Leave Out All The Rest *contest entry*

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This is based on the song, Leave Out All The Rest, by Linkin Park. Here's a link to the video and here's to the lyrics.

“Pick up, Will, please, pick up,” Kaylee whispered urgently into the tiny speaker of her phone. On the fourth metallic chime, the answering machine kicked in, bringing with it a recording of Will’s lighthearted, carefree voice.

“Will, it’s me again,” she said, after the beep. “Where the heck have you been? I swear, if you’ve been out partying again….” Her rising voice trailed off. “Look, just call me, okay?”

Defeated, Kaylee flipped her phone shut and slid it into her pocket. She took a deep breath and raked her fingers through her dark, thin hair. Why hadn’t he called? He always called. Always. He was reliable that way, even if that was the only way.

She heard the click of a lock and the turning of a knob. The front door swung open and in walked Harvey Miller, Chief of Police in their small little town. He hung his hat on the coat rack and strolled into the kitchen, where Kaylee stood, leaning against the counter.

At the sight of her father, Kaylee rushed forward. “Dad!”

“What is it, Honey?” he asked, serious at the sight of her distraught expression.

Kaylee took the opportunity and launched into a quick explanation, stumbling over her words.

“It’s Will; we were supposed to go to the movies yesterday, but he didn’t show, and just now we were supposed to meet Dan and Penny at Penny’s and we were going to go to the beach, but wasn’t there and I called him again and again and left messages and texts and he hasn’t called back and he always calls; I think something’s wrong, Dad.”

She sucked in air, out of breath from her long, winding summary.

Chief Miller’s face relaxed and he almost smiled, much to Kaylee’s frustration. He patted her shoulder.

“Look, Kay, I know you’re worried about Will, but he’s a big boy. He can take care of himself. He’s probably just at some wild party, passed out amidst hundreds of other drunken teenagers. You’ll see, any time now he’ll show up with nothing but a hangover.”

“But Dad,” Kaylee pressed. “He always calls. Always.”

“Honey, I’m sure he’s fine.”

“But, Dad--”

“Enough!” His eyebrows turned angrily downwards. “He’s fine. Stop worrying.”

His menacing stare sent shivers down Kaylee’s back; he had never approved of her and Will’s friendship, and was certainly not going to go to any length to track him down, police chief or not.

Tears formed in the corners of her eyes, and she rushed out the door, desperate to find Will. She tried to rally his friends, neighbors, even his family, but all responded with the same answer:

“He’s probably stoned or wasted, and will come home in a day or two. It’s won’t be the first time that’s happened.”
To which Kaylee would respond, “But he always calls. Always.”

No one cared.



It was dark, everywhere. I knew I was moving, because every time we braked I was slammed against the wall of the trunk. Bound hand and foot, I was helpless, not even able to scream for help, courtesy of a gag tied over my mouth.

I could feel a thick rope cut into my wrists. My back and neck hurt after the countless hours trapped in the car trunk. My lips were chapped from the coarse cloth rubbing against them and my mouth was dry from not having drunk anything since the cloth was knotted in place. My breathing was heavy, and my mind was fogged, unable to form a coherent sentence.

My mind barely registered the car stopping and the footsteps that followed. Vaguely, they grew louder and louder, until the trunk opened and blinding light filtered in. A face appeared, slightly blurry, from above. My vision focused, and I could see the smile it hosted was malicious, maniacal.

Panic settled in me. I fought as well as I could while strong hands dragged me from the trunk into the unknown.



“It was so real,” I told Kaylee as she sipped her milkshake. “It was like I could actually feel it happen.”

She swallowed two fries. “Back up, Will. What happened in your dream?”

“Well,” I said, pausing to think, making sure I had it all in order. “I’d gone missing; I’d stood you up for a movie and when we were going to go to the beach I didn‘t show and hadn’t called. You were really scared. You tried telling your dad, but he brushed it off. Then you tried telling everyone else, but you were the only one that cared.”

I looked at Kaylee, making sure she was still with me; she nodded, taking some more fries.

“Then sort of the scene changed, and suddenly I was in a trunk. Some guys had grabbed me and kidnapped me, and I had been in there for hours.” I leaned forward ever so slightly. “It was so real. I could almost feel the pain where I had hit my head. And I was all alone, and somehow I knew that no one was going to come save me. It was really…”

I searched for the right word.

