An Excerpt from Shrive

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Okay, so this is an excerpt in Shrive that I would really love some help revising. This is a scene in which I experimented with narration deterioration, which means my narrator is going crazy while he's telling this part of the story. Thus the abrupt transitions. I know there are probably a lot of sentence issues and it feels a little tell-y right now (probably due to NaNo), but I need help with acceleration. Is this portion accelerating to its climax and then its end? And with Layra's journey back to the house--what can I do to spice that up? I'm dreadful with character movement, so any hints would be appreciated.

Formatting is a little off, so where it looks weird, it's probably because it was either centered or indented strangely on the page.

For those who would like to have some idea of context before reading this:

Spoiler
Altan has been addicted to amphetamines for a few months, and, after his mentor told him he was proud of him, Altan tried to get off the 'poison' to prove to himself he wasn't addicted. We left off with him experiencing withdrawal the scene before this. Ezra is in an ongoing process of trying to win Layra over, and Layra is Maynard's daughter. Diana is a whore from another city whom Altan whisked away; she likes him, but he's terrified of her after she stabbed him in the back at Maynard's command (Maynard has been manipulating and flattering her for a long time). Right now Layra, Ezra and Diana are attending a celebration held in in honor of the king's visit.


~~~~

Five, six, seven, eight—the beat of the music accelerated, and Layra laughed as Ezra twirled her around. The music pulsed and the light flickered all around them, flashing brightly whenever Ezra moved out of the way and Layra squinted to look at his face. In the mass of people, nobody knew they could not waltz and even fewer recognized Layra enough to shy away from her. Layra didn’t notice those who did, her eyes fixed upon the face of the man who had escorted her, Ezra Silas Huffrey. The music swelled and swayed with each new beat, riveting through the air, but it sounded muffled to Layra, far away from the space between she and Ezra and the rhythm of their feet. The bright lights behind Ezra seemed to furnish everything she laid eyes on, creating a luminous hue around Ezra’s shoulders, the wooden poles extending up into the high ceiling, even the bodies of others dancing around her. She forgot where her feet were going, forgot the time, didn’t notice how the rain had stopped outside and given way to a calm night freeze.

“The snowflakes look like stars,” Ezra suddenly said, his voice cutting clear through the other noises in the hall.

Layra looked up with a touch of surprise and spared a glance for the window, smiling a little at the white gems floating outside in the darkness. “They do…” she whispered, and then laughed lightly, looking down at her feet. “I—I guess you just get used to them after a while,” she stammered.

“Used to them? Why, when I find something beautiful, I never get used to it,” Ezra said. Layra felt his eyes on her, but she thought nothing of it, just nodding shyly. “Layra,” Ezra began gently, guiding her slightly away from the majority of the massive crowd. “What does a girl like you think about falling in love?”

Her heart jumping, Layra swallowed hard, keeping her eyes fixed on her own shoes; Ezra moved a little and she ran into him, her face suddenly buried in his chest. Sneezing at the stench of his clothes, she stumbled backwards, but Ezra held her firmly so she wouldn’t fall. Layra blinked, taking one hand from Ezra and wiping her arm under her nose before giving him back her hand. Ezra looked at her arm with a touch of surprise, but Layra didn’t notice. “I—um—well, I guess every girl has thought of what it would be like to fall in love… but I’ve rather given up,” she admitted, sniffling as another sneeze lodged itself in the back of her throat.

“Give up?” Ezra asked incredulously, taking out his handkerchief and wiping the mucus off of Layra’s arm with an ever-pleasant smile. “Why would a beautiful young lady like yourself give up on being in love?”

Layra laughed nervously, blushing when Ezra wiped off her arm. “Well, being the daughter of a mad, power-hungry lord dampens a girl’s hopes.”

“I think daughters of mad, power-hungry lords are irresistible.”

“Oh, shut up,” Layra shot back playfully, unable to help her lopsided smile as he twirled her around once more. “You’re just saying that to make me blush.”

Ezra grinned. “Guilty as charged. It’s pretty when you blush,” he told her, twirling her around completely and then drawing her close to him. Unable to think of any good response, Layra just looked up at him with a reluctant smile. “But really, daughters of mad, power-hungry lords are irresistible.”

“And why is that?” Layra asked, cocking one eyebrow at him as he twirled her again and she watched her dress fan out around her knees, folding further than it should across her legs and then hanging naturally.

“Well, to an extent, they are mad and power-hungry. Hey—ˮ Ezra grasped Layra’s wrists tightly when she suddenly tried to jerk away, heat flooding her face in an immediate surge of anger. “Let me finish,” he instructed, holding her there facing him and enduring her glare as he continued. “Or rather they are mad from the madness of their fathers, mad enough to drive me madly in love.”

Layra stared up at him, quivering. “Did—did you just say that you loved me?”

For a minute or so, Ezra paused, looking more than a little flabbergasted himself, but, finally, a massive smile broke out over his face and he held her hands more gently. “I do believe I just did. Funny. I had to think back myself.”

“So… you didn’t mean it then?” Layra breathed, biting her tongue once the words had escaped. Layra lowered her eyes.

