In the Footsteps of a Champion

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I glanced up as the door opened, and had to restrain myself from rolling my eyes. Not them- a few of the more racous boys from the village. Of course, it was their right to come to the tavern, especially at suppertime- but that didn’t mean I had to like it. Oh well, they usually ignored the kitchen help anyway.

I returned to cleaning the bar. Behind me I heard the boys break out in laughter at something said as they settled into one of the tables at the back. The door opened and more heavy boots sounded on the wooden floor, and I heard the innkeeper greet them. From the looks of things, we were going to have a full house tonight.

“Salven!” I glanced up. Maddy stood behind the swinging doors to the kitchen. She and her husband, Rors, owned the inn. Maddy oversaw the cooking and her kitchen maids while her husband managed the tap room and bar. Their two daughters, Lily and Ira, waitressed the tables, while I helped carry food and rode clean up. It was a tidy business.

Maddy twined her first two fingers fingers and jerked her thumb upward, and I nodded my understanding. It was a signal, a warning system we’d worked out long ago.

Lily and Ira were charming and young, just entering their teens. Maddy had no sons, and Rors would be busy with his bar. Therefore, it fell to me, the adoptive son, to keep an eye out and make sure the more rowdy men didn‘t get carried away, if this evening was headed the way Maddy thought it was.

Not that the girls couldn’t usually take care of themselves. By now they were good at dodging questionable men and staying atop their duties, but drunks couldn’t be counted on to keep their heads.

Maddy had called it; soon it was a struggle just to get from one table to the next, filled with hard-working men ready to relax and enjoy themselves. The first market of spring was full underway, and so the occupants were mostly merchants, traders, travelers, and locals with a bit of coin to spare looking for conversation and a good time.

The girls and I were kept scrambling to keep up with the patrons. The laughter grew more raucous, the swearing more vivid, and the gestures wilder as more men crossed the drinking line. This was the time when we had to be most on our toes; keep our senses sharper the duller the patrons’ got.

I heard an especially loud outburst of laughter in the back corner, and glanced over. It was the corner that sat the older boys from the village. I shook my head in disgust- they were old enough to start taking on responsibilities in their family crafts, but everyone knew they spent too much time drunk to hold responsibilities.

Lily was there, setting down a platter of food and two more mugs of ale. The carpenter’s boy, Borm, reached out and brushed Lily’s wrist. She easily twisted to the side and continued her serving. I beat down exasperated anger; if the group was trouble, Borm was their ringleader. If he wasn’t making trouble for us, he was underfoot for someone else in the village. His list of bad reputes was miles long.

I ducked under a wildly flaying arm and looked up again. Borm had his hand around Lily’s forearm now, saying something apparently amusing to his cronies.

Lily twisted her arm and gave him a scathing glare. I wasn’t close enough to hear what she said. Knowing her it was probably politely insulting, but Borm wasn’t easily discouraged.
“Alright, now,” I said, finally reaching the table, “Let her go.”

“Ahhh, sh… shhcamp off, ya lit’le brat,” Borm said dismissively, his free hand swinging wildly. “Yar joshhht a… desherted gudgeon, and Lily ne’er hash appreshhiated me.”

I didn’t have the time to argue with a drunk, which isn’t a great pastime anyway. I kneed him in the stomach, taking him completely by surprise, and as he hutched over I hit my serving tray over the back of his head. It couldn’t do much damage to his brain, I figured. Borm dropped to the floor.

Lily smiled pleasantly at the staring numbskulls as if nothing had happened, picked up her serving tray, and left to catch up with her orders. Shaking my head, I moved to the next table, gathering empty dishes..
“Hehe, that was tidy,” I heard a rough voice chuckle behind me. I glanced over my shoulder, noticing a few men, all adult to middle-aged, just sitting down.

“Great Scot, boy!” the red-haired man exclaimed, nearly startling me out of my skin. I spun to face them. One look at these guys- their battered half armor, their well-worn weaponry- pronounced them experienced campaigners. Warriors. Not the type to notice serving boys.

The red top paled as if he was staring at a ghost, then reached behind him and clutched one of his tablemate’s arms. “Tell me if I’m going crazy,” he demanded.
His bearded partner glanced at me, then did a double-take. “In all the lands of Kalamanda,” he swore softly. “I need to stop drinking.”

