Merlin's Downfall

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A/N- This is for the How Far Can You Reach? contest hosted by *writewatiwant*. The basis of this is Celtic Myth. Not enough fantasy to warrant sticking it in there. xD

Also, the deadline is the 15th, so quick reviews appreciated!

*

Merlin lifted his head from the water and gazed at the sight before him. The mist on the lake caressed his face, the damp softness like a lover’s kiss. His body was soon shrouded, but his eyes could see through the fog.

A wooden hull cut through the fog, a woman carved at the bow of the ship. The mist began to clear, slowly revealing white and green fabric hanging over the wood and trailing into the water. As the boat continued to glide forward, the silhouette of a woman appeared. Her hair shone like brushed copper, flashing first in the mist’s cloak. Her skin, almost as white as the mist, was last to become clear against the fog. She seemed to emerge from the forest around her: the early autumn leaves, flaming orange, mixed with green, and the late summer blossoms white against the water.

Water dripped through Merlin’s fingers, his thirst forgotten. He rose from his knees and took a step into the water, seeing the leaves on the surface clear between him and the woman as he walked farther. The boat drew closer, as if pulled by a thread. A waterfall was now visible behind her, its soft rumbling masking the bird songs around the lake.

The woman lifted her hand and extended it to him. Merlin suddenly felt the water around his thighs, realizing how far he had waded in. Still, he took her hand, feeling the slight dampness of her fingers. The water seemed to become solid steps under his feet, allowing him to climb into the boat with ease. It was remarkably stable, hardly rocking as he sat behind her. The woman turned to face him, sliding her legs over the bench she rested on. Her train never left the water.

“You have come for me at last,” she whispered, her voice audible above the waterfall. It seemed to blend with the sound, almost enhanced by it.

Merlin let his free hand trail in the water. His other hand still held hers. “This journey was not to come and meet you. This was the only water source for leagues. I had no choice but to stop here.”

The woman smiled. “But you came by this lake when you did not have to. I know you could have taken many other routs to Camalot.”

He didn’t answer and looked away. She reached across the distance between them and touched his cheek. Merlin returned his gaze to her. Her fingers were just as soft as the mist had been before.

“You have come here before, Merlin,” she said, voice still soft. “Do not think I have ignored your passes by this lake. Every time your fingers enter my waters to drink, I know why you have truly come.”

His eyes traced over her face. Eyes blue as the water, mouth as soft as the roses that grew along the shore. He stroked her cheek, like he had once done so long ago.

“Then why have you come to me now? I have not seen you since you gave Arthur his sword so long ago.”

She turned her face towards his hand. “And you saw me once before that when you asked I give Excalibur to him. I assume that gift has served him well?”

“It has,” Merlin said. “I thank you and this lake for providing it to him.”

“As for your question, I come now to ask for your wisdom. The secrets of your magic… can you teach them to me?”

He slowly nodded. “I will teach you. If only to repay your debt to me.”

~

The sounds of newly-hatched birds mixed with the sound of a man’s voice. Soon, Merlin leaned back on the tree he was sitting under. “That is my last secret: the imprisonment spell.”

The woman looked at him, absently tracing her finger in the water. She would only come on land for Merlin’s lessons, but she refused to stray farther than an arm’