“Freaky,” Kaylee finished for me.

I nodded. “Freaky, right.”

“What happened next?” she asked, prodding me on.

“Well, the guy that kidnapped me came and dragged me out of the car and then I woke up.” I caught Kaylee’s attentive gaze. “And, y’know, that got me thinking, I don’t want it to be like that.”

“What do you mean?” she asked, in all seriousness. That was the thing about Kaylee; when I told her stuff like that she didn’t just laugh like most people would. She genuinely cared and wanted to hear about it.

“I don’t want to be the kind of person that dads won’t let their daughters date. I want to be the kind of person that when there’s even a remote possibility that they’re missing, people start searching for them. I mean, if I died, would anyone but you even cry? Would anyone miss me, or would they think it a good riddance?”

I looked expectantly at Kaylee as she took a bite of her burger and chewed it slowly, trying to process what I had said. Finally, she swallowed.

“So what are you going to do about it?” she asked gradually, deliberately.

I looked at her sheepishly. “Actually, I was kind of hoping that you could help me with that. You’re so good at being… good. Maybe you could teach me?”

Kaylee looked slightly incredulous. “Will, you do realize that there’s no five easy steps to fix your life, right? You’re not going to turn into Mother Teresa over night.”

“I know,” I said, restraining my defensive nature. “I know I’m not perfect, and I never will be, but you aren’t either. I’m not trying to be perfect; I just… don’t want people to only remember the hurt I’ve caused them.” I looked meaningfully at Kaylee. “Including the hurt I’ve caused you.”

She withdrew a little. “Will, stop. It’s behind us--”

“Exactly,” I said. “It’s behind us.” I took a deep breath. “This is going to sound really lame, but can you do something for me?”

“Anything.” Kaylee looked at me earnestly.

“Just… when I go, can you forget all the wrong I’ve done, all the hurt I’ve caused? Can you help me leave reasons to be missed? Please don’t be mad or resent me. And when you’re sad, remember me, and remember all the good times we’ve had. Leave out all the rest. Can you do that?”

“Of course.”

“Promise?” I looked at her expectantly, almost pleadingly.

Tears were collecting in Kaylee’s eyes. She put her hands on top of mine.

“William Fossum, I promise. I promise to leave out all the rest.”
"Blah blah blah. You feel trapped in your life. Here is what I am hearing: happiness isn't worth any inconvenience."

~asofterworld.com




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That was terrific. Enough said. Except I feel like I need to say something else to give you a *really* good review. Because, quite frankly, this story deserves as much.
First up: I love that song. Literally, the first time I heard it, I wanted to either cry or jump for joy at the knowledge that it was beautiful. Anyway, great song.
Second: I feel like the deeper meaning behind the story--a person's testimony to their life--is a great thing to write about. It always tends to make the readers wonder just what their own personal testimonies will be like. I, for one, hope just like Will that I'll actually have people to care if and when I die. But I know I will, so I can't really apply myself to this mold.
Third: The way you incorporated the song title into the storyline, as if the characters were making it up themselves, that was genius.

In total, I loved it. I hope it wins whatever contest in which it is entered. Good luck!

--baywolf :)
After all, it is the pen that gives power to the mythical sword.

"For an Assistant Pig-Keeper, I think you're quite remarkable." Eilonwy

"You also shall be Psyche."

"My only regret
all the Butterflies
that I have killed with my car" Martin Lanaux




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Very nice! I quite enjoyed this. Probably because I like that song so much. Your characters were lovable, and you have an interesting plot going. I feel like this needed some more information, though. It was like the second chapter of a book, and you haven]t read the first. I think this would be even better if you gave us a bit more background. I didn't really catch any errors, so good job editing. Just make sure that if you use trail off like this...
That you only use three periods. No more, no less.

I wasn't the hugest fan on the ending. it was too... abrupt. It's like: hey, where's will? Oh, he's here. Huh, he's psychic and has weird dreams! He wants to be remembered when he's gone, so I'll leave out all the rest.

See what I mean? Transition it a little more into the end. How did Will know what Kalee was thinking the other day?

So, nice job overall. Keep writing!
-Dreamy
Honey, you should see me in a crown.