The third man looked up from his plate. He looked younger than the other two, but haggard- he looked like he’d lived through the end of the earth. “Swordblight!” he swore. “What are you doing here?”

“Do… Do we know each other, sirs?” I asked, the old eerie sense creeping over me. Occasionally I got odd looks or double-takes from different travelers, and the odd feeling that I was recognized- but it was never like this.
“Of course!” the red-head exclaimed. “Scot, boy, y-”

“Silence, Rodny,” the calmer, bearded man interrupted.
“You can’t tell me he’s not G-” Rodny protested, but was again cut off.
“I’m not trying to,” the bearded man said quietly. “He must be here for a reason. It wouldn‘t do to ruin anything.”

“A reason!” Rodny snorted. “How could he be if no one knows he’s here? Vector, we have to-”
“We can’t, and won’t,” Vector said with a note of finality. I watched them with growing concern. After all, what could two men I’d never even met possibly have to discuss about me? I glanced at the younger, blonde-haired man, but he only rubbed his face and shook his head, as if trying to make sure he was awake.

“Is there something I could do for you?” I asked finally.
Rodny shook his head disbelievingly again, then answered, “Another ale, please.”

“And some stew to wash it down,” Vector added dryly. “I want you at least sober enough to keep watch tonight. Sorry for disturbing you, lad,” he added to me. It was my turn to shake my head. They looked like they’d been living it rough. But there was something about them, hidden just under the surface.

I hurried to catch up with the growing number of emptying dishes, placed the order at the counter, then dropped off the dirty dishes in the kitchens. When I returned to the warriors’ table, I got the distinct impression they broke off their conversation as I approached. Once I handed Rodny his ale, he downed half of it in a few gulps.

“Is… there anything else I can do for you?” I asked.
“Yea, boy, have you-” Rodny began, studying my face.

“Not now, Rodny, can‘t you see he‘s busy? Pull yourself together- even the youngster’s taking better than you,” Vector said with a heavy sigh. He made a slight shooing gesture towards me, though, and I turned to leave.
A wave of cool air heralded new arrivals. I glanced at the door and saw… soldiers.

Now, we almost never see any of the kingdom’s soldiers in our little back-country village tavern. The general feeling is that the king is a good man- yet at the same time, the soldiers have a far-reaching reputation for their rather… uncompassionate manner.

Rumor says that all is not well in the seat of power at the capital, tales of deceite and betrayal and murders. But again, I’d never heard a happy rumor, and ninty percent of rumors start with either with gossiping housewives trying to impress their friends or drunk men at a drinking table.

The three warriors involuntarily reached for their weapons.
Vector spared a glance for me. “Get in the back room, boy!” He ordered. I stared at him. “Go!” he urged, shooing me for real this time. “Get, and don’t let them see your face!”

I frowned, heading for the kitchen. What was up with this night? Surprisingly, Maddy didn’t say anything when I slipped in the swinging door, only gestured for me to get out of sight. I risked a glance over my shoulder- the soldiers had settled down at one of the few empty tables.

“What about the girls?” I asked. The din of the tavern was much too loud to fear being heard.
“They’ll be fine,” she answered. “You might as well start washing, if those troops are making themselves comfortable.”

I couldn’t help but feel nervous for the rest of the evening. Like I expected the soldiers to burst through the doors and arrest me or something- but I hadn’t done anything!

It seemed to take ages for the soldiers to finally clear out. By the time they left, most of the other patrons had gone, too- including, to my disappointment, the three warriors. By the time we’d cleaned up and barred the door, it was well past the halfway point in the night- not uncommon during market weeks.

We were all beat, so no one spent much time in the common room. Lily and Ira stumbled up the stairs to their loft room with hardly a word, yawning. I finally made up my mind and decided to approach Maddy and Rors. I’d only asked about my past only once or twice before, and it had caused them such obvious discomfort that I had let the topic go. But now I had a real reason to question, and I was older now than the last time I’d broached the subject.

The home behind the tavern included a common living area, a cellar, a master room, and a loft room. As the girls shared the loft and Maddy and Rors had their room, I slept on the couch in the common room. It wasn’t bad, as there was usually a fire running and I heaped blankets on in the winter, and I had a closet to keep my clothes in and change in.

