A dream I had, yet to be named.

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Please read and leave a review! This is in fact a dream I had, and I was so inspired by the characters that I decided to write it down. This is the entirety of my dream, but I'm sorely tempted to turn it into a story.

I found myself wandering back up to the rooftop, sketchpad in hand. The hidden staircase creaked as I climbed it, but I didn’t care if I was caught. It’s not like I was sneaking around. My purposes here were merely creative, not vandalistic or disruptive. I had yet to see the city landscape from up high at night, and with only three days left of this vacation, I had no time to waste.
I pushed the old door at the top, and was surprised when it opened noiselessly. Someone had oiled the hinges or something- it sure hadn’t been this soundless yesterday.
It was then that I smelt the faint scent of tobacco. The smoke from some lone cigarette curled ominously into the night sky, and I was suddenly, acutely aware of someone else’s presence.
I crept behind a boxy, metal structure, and crouched down to see who else was here. I got a glimpse of the person’s figure, but to my relief it was only a boy, probably about my age. He was sitting on the edge of the seven-story building, cigarette in one hand, and a pad of paper not unlike mine in the other.
The realization that this person was my age calmed me- before, images of middle-aged criminals had been flashing through my consciousness, and I’d briefly considered turning and running.
Instead, standing up straight from my improvised hiding spot, I merely said, “You know, those will kill you.”
The kid turned swiftly around, startled by my voice, and I found his illuminated baby-blue eyes staring back at me.
“Well, duh.” As if to emphasize his impartiality, he took a long drag, and promptly exhaled out his nose, two streaming puffs of smoke that formed a cloud above his head.
I raised an eyebrow in reprimand, and he mocked my expression almost exactly.
I rolled my eyes, then stated, “Well, if you’re going to be persistent about it,” I started walking over to where he sat, “I might as well stay.” I sat down next to him, and noticed how he was kinda muscular, kinda skinny, and kinda cute. Kinda stupid, too, but I didn’t care. Right now, I would be stupid with him.
“Why?” he asked, gesturing towards my precarious position next to him, exposing myself to a nice healthy dosage of second-hand smoke.
“Well, I don’t particularly mind the smell of smoke, for one, and that factor isn’t going to drive me off. I’m here with a purpose, and I intend to fulfill it.” I opened my sketchpad to the first page, where I had the drawing of the city during daylight hours. He looked at it, and gave a low whistle.
“Impressive.”
“Thanks,” I said, only slightly flattered. I knew my work was good. It wasn’t anything new to be complimented on it.
I then flipped that drawing over, to a nice, blank white page that glowed in the light of the city.
He bent over even more, and dropped his cigarette into the empty street below. It made for an interesting picture, that tiny bud of red disappearing into the blackness. Until now, I hadn’t really noticed, but we were perched over the alleyway between the motel and the short tourist shop next door.
Right hand now empty, he brought his own sketchpad forth, and opened to a sketch of the city at night already almost done. The only difference was that he was doing his sketch in color, while I was doing mine in a mixture of pencil and charcoal. I looked at his gloomy, luminescent drawing, and marveled at his skill to bring out the color in the seemingly black-and-white nighttime cityscape.
“Impressive,” I stated.
He looked over to me. “Thanks.”
I felt overpowered by his eyes. They were really, really blue. Almost unbelievably so. It made me feel like I was about to fall off the side of the building, and I leaned forward to catch them in a better light.
In fact, I really did feel like I was going to fall, for a moment there.
Until he caught me. His calloused hand grabbed my arm, pulling me back a little more. He laughed at my slightly peeved expression. “Watch yourself,” he grinned mischievously. “You know, that could kill you.”
“I can take care of myself,” I scoffed.
“Okay then! Have it your way.”
I realized his hand was still on my arm, and he seemed to notice it too. He pulled away. My heart fluttered a bit as I contemplated our positions. How the heck could I be so calm and, admittedly, comfortable, sitting so close to a complete stranger?
“So,” I started, wanting to break away from the silence that was brimming dangerously on awkward, “What’s your name?”
He looked out into the night. “Kyle. And you?”
“Clarissa,” I stated simply.
“Nice to meet you, Clarissa,” he replied. There was still a hint of a smirk on his face as I pushed myself back from the edge. I didn’t exactly have a death wish, and any sort of bravado I had been trying to put on a mere minute before was gone with the mental image of myself lying on the far-away ground, bleeding.
