She Lived

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She Lived

Leah stared at him. He turned his wrist, glanced down and saw he was running a little late for work, he hated working on Sundays. He gulped down the last sip of flat white then sighed, And so it goes.

“Got to run,” He said and she smiled as if to say typical.

He took his matte black coat from the shoulders of the chair, pulled a $20 note from his wallet and placed it on the table for the lunch and the coffees. He kissed Leah’s cheek and left the café. Outside, he trotted along to his scorching red hatchback and took off in a cloud of dark smoke. He knew the shortcuts through the city and he would be at work before his shift began.

She ran out looking behind her. It was all so loud, so fast. The tyres shrieked then a sickening hollow crunch sounded. Her head bounced on the hood and the car stopped.

Tyler flipped his mobile phone open and with a trembling hand, he thumbed in 111. Everything became a blur. Suddenly he found himself outside the car holding the tiny body in his arms. His chest felt fragile and he began to weep. He couldn’t take his eyes off her, her bleeding nose, her blonde hair splashed with blood; like a porcelain cherub bumped from a shelve.

The ambulance arrived with blazing sirens and flashing lights. Tyler stepped back. The crowd didn’t bother the medics. They placed her on a dolly then in to the ambulance. The sirens faded to silence and people stared. He scratched is salt and pepper stubble then turned around.
His mobile phone sounded and made him jump. The screen read ‘Work – Calling,’ he turned the phone off. His clothes and face were moist with sweat. He was only a few blocks from the hospital and he knew the alleys and short cuts in this part of the city. Leaving the bloody scene, he ran.

The cops would come to ask questions and waste time, so he ran. He jumped fences and bowled between people along the way. Everything was racing. He bolted across roads, cars bleated their horns and wheels screeched but he continued to dash. When he reached the hospital, he entered the accident and emergency centre. A short line lead to the receptionist but strolling through double doors towards him he found a young doctor.

“Excuse me, Excuse me?”
“Yes can I help you?” replied the doctor.
“A little girl was hit by a car and was picked up and taken by an ambulance, not long ago, I need to know if she’s alright?”

The bright-eyed doctor frowned with confusion for a moment then lead Tyler through to a small waiting room in the intensive care unit. He pointed at the seats and quietly said, “Wait here.” Tyler found a seat and his heart slowed; his straight blonde hair was still moist with sweat.

Fifteen minutes elapsed and the young doctor led a gray bearded physician in. He stretched out a hand and Tyler shook it. “Tyler Small.”
“I’m Doctor Paul Holden,” He paused and glared at the younger doctor who took the hint and briskly departed. “We require you to identify the girl. I know it’s ha- ”

“I don’t know her name,” Tyler interrupted.

“Oh OK how d-”

“I hit her with my car.” Tyler said with teary green eyes. The doctor eyed Tyler suspiciously then spoke.

“I see, well she is in critical condition and in a short while she will be moved to the surgical unit to undergo emergency surgery. We can’t be sure until the scan results are back but some brain damage is suspected.” The doctor pulled his sleeve back and looked at his watch. He continued, “You can wait here but the surgery could take up to six hours and as soon as we identify her the family will be notified and will probably make their way to the hospital,” The doctor eyed Tyler above his glasses , waiting for a response.

“I want to wait her to see if she is alright.”

“I will send a nurse out when we know more.” He replied, before leaving through the double doors.

Limp, tattered trash mags were stacked all over the low square glass table. Tyler just sat. He still wore dark tapered jeans and a long white shirt. Tears came in waves. Every so often doctors, nurses and visitors walked through the room. Hours passed. Every time a nurse entered through the double doors, Tyler would eye her with swelling anticipation until she walked by. The short hand of the wall clock sat just below four. He thought about work for a moment until the crash scene flashed in his mind. The young blonde thing rushing out, the thud, the smell of burnt rubber, the wash of red down her face.

“Mr Small?” A short white nurse with short black hair had crept up before Tyler had noticed.