Besides, though it wasn’t discussed, I was aware of the hardships involved in taking in an orphan. I was grateful for the care that wasn’t owed, and I didn’t like to be difficult. But now, it was time. I was fifteen years old- plenty old enough to know anything they might know about me, I reasoned- especially after the evening’s events.

I knocked softly on the doorframe.

~~~~~~~~
Sorry if this is a little long- it was difficult to find a decent place to end it. I'm not so worried about the grammar and spelling- those will get ironed out with time (though I certainly don't mind if you point out anything I've missed thus far). I'm more curious to see what you as a reader think- how's the tone, the flow, the pace, etc. How the narrator comes across, and whatever opinions you have on reading this. Basically, if you picked this up at the library, would you be interested in keep reading?

Also- this might be a dumb question- what would you rate this? I wasn't entirely sure on what fell under 'E'.
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Well, for starters, you were correct to assume your grammar wasn't exactly up to par :) but I have to say, you were also right in that it is an easily fixable issue. I would have been more concerned if I had been bored with the story. But thankfully, I wasn't! To answer your next to last question: Yes, I would definitely read this book if I picked it up at the library. In fact, I have a habit of reading books like this more than once. I was intrigued by the main character Salven, and his voice was easy to digest. So far, I would say this book is for all ages, perhaps though, because of violence and the "drinking theme" I would say 12+, just to be safe. I hope you write and post more though, because I am interested to see where you take it from there. Overall, I can say truthfully that I enjoyed what I read and encourage you to keep going. If you have any more questions about what I thought, just PM me and I can go over it again with a finer tooth comb. Good luck!
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Very Good!
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Hello, brassnbridle, I will be your reviewer today. I tend to go very in depth and I can write paragraphs about a single sentence. Hope that doesn't put you off.

Well, first of all, I notice you want to know what to rate this story. I say--A POX ON THAT. There has never been a more evil concept than dividing stories up by ratings, almost all which are age-based. People should read whatever stories appeal to them, and I guarantee you that just based on the way a book is marketed and presented, it will attract or repel readers of a certain age. I doubt any eight-year-old would be interested in reading a Michael Crichton thriller, and if they are interested enough by the cover the tiny type and lack of pictures would put them off. Likewise, if an eighty-year-old wants to read a Bob the Builder book, let them, though I don't understand what pleasure they might derive from it. Pigeonholing books into categories like "8-12" or grades "1-3" is just unconsciable. There are really only two ratings you should be concerned about for a book, and that is "something I'd want to read" or "something I don't."

Books are divided into vaguely age-based markets, but they are more guidelines than actual ratings. You're probably aiming for the "Young Adult" market, since most of the writers in this section are (at least that's the impression I get).

In any event, you shouldn't fret about such things. And now I will get to the actual substance of the review. Sorry about getting up on a soapbox there.

I glanced up as the door opened, and had to restrain myself from rolling my eyes. Not them- a few of the more racous boys from the village. Of course, it was their right to come to the tavern, especially at suppertime- but that didn’t mean I had to like it. Oh well, they usually ignored the kitchen help anyway.


This opening is a bit vague and sudden. It's clear that you're dropping us into the middle of the action here, which is as valid a method of opening a story as any. However, it's good to have some background or at least a hint that the story is taking place in a fantasy world--about the only fantastic element of this paragraph is the "tavern" bit. Even a little description of how big the tavern is, or even its name, would help provide this paragraph with a more solid, specific, grounding.

Also, "raucuous" is spelled...well, "raucuous."


Behind me I heard the boys break out in laughter at something said as they settled into one of the tables at the back. The door opened and more heavy boots sounded on the wooden floor, and I heard the innkeeper greet them.


No need for the "I heard"s--since we know that this story is in first person, we assume that any sounds that you describe are those that he's heard. As it is, "I heard" is just unnecessary verbiage.

Therefore, it fell to me, the adoptive son


Up until I read this I was assuming that the main character was a girl. I don't know if you could add more hints about his gender earlier, or if the problem's with me--after all, this is a pretty early place to say it. It's just that I'm used to first-person YA books being told from the perspective of a girl. I don't think you should worry about this because if it gets published, the blurb should flat-out say that the protagonist is a boy.

