seemed to explode with screams. The Minos where hacked to pieces where they stood, unable to react quickly enough to the sudden attack.
\

For effect, I would make the 'Chaos. Just Chaos.' its own paragraph.

They were advancing menacingly, large grins drawing themselves across their faces


Don't use the word 'themselves' here. Its a little confusing. Just take it out completely and you'll have a fine sentence.

Moving in for the kill, they swept in with their swords.


Second time you use the word swords in one paragraph. Nouns especially shouldn' be repeated for the redundancy they create.

They flickered to too the man’s hands


You have two 'too's' though one is wrong. I'm sure you can spot which one.

and Bártak reacted too slowly, turning as the blade hit his side with a horrible hiss, knocking him to his side.


Repeat the word 'side' in one sentence.

snarled the man, calling to his companion, who had Tolko pinned down under his knees.


Second comma isn't necessary and adds a pause that shouldn't rightly be there.

Bártak struggled, trying to make out the shapes of his other companions, Liana, Bertha and Yupik, but they were gone, vanished into the smouldering battle that was still raging around them.


This is technically proper punctuation but the sentence itself is run-on. Slim it down. You have too much going on.

They were dragged to their feet, daggers jabbed into their backs as they were dragged to the edge of the clearing
.

You repeat the word dragged.

Everywhere around them, those who hadn’t been killed outright, where being rounded up, leashed together by thick cords of rope.


Everywhere should be everyone. That and you should have 'and' instead of the third comma.

Tolko was brought back to his own situation, by the tug of the rope, whipped over his neck, and tightened, excruciatingly tightly around his chest.


Wayyyyyy too many commas. Take the first one out and replace it wit 'that had been'. The second comma should be taken out as well. That and the third. Pretty much none of them were necessary.

Oh and tightened and tightly are two different ways of saying the same word. Change one.

Bártak struggled as he was dragged along, his hooves slipping across the hard earth, barely able to stay upright.


You are overusing commas to the extreme.

The Minos were herded up about half a mile away, on the edge of a narrow dirt track. They were given a hunk of bread to eat, and a small jug of water was passed around for the prisoners. They sat, huddled together, unable to speak, still in shock from the destruction they had witnessed.


These two sentences show the bad and good of commas. The first sentence shows ill-use when it comes to commas whilst the one below it shows a good way of using commas.

which drapped down his shoulders.


Drapped should be draped.

snapping into smart salutes.


What is a smart salute, perchance?

At ease men.’


Comma after 'ease'.

There was something in him, some hint of kindness in him.


You repeat 'him'.

But none came, the Minos felt defeated, all hope had drained from their hearts.


Both commas are spliced.

‘A man, riding up the track.’


Reword this differently. It sounded silly having you repeat yourself.

Drapped around him was a long black cloak,


Your biggest grammatical error seems to occur around the word 'draped'. Drapped would be pronounced 'drap-ed' whilst draped is pronounced 'drae-ped', ne? Like grape or crate.

‘Commander Italia’s.’ He announced, stretching out his gloved hand, placing the scroll in the commanders hand. ‘A message from King Tyros himself, decreeing the movement of these...slaves...to his capital city Dragonhead.'


Heres a little tip when it comes to dialogue and when it use periods or commas.

When you specify that someone is talking, you use a comma such as;

"I want to go to the park," he said.

When you don't specify, you use a period;

"I want to go to the park." He itched the back of his head wearily.

The only objection to this rule is if you split the dialogue in half, like this;

"I want," he itched the back of his head wearily, "to go to the park."

This rule can be used as well when you specify that they are talking like;

"I want," he said, "to go to the park."

Any word that specify the person as talking such as 'murmured', 'muttered', 'whispered', 'shouted', etc. should all be applied under the general first rule.

And there you have it!

‘We are honoured to be part of the great Labyrinth that his highness has ordered by created.


By should be 'be'.

Overall:

Its nice to see some of your plot coming out! I'm actually pretty excited to read on about this whole 'labyrinth' thingy-mabobber, so this should be quite the entertaining read.

Your structure - which has gotten better - still needs much word. Work on your commas. Work on your sentence structure. Oh, and work on your repetition of words. Redundancy is the number one worst thing a writer can have. Their vocabulary should be sufficient enough so as to not have the writer repeating themselves in any case. If you shan't think of a word, there are tools like thesauruses and alike that could easily help you out in this section.

Lastly, you had more grammatical errors this time around which surprised me. Maybe because you are getting pretty gung-ho about the whole entrance that anything afterwards is a litte... sub-par? Either way, reread your work constantly. The more you reread, the more your errors will stand out. And if you can't find them, reread out loud. This will show you where all your unnecessary pauses are which you create with too many commas.

Other than that, I enjoyed this and can't wait to further review your work!

~Walker
Suppose for a moment that the heart has two heads, that the heart has been chained and dunked in a glass booth filled with river water. The heart is monologuing about hesitation and fulfillment while behind the red brocade the heart is drowning. - R.S




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