Forget Me Not: Chapter One

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I decided to post another chapter since, on further review, the prologue was rather short. Which it was meant to be, but it was hardly enough to really grasp the story. So now! More vampire goodness!

Random idea: there is a sliding scale of Vampire Romance "hardness." On one end (we'll call it 0) is Twilight---not only do vampires not kill people, but they're shiny and cuddly to boot. In fact, aside from preternatural strength and coldness, they're big teddy bears. On the other (a round 10) is Let the Right One In (a Swedish novel which, if you haven't read, you really really really should)---where vampires murder and plunge to the very depths of sin, yet love some lucky person anyway.

This book aims to be at about the 7.5 mark. Basically, vampires aren't evil or cruel, but they still capture and suck people's blood. They don't kill the donors, but they basically enslave them as a personal supply of blood.

Yes, you say, but this should really be told in the story! You shouldn't require author's notes to explain things!

And I remind you that this story is incomplete, and I would like it to be judged as fairly as possible. And, while these things will be explained later, it makes it hella easier to review if you know what's going on.

Oh yeah: mild violence. But you should know that already.

So...that's that. On to Round One:

Forget Me Not
Chapter One: The Champion


He was strong. That was certain. He could see his opponent's muscles ripple through the fog as the horn sounded. His biceps distorted a tattoo of an eagle almost beyond recognition.

But was he fast?

The brute turned his head, not moving his feet. He was trying not to display a weakness, Aleck assumed; but that was as good as broadcasting it. His vision also appeared impaired, although that was likely trickery.

Aleck had not made it so far in the Tournament through stupidity, and he was not about to fall prey to this brute. He was slow and could most likely see better than Aleck.

An interesting combination.

Aleck waited until the behemoth's head faced away from him before darting behind the beast. The other contender had most likely noticed him, but continued to pretend otherwise. If he had thought that Aleck would be fooled, he was sadly mistaken.

Aleck darted forward to attack, and the massive creature before him fell into his trap. Aleck quickly feinted before moving underneath the beast's legs, and---now behind the giant---he attacked.

He was not the largest Vampire out there, but this did not matter to him. He knew his weaknesses and he knew his strengths, and he exploited all of them. His diminutive size was not an offensive ability, but it meant that his opponent needed to aim a lot better than he was used to.

He went for the sensitive spinal region, snapping out a quick kick that made something break, before darting back just before the beast had time to turn around.

He was going to lose, he realized. Maybe not soon, but the creature's lack of movement was conserving energy, while eventually, he was going to slow down and the brute's strength would prevail.

He was determined not to allow this outcome to pass, and just as he had made up his mind to feign weakness, it happened.

A smell, tantalizing his every synapse, wafted across the field. It was a distinctive smell: an Old One, the supposed prize. He hadn't entirely believed the King when he had declared it as the prize, but now...

He needed to stop thinking about the prize before it was his. If his brain was distracted by the Old One, then his opponent's...

He turned back to the behemoth and saw him standing there, facing the smell, face calm and in rapture. He looked blissful, until Aleck leaped, grabbed the Vampire's head, and twisted it with all his strength. The Vampire staggered, trying to keep Aleck from snapping the vertebrae, but the smaller demon refused to release his hold.

Finally, the Vampire sank to his knees, and tilted his head to the side, the gesture for defeat.

Aleck had not actually meant to kill the Vampire. No matter the occasion, the loss of a brother was not something he desired, but the prize was too ripe. His gratitude for the yielding was almost surprising. He truly had been prepared to murder.

Aleck leaned his head forward, elongated his incisors, and bit gently. The taking of blood was customary after a defeat in combat, and provided more than mere recognition. While conveying the message that one Vampire was stronger than the other, it also gave one Vampire limited control over the other. Aleck now had a portion of the large beast's might, and he was determined to make this as painless as possible for his opponent.

He knew that the only reason for his victory had been the timely appearance of the Old One, and that meant that he held none of the contempt that usually came after defeating one of his own. He knew that, had the prize not distracted the giant, he would have lost. His victory was serendipity, nothing more.

What he did not realize, however, was that it was not one victory that he had won that battle.

The King's voice came booming from the mist.

"The winner is Aleck di Benezia!"

Aleck bit his lip. The King's native tongue meant that he gave all his subjects such titles, no matter how incongruous the combination. "Aleck," he thought, was not at all in the same category as "di Benezia."