Ooh, I like these hints of suggestive behavior. It's done in a classy, discreet way that isn't cutesy or full of euphemisms. These kinds of subtle descriptions would be right at home in a YA novel.


The first market of spring was full underway, and so the occupants were mostly merchants, traders, travelers, and locals with a bit of coin to spare looking for conversation and a good time.


Something about this description just...rubs me the right way. It reads very pleasantly to me. Maybe because it's a simple and understated sentence that nonetheless says a lot, but also maybe because it's a nice little worldbuilding detail that further cements the fact that this is, indeed, a fantastic setting.

Speaking of worldbuilding details, I would be wary of giving characters common English names such as Lily and Maddy. Because I read those names when I was skimming this, I assumed this was an urban fantasy instead of straight-up high fantasy.


The girls and I were kept scrambling to keep up with the patrons. The laughter grew more raucous, the swearing more vivid, and the gestures wilder as more men crossed the drinking line. This was the time when we had to be most on our toes; keep our senses sharper the duller the patrons’ got.


I'd like some more description on this. It seems like you could fill a much longer paragraph with description on a typical night in the tavern; right now, this is very vague and while it paints a picture, it's not a very satisfactory one. Outlines without color. While revising, go back and add some color to this! Little details that will nonetheless make your setting more real and more fantasy-ish at the same time (am I making sense?) Even naming and describing (briefly) the kinds of coins the customers use to pay, or how they pay (do they spin coins on the table, do they just hand them over?) makes your setting more vivid.


“Alright, now,” I said, finally reaching the table, “Let her go.”


A little quibble--it's two words, "All right," not a single word.

Nice confrontation, quick and to the point, and a show of your main character's no-nonsense personality. However, I do wish Lily got to talk at least once; she seems rather passive.


“Great Scot, boy!” the red-haired man exclaimed


Um, the usage of "Great Scot" strikes me as iffy. It's such a real world kind of exclamation, it's jarring to see it used in a fantasy universe. Also, I don't remember a red-haired man being described among the middel-aged men, so it's a bit jarring that you would use "the" instead of "a."


The red top


Never seen this turn of phrase before. I'm used to either "red head" or "carrot top."

“In all the lands of Kalamanda,”

“Swordblight!"


Erm...not too big on invented fantasy swears, they usually sound ridiculous. And I'm sorry to say that these are no exception. It's a bit hard to take this scene, which I suppose is meant to be surprising/a little chilling, seriously when characters are saying things like this.


“Silence, Rodny,” the calmer, bearded man interrupted.


"Rodny" is another astoundingly English-sounding name.


“We can’t, and won’t,” Vector said with a note of finality. I watched them with growing concern. After all, what could two men I’d never even met possibly have to discuss about me? I glanced at the younger, blonde-haired man, but he only rubbed his face and shook his head, as if trying to make sure he was awake.


You know, something's been bugging me about this newest revelation, but it wasn't until these lines that I realized what it was--the main character's not curious. I mean, sure, he's concerned about their behavior but his curiosity doesn't appear piqued at all by the fact that they're discussing him as if there's something deeper, different, and mysterious about him. Hell, ditto for the fact that he doesn't seem that perturbed or intrigued at all that travelers have constantly given him weird looks. Maybe he's just not a curious person by nature (that'd be different in a main character, at least), but even then he ought to have some questions. His blase, "it's a fact of life" attitude doesn't seem realistic at all.


But there was something about them, hidden just under the surface.


Meh, I don't like phrases such as this one. Not only is it cliche, but it's striving so hard to be mysterious and profound that it's not at all. It comes across as cheesy and clunky and too obvious. Given that the rest of your prose is so clean and matter-of-fact, this sort of statement is even more out of place and silly-looking.


I hurried to catch up with the growing number of emptying dishes, placed the order at the counter, then dropped off the dirty dishes in the kitchens.


Hmm, I like this. It shows how busy he is as well as the harried nature of his work--and it's a clue as to why he might not be all that curious about the travelers' weird stares, because it shows his very practical nature. He definitely doesn't seem to be much of a dreamer, something I really appreciate because so many fantasy protagonists (especially YA protagonists) are obsessed with being special and different and dream about more exciting lives or whatnot. Best of all, you've accomplished all this characterization through showing rather than telling.


