Story 1, Chapter 1

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I wondered how quickly it would take for him to pass away. Maybe seventeen minutes… maybe forty-six days… maybe a hundred and twelve years… maybe he was already gone. He could be, but I couldn’t tell. I checked his pulse, and when I found none I simply clung to the hope that I was doing it the wrong way. It was possible.
I remembered, then, the day I met him. Maybe the best day of my life. It was the first time I’d ever disobeyed my father, the day I broke away from the rules of society and found a way to be happy where no one would ever expect.
He would always sit on the sad steps of the grey apartment building on the road leading to our house. That was back in Clarksville, years ago. But though the memories were distant, they were there.
My brother played piano, I remember. It was the one thing Caleb always loved, making music on it. He loved everything staccato and forte and fast. He would play Fur Elise with his hands flying so swiftly they were a blur. It was mesmerizing to watch, almost.
My father worked in the hospital then. He loved his job, and it fit him well. My father has always been a caring man, giving so much yet expecting back so little. He’s endeavored much in his life, and it shows. His mouse brown hair is flecked with gray, and his shining silver eyes that are so soft but determined have formed cataracts.
I glanced over to the motionless body lying next to me. I was ashamed when I felt the warm wetness run down my cheeks. I wiped my eyes, sighing. I was tired. I wasn’t scared, I wasn’t sad, I was just tired. All I wanted to do was fall onto a white bed of sheets and pillows and fall asleep and never wake up.
And the memory was there, still, calling me. I reluctantly lowered myself onto the crumbling asphalt, thinking someone would find me here, eventually. They’d be able to tell what had happened. They could do everything on their own, they didn’t need me…
“Hey, Kayla!”
I nearly jump in fright, but he just laughs.
“So what are you doing?” he asks.
“Walking,” I mutter.
“Doesn’t look like it.”
I hurry to move my feet so quickly I trip over them. The boy on the steps grins, and I turn to walk away again.
“Hey, I like your shoes,” he says.
I turn back to him, surprised.
“Wanna sit?” he asks.
“No,” I say.
“So where are you going, then?”
“Nowhere.” To tell the truth, I’m still sure why I’ve come.
“Hey, what’s it like there?”
“Cold. Tumbleweed’s always goin’ by, y’know.”
He smiles. “I can only imagine.”
There’s silence for a moment, though not awkward.
“So you’re sure you don’t want to sit?” he asks.
“I’m fine,” I say. There’s another slight pause, before I ask, “So why are you here?”
“I’m waiting for my brother.”
“Oh,” I say, nodding, “I’m just wasting some time while mine’s at a piano lesson.”
“Piano?”
“Hey, it’s him who does it, not me.”
“Okay,” he says, and we’re both silent for a moment.
“So are you gonna introduce yourself?” I ask.
The boy nods and leans forward, holding out his hand.


-----

There are just a few things I wanted to ask:
1. Does this make sense?
2. Would this keep you reading?
3. Were there any mistakes made (and if so, repeatedly)?
first, THINK ABOUT IT
second, THINK ABOUT IT SOME MORE




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1. It does, but for one thing. The main character (I'm assuming a girl) speaks of 'he' in the beginning, then mulls over her memories of her brother, her father, and the guy she met while waiting for her brother to finish piano lessons (and walking away to nowhere). You need to be consistent with the 'he' character, since you don't mentioned his name. I'd suggest you cut out the brother and father and put them in the second chapter. You already introduced the piano idea of the brother in the dialogue with the guy she met on the steps, so that's one bit done.
2. As of yet, yes. But I'm a naturally curious person; others may not be as compassionate and skip over this as amateur work. Don't take it personally, but this is only the first draft, remember?
3. Not any that come at a first glance...
Anyway, keep writing!
-ж-Ж-ж-




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Hmm... not sure what I think about this one. Good piece overall. The flashback in the middle was pretty obvious, with the italics, such forth and so on. Watch your personal pronouns (like the above user said), but I don't think it's too much of a problem. The biggest problem in this piece is that all of the emotion is a little bit forced. Yeah yeah, her friend is dying, but you probably ought to turn on the sadness and melodrama bit by bit. Some of the lines are just... a bit too much? Like your character is a mild drama queen or something. You also need to put your exposition about the character's family into more context. Why does this information matter? In addition, work on your sadness. 'Warm wetness' is obviously tears, but its probably the worst way you can describe tears, sounding almost icky. There are a lot of lines like that, which get the job done but could be better. And, in general, do a little more showing and less telling. Nobody likes a beginning where everything is just background information.

The dialogue exchange works, except for that somewhat obscure tumbleweed line. You get the characters personalities and such with little to no actions, which is great.

So...
1. Yes. Could be improved, though.
2. No. But I'm extremely fickle and hate even the best writing on this site, so it isn't your fault. It is interesting enough.
3. Not that I noticed.

Keep writing!
~Critiq
Spoiler
I like people thinking that I have something so scandalous to say that I put it in spoiler tags, and I'm sorry that because of this selfish desire you were roped into reading this for not real lasting value.




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That’s what I’d been thinking.

When I was writing this, I worried because it sounded a little too dramatic. I kept writing it that way, though, because I was afraid it would become boring. I was also worrying a bit about how this was mostly background, and you need conflict and tension to pull readers in. That’s why I started with someone dying. The problem was that after it was mentioned, it was all just background.

I think I’ll move my character descriptions to places in the story where the characters actually appear. I’ll also edit them a little, I think…

I also had some trouble on that tumbleweed line. I had been writing the dialogue, everything going well, and suddenly I hit that line and I didn’t have a clue how to finish. I put in a quick ending and submitted the story, though I suppose I should have tried to edit before I did.

Anyway, thanks for your reviews! They really helped. :smt001
first, THINK ABOUT IT
second, THINK ABOUT IT SOME MORE




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Hey,
It was interesting and without a doubt, I'd continue reading it. It almost had a cliff hang-y effect to it at the end of every line that kept me reading. And I liked the main girl. I enjoyed being able to see right into her mind and her emotions.

As for if it were easily understood, not so much. I won't lie. You had to read three lines to understand one-if that makes sense. But guess what? To heck with sense. You pulled it off with the mystery of it all. It's perfect as is.

Mistakes? None that I could see.

Grammar? Perfect.

Overall? Nice story, I'd love to read more of it so please continue it. You have a good thing going with this one.

-Rena.
rena;;let the future pass and don't let go



It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats—the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill —The Hill, as all the people for many miles round called it—and many little round doors opened out of it, first on one side and then on another.
— JRR Tolkien