"Step forward to receive your prize."

He realized it then: this had been the final battle. After weeks of dueling, he had lost track of the matches. Apparently this behemoth had been the other finalist, and now, he was done. The Old One was his.

He stepped forward, and the King came into sight through the fog. Aleck knelt, and bowed his head.

"My lord," he said. "I thank you for this opportunity to prove my worth."

It was not the usual victory remark made to the King; Aleck had pondered the intelligence of making such a change. It was, he decided, more modest, something he desperately desired. The winner of the Tournament was often regarded as ruler material, opinions which were quickly silenced by the King.

Aleck was definitely not ruler material. He was small, and fast, and smart, and he definitely did not want to provoke the King of the Vampires.

The King grew somewhat cold at this, contrary to Aleck's desires, and then became a little more animated.

"This key unlocks your prize," he said. "You know where to find her, I trust? She did offer you a treat, as I recall."

Aleck bit his lip. The King knew exactly what he was implying.

"Indeed, my lord," he said. "A most fortuitous occurrence. Had it not been for it, I should most likely be the loser of this battle."

"Your modesty is unwarranted," said the defeated Vampire. "I was the one fighting a losing battle. That spinal blow almost did me in."

"Your own modesty is unnecessary," said Aleck. "I respect you greatly."

The large Vampire looked somewhat taken aback. Only rarely did a victor offered respect to the loser. It was usually the other way around.

Then Aleck stood, grasped the key that the King had proffered, bowed, and walked away to the source of that tantalizing smell.
When in doubt...obfuscate!




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Okay, here I am for another review after the prologue, even though Stephanie Meyer's totally ruined my appetite for vampire novels. Actually, this wasn't too bad. I think right now the biggest thing will be developing your world and your characters, so that we're brought into your world. This will be easier if you work more on showing everything instead of telling. Which can be hard for sure, but it really defines a story as 3-dimensional and realistic if we're brought into the world enough to really experience it. I would definately expand on this too so that it's longer and more descriptive, because really all we've seen is a fast win. Give us a little more time to know your character, because otherwise you'll be writing hollow words. *sigh* Okay, I'm really rambling today. Keep the characters and situations detailed and relateable, and you'll be on the right track. I'm curious to see where you'll bring this.
Keep writing,
StoryWeaver
Reading is one form of escape. Running for your life is another. ~Lemony Snicket




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Well... see, my main issue here is that there is a whole lot of fighting... I just find reading about battles is really boring. Not that that means you shouldn't have written it! I mean, there are fight scenes in most good books... I personally just don't like them. I also find them hard to write... yeah, battle scenes are kind of the bane of my existence :p ... well, maybe that's an overstatement, but anywho...

Lot of untapped potential here dude... best thing to do is show as much as you can through Aleck's eyes, describe the arena or whatever, and definitely describe the Vampire King... I pictured him like Palpatine from Star Wars, and I might be way off there... for all I know he's like, a teenager or something.

"The winner is Aleck di Benezia!"

Aleck bit his lip. The King's native tongue meant that he gave all his subjects such titles, no matter how incongruous the combination. "Aleck," he thought, was not at all in the same category as "di Benezia."


Umm... this confused me. Maybe because I don't know what "incongruous" means... I don't know... perhaps you could just make this clearer beause I don't understand what you're trying to say.

This concept sounds cool (even though vampire stories are kind of way overdone) not much happened in this chapter, but I'm looking forward to more...

--
Tabby




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Hullo!

I'm not going to go through and do line-by-line nitpicky stuff because for one thing, I'm not in the mood to do that and for another thing, I don't think you really need it. The only thing I noticed on that front that I thought I'd point out is that you seem to be struggling to find different ways to refer to Aleck's (nice name, by the way ^.~) opponent. You do "the beast" and "the brute" and "the other Vampire" and lots of things like that... but why not give him a name? Or if you don't want him to have a name, what if Aleck just settled on a sort of nickname? It could be "the brute" or "Bruteface" or whatever you like, depending on Aleck's character. I just thought that aspect was a little awkward and I think you could do better.