Ezra did not respond at first, leading her through the dance in silence; he felt warmer, a little tenser and Layra heard him clear his throat before he spoke up again, his voice more tentative than before, the playful tone more forced than she remembered. “Well,” Ezra chuckled. “I suppose I’d have to… psychoanalyze myself to come up with an answer to that question, so… I can’t really say, I guess. I mean, I did say it. But—well, you know how people are.”

“Yeah,” Layra whispered. He twirled her around again, and Layra bit her lip, silently berating herself for asking him if he meant it; as she recalled his words, her heart sank within her chest. Yes, she knew how people were. Sighing, Layra waited until the song ended before she gently pulled away from Ezra, giving him a polite smile. “Thank you for the dance,” she breathed.

“What? Not another?” Ezra asked, frowning.

Layra glanced towards the clock and her heart skipped a beat when she saw the time. It was almost midnight. Altan should be here. “No... I mean, yes. I mean, my cousin should be here now. I need to find him,” Layra said, looking up at Ezra almost apologetically as she laced her hands behind her back. “I—I’m sure Diana would love to dance with you.”

Ezra’s face fell, but Layra did not allow herself to lament the lack of a smile on his lips before she turned around and shouldered her way through the crowd (I can still remember…), forcing her way out into the lobby of the guardhouse. Altan was supposed to come find her when he got here—why hadn’t he reached her yet? Layra gazed around the guardhouse, standing alone as people walked in convoluted paths to keep a safe distance from her. Too panicked to notice the stares, Layra darted towards the door, pushing her way out of the guardhouse and facing the throngs of people, scanning the crowd for Altan. Altan would never leave her alone here… and he was never late when it mattered. And she mattered. Altan thought she mattered. (…that playing with the fire too long burned them, and destroyed me…) Squinting through the rain, Layra stood out in the street, gazing around her in hopes of catching a glimpse of Altan. Nowhere to be found. A deep frown curved Layra’s lips and she shivered as the rain ran down her arms and soaked her dress. Breathing heavily, Layra lifted her head a little and gripped the bottom of her dress, picking her way delicately along the street. (…unaware of what they were doing…)

Layra wiped her stringy hair out of her face as rain poured down upon her. Her mind rushed with a thousand horrible things that could have happened to her cousin. She knew something was wrong with him. But surely he would tell her if something was wrong. Layra drew in another heavy breath, struggling to see ahead of her through the downpour of rain. Lessa wasn’t safe at night. Layra picked up her pace. She’d left Ezra. Ezra said he loved her… but surely he didn’t mean it. Her heart racing, Layra trudged up the steps of Katol’s house, coughing and shivering from the freezing snow and rain as she unlocked the door and opened it. Warm light greeted her and she closed the door behind her, gazing around the empty living room. She leaned against the door, catching her breath, her drenched brown dress clinging to her skin.

A crash resounded below her in the basement. Layra stiffened, opening her eyes; slowly, she crept away from the door, a nauseating stench suddenly overwhelming her. Coughing, Layra winced and froze when she saw vomit on the carpet near the fireplace. Her heart rocketed. Layra stepped slowly towards the open door into the basement. “Altan?” she called in her quivering voice. The air responded with the faint echo of her voice. “Altan!” she shouted again. Trembling, Layra started to descend the stairs, holding onto the railing tightly. Still, all was silent. “Altan!” she called once more, making her way down the stairs slowly. (…unaware that seers can only see so much before...)

Layra stepped down into the basement and squinted. Her heart stopped for an instant. She sucked in a breath.

(i am blind)

The guardhouse swam before her eyes and Diana stood near the wall as she watched the people—noble and orphan alike—dance, all in one giant mass of elaborate costumes and rhythmic waltzing. It was impossible to distinguish individual people from the crowd, and Diana was content to watch, the static heat emanating from the mass of people making her dizzy. A cold breeze wafted in from the door, piercing the humid atmosphere Jared and his men had created in the guardhouse. The king was still nowhere to be seen; Diana hoped she would not have to meet the extravagant man she had heard so much about. Altan was supposed to be here by now; he had said he would come and rescue her if any of the young men in the guardhouse had gotten carried away dancing with her.

Her heart pattering in weak excitement, Diana sighed, lifting her eyes to the ceiling. Every man who asked her to dance she had turned down, waiting for Altan to show up. And now he wasn’t here; Layra had gone to retrieve him. She hoped they would be back before the night was entirely over. Diana had been to celebrations before, but the classy music Jared had trained the street musicians to pull off sounded nothing like the pulsing music she was used to and, as filthy as the floor of the guardhouse was, it was better than her former home in Eldaroy.

Tapping her fingers with the music against the wall behind her, Diana smiled at another cold breeze, resting the back of her head against the wall and breathing in the fresh air. All of Lessa had been dressed extravagantly; any visitor would think that it was a city made entirely of nobles and wealthy families. Any outsiders would be impressed. Diana just felt uncomfortable; the young men in elegant suits who had come asking her were the same young men she had seen in rags only days before. As the men donned a new identity, they also donned a façade entirely their own. The façade was charming sometimes, hearing them try to perfect their words out of street-wise accents, but it was a façade nonetheless and in a few weeks, they would be back in rags, crude and grinning at their one-night glory.

