Young Writers Society


Red

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“Oh!” the woman said, wide eyes directed at his chest. Sliding down to his shoes.

He looked down. Little speckles, these tiny red specs, they were collecting on the gray office carpet. Hitting his shoes on the way down. He muttered, “Shit,” and excused himself from the room, grabbing a handful of tissues from the box the woman offered him on his way out.

On the way down halls past cubicles and the sleepy faces of people who wished they had chosen something else for themselves, anything else, just not spending all day behind a computer screen, he held the handful of Kleenex to his nose.

This would be the death of him. This place. The air was stagnant. It just smelled that way. Artificial. Fake. Like the leather shoes he’d bought with his pay raise last month, which was more of a pay speed bump. He could have saved it for a car. He could have used it on gas. He could have a nice coffee table right now, probably, if he found a good deal. But instead he bought shoes because he was supposed to get that promotion today, and he’d need new shoes to meet clients. Nice, powerful, businessman shoes.

Instead of hearing if he got that promotion, he got a nosebleed.

“Figures,” he said to his reflection, throwing away the bloodied tissues to survey the damage. Figures he’d be taken out of commission right when the Mighty Boss Man was scheduled to announce the victor of the open position.

Maybe if he told himself enough times, while pinching the bridge of his nose with two fingers and tilting his head down toward the sink (which would likely be stained red by the time he left), that the position was still a crappy office job and he would always hate office jobs no matter what title he was given to do them, he’d start to really believe it and he wouldn’t be so annoyed.

He tried this for a minute or so before he heard someone come into the bathroom, the message still not sticking itself into his subconscious as truth.

“Ah, you are in here.” Rough. Deep. Stern. He’d know that voice anywhere.

“Mister Morgan,” he said, glancing up at his boss from the corner of his eye. “Sorry, I’m in a bit of a predicament.” And he didn’t dare look up to bleed on himself even more, especially not in front of the man who held his destiny in his greedy little corporate hands.

“Don’t fret. Vice President Anderson told me you’d run out with a nosebleed.”

He quite possibly stopped breathing for a second. He inhaled. And blinked. And swallowed metallic saliva. “She got the job.” He did stand up then, dropping his hand from his nose. He felt the blood creeping down to escape, but he didn’t care.

“Well, she had wonderful qualifications…”

The world was fuzzy. It was full of these reds and oranges and yellows; warm colors. Angry colors. His hands clenched into fists and his fingernails dug into his palms without mercy, and he was grinding his teeth together like in high school before he got into fights with the other boys over things like dance and his sister and his inability to amount to anything.

“…and it isn’t that you weren’t similarly qualified, but…”

He heard in snippets. No full sentences. Only key words.

“…I’m sorry, Jeremy.”

“No,” he said.

“The decision’s been made.”

“Well, unmake it.”

“I can’t do that.”

“You promised me that job. You fucking promised.”

“Calm down. You’re bleeding again.”

He wiped the back of his hand across the bottom of his nose. His breathing had become shallow. Slightly uneven. Very purposeful.

He wasn’t even capable of thought anymore. He just lunged. He screamed, short, and he lunged, and he was on top of the boss before the latter could even think to move away. His hands were clenched around the man’s throat now, and the man’s arms waved like a windmill, but it was no use. Dancing since age three had, if nothing else, made the assailant strong.

And then the arms stopped waving and the chest stopped raising and the noises stopped coming from his throat, and it was done. It was bloody – the dead man was tainted with the blood of the living – and it was done.

He stood and stepped away. Looked down at his hands and the floor and his wrinkle-free clothes, and it dawned on him that he still had to make it out of the building somehow. So he pulled the body into the stall and he collected a generous amount of toilet paper while he was in there, and he put it against his nose. Everyone who would notice his departure already knew about his nosebleed. He wouldn’t get caught. It would work. It would.

It wouldn’t.


----
Edited because I apparently clicked "No rating" the first time.




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Hi there!
Well, this was definitely provocative. I loved it. I could totally sympathize with the dude. He seemed flat, though. That was my main issue. He was at least a character type, like, dancer-stuck-in-a-cubicle, frustrated, driven over the edge... but he wasn't a fully round person. I'm thinking about the character Hamlet in relationship to your guy. Now Hamlet was a guy you could really get wrapped up in watching. You just had to wonder, Gosh, what is going on in this guy's head??? So my suggestion is this: be vague. Write about Jeremy in a way that makes the reader itch to know what's going on with this guy. Like, show him at the coffee machine just talking to someone, and then they maybe say something about quitting and moving to Brazil and Jeremy just goes nuts, throws his hot coffee on the other guy and walks off. You see? I don't know, it's just a suggestion. But really, to make this interesting little piece a true masterpiece you've gotta make the reader really NEED to figure out this guy's motivation.
“To awaken quite alone in a strange town is one of the pleasantest sensations in the world.” - Freya Stark




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Almost perfect. Almost. What keeps me from giving you a perfect ten is how Jeremy's incentive was not included. Granted, this is a longer story, and maybe you haven't gotten to it yet, but still maybe try to incorporate it. By incentive, I mean a reason for Jeremy to need this promotion, why this position was so crucial that he willing to take his boss's life when he didn't receive it. You don't even have to come out and say it all at once, especially if you're trying to keep the readers in suspense. Just maybe dish out a tiny bit, give us clues that will keep us thirsty for more, and you'll enhance the quality of your story.

Anyway, as you can see, if all I can nit-pick about is something as small as the main character's incentive, then that means you have a truly good story, only inches from perfection. I enjoyed it. PM me when you've got another section.