“Yes? That’s me.”

“The young girl is out of surgery. She had internal bleeding and the CT scan returned inconclusive. Surgery corrected damage to the scull, damage to the ribs and repaired internal bleeding. Bones in her right arm and both legs were broken so we put her in a body cast. She is stable.”

“Can I see her?” He asked and the nurse looked over her shoulder then back to Tyler. She lowered her head and quietly spoke.

“She’s in the ICU ward on the second floor in room 7.”

“Thank you.”

Tyler found the room. He knew the police would like to speak to him but he wanted to see the girl first. Under a white spread sheet, lying flat and still was the little blonde girl. What were you running from? He thought. White bandages were wrapped down to the bridge of her nose. He sat gazing at her and tears came again.

Every hour a doctor would complete checks, and then leave. When she left she would weakly smile or nod at Tyler. He sat all night crying. Sometime in the early morning, he left the room. He found a pot of instant coffee and heaped it into a cup with sugar then poured in hot water and milk. He drank it and took another one back to his chair.

Around lunchtime, Tyler left for more coffee. When he returned a doctor with two nurses was pulling her out.
“Oh hi there, we just need to take her for another scan.”

“Will she come back here?”

“She will but it may not be for a short while.” They pulled her bed and I.V. and left. Tyler sat for a moment then dosed off.

He woke later to the squeak of the bed wheels. “Any result from the scan?”

The doctor pressed the bed back into place then walked close to Tyler, bent her knees and lowered herself to eyelevel. “The surgeons are looking at the scans now. There seems to be some haemorrhaging and spots, but nothing too serious was detected. “Her breathing, heart rate and temperature are back to normal. Her body seems to be recovering. She is pumping blood and breathing without assistance so tonight we will remove her from life support. “A little girl went missing last week and her description fits the little girl here. Her family will be notified soon. They will need to come in to identify her.” The doctor hung her chart over the foot of the bed then left.

Tyler sat and waited with his hands clasped at the bend of his knee. He had never cried like this. He didn’t cry when his childhood best friend hung himself. He cried only once when his mother lost a three-year battle with cancer but now, he cried and he couldn’t stop. An empty responsible feeling had filled him. When the doctor came back, she disconnected catheters and pressed buttons. “She’s supporting herself and now the recovery will begin.”

She left and Tyler stared at the girl. He stood and walked to her side. He lowered his face next to hers. He whispered in her ear and kissed her cheek as his tears spilt again. You’re too young to die. He sat back in his seat and prayed, he didn’t know who he prayed to he just prayed for her, prayed for her to wake up healthy and perfect again.

Something happened. A blue light flashed above her bed. A nurse raced in and looked at the monitors. “What’s happening?” Tyler asked.

The nurse pressed a red button on the wall and called “CODE BLUE.” In a moment, the crash team arrived.

Tyler stood and pleaded, “What’s going on?”

“She’s crashing,” one of the doctors called to the others.

They dragged her bed out. Tyler’s heart slammed. He stood and followed. Tears spilled down his cheeks and as they moved her, a fleet of doctors plugged her with I.V’s and jabbed needles into her. “Where are you taking her?” Tyler desperately called after the doctors. A short nurse blocked him.

“You can’t go into the surgical unit,” she explained as the team lead her through double doors. Tears streamed from his eyes and he turned and locked his fingers behind his head. She’s gone.

***
A police officer around 3 am the next morning dropped Tyler Small at his home. He collected his mail from the letterbox and switched on his mobile phone. He had missed a dozen calls from work. Inside, he pulled a beer from the fridge and opened it. He dropped the bills on the kitchen bench and fell into the couch. A few silent tears dripped and he gulped down some beer. He sighed, And so it goes.
Last edited by joshuapaul on Fri Jan 01, 2010 8:29 am, edited 1 time in total.
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I generally enjoyed the story but, at first, I had some difficulty following your train of thought. Maybe it would have helped if you had given the man at the beginning his name. That way, when you say that 'she ran out looking behind her', we may have understood that 'she' wasn't Leah. That the story had followed Tyler, not the woman he left behind.