Diana brushed her hair behind her ear. (these things i remember…) Suddenly, a hand shot out and gripped Diana’s wrist; she gasped in surprise, her eyes flying open and her heart lurching forward when she saw a smiling, older man standing in front of her. Brown hair, that face. Diana could feel her throat closing up with a strange mixture of excitement and bitter loathing. “You look lovely tonight,” the man said in his smooth voice. “We have not spoken in a long time.”

She tried to swallow, but she only choked on her next breath, her skin crawling as the man led her forward away from the wall. Lord Maynard Kellan. All the words died on her tongue, her lips quivering too badly to make a sound. “What—what do you want?” she stammered, clenching her fist trying to pull away from him.

He looked at her with a touch of confusion. “I want to dance with you. That’s why you were standing there, wasn’t it? Waiting for a dance?”

“Y—yes,” Diana whispered. “But—ˮ

“But you were waiting for someone in particular,” Maynard finished for her with a wry smile. When Diana stared at him in surprise, he laughed and touched her face. “Darling, he’s not coming.” Before Diana could protest, Maynard continued, still smiling. “Do you really think he would come after you stabbed him in the back? He won’t come for you. But I will, dear. Do you know how to waltz?”

Her voice stolen by Maynard’s strangling words, Diana only managed to nod dumbly, her entire body trembling as Maynard led her out onto the dance floor. (…all smashed to pieces, a story caught in this burning cloud…)

“Altan!” Layra shouted, choking off a cry as she sprinted forward from the staircase, her heart thundering when she saw him, her cousin. Lying on his side on the floor and breathing heavily. Gasping, Layra fell to her knees next to him, a few tears rolling down her cheeks. “Altan!” she shouted at him, grabbing his shoulders and shaking. Altan coughed, his face damp with sweat and dark circles shadowing his eyes. “What happened?” Layra cried, helping him to his knees. As soon as Altan climbed to his knees, he doubled over, retching dryly, and Layra stared with wide, terrified eyes, gripping his shoulder with one quivering hand. She could feel his skin burning up beneath her fingers. “Altan?” she murmured. Altan wheezed, covering his face with one hand. Tears streaming down her face, Layra looked past Altan’s shoulders, freezing when she saw a vial lying on the floor with a long needle attached to it, only half full of a strange, clear liquid.

One, two, three. One, two, three. Diana didn’t really know how to dance, but she followed Maynard and he led her one, two, three. Her heart beating, dancing in her chest, with terror and exhilaration. Eyes that had once commanded her to betrayal, a face that smiled all too easily at her cries… and yet that peculiar admiration in his face made her heart to beat out of control. What are you doing, Diana? Why are you even here? A sharp pain stabbed through Diana’s chest, but she didn’t run. Did she even want to run? They danced faster, faster, faster.

A sick, cold feeling coiled up in Layra’s stomach as she watched the vial roll slowly over the basement floor. About a month. For about a month, Altan had not slept. And those circles under his eyes, his strange reactions. She remembered the girl in the sparkling pink dress, how Altan had disappeared into the basement. A few tremors set inside Layra’s bones and she bit her lower lip, heat rushing into her face as anger joined her fear. Altan wheezed painfully, and Layra looked down at him, furious tears leaking down her cheeks. How dare he? How dare he not tell her? The poison—of course. He was a chemist. He hadn’t roamed the streets as much lately. When it wasn’t one obsession, it was another.

Her entire body felt stiff with indignation, but she wrapped her arms around Altan anyway, lifting her eyes to the ceiling and letting the tears flow as she held him close to her, listening to his violent gasps and feeling his each and every shudder. He was only getting warmer, damp with sweat, but Layra held onto him anyway, trembling even as she hugged him.

One, two, three.

Spin!orisitTwirl?

Three, two, one. Diana’s feet ached. Pain spread through her soles; Maynard gripped her hand too tightly; she looked at his strong arms with a touch of fear. Fear like a bitter mire. (…See…) And she winced. Her heart. Beat. Fast, faster, faster. Layra didn’t wipe away her tears. Diana spun, spun, twirl. Dizzy—lightheaded and confused, some part of her burning. (…THE SMOKE; THE STARS FALL DOWN…).

“Layra…” Altan’s voice like bitter ashes. Ashes in the burning sky. Diana spun, breathless, unable to fill her lungs with enough air.

No answer; Layra could not summon up her voice. She hugged him a little tighter, squeezing her eyes shut. Ezra wondered where Layra had gone, standing alone in the mass of dancing people. In elaborate costumes while Jared showed the king around. The king wore an embossed smile like he was a wax figure of a great, deceased ancestor. Layra bit her lower lip, wishing she wasn’t so angry. Diana spun, twirled, her wrists starting to ache. The p.u.l.s.e. guiding her every step—not escaping the rhythm, rhythm faster the closer you get to the bottom. It’s the law of gravity, but people don’t fall at a constant velocity. Diana spun. Ezra watched; he did not know the man who twirled her so fast. (…FALLING UNTIL…) Altan relaxed a little, still shaking; Layra kept biting her lower lip, tears leaking down her red-flushed cheeks. Her perfect world fallen to pieces in her cousin's broken body.