KEEP THE MUSE AND WRITE ON! :elephant:




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Thanks for the reviews, guys!

Carelessaussie, I actually did no character planning at all for this, just got inspired to write about a nosebleed and it turned into this. So yeah, I think I definitely do need to round Jeremy out as a character and give him some real motivation. Thanks for bringing my attention to that. =]

Ryanx, I was previously torn between seeing where else this would go and leaving it as is, but I think with your review I'll go with the former. I'll do some planning with characters and plot and I'll definitely give you a nudge when I have something else.




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“Oh!” the woman said, wide eyes directed at his chest. Sliding down to his shoes.

i don't know if this was just the style you were aiming for but i'd personally reword this .. "'Oh!' the woman said. Her wide eyes were directed at his chest; they slid slowly down to his shoes." - something more or less like that :wink:

He looked down. Little speckles, these tiny red specs, they were collecting on the gray office carpet. Hitting his shoes on the way down.

i think dashes would 'sound' better here: "Little speckles - these tiny red SPECKS* - they were collecting on the gray officer carpet. They hit his shoes on the way down." http://www.wikihow.com/Use-a-Dash-in-an ... h-Sentence :wink: it's not the exact site i used but it's just as helpful.

On the way down halls past cubicles and the sleepy faces of people who wished they had chosen something else for themselves, anything else, just not spending all day behind a computer screen, he held the handful of Kleenex to his nose.

i loved this sentence and how cynical it sounds; however, it's a bit of a run-on. i'm not quite sure how to punctuate this without rewording the sentence so i'll leave it up to you. i just wanted to bring it to your attention (:

This would be the death of him. This place. The air was stagnant. It just smelled that way. Artificial. Fake. Like the leather shoes he’d bought with his pay raise last month, which was more of a pay speed bump. He could have saved it for a car. He could have used it on gas. He could have a nice coffee table right now, probably, if he found a good deal. But instead he bought shoes because he was supposed to get that promotion today, and he’d need new shoes to meet clients. Nice, powerful, businessman shoes.

i didn't find anything wrong with this at all! i just wanted to say how much i loved it (: the punctuation was consistent and it allowed us some insight on the MC.

-- ack i lost the quote and i'm too lazy to go back in and get it haha but i love how you revealed he was having a nosebleed. idk if you meant it to be mysterious/confusing or obvious he was having one (i personally was confused), but the way you revealed to the reader he was having a nosebleed was great.

Maybe if he told himself enough times, while pinching the bridge of his nose with two fingers and tilting his head down toward the sink (which would likely be stained red by the time he left), that the position was still a crappy office job and he would always hate office jobs no matter what title he was given to do them, he’d start to really believe it and he wouldn’t be so annoyed.

again this sentence is a bit 'busy'. although it's not as bad as the the previous ones i still advise you read through it and edit accordingly!

“Mister Morgan,” he said, glancing up at his boss from the corner of his eye. “Sorry, I’m in a bit of a predicament.” And he didn’t dare look up to bleed on himself even more, especially not in front of the man who held his destiny in his greedy little corporate hands.

again, nothing horribly wrong here, i just love how you describe mister morgan ahh!

The world was fuzzy. It was full of these reds and oranges and yellows; warm colors. Angry colors. His hands clenched into fists and his fingernails dug into his palms without mercy, and he was grinding his teeth together like in high school before he got into fights with the other boys over things like dance and his sister and his inability to amount to anything.

you can't use a semi-colon in this instance because there has to be a complete sentence on either side of it. i'd recommend using dashes.

(DIALOGUE)

yes, the tension! i can almost hear them speaking. great dialogue (:

And then the arms stopped waving and the chest stopped raising and the noises stopped coming from his throat, and it was done. He stood and stepped away. Looked down ...

i'd substitute the comma for another punctuation mark. this is the climax - the height of emotional conflict - and you should differentiate the outcome from the other details.

He wouldn’t get caught. It would work. It would.

It wouldn’t.


wonderful ending. i love how you contradicting his thoughts added to the ominousness and gave it that spicy finish.

---

this was very, very good leaves! i rather did enjoy reading it (: when it comes to short pieces i usually find myself complaining a lot: the writer failed to develop their characters, there was a lack of a steady pace, no imagery, no metaphors, blah blah blah - but no, not you! your transitioning between the character's thoughts is great, and i love the overall cynical tone of the piece. there were many spots that i absolutely loved! they definately outbalanced the parts i was iffy about. i just say pay attention to your punctuation - studder stops, run-ons, comma overuse, etc. after that you'll be good to go!

happy writing,
xox julia




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Thanks for the review, Julia! =]

I feel like we learned all that punctuation stuff in ninth grade English, of which I remember nothing, so I should work on that. And in the cubicle sentence, I felt like I needed to alter it somewhere every time I read it but I wasn't sure how, but now that I know it isn't just me who thinks so I'll work harder on trying to rework it.

I'm glad you liked it overall, and thanks again for the review. I really appreciate it, and I'll keep your suggestions in mind when I edit this.




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Well Done! I really like the way you use the nosebleed in the story. Im not sure what else to say about your story that hasn't already been covered, but I really like it!
Writing is the magical release of emotion from your fingertips. Why on earth do people wish to be wizards when you have writing!




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Thank you, Hiadel. :) I'm glad you liked it.



When she transformed into a butterfly, the caterpillars spoke not of her beauty, but of her weirdness. They wanted her to change back into what she always had been. But she had wings.
— Dean Jackson