Much to my surprise, he scooted back to sit next to me. He lounged back on his hands, the shifting air currents bringing to my nose the smell of cinnamon, aftershave, and cigarette smoke. Surprisingly enough, not the worst combination in the world. His shoulder was right next to me now, and I had the sudden urge to lean over and bury my face in his shirt.
But that was awkward, wasn’t it? I had known this kid for a whole of five minutes, and I was already fighting off dangerous impulses, made especially dangerous by the fact that I was sitting atop a seven-story building next to a total stranger who, for all I knew, could be a serial rapist. I leaned away.
“Funny how we’re both here, the same building, the same night, doing the exact same thing,” he mused. He was staring at the sky again, and I took the moment to register his features. He was very strong-looking, rugged. Dirty blonde hair danced across his forehead, stray locks moved by the light breeze.
“Yeah, funny,” I agreed.
For a while, we both got lost in the shadow of the sprawling city before us. My gaze shifted from building to building, eyes lingering on the tall, the narrow, the low and blocky. The edges lined up before me, only discernable by the lights spilling out of lone windows, illuminating their dark silhouettes and setting a marvelous contrast between dark and light. Mesmerized, I took a pencil out of my right pocket and began to sketch, furiously outlining anything I could see in the low light. My fingers danced across the paper, from corner to corner, slowly revealing the picture hidden beneath the blank page. Still working, I smiled as I brought my head from my sketchpad to the horizon and back again, squinting, observing, drawing. I heard Kyle, sitting next to me, draw in a breath.
“Wow,” he breathed. A few minutes passed, and I could feel him leaning closer to me, watching me work. I tried to stay in the moment, because once I stopped, it would be hard for me to start up again.
I had to admit, Kyle was patient. He sat there silently for god knows how long as I let my fingers do the talking. Line after line was revealed, and I could see my paper slowly turning into a picture, slowly turning into the living, breathing landscape before me.
I was done all too soon. Before taking a fresh look at the finished product, I closed my eyes. I let go of the image of the city now nearly memorized, wanting to look at my work with some sort of detachment. After a deep breath, I stared at the book laying open in my lap.
Like always, I felt a strong sense of accomplishment as I saw the beautiful recreation in front of me. I had broke out the charcoal halfway through, shading and defining the image as was necessary.
"You really are something," Kyle whispered in my ear, startling me. The pencil I was holding flew out of my hand and over the side of the building, where it disappeared from view.
"Shoot," I frowned. My attention was fully restored to the present situation now, and the tragic event that was the sudden loss of my pencil. I didn't have another one with me.
"Sorry about that," Kyle said, chuckling at the despaired look on my face.
"Well, I guess I'm done here," I said reluctantly. I had planned on making more than one drawing, but I couldn't draw with just charcoal. It wouldn't erase if I made a mistake. I contemplated going downstairs and getting a new one, but decided against it. My parent's would probably be woken up in the process. It seemed that my only option was to go back to bed. I started to get up.
"Wait-" Kyle interjected, grabbing hold of my arm. "You don't have to leave."
"Well, I don't have another pencil. There's no real reason for me to stay without one." I pointed to my sketchpad. "I came here to draw, but thanks to you, I can't exactly do that."
"It's not my fault my compliment scared you," he smirked.
I couldn't help it when a hint of a smile crept up onto my face. "As much fun as this was," I started sweetly, "It is getting late. I might as well just go to sleep. Besides, you haven't done anything since I got here," I noted. "I'll just leave you to your work."
There he was with the hand-lingering-on-my-arm business again. I hadn't noticed it until now, but I stared at it uncomfortably. "Gonna let go?"
He let out an over dramatic sigh. "I guess," he said, releasing his grip. As I walked back towards the decrepit staircase, I heard him call back, "It was nice meeting you, Clarissa. Maybe I'll see you tomorrow."
I turned around to respond. "Maybe," I said, walking backwards in the direction of the door. Then, smartly, added, "Maybe not."
Reaching my destination, I pulled open the door noiselessly. Before closing it behind me, I took one last peek at his silhouette. He had starting lighting another cigarette, and I shook my head, smiling to myself. Strange, smoking, possible serial-rapist or not, I figured it wouldn't hurt to come back tomorrow night, with two pencils this time. After all, I only had one drawing of the city at night. Surely I would need more than that...
Yeah, surely... I thought to myself. Holding my sketchpad close, I descended the staircase. Too bad I was only here for two more nights.
Last edited by skl02134 on Wed Dec 30, 2009 3:56 am, edited 1 time in total.
The key to every locked heart is commonly found hiding within little insecurities.