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You have a good handle on prose and writing, especially for your age. For that, it was enjoyable. However, your choice of overall story arc suffers. This is a breakdown of your story:
1) Worry (good)
2) Action (good)
3) So...it was alllll a dream. (not good)
4) Recap of points 1 and 2 (not good)
5) Conclusion

There is a general disdain for the "So...it was all a dream" ending. It's a cop-out and shows a weakness when the writer doesn't know how to tie a story together or end a tense/no-win situation that they have put their characters in. And then you go so far as to have us read through a summary of everything we have just read through. It's tedious.

His eyebrows turned angrily downwards

This is far too animated of a description of eyebrows. Moreso because it's the eyebrows doing the action, not her dad doing it to his brow. Perhaps reword.

Bound hand and foot, I was helpless, not even able to scream for help, courtesy of a gag tied over my mouth.

That's a rather calm and detached description of being bound and gagged. Courtesy of "courtesy of."

My breathing was heavy, and my mind was fogged, unable to form a coherent sentence.

The nature of the first person narration is that you're right there, in the mind of the narrator. You're thinking their thoughts and feeling their emotions and pain. However, the "unable to form a coherent sentence" sticks out wildly like a sore thumb because he has been forming MANY extremely coherent sentences (such as "courtesy of a gag tied over my mouth"). If it's first person narrative and the narrator is in the back of a trunk and worried he's going to die, then it had better show in the narration.

Panic settled in me. I fought as well as I could while strong hands dragged me from the trunk into the unknown.

“It was so real,” I told Kaylee as she sipped her milkshake. “It was like I could actually feel it happen.”

And it's right here...Excitement meter goes up and up and up and up....and then you cut it down with an axe.

She swallowed two fries.

Gag? Consider rewording. Swallowed (appearing without chewing) gives the impression of swallowing whole.

We're expected to form our entire opinion of Will based on the dad's opinion? From a few brief lines about drugs and alcohol? Sadly, I don't believe any of those things about him because he doesn't show us any of it himself. And I don't believe anything about Kaylee because her only character trait is she's a loving girlfriend.

So it rings a little thin to me. Action that never occurred and characters who live only to speak the line "Leave out the rest." The structure of your writing and word choice itself is good, but you need to back it up with strong characters and plot.

Lemme know if you have any questions.




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Thanks for the reviews guys. I see how it's not good, now. I'm going to fix it. Sarg- as for it being a dream, I can't really help that. It's part of the song that I'm basing it off of. But I will fix the part after the dream. To tell you the truth, I never really liked that part anyways. Thanks for the suggestions.

loveness, ultraviolet
"Blah blah blah. You feel trapped in your life. Here is what I am hearing: happiness isn't worth any inconvenience."

~asofterworld.com




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Well, it's true, you're trying to stay true to the source material. Though, just a thought, and I realize that you won't do it at this point, but 1) you don't have to take it so literally and 2) it doesn't have to make up 2/3 of your story. Y'know, even for the song, the dream takes up 4 verses.

Anyway, good luck!




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Sarg, are you saying that I should make the dream sequence shorter, or that I should make the rest longer? I'm rewriting as I speak, but I was wondering which you were thinking would improve it.
"Blah blah blah. You feel trapped in your life. Here is what I am hearing: happiness isn't worth any inconvenience."

~asofterworld.com




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I couldn't find one thing that I disliked about this, perhaps because I'm such a fan of the song and I actually enjoyed the literal interpretation of the lyrics. I saw beauty in the way you effortlessly transitioned from song to prose, and made the story your own. I think the dream sequence is a strong point. Although the song doesn't focus on it much, the song is only three minutes and twenty seconds, and much of it is instrumentals and chorus, so the fact that you could bring all of this out into your story was amazing. Keep up the good work, I really enjoyed this.
-From Gwen with Love-




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Hello there! I'll be reviewing your work this fine Wednesday. :) I'm so sorry it took so long to answer your request on my review forum; my E-mail didn't send me the update. But I'm here now and ready to review. :D (I love your icon, by the way.)

I didn't know until you mentioned that Kaylee's dad disapproved her and Will's friendship that it was friendship. Perhaps in the paragraph of her saying
He always called. Always. He was reliable that way, even if that was the only way.
you could mention that they are just friends and not together.

She tried to rally his friends, neighbors, even his family, but all responded with the same answer:
I feel like you could go into more detail here, instead of just putting it into a small sentence. What about his parents? They weren't worried?