Also, I found for my taste, that there was way too much detail. I did not need to know that he 'turned his wrist and glanced down' to look at the time.

But I liked your story, I really felt for Tyler and his guilt over hitting the little girl. But where was Leah when he got home? Did she not worry that he didn't give news about his whereabouts?

I would really enjoy reading the rest of this. It is intriguing because the title is 'She lives'. I assume it means the girl. DO you have the rest of this?




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The title is deceptive and perhaps I should cange it. This is the complete story the end is ironic because he uses the same words (and so it goes) to describe at first the fact he has to work on a sunday, then when circumstance change it is used to describe the fact he killed a girl. She doesn't survive, the title is 'she lives' because this is the first two words used in a number of sentences in the first draft. The fact Leah isn't there is an inconsitency I didn't spot in the efit and proofing so I will look to smooth it out. As for the description, you may be right, but like you said it is your taste, I will wait for more critiques before I make any adjustments just yet. But thanks alot for the help.
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First of all, and this is just MY taste, but I didn't feel that you gave too many details at all. I thought it was well written and the details somehow added to the irony. That my not be intentional but it felt that way to me. And I like the title as well. Irony is one of my favorite concepts (concept not the word I'm looking for, but you get the point) and I enjoyed it very much. The first part, with Leah was a little confusing and I would clear that up but overall I really did like this.
PS. I didnt intend for any of this to be offensive to borntobeawriter and I apologize if it comes out that way.
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Not at all Talulahbell, but thank you for apologising. To each their own tastes and we both expressed ours. It's the point of this site, isn't it.
Besides, I'm glad to have someone else's opinion, it made me curious enough to reread it.

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Hi.
I really liked this. I didn't think it was too descriptive or anything like that. It was perfect in that aspect. True, the title could use some editing itself though. Half way through, I decided that you'd given away the ending only to find that you hadn't maybe given it away but lied. haha. I sort of liked that though, the misleading factor.

Okay, on to the story. Yes, I said it was good but the man in the beginning doesn't have a name and I maybe wanted him to have a name. The little girl was Leah, right? And the man in the car was...the man in the beginning or a different man entirely? I don't know, I sort of didn't understand a lot of it so maybe that's just me and I'm not too smart but it was hard to follow.

Okay; Leah=missing girl/victim. Tyler=man from the beginning/driver? Or are the men 2 completely different people?

Also, this story seems as if it is over and if it is, then you wrapped it up perfectly. But I could certainly read more about it. Know what happened to the man, to the girl's parents.

The only 'logical' problems that I had with this is that a doctor will not tell some random man the medical facts about a dying little girl he was the hitter or not. That doesn't seem so logical to me. But maybe I'm just nit picking. Also, why didn't the cops ever come and talk to him? Um, I wanted him to explain himself to the cops.

But this is all, I'm done babbling. Nice story.

-Rena.
rena;;let the future pass and don't let go




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Hey joshuapaul! :D I'm sorry it took me so long to get to this, but I'm glad I did. I really enjoyed this story. I have taken a liking to your straightforward, heavily ironic style, and this story was very well-written. As has been said, I felt like you did not give too much detail at all. In fact, I felt there were points when, personally, I would have liked to see more detail. I'm just going to address a few things, all right?

He took his matte black coat from the shoulders of the chair, pulled a $20 note from his wallet and placed it on the table for the lunch and the coffees. He kissed Leah’s cheek and left the café. Outside, he trotted along to his scorching red hatchback and took off in a cloud of dark smoke. He knew the shortcuts through the city and he would be at work before his shift began.

She ran out looking behind her. It was all so loud, so fast. The tyres shrieked then a sickening hollow crunch sounded. Her head bounced on the hood and the car stopped.