“Not now, Rodny, can‘t you see he‘s busy? Pull yourself together- even the youngster’s taking better than you,” Vector said with a heavy sigh. He made a slight shooing gesture towards me, though, and I turned to leave.


Aww, I like 'em. They interact with a natural ease. It makes them seem very real.

A wave of cool air heralded new arrivals. I glanced at the door and saw… soldiers.


At first, I was going to complain about a preponderance of characters who get introduced by walking through the tavern door, but then I realized, duh, it's a frakkin' tavern! That's what people do, they just come in and out. It's perfectly natural to introduce characters by having them walk through the door.

What does raise my suspicions is the "...soldiers" part. I am getting the nasty suspicions that these soldiers will be the stereotypical badly behaved members of the kingdom's evil army, a trope that's been done over 9000 times before in fantasy. Hopefully you'll prove me wrong, because if I have to read about "plucky rebels dethrone evil king" one more time I'll swear off fantasy altogether.


Now, we almost never see any of the kingdom’s soldiers in our little back-country village tavern. The general feeling is that the king is a good man- yet at the same time, the soldiers have a far-reaching reputation for their rather… uncompassionate manner.

Rumor says that all is not well in the seat of power at the capital, tales of deceite and betrayal and murders. But again, I’d never heard a happy rumor, and ninty percent of rumors start with either with gossiping housewives trying to impress their friends or drunk men at a drinking table.


Aww, and you were doing so well avoiding infodumps, too! I do like that you qualified this dump with the "gossiping housewives and drunk men" part, it again plays to the main character's practical nature.

But ugh, so the king's not evil, that's good, but the corrupt evil army is another fantasy cliche. Maybe it's so common because corrupt armies are so common in the real world, but all the same the way it's done in fantasy rarely matches up to what corrupt armies/military dictatorships actually are like in real life. I mean, in real life you wouldn't have plucky rebels vs. evil army, you'd have two corrupt armies whaling away at each other and not caring if civilians get caught in the crossfire (look up: Democratic Republic of the Congo, Darfur, hell, if you want to go there, even the Vietnam War).

Then again, I could be judging prematurely. Just keep in mind that the "corrupt army" idea has been done to death, and be prepared to do something different and original and maybe even a little more realistic with it. Because if you don't you will not be able to maintain much reader interest.


Surprisingly, Maddy didn’t say anything when I slipped in the swinging door, only gestured for me to get out of sight.


Ah, this makes me think Maddy's in on whatever's special about the main character. Nice use of subtlety.

I risked a glance over my shoulder- the soldiers had settled down at one of the few empty tables.


Okay, it seems unrealistic that a tavern that's so full that the sound can drown out the main character talking would have any empty seats at all. Here's an opportunity to show instead of tell how evil the soldiers are (if they really are evil)--you can have them order some other people out of their seats, maybe even push them.


I couldn’t help but feel nervous for the rest of the evening. Like I expected the soldiers to burst through the doors and arrest me or something- but I hadn’t done anything!

It seemed to take ages for the soldiers to finally clear out. By the time they left, most of the other patrons had gone, too- including, to my disappointment, the three warriors. By the time we’d cleaned up and barred the door, it was well past the halfway point in the night- not uncommon during market weeks.


Well, first of all, you began two consecutive sentences with "by." Secondly, these paragraphs do not have the tension they should. They breeze over the main character's ordeal and as such, we never get to actually feel the tension as he tries to stay out of sight and perform his duties at the same time. Seriously, you could build up something really tense here--but that requires going deeper in depth. Stretching these paragraphs into a scene. As it is, you're pretty much telling instead of showing. "Yeah, so I was nervous and everything," but the reader's not going to believe that unless you show us that he has reason to be nervous. You could even use an expanded version of this scene to characterize the three warriors more, because they seem quite interesting. Maybe have them surreptitiously helping the main character stay hidden or something. And you could build on the main character's curiosity a bit, have him wonder why he has to stay hidden and what those warriors want with him and so on and so forth. As it is, he just accepts the advice so...easily.

If anything, stretching out his curiosity will make the next scene even more powerful. I'm glad the MC is finally showing some interest in his past, but you'd do better to integrate it into the narrative at an earlier point. And the whole "well, I didn't want to cause them pain" reason is valid but as it is feels like too much of a handwave. Even if he doesn't want to hurt them by asking them, he should at least be constantly curious about it.