(UNTIL THERE IS…

Nothing left to confess.

niente)

~

Yes, my narrator broke out the caps lock on me.

Anyways, I know this piece is pretty much confusing without some backgrounds on the characters, but what impression do you get on the characters from this portion? Is the narration deterioration effective? Any overall style/pace issues?
~ WD
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You have unknowingly said magic words in the proper circumstances and have summoned me from the land of "My wrist doesn't want to kill me anymore, so I'll try to review something." So, here I am.

I like this. Even though I really don't understand what is going on here, I do like it. The characters that you have here all seem to be very real and alive, just like you described them in all your blog posts. And, as out of context as it appears to be to me, the narrator breakdown is very well done. It doesn't seem too awfully contrived.

In fact, the only real gripe I have is that this Maynard character seems a bit bland. But since this is an excerpt, I won't dwell on that.

Woot! I got to read some of Shrive! And it's good! In a couple of months, when I'm for sure all right, PM me with the entire thing. I would really like to read it. Good job, and good luck.

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Oooh, some Shrive!

Lol, dude. I started reading this, and the first paragraph is of people dancing, right? Well, as I was reading that, the song "Carol of the Birds" by Mannheim Steamroller was playing, and that song sounds like a dance from Medieval times... You had to be there, I guess.

So yeah!

*finished reading* ...Why'd it stop? :(

This is a scene in which I experimented with narration deterioration, which means my narrator is going crazy while he's telling this part of the story. Thus the abrupt transitions. I know there are probably a lot of sentence issues and it feels a little tell-y right now (probably due to NaNo), but I need help with acceleration. Is this portion accelerating to its climax and then its end?


I thought the acceleration was wonderful. In fact, my heart's still pumping. The first transition from Lyra to Diana threw me off, but then I got the hang of it after that. I think the parentheses with Alteran Altan talking could help a lot with this and therefore more would be lovely. I'm not sure if you agree with that or not. I probably got the meaning of those parentheses all wrong, haha!

Seeing as Alteran Altan is the narrator, it's probably much clearer what's going on with him. Especially if you alluded to what these parentheses mean beforehand. Actually, that would make the parentheses a lot more sense and you wouldn't even have to touch them when editing. I don't know what the parentheses mean at all, but if you mentioned/foreshadowed them before this, I'd probably find it very, very cool how you wrote it.

And with Layra's journey back to the house--what can I do to spice that up? I'm dreadful with character movement, so any hints would be appreciated.


I'm not very good with this either! Transitions are boring to write. *harrumph* However, you could have her trip as she's running, nearly run into carriages or people, and keep her arguing to herself in her head. There's not much you can do if the point of this is to find Alteran Altan. Try to keep it frantic, though. Layra's worried for Alteran Altan as well as nervous about Ezra. She's got a lot on her mind now, so her brain's just buzzing with activity. And when people get this distracted, they'll stumble over things/people or doze off into their thoughts for so long, they shut out the rest of the world.

Perhaps that inspired you somewhat?

Anyways, I know this piece is pretty much confusing without some backgrounds on the characters, but what impression do you get on the characters from this portion?


Layra: She seems like a very sweet girl, but she has a low self-esteem. With the kind of father she has and the discrimination she gets because of it, it only makes sense that she doesn't believe in herself. She needs someone to love and cherish her, that's for sure, but she doesn't see it. I can't make any deductions concerning her relationship with Alteran Altan though since I've only seen them together while Alteran Altan's killing himself and Layra's feeling chaotic.

Ezra: He seems like your typical Prince Charming, falling in love with the woman of his dreams and flirting with her enough that she feels the same way for him. What makes me happy is seeing a bit of character in him when he stumbles over his answer to Layra's question on whether he really loves her or not. I wish I saw more of this in him, but this is only a small portion of your novel.

Diana: She seems really cool, haha. I'm guessing she's not one of those mushy women who thinks about one guy during the entire dance, even though she was waiting for him to show up. I didn't get that impression though. She seems to be an independent person, especially when her mind wanders to the men she's met before dressed up much fancier than they usually do. Random tirades like that give me the impression that she's a strong-willed girl, not giving into her heart and love for Alteran Altan.

Maynard: He's really cool, haha. This is the guy that sent Diana out to kill Alteran Altan, right? He seems very confident and authoritative, and what's even more creepy is that he's calm and charming. Very cool. I like him.

---

That's all I have to say! I'm kind of saddened that this was all to read. :( I hope I see your novel later, whether it be here or on the bookshelf. You had me hanging on your every word. Very ferocious job. <3

And did I mention that the name Altan reminds me of Alteran [Adam]? Yeah. I kept saying it wrong in my head, haha.

Keep writing!

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Domi,

Here I [finally] am. I was pretty much awed while reading this -- your writing style is very fluent and entrancing, but we shall save the praise for later. ;)

Layra's journey to the house is pretty exceptional. It doesn't have to be any spectacular, glamorous journey she makes -- low parts in a story are good, because they keep the excitement from rising over the brim.