All right, first of all, it has been mentioned that it is slightly unclear who the girl is and who the man at the beginning is. I read it that the man at the beginning is Tyler, Leah is his wife and the girl is some neighborhood child who runs out into the street. However, I can see how confusion comes into play in the second paragraph I pulled out here. 'She' has referred to Leah our entire beginning, so when I read this paragraph the first time, I thought of Leah as well, but later concluded that they weren't the same person. Anyways, you may want to clarify who 'she' is in this paragraph. I kind of like the impact of only using a pronoun to describe her running out into the street, but maybe add a sentence clarifying that 'she' is now a child running into the street. If the girl is meant to be Leah, then I definitely need some clarification to identify her as such.

Also, these two paragraphs signal a massive detail shift which struck me as slightly awkward. At the beginning of this piece, it's all about detail. You describe his coat, what he has on him; the detail isn't bad. It's just a stark contrast to your disoriented, sparse style for the rest of the story. Now I can understand that he just hit a girl and his narration is going to be disjointed for a little while, but, if you're aiming for that effect, I would think the details should start to leak back in as time passes since the accident. However, the rest of your story seems to be sparse on the details and disjointed. That disjointed voice is fine and works really well for your story, but I don't really understand the massive shift from detail to sparse disjointedness without a reversal, if that makes sense. I would suggest either making that choice of detail inclusion more cohesive and clear (reversing the shift etc.) or writing the entire story in that disjointed, sparse fashion.

Tyler flipped his mobile phone open and with a trembling hand, he thumbed in 111. Everything became a blur. Suddenly he found himself outside the car holding the tiny body in his arms. His chest felt fragile and he began to weep. He couldn’t take his eyes off her, her bleeding nose, her blonde hair splashed with blood; like a porcelain cherub bumped from a shelve (don't really get this line).


I absolutely love how you don't write for him walking over to her; he just is suddenly holding her. That entire part is beautifully written--powerful job. The only thing that struck me here was the line 'everything became a blur'. I feel like it would aid the narrator's confusion and disorientation if you showed this more through the way he moves and seees things rather than telling us that everything became a blur to him.

The cops would come to ask questions and waste time, so he ran. He jumped fences and bowled between people along the way. Everything was racing. He bolted across roads, cars bleated their horns and wheels screeched but he continued to dash. When he reached the hospital, he entered the accident and emergency centre. A short line lead (led) to the receptionist but strolling through double doors towards him he found a young doctor.


For the most part, you do a wonderful job of conveying his abrupt thought process, but the first line of this paragraph, I felt, could convey this more powerfully. It's a perfect moment to get into his thought process and show us his frantic thoughts. What else would the cops do? How badly does he want to get to the girl? It's your decision, but I think seeing a little bit of thought process might be nice.

“Yes can I help you?” replied the doctor


The word 'replied' bothers me here.

The bright-eyed doctor frowned with confusion for a moment then lead Tyler through to a small waiting room in the intensive care unit. He pointed at the seats and quietly said, “Wait here.” Tyler found a seat and his heart slowed; his straight blonde hair was still moist with sweat.


I really like your characterization of the doctor. You did a marvelous job of giving me a strong impression of him through just a brief meeting. Very nice.

Limp, tattered trash mags


Trash bags?

A police officer around 3 am the next morning dropped Tyler Small at his home. He collected his mail from the letterbox and switched on his mobile phone. He had missed a dozen calls from work. Inside, he pulled a beer from the fridge and opened it. He dropped the bills on the kitchen bench and fell into the couch. A few silent tears dripped and he gulped down some beer. He sighed, And so it goes.


Hm, I like the cyclical appeal of this, but the ending is slightly abrupt. Also, if Leah is indeed his wife, where is she? Her absence takes a toll on the cyclical appeal you have going on here. Part of this may be the shift in detail inclusion I mentioned earlier, but this part seems rushed compared to the beginning and thus it feels abrupt in contrast. Either take your timing with him trying to accomodate back into real life and get that detail going or make the beginning fit with the sparse details you give for the majority of the story, I suggest.