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Hi there,

Okay. Wow. I love this. The romantic tension is great all the way through. Clarissa is a bit flat, but Kyle has some personality and the dynamic between them is wonderful. Bravo. My one thing is that you just sort of get to the point, which has a certain practical value, but in a story like this I think it's best to ease into it, enjoy the luxury of your very enticing story. You know, maybe at first Clarissa and Kyle hate each other. They hate that the other one is actually talented, they hate that their favorite roof spot is being overtaken, whatever. Then Kyle comes drunk one day (and bear in mind that I'm just making stuff up, you could go a thousand directions with this) and almost falls off the roof, and Clarissa finds out about his screwed up life, they begin to see each other romantically... et cetera... anyway, I shouldn't tell you how to write your own story. I think what you have is brilliant. Now elaborate.
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The kid turned swiftly around, startled by my voice, and I found his illuminated, startled baby-blue eyes staring at me.


Too many adjectives and adverbs cluttering up this sentence, especially where I bolded.

“Why?” he asked, obviously in regards to my precarious position next to him, getting a nice healthy dosage of second-hand smoke.


I'm not sure how well I'll be able to explain this, but you lose your subject somewhere here. The underlined part refers to the character, but the subject at that point in the sentence is still 'he'. Instead, try to break up the sentence like so:

“Why?” he asked, obviously in regards to my precarious position next to him. I was getting a nice healthy dosage of second-hand smoke.

Plus, how does this character know that's what his question is in regard to? That doesn't seem obvious to me.
They were really, really blue. Like, unbelievably so.


Your narrator seems too educated and proper for this, methinks.

But that was awkward, wasn’t it? I had known this kid for a whole of five minutes, and I was already fighting off dangerous impulses, made especially dangerous by the fact that I was sitting atop a seven-story building next to a total stranger who, for all I knew, could be a serial rapist. I leaned away.


This was great (funny, too!), and shows exactly what I was going to mention later on. You have a really nice paragraph of internal thought process, and then you end it with a physical/external reaction. This makes the flow really smooth and nice. Earlier in the piece your sentences are all about the physical/external movements, and dialogue, and you use a lot of 'I' at the beginning of your sentences. In other words, it gets sort of repetitive and stiff, and your flow suffers. You need to add more paragraphs like this.

:arrow: This was really good! ^_^ Your writing style is pleasantly simplistic without being bare or boring. This kind of story would be easy to over-do, to add dripping metaphors and overactive purple prose, but you handled it really well. I liked the characterization of Kyle, especially since the piece was too short to develop him any more, but I do feel like you could develop your narrator a bit more. A common issue in 1st person short stories is that the narrator is never quite as well-characterized. However, since it's so short, you can only do so much.

Big issue here is that there is absolutely zero conflict, besides her kind-of-almost-not-really falling off the building, which is turned into a romantic moment. Short stories don't need plots, really, but there does need to be some sort of conflict, and there really isn't. Here, I can't help you. You have to find driving conflict for a story on your own.

So, basically, as writing out a dream, this was excellent! However, as a developed story, you need to explore the concept a bit deeper. ;) Best of luck, and great job!

PM me for anything you need.

~Evi

EDIT: The previous reviewer totally snuck in there without me seeing, but I agree with that simple advice: elaborate.
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Thanks, carelessaussie13 and Evi for reviewing my (sort of) story. I completely agree that Clarissa needs more development. I should probably mention that this wasn't exactly intended to be a short story, but the beginning to one I may or may not continue, haha. In fact, I have a lot of plot and such to add (carelessaussie13, you're quite close with Kyle's 'troubled life'.) Hence the lack thereof here.