I found it quite enjoyable to read through, anyway, in the sense that it doesn't halt progress of the story -- anymore might be a little slow, though if you want to add more, have more thoughts run through this so that we feel for her a little more. ;)


“Altan!” Layra shouted, choking off a cry as she sprinted forward from the staircase, her heart thundering when she saw him, her cousin. Lying on his side on the floor and breathing heavily.


I don't like this bit -- it kind of clunks along and stands out from the rest. I think if you fixed it so the second sentence didn't sound like a fragment [and even possibly remove the 'her cousin'] it would flow easier.


and yet that peculiar admiration in his face made her heart to beat out of control.


I think the 'to' can go kapish, dearie. :P


* * *

I got a pretty good impression of your characters. Judging from this excerpt, I can say that they seem strongly developed, meaning that their manner is consistent. None of that flimsy 'bit of this character in another' weakness going on here.

With that said, they also seem real-- like, their actions are genuine and I especially enjoyed how you did not make Maynard's character override Diana's though he heavily influenced her reactions at that moment. Two thumbs up on that -- brilliantly done.

I'm hooked, haha. I would love to read the rest of this is you allowed such a thing, but I have to say, your writing style is purely amazing. I haven't read anything as refreshing as this in a long time, and what's better yet is that it's fantasy. I generally dislike fantasy. :P


Thanks for the read! I'm quite impressed by this. Gold star and cheers on this,

June
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Ach, Mein, Domi. Your writing style is superb.


Character movement is also one of my weak spots. Truthfully, I think you pulled it off wonderfully. If we really think about it, there is only so much we can have happen during a short journey. Put in too much, and people will start to question the believability of it.

After I got the hang of it, the narrator deterioration sucked me in hard. I love it, so, so much. Especially with the all caps.

I also love the character of Layra, and her incredulity of someone loving her. Some people may think that it's an overreaction, or melodrama, but if the characterization is just right, you can't go wrong.

Spin!orisitTwirl?


Love it.

From what's here, it was a little difficult for me to get a proper impression of the characters. I do like them, though. Layra seems to care very deeply for her cousin, and Ezra seems, like Jabber said, a typical Prince Charming. ;)

Diana interests me incredibly, and I'm a little sad that we didn't see more of her in this excerpt, but oh well. This just gives you an excuse to post more! <3


...That's pretty much it, I believe. What a useless review. xD

I hope you post more, Domi! I really enjoyed reading it. =)

Pocket Sachi
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Hey WD ^^ Shina here as promised ;) I warn you, though, that my reviews aren't as good as they should be right now xD I've had to focus on school for a few months, but that SO does not mean I won't give this my all :P

but I need help with acceleration.


O____o Um, last time I checked, YOU were teaching ME about this :P

I. Nitpicks


Five, six, seven, eight—the beat of the music accelerated, and Layra laughed as Ezra twirled her around.

There's something about this line that's getting me. It took me a while to figure it out, but I realized that what's missing is I can't hear Layra laughing. I can see her laughing and being twirled around, but the dimension of sound is not here despite the fact you include the beat. Or maybe it's just me?


The music pulsed and the light flickered all around them, flashing brightly whenever Ezra moved out of the way and Layra squinted to look at his face.

1. The word "brightly" is bugging me a bit because it's an adverb, and technically speaking, it's a placeholder for some sort of metaphor or poetic description you could include.

2. Yup, I can't hear what's going on in this story. The only sense that's affected by the words I'm reading is my sight. I suggest you add something more about the sound and what it dces to the ears. Is the bass (if they had it then) slapping across their faces like at a party? Are the notes of the violins stringing themselves into the air? Is a cellist's fingers flitting across the bridge of his instrument? Are the vibrations bouncing off the walls and rising up the balls of their feet?

xD Again, maybe it's just me. I'm sensitive to sounds in novels because when I wrote Angel's Symphony, it was... well, it's mostly about the sound.

In the mass of people, nobody knew they could not waltz and even fewer recognized Layra enough to shy away from her.

I don't know if the voice of the story is like this all the time, medieval-ish somewhat, but this sentence is definitely a speed bump. Double negative? I think it's also mentioning that no one recognizing Layra? It kind of stumped me because the not waltzing thing seemed unrelated to the second half of the sentence.

Layra didn’t notice those who did, her eyes fixed upon the face of the man who had escorted her, Ezra Silas Huffrey.

The arrangement of this sentence gets me no matter how many times I reread.

With her eyes fixed upon the face of the man who had escorted her, Layra didn't seem to notice?

A conjuction at the beginning of the sentence? I know you can think of something WD xD


The music swelled and swayed with each new beat, riveting through the air, but it sounded muffled to Layra, far away from the space between she and Ezra and the rhythm of their feet

@_____@ Why can I not HEAR it?!!!

Lack of metaphors and literary devices? I think if you'd compare the music to something, your readers would have an easier time deciding the appropriate music playing in their head. As of right now, it's a mute party for me.

The bright lights behind Ezra seemed to furnish everything she laid eyes on, creating a luminous hue around Ezra’s shoulders, the wooden poles extending up into the high ceiling, even the bodies of others dancing around her.