All in all, a very good story. Your style is extremely engaging, and I'm very fond of your sparse detail through the majority of the story. It sounds very frantic, which is fitting for the subject matter. Your characterization was very well done and I could relate to the characters easily. There were some spelling and grammar errors that I did not point so run a spell check and take a look at that dialogue punctuation. If you want me to go through looking for that, please do tell me, but I'd rather address the things I did than talk grammar and spelling with you. :wink: A very nice job! Once again, I'm sorry it took me so long to get to this. Please PM me if you have any questions and do keep writing!
~ WD
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Hey there joshuapaul, I'm your long lost brother: D Na kidding lol but I'm also from New Zealand. Go kiwis!

She ran out looking behind her. It was all so loud, so fast. The tyres shrieked then a sickening hollow crunch sounded. Her head bounced on the hood and the car stopped.


Tyler flipped his mobile phone open and with a trembling hand, he thumbed in 111.


I think you could of had added more visual detail here of the accident just to give it more of an impact. It's kind of rushed at the moment.

I'm also wondering if the paragraphs before this actually worked as an effective opening. The details in them were rather thin and doesn't give much insight to Tyler.

But anyways, I did enjoy reading this piece and I kind of liked it. You have a simple and clean style that does well in capturing the reader's attention. The fast pacing of the piece does a good job in reflecting the hectic nature of the incident. You also portrayed Tyler quite sufficiently as a character. He seems like a guy that ultimately wants to do the right thing, but will struggle to make a quick minute decision when he's under pressure. Perhaps the highlight for me of this piece would be Tyler secretly professing to the unconscious girl how sorry she was. I thought it was kind of cute lol.

Just some thoughts on how this piece could be improved further:

1. I noticed that you showed Tyler crying several times throughout the piece. To be honest, I felt that it detracted from the overall impact of the piece, because it got quite repetitive. I actually wanted to know more of how Tyler is reacting to this situation instead of being constantly told that he's crying.

2. Try focusing more on the character's feelings and thoughts more. I'm sure that in such a situation, Tyler would be experiencing quite a broad range of emotions all jumbled up together (and given Tyler's character, this incident should be hurting him. A lot). Some of your details can be reworked/removed to make room for this.

3. This kind of follows on from 2). Tyler's stress seemed to be heavily focused on the girl. I think the fear of being caught and detained by the police should be another major factor that's contributing to Tyler's stress. You've touched on that near the start of the piece, but do not really develop the idea further. I think that's why the piece feels kind of bland in some places.

But overall, this is a solid piece of writing and I hope that you will take my comments into consideration. Hope this helped
:D

Andy.
"To the edge of the universe and back. Endure and survive."




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Hey there, Josh!

I am so, so sorry for the delay on this. Seeing as you've got a fair share of critiques here, I'll try my best not to repeat what was said. :)

Oh, and by the way, much better job with punctuation here. Great job on that.

I felt a little underwhelmed by this story. I love the smooth, easy language you used here, because there were no words that screamed at me or anything. In a way, though, I do think you should dramatize some points of this by highlighting it with emotion, dear. The Main character here displays a tiny amount of emotion, and I think he needs to show a little more. More guilt, more dread, more regret-- I can tell that you have some of it here, but it's overshadowed by monotony.

By this, I mean inject some emotion at delivering points. When the car's about to crash, have his heart leap or his face pale. When the doctor explains how the girl is doing, have his emotions visible to us as she speaks, dear.

You do a good job with timing, but in some parts-- especially at the point where she begins crashing and at the very end of this, I would have liked to see a little bit more. At the end, you basically combine three paragraphs into one, and that gives us the feel of you rushing the story forward.

Other than that, I have to say, you've done a good job. You have a solid story, a solid ground, and anything that needs improving is minimal, dear.

Great job here. I really enjoyed this, and I'd love to see more of your work. Please don't hesitate to PM me if you do post something new. :)

A pleasure,
June
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