Too many adjectives and adverbs cluttering up this sentence, especially where I bolded.

“Why?” he asked, obviously in regards to my precarious position next to him, getting a nice healthy dosage of second-hand smoke.


I'm not sure how well I'll be able to explain this, but you lose your subject somewhere here. The underlined part refers to the character, but the subject at that point in the sentence is still 'he'. Instead, try to break up the sentence like so:

“Why?” he asked, obviously in regards to my precarious position next to him. I was getting a nice healthy dosage of second-hand smoke.


I'll have to change 'obviously in regards to' to 'gesturing towards'. The funny thing is, as I was re-reading this before, I asked myself whether or not I had actually made it obvious. Definitely not XD. But before that, I was kind of linking her precarious position to the second hand smoke bit as one single observed entity. I'll toy around with that as well to make it more clear.

I agree with all your criticism, completely, and I'm really grateful for it =] I absolutely love feedback, especially when it's constructive. And I'm glad you both like Kyle; I do too. They're both spunky characters, and I love dealing with spunk. Spunkspunkspunk. It's great haha. My favorite characters are those with wit and a sarcastic, dry sort of humor while still having redeeming qualities.

Anyways, thanks a bunch! This is one reason I absolutely love this website. Everyone here gives legitimate, thoughtful responses.

EDIT:: On a whim, I just added... well, quite a bit to this. Hopefully it adds a bit more to the story and characters.
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The whole point that captured me in this story was that its written according to a dream you had. When you think about it, most of the ideas that writers base their stories on are the ones they get from their dreams.

Okay, on with the review.

Mistakes

I found myself wandering back up to the rooftop, sketchpad in hand.

Should be, "a sketchpad in hand"

before, images of middle-aged criminals had been flashing through my consciousness

Better when its like, "before the images of middle-ages criminals flashed through my consciousness

“You know, those will kill you.”

Try substituting 'will' with 'could' as it sounds much better.

The kid turned swiftly around

Its better to say, 'boy' and not 'kid' as it sort of makes the girl seem a lot older.

The kid turned swiftly around, startled by my voice, and I found his illuminated, startled baby-blue eyes staring at me.

Try cutting the second 'startled' because you already mentioned him being startled at the start of the sentence.

I started walking over to where he sat

Just say, "I walked over to where he was sitting"

“Well, I don’t particularly mind the smell of smoke, for one,

Try putting the 'for one' part after 'well,'

It wasn’t anything new to be complimented on it.

Cut the last 'it'

I looked at his gloomy,

I really can't fathom why you called his drawing gloomy, when you state that it was impressive afterwards.

He looked over to me. “Thanks.”

'At me' not 'to me'

the shifting air currents bringing to my nose the smell of cinnamon, aftershave, and cigarette smoke.

Put the 'to my nose' at the end of the sentence as it flows much better.

Punctuation

I then flipped that drawing over, to a nice, blank white page that glowed in the light of the city.

Should be a comma after 'I then' and remove the comma after 'over'

“Clarissa,” I stated simply.
“Nice to meet you, Clarissa,”

Both of these have periods before the second quotation marks, not commas.

Characters

I must say, the boy character was excellently developed, both through appearance and personality. Most impressive. I could perfectly imagine the boy by your descriptive sentences about him. Another thing is that you described him through the other character's eyes, and not giving a paragraphic description.

Now, you have to develop the girl character a little more. I could imagine them both as sarcastic but creative characters but you need to develop it more. Add a bit of colour to their face. Although you are not controlling the boy character, you could try making the description through him. For example:

"I could sense his eyes roaming my fair, heart-shaped face, and my long blonde hair." It was a suggestion okay?

Descriptions

Now, although you described the city a bit, you haven't described their surrounding. You have touched tip of the iceberg, but have not dwelled deep in to see the full structure. A small description of their surrounding would really help the reader to imagine the scenery. Like: was it dark where they were sitting? Was the moon shining brightly over them? Were their vehicles going on the street below them? These things are really helpful in adding scenically points to the story.