1. The word bright was used several times already, so a synonym?
2. The word "high" doesn't make this way of describing the room without being wordy not as smooth as it should be. Maybe vaulted? Domed? It depends on the ceiling.
3. Conjuction before "even" ?
4. "Of others" isn't necessary. It's already established there's a lot of waltzing going on.
5. "Dancing", you need to find another word for it. A comparison word. In Kylan's "The Elephant Keeper" I think he said something like:

"Huge masses shifting all around me like continents."
and
"They are there, and then they are not."

Of course, he's describing elephants, so it's completely different, but you get the idea. Maybe you can describe how the people seem to blend all together-- the lights, the colors, the people-- what's the difference when you're at a party having fun? Is Layra getting lightheaded? Dizzy? High?

She forgot where her feet were going, forgot the time, didn’t notice how the rain had stopped outside and given way to a calm night freeze.

Hmm, this somewhat describes what's going on in Layra's head. What path were her feet following? Did they take control? Were they following Ezra's?

“The snowflakes look like stars,” Ezra suddenly said, his voice cutting clear through the other noises in the hall.

This is an awkward cut. It went from swirling and crazy feet, to Ezra all of a sudden stopping to look outside. Isn't that dangeorus at a party? We need some smoother transitions here. Also, the word "clear" seems too much.

They're in a hall? I thought it was a banquet room or something?

Layra looked up with a touch of surprise and spared a glance for the window, smiling a little at the white gems floating outside in the darkness. “They do…” she whispered, and then laughed lightly, looking down at her feet. “I—I guess you just get used to them after a while,” she stammered.

Is she... high? Is that what you were aiming for?

“Used to them? Why, when I find something beautiful, I never get used to it,” Ezra said.

xD This is the most planned out gentleman phrase I've heard. *pats WD* It's okay. At least you won NaNo (unlike me who decided to wait for the perfect moments to write and barely got a fifth of the requirement -.-")

I just think the wording needs to be tweaked a little. This is Ezra's chance to say something romantic, but shows that he's deep or thoughtful or something. Also, he just "says" it. His voice didn't soften into a murmur and his lips didn't travel to her ear. It's a party, where's the heat of the party?

Layra felt his eyes on her, but she thought nothing of it, just nodding shyly.

It's possible you can spice it up in the first part of this sentence by describing Ezra's eyes. What do they look like? How do they feel? I mean, how does his stare feel?

And Layra is either high or ditzy is her personality.


“Layra,” Ezra began gently, guiding her slightly away from the majority of the massive crowd. “Have you ever wondered what it feels like to fall in love?”

Wordy Alert!

Remove "slightly", "massive", and "majority"

"Layra," Ezra began gently, taking her hand and guiding her away from the crowd. His face neared hers, close enough that Layra could feel his breath brushing her lips. "Have you ever wondered what it feels like to fall in love?"

--- That was just a suggestion. Not that great of a description on my part xD

Also, again with the cliche lines at a party. What's the twist here?

Her heart jumping, Layra swallowed hard, keeping her eyes fixed on her own shoes; Ezra moved a little and she ran into him, her face suddenly buried in his chest.

Remove "own" because obviously, if it's her shoes, it's her own shoes.

Sneezing at the stench of his clothes, she stumbled backwards, but Ezra held her firmly so she wouldn’t fall.

How about "before she could fall" ?

“Give up?” Ezra asked incredulously, taking out his handkerchief and wiping the mucus off of Layra’s arm with an ever-pleasant smile. “Why would a beautiful young lady like yourself give up on being in love?”

*chuckles*

Ezra's dialogue sounds so planned out. It needs to be smoother and seem natural. Remove "being in." It just makes it wordy.


Layra laughed nervously, blushing when Ezra wiped off her arm. “Well, being the daughter of a mad, power-hungry lord dampens a girl’s hopes.”

Is it just me, or is the dialogue of this conversation odd? Would she really refer to her father as a mad, power-hungry lord?

“I think daughters of mad, power-hungry lords are irresistible.”

-.-" Omg. SHUT UP EZRA!

“Oh, shut up,” Layra shot back playfully, unable to help her lopsided smile as he twirled her around once more.

xD Or does Layra say it for me? But anyways, the dialogue is fake. I can tell it's fake. The world of Shrive is slowly deteriorating with this dialogue.

“You’re just saying that to make me blush.”

How many books is this line used in? Twist! Twist! Twist!

“And why is that?” Layra asked, cocking one eyebrow at him as he twirled her again and she watched her dress fan out around her knees, folding further than it should across her legs and then hanging naturally.

What time period is this? Victorian times? If it is, then her dress length? With this back in the day type of language, her dress should be at her ankles, right? Even if it's not Victorian, and it's still somewhat back in the day, it's an evening party, so she should still have a long dress?

“Well, to an extent, they are mad and power-hungry. Hey—ˮ Ezra grasped Layra’s wrists tightly when she suddenly tried to jerk away, heat flooding her face in an immediate surge of anger. “Let me finish,” he instructed, holding her there facing him and enduring her glare as he continued. “Or rather they are mad enough to drive me madly in love.”