Now that I think of it, it'd be a good idea to mention his previous attempts to ask Maddy and Rors about his past at the same time that you introduce the "weird stares from strangers" aspect. It would explain why he doesn't ask from the get-go, instead of making the reader wonder why he doesn't ask. (This is a case in which an infodump is acceptable, nay, desirable)

So, basically, it wasn't so bad, though at this point I don't find it very exceptional either. Your prose style is nice and clean and lends itself well to beautifully simple lines--it may be one of the few first person stories I've read on this site which isn't inappropriately informal. However, the simplicity of the prose also means that it can be incredibly vague and relies too much on telling instead of showing. Think about integrating little details (no huge infodumps, though) into the narrative that will make your world come alive. What kind of drinks does this tavern serve? Do all the men have beards? Even silly things like (like I mentioned earlier) how the men pay for their drinks. You show signs of this, such as mentioning the market day--just carry it to another level. Don't be afraid to make it clear that this world is a fantasy world, from the beginning.

And if an event needs to be shown, show it. Don't just tell us the main character's nervousness; show him the events that make him nervous. If it's well written, engaging, and atmospheric, no one will care that you're dragging it out.

One last piece of advice--be very, very, very wary of fantasy stereotypes. Of course they can work and a lot of great stories have been written that adhere to those stereotypes. But if your story isn't stellar than it'll just be another bog-standard heroic fantasy. No, it's hard to come up with purely original ideas these days and hell, probably not a good idea. But it's a good idea to put your own spin to standard tropes. Right now, you've got a tavern, an orphan main character with a mysterious past, and corrupt supposedly evil soldiers. These are all elements I've seen too often in fantasy stories before and too often they're played completely straight. Since this is only the first chapter, I don't know what you'll be doing with them, but I dearly hope that you'll do something original and new with them, because otherwise you might want to consider changing some of these elements.

Also, a final quibble (and then I'll be done, I swear!): I found your female characters rather passive. Well, okay, this is only the first chapter and it centers around the male main character, but still, none of the girls so much as got a line of dialogue. Even seeing how they interact with the main character every day--teasing, ribbing, the sort of stuff that teenagers do--would make them more real. Right now they're ciphers. Extremely passive ciphers. I'm sure that we'll only meet more characters after this first chapter and many of them will be female and kickass, but I'm getting a sour taste in my mouth because of this first chapter. How hard would it have been to change one of the warriors into a woman? You might have this specific image of "grizzled warrior = man" and there's nothing wrong with that; everyone has such images. But the fun of writing is that you can challenge your preconceptions. Heaven knows I do enough of that. I make a character that I get attached to but then I realize how utterly vanilla and not diverse my main cast is, and I make myself change the character's gender or ethnicity. It hurts a bit because I so clearly conceived of them as that specific gender/ethnicity, but in almost all cases the resultant character proves to be even more interesting and fun to write. Just a thought.

I'm honestly only mentioning the deal with female characters because a lot of YA is targeted towards girls, and I am certain that this first chapter, as it is, will raise the eyebrows of many teenage girls.

All in all, pretty good work. On YWS I rate stories that I review as "I'd like to read more" and "Um, one chapter's enough." This one falls into the first category.

PM me if you have any questions, and best of luck writing.
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Wow, thanks for opinions and in-depth reveiws.

baywolf25 wrote:Yes, I would definitely read this book if I picked it up at the library. In fact, I have a habit of reading books like this more than once. I was intrigued by the main character Salven, and his voice was easy to digest.
Awesome- that's what I was aiming for!

Bickazer wrote:But ugh, so the king's not evil, that's good, but the corrupt evil army is another fantasy cliche.

Didn't mean to pass the soldiers' off as evil, just not very friendly. I'll work on that if it came across that way.

Bickazer wrote: I found your female characters rather passive.
I really didn't mean to give that vibe. They're not- I'll work on showing their personalities better.
If there's a book you really want to read, but it hasn't been written yet, then you must write it.~Toni Morrison

It is written in m life-blood, such as that is, thick or thin; I can do no other~ Tolkien



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