Overall

As I had said above, I'm impressed that you turned your dream into a beautiful developed story. The setting and plot was really well planned. And the characters were exactly suitable for this kind of story.

All in all, a really great story. I highly enjoyed it.

Good luck. :D
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Alistair: "What? Lead? Me? No, no, no. No leading. Bad things happen when I lead. We get lost, people die, and the next thing you know I'm stranded somewhere without any pants."
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Hey :) So I won't do any nitpicks as it seems the other guys got you covered there :) but I love this, I really do and I think if you turned it into a story it really would be amazing. Please keep writing :)




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Hey =]

I definitely agree with the other reviews in that you should turn this into a story. It's a brilliant concept and there are so many ways you could take it =]

I agree that Clarissa's character is less defined than Kyle's but then this is only the beginning - I hope :wink:

I especially loved the way you described the parts where she dropped her pencil and when he holds onto her arm - I could really feel the possible buildings of tension between them.

Both characters seem believable too, which makes it a lot easier for the reader to read your writing. The whole piece seemed to flow well and I really hope that you do turn this into a story.

Thanks for the great read!

xDudettex
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Hi! This is really good. I didn't find many nitpicks, and I think you worded it well. And, I'm sorely tempted to tell you to please make it into a story, a larger one, I mean. I like how Clarissa is tempted to like him, but realizes she doesn't know if Kyle is a criminal or not. Very good, keep up the wonderful work! Amazing what our brains can think up in our sleep, huh?
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I absolutely love this, dreams are amazing things. Its where I get a lot of story ideas from, I really need to get myself a 'Dream Diary'. I really admire your writing style, it flows so smoothly and each sentence meshes (is this a word? maybe links would be better) perfectly with the next. Your descriptions painted a clear picture in my head. I was enthralled by start to finish, even if you were just writing a dream, I wouldn't have guessed, every little sentence seemed so well thought out, I can't really find much to pick at.

This story has a lot of potential, its such a simple yet brilliant concept. I love how the two characters instantly have something in common, and its not cheesy or cliched.

Keep it up, I look forward to seeing more if you decide to carry on. :D

P.s this is my second review, so sorry if its crappy, hope its not!
"If you want to be a writer, you must do two things above all others: read a lot and write a lot. There's no way around these two things that I'm aware of, no shortcut." - Stephen King.

EDDiE. :]

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Wow! I didn't even realized more people had reviewed this until I looked, just now. Thank's so much for all the positive reviews! I really do want to turn this into a story. It's funny, I have so many things to do that with now... Haha. I think I have around three or four stories I want to finish. Too many things to keep up with :P. Anyways, I'm hoping I will continue this one, just because I love the characters so much. They're honestly the clearest characters I've ever come up with (probably because I did see them, to some extent...)

And thegirlandthepen, You should start a dream diary. I keep a semi-consistent one, and it's amazing what we can come up with in our sleep. So many interesting stories and scenarios have been scrawled down there.
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Please continue with this story! I love it. Your characters are great and I love the little build up of tension between them. I hope you'll keep writing this.

Well done!
:)

Xo




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Wow. I really liked this it was great. Your clever way of having them both being exceptional artists could open up all sorts of possibilitys for turning this into a longer story. I along with previous reviewers felt that this story would be great if you elaborated on it.

As for a title theres loads of possibilitys from something simple like:
'The Stranger On The Roof'
to something more short and punctual such as
'Sketch'
I though those up in two seconds flat so you could definately come up with something better. There are loads of things you can base it around in your story. The fact they are both artists. Them sitting on a roof. etc...

Anyway I thoroughly enjoyed it and ho[e to read some more of your material.
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I know you already got so many reviews, but I just have to say this. Wow. I loved this. It felt like I was there, like I could see it from the side. I liked it a lot when the Mc was already used to compliments - not a lot of people are. I liked Kyle's character a lot. The conversation was flowing and natural. Great job. Unlike other comments, I would advice you to leave it at that, as a short story. It's magical like this, I personally wouldn't want to see any change. Again, awesome work.
I look foreward to reading more of your work! Ofir
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