This is a confusing paragraph. The words mad and power-hungry are thrown around a lot, and the wording makes it sound like either:
1. Mad, power-hungry fathers makes their daughters attractive.
OR
2. Layra is so mad and power-hungry that it drives Ezra madly in love, despite the fact that they were just talking about how mad and power-hungry her dad was.

For a minute or so, Ezra paused, looking more than a little flabbergasted himself, but, finally, a massive smile broke out over his face and he held her hands more gently. “I do believe I just did. Funny. I had to think back myself.”

Bleh! Ezra's dialogue is so cheesy xD I'm sorry WD, I can't help it.

II. Overall

I read the rest and felt that it was general enough to sum it up.

Your acceleration was best at the end, in my opinion. The way you were able to sum it up, make the ending dart forward, and intertwine with the other scene using beats-- I've never read something like that before xD

Descriptions were, in most cases, just the right amount of description to paint a picture, but in a few spots I noticed that you get a little wordy :P Only state what's necessary. Also, I couldn't hear the music, and I think I mentioned that several times xD Are you purposely avoiding metaphors and similes?

(WD, don't hate me when I say)

I hate your characters. Well, in this scene I do -.-" Ezra's lines are so cheesy and what Layra says is so cliche. You should've played up that snot more because I thought it would lead to something more, interesting.

I also very much dislike Layra because she seems like... Why is she HIGH with ANOTHER MAN at a party? Wait, is Altan her man? Her cousin? I haven't read the whole thing, so I'm not sure.

Basically, the dialogue is fake/cheesy/annoying. Why don't you go observe lovers as they talk? Go on "fake date" or interview guys on what they'd say? Go to a party yourself?

Interviewing guys is probably the easiest. If I need some help with how guys act with girls, I turn my head and ask someone, even if they're a complete stranger.

I can't wait to see where this is going WD ^^ The narration at the end was interesting. Hope this review helps like yours do xD

-Shina




Anyways, I know this piece is pretty much confusing without some backgrounds on the characters, but what impression do you get on the characters from this portion? Is the narration deterioration effective? Any overall style/pace issues?[/color][/quote]
You cannot dream yourself into a character; you must hammer and forge yourself into one.

The writer, when he is also an artist, is someone who admits what others don't dare reveal.




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Hey WD! *hands over cookie*

I'm finally here, though I don't know what to tell you after all these great reviews. So I'll ignore them and just tell you what I thought, even if it means being redundant.

Firstly, I think you did a marvelous job with the flow of this story, the reader doesn't have to stop, take a step back and think about the transition. Even with the slightly random narrator add-ins. It all link together really well, good job. :wink:

Secondly, one thing that I noticed was the lack of good dialogue. It all seemed cliche and drab. Specifically Ezra's words, they're the 'I love you's' everyone has seen before. Be more creative with your dialogue words, let the sounds of the words help too. It all a matter of experimentation.

Thirdly, your character develop through the piece is limited, though I can't do much about it since I haven't read the beginning. Just try to bring out their personalities more.

Fourthly, the narrator comments like:

Spin!orisitTwirl?

Three, two, one. Diana’s feet ached. Pain spread through her soles; Maynard gripped her hand too tightly; she looked at his strong arms with a touch of fear. Fear like a bitter mire. (…See…) And she winced. Her heart. Beat. Fast, faster, faster. Layra didn’t wipe away her tears. Diana spun, spun, twirl. Dizzy—lightheaded and confused, some part of her burning. (…THE SMOKE; THE STARS FALL DOWN…).


They link to the story but don't make too much sense in the context. It really give a 'what the heck?' thinking. I feel though, it has a really great effect on the muddled mess this scene is. It's lovely that you used your narrator differently, instead of having them just tell the story they have outburst about it too. I would maybe make a slight more emphasized that the narrator is going mad.

About Acceleration: I think you did a good job with it actually. Maybe slow it down a little bit at the beginning but the speed you go with at the end really works with the narrator's outbursts. I don't see much of a problem.

Overall, I loved this piece, you did a fantastic job at that. I want to see more :wink:

*stars*

Kamas
"Nothing is permanent in this wicked world - not even our troubles." ~ Charles Chaplin

#tnt




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I gets to read a bit of Shrive? *squee*

A lot of people have already put their thoughts to this, so I'll try and stay fresh with stuff I observed and not beat anything to death that's already been said.

Okay, first of all, some of the description in Ezra and Layra's interaction was just so perfect. It just had this feel to it where you weren't quite sure what the motivation behind the narration was. It wasn't designed to flatter, and it wasn't designed to disparage. It was just... there. Impartial. Yet so much could be read into it. Gah, I don't know how to explain it, but it was really quite wonderful. Felt very much like some of the description from the great classics and whatnot. *approves*

The parentheses were amazing. Even though I typically frown upon all caps and/or uncapitalized letters that should be capitalized, somehow they just plain worked here. 'Twas very nice.

I'd like to ask though: how exactly is the narrator observing all of this? It seems like we are in other characters' heads for their POV, but the narrator is still ominiscient. It's an interesting mix that I don't think I've read before, and it seems to be working, but I can't help but wonder at the logistics of it.