All in all, this piece feels a little bare. I wasn't in suspense during the fight scene, because 1) it wasn't exactly action-packed. There was just about equal parts action and thinking, which meant that it didn't really feel like a fight so much as some sort of strategy match. I'm not suggesting you make it bloody and graphic, necessarily, but it didn't actually feel like death was a possibility in the arena. Maybe this is just because of how cool and composed Aleck seems: he didn't seem to know that his death was, or could be, imminent. 2) even if it was action-packed, I don't know if I would be in suspense because I wouldn't really have any reason to care. I don't know anything about the characters except that whoever wins will get the girl from the Prologue as a prize. I don't really want either of them to win, because I don't care about them. I can tell that I'm supposed to care for Aleck and dislike the other Vampire, but not because I feel any connection to them--it's just because the way they're described makes it obvious who's the "good guy" and who's the "bad guy" here.

That said, how do you fix this? Well I think these are both problems inherent in starting with a fight scene. You want there to be action, but you also want the characters to be somewhat developed, so you do a little bit of both and end up having a fight that's too bogged down in details and backgrounds to be suspenseful, and character development that is too interrupted to achieve much of anything because you're trying to make the scene suspenseful. So I would say that if you want to start with a fight, you should focus on the fight. If it's written in an engaging enough manner then it shouldn't matter if we don't know the characters yet. But I think you can still add in some character development via showing rather than telling. You see, in the current version you tell us that Aleck is small and quick and weak and smart and that the other Vampire is big and slow and strong and stupid. You don't show it. I don't see these things from the characters' actions. You also say that 'the brute' (I'll just call him that) is a real threat to Aleck, but I don't see that. He just seems lumbering and oafish.

On that mark, I'd like to talk about the characters a little. Of course, I don't know them that well yet but they already seem a little cliché: there's the hero who's small but fast, and the enemy who's big and slow... it just feels like it's been done before. It was obvious to me who was the "good guy" and who was the "bad guy" because you play to these stereotypes. It feels like you're telling me who I should care about and who I should not care about. Personally, I'd much rather have my doubts. I'd rather figure out who I like by seeing their actions/thoughts than by being told that they're the hero.

Well, that's about it. Once again it feels like your piece is a bit too short for me to be able to say anything in-depth about it. If you want to keep your chapters short, that's fine, but you might not get great, detailed reviews. It's up to you, though--of course. ^.~

I hope this helps! As always feel free to contact me with questions/comments/complaints/whateva. :)

a




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Hiya

The brute turned his head, not moving his feet. He was trying not to display a weakness, Aleck assumed; but that was as good as broadcasting it. His vision also appeared impaired, although that was likely trickery.


This paragraph was confusing. What weakness did Aleck see? How did his vision look impaired, did he have a swollen eye or something? It would be clearer if you just said things like ‘the brute’s left eye was whiter than the other as if it was half blind’ or ‘it was obvious to tell by his sluggish movements that he was not the fastest beast in the bunch’

He was not the largest Vampire out there, but this did not matter to him. He knew his weaknesses and he knew his strengths, and he exploited all of them. His diminutive size was not an offensive ability, but it meant that his opponent needed to aim a lot better than he was used to.


At first I thought you were talking about the thing he was fighting, not Aleck himself. Also, this paragraph is boring. It’s very ‘telly’. You kind of interrupt the action to slip in all these details about how despite being short, he’s confident and agile and all that stuff. Why don’t you incorporate these things into the story? Just by making it obvious how Aleck is winning the fight will get the point across that he’s a good fighter. And how is he agile? Give us some signature moves or proof. It doesn’t exactly need explanation.

Alright, so I wasn’t really a fan of the battle scene. When you pry it apart, the other vampire pretty much stood there and didn’t do anything, while Aleck finished him with one move. No one got hurt, it felt like it never had a real fight-to-the-death atmosphere; I guess it wasn’t dangerous enough to hold any excitement for me. Any tension you created, you removed by interrupting the story to say things along the lines of ‘Aleck knew his strengths. He’s small, fast, and smart.’ and at the end, his attitude felt very cliché. The polite, modest, smart, lucky kind of guy. To me, he was very uninteresting.

And this is strictly my opinion, but I don’t particularly like Aleck’s name. Unless he came from very human parents or something, but Aleck seems too much like a high school boy kind of name, and not really fit for a vampire in a fantasy novel. Just something to think about if you were going to edit this. It's your story though!

Still, I like the plot, and am curious to see where this is going. Would you send me a PM if you get around to posting more? I’d be happy to read and review :)
Let me know if you have any questions at all!
~blacksheep
The bad news is we don't have any control.
The good news is we can't make any mistakes.
-Chuck Palahniuk



Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
— Neil Gaiman