Chess is for Lovers

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This is in the same vein as my other poem, Gaol, though hopefully this one will get more feedback! I'm not sure it's as strong as the other, but there were bits about it I really liked, once they were written.


CHESS IS FOR LOVERS

So, my dear, appears we have a
stalemate in the remnants of the board;
You and I have stricken gold, turned
the powers that be to glare and bloody sparks.

I don't question (never have done)
but I can refuse to answer, silent
witness to a spiral you inflict
upon yourself. My belief in
faith and reason does me justice,
but to you, become the thing
you always knew I would deny.
My head is up, my hands entwined
in fists, but not untouched; no,
I am the source of all that I have done
and as such lose whatever you will be.

I move, no longer knight or bishop,
but a tower with a beating basalt heart;
strike not against my walls, O ivy soul
lest in doing so your stinging breaks us all.
The Oneday Cafe
though we do not speak, we are by no means silent.




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The chess metaphors are kinda clever, but nothing special, and I feel the middle stanza is weak and is not powerful enough to convey the right sort of message to me, the reader.
Nate wrote:And if YWS ever does become a company, Jack will be the President of European Operations. In fact, I'm just going to call him that anyways.




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I was confused and found the whole thing jumbled, especially the middle stanza. I think this needs to be developed more.




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:-k I think the second stanza is quite long and with the use of run on lines it becomes hard to follow. Maybe by splitting it up and adding a bit more clarity it would become easier to read.

So, my dear, appears we have a
stalemate in the remnants of the board;


It think there should be an "it" in the first line. This is quite an interesting way of starting a poem though. :wink:
Bright is the ring of words
When the right man rings them,
Fair the fall of songs
When the singer sings them.
Still they are carolled and said -
On wings they are carried-
After the singer is dead
And the maker buried.

Robert Louis Stevenson



Russets and tangerine shades of old gold flushing the very outside edge of the senses ... deep shining ochres, burnt umber and parchments of baked earth—reflecting on itself and through itself, filtering the light.
— Guildenstern (Rosencrantz & Guildenstern Are Dead by Tom Stoppard)