The transitions were rather jarring in the beginning, but, funnily enough, it wasn't as jarring as time went by when it really started to get wonky, when you would think it would be harder to follow. At that point, you were almost used to it and you just went with the flow.

Character-wise (just based on my impressions from this one excerpt)...

Ezra: He seemed like a flirt and not really much more.

Layra: She seemed to just want to be loved after not having enough and she was beginning to hope that Ezra really loved her. She just had really low self-esteem, I guess, but was fairly jaded? in working through her perceived inferiority mentally.

Diana: I wasn't quite sure where to put my finger on her personality. She seemed rather cuckoolanderish. I liked her. I just wasn't sure what to think of her.

Altan: We didn't get to see a lot of him, but I liked him just from his backstory. Basically, he felt rather pathetic and pitiable, like he needed a snug.

Maynard: (Seriously, the first thing I thought of when I read his name was Brother Maynard from Monty Python and the Holy Grail movie. I sniggered.) Another character who we didn't see so much of. All I really had to go on was his backstory from the other characters and his own quick entrance and pretty much what I felt from that was the big bad tyrant dude.

All in all, this just whetted my appetite for more of Shrive. Must. Read. More.

~GryphonFledgling
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im a bit in the dark here, wth is shrive?
"Don't ever tell anybody anything. If you do, you start missing everybody." ~ the catcher in the rye




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Hey! Thanks for the comments everyone! I really appreciate all of your impressions and suggestions. Thank you!

Just to clear a few questions up. :wink:

Regarding the logistics of the narrator, yeah, the narrator is telling the story from different points of view. He's virtually a character getting into other characters' heads. It's difficult to explain out of context, but that is what is going on.

And lilchoma, Shrive is my work in progress, a novel I'm in the process of writing. This is an excerpt. :wink:

Again, thank you for all the comments. :D I value any and all suggestions, critiques or just general impressions. Keep 'em coming. ^_^
~ WD
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"All I know, all I'm saying, is that a story finds a storyteller. Not the other way around." ~Neverwas




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Hello, dahling!

:D

Off we go.

;)

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So, first off. Character impressions.

Layra: I really like her. Especially her and Ezra together.

Ezra: So far he's my favorite character. And, I'm not sure if that has anything to do with the fact that I totally swoon for guys named Ezra. I really enjoyed his scenes with Layra, and how stiff Layra was and how he was trying to get her to open up--how he tried to navigated those pesky waters of "Layra". His caring is also so evident and sweet.

Altan: Poor little druggie Altan. He needs a hug.

Diana: I like her. She's got spunk. But I would have liked to see more of her inner conflict over stabbing Altan in the back.

Lord Maynard Kellan: He's such a creepy creep. Reminds me a bit of Old Hedj from Flames. Every time he got near or touched Diana, I went "ewwy. He's touching me. Stop touching me."

Secondly, the random stuff in parenthesis.

These really threw me, and I was distracted from everything else because they were not as integrated as well as I think they could have been. Perhaps, changing those lines to be lines on there own, paragraph breaks surrounding them, and in italics might work better.

For example.

Writersdomain wrote:Her voice stolen by Maynard’s strangling words, Diana only managed to nod dumbly, her entire body trembling as Maynard led her out onto the dance floor.

(…all smashed to pieces, a story caught in this burning cloud…)


Next. The capitalization at the end and the formatting was a little bit odd.

And last but not least, you need some paragraph breaks in the following paragraph. Please use dialog tags, pretty please with sugar on top. It was hard to figure out what was happening and who was saying what without them.

So, yeah, this paragraph needs 'em, like so:
Writersdomain wrote:“Altan!” Layra shouted, choking off a cry as she sprinted forward from the staircase, her heart thundering when she saw him, her cousin.

Lying on his side on the floor and breathing heavily. Gasping, Layra fell to her knees next to him, a few tears rolling down her cheeks.

“Altan!” she shouted at him, grabbing his shoulders and shaking.

Altan coughed, his face damp with sweat and dark circles shadowing his eyes.

“What happened?” Layra cried, helping him to his knees.

As soon as Altan climbed to his knees, he doubled over, retching dryly, and Layra stared with wide, terrified eyes, gripping his shoulder with one quivering hand. She could feel his skin burning up beneath her fingers.

“Altan?” she murmured.

Altan wheezed, covering his face with one hand. Tears streaming down her face, Layra looked past Altan’s shoulders, freezing when she saw a vial lying on the floor with a long needle attached to it, only half full of a strange, clear liquid.


Other thoughts. I really enjoyed it, and can't wait to read some more Shrive.

Hope this helps,
Cal.
Fraser: Stop stealing the blanket.
[Diefenbaker whines]
Fraser: You're an Arctic Wolf, for God's sake.
(Due South)

Hatter: Do I need a reason to help a pretty girl in a very wet dress? (Alice)

Got YWS?



I am proud of my self, the reason why some of you might disagree with me a little with, but nevertheless I still proud.
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