It took me a minute to realize that the first and second parts were dreams, but I thought that was really cool. I thought it was real, and it made me care for Kaylee and Will, and his whereabouts.

I love how you used the song lyrics at the end (I don't know if that was part of the contest, but it was cool regardless).

As one last comment, I think you could give us a little more insight as to Will's partying past. You mention it, but we never really get any kind of example.

Overall, it was really good. It was interesting, and kept me reading. While changing point of views and dream sequences is a little confusing, it was impressive when realized. I clicked the like button for you. :)

Have a bright day. :D
"I’m usually that guy who violently kicks off his shoes at the front door because there’s something about fake wooden kitchen linoleum that appears inviting to the feverish socked footsies." - Adam Young/Owl City




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Thanks for the reviews! After thinking about it, I'm going to rewrite the non-dream part, and I think that that will clarify some things.
"Blah blah blah. You feel trapped in your life. Here is what I am hearing: happiness isn't worth any inconvenience."

~asofterworld.com




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Wow!
Well, i hate being such a freaking critic so Im not gonna go deep into what went wrong in your story. All I can say is, keep it up! :D I love the song and your story just made it sound better. Beautiful story :)
x
"The world is a stage, but the play is badly cast." ~Oscar Wilde.




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Hey there! Here as promised.

I honestly didn't find the dream or non-dream part confusing or in need of rewriting. I think you did a good job. As I was reading the dream part, I was thinking that you were being over dramatic and all that, but it is a dream, and dreams are over-dramatic. I think you did a wonderful job. I would have liked to know more about the kidnapping, because it doesn't really make much sense. I would just say that he had gone missing. If you're not going to continue with this, then the kidnapping part really isn't necessary.

Characters

You rushed through this. It's all plot, and you didn't give your characters time to grow a personality. The girl I can understand a bit, but that's mainly because you spent more time on her than the boy. This is weird because your story is told through the eyes of the boy. If I were to give you advice on this, I would deepen your male character. Even a simple description of how he sees his girlfriend. What does he like/dislike about the way she looks/lives? And I would like a little more playfulness in their relationship. You know, teasing and stuff? Right now they're so serious. Even though it's a serious subject, doesn't mean that their conversation has to be dull.

Plot

Hmm, well I don't know the song and haven't taken the time to look at the lyrics, but this seems like a concept that Linkin Park would write about. I think it's cool how he realizes that he needs to change a bit. It isn't corny or dramatic, but more realistic. I think it's a sign of pure maturity when a person realizes the person they want to become. That's the main thing I like about this story, is that I can relate to your main character. A lot. I think your plot is excellent.

Overall

I really liked this. I think you should do a good job in the contest. Please just think about what I said about the characters. I know that when I judge a work, I think about these things in order: Plot, description, character. Those are the three most important things to me.

I think I covered description above in the 'characters part of the review. You need to show us more of their deeper relationship. I want to know how long these two have been together just by how they talk to each other. Gestures and tone in conversations you create as a writer can really open up your characters to us. I think your problem with this is that you aren't exactly sure who your characters are. Does your male come from a rich household, or is he poor? This factor would contribute to his personality.

We all like to make our character the person who stands out among the rest. But sometimes we have to go realistically, and realize that there aren't many people who were brought up rich but are sincere and deep. I know that's a stereotype/generalization, but I hope you get what I mean. Your character is just starting to change so that he is different, but first you have to know the person he was before the change, and I'm not certain that you know that.

So just try to figure that out for this character and future characters. I hope I helped! If you have any questions or comments, PM me.

Classy.




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hey, d.f.b. here. first off, love linkin park, and love your prof. pic. i like this piece. its imaginative, and the way you described the dream to reality part was good.-d.f.b. out! keep writing.
giving up does not always mean your weak, sometimes it just means your strong enough to let go. freaks are people too. i love to hate, and i hate to love. i am me, i will never change. "thinking is the hardest work there is, which is probably the reason why so few engage in it"-henry ford




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This is really cool, I love Leave Out All The Rest, it's such a meaningfull song and this story makes it better. You're a wonderful writer and I'd point out nitpicks but it looks like they've all been found or I missed some. : D Anyway, lovely job!!



time was invented by clock companies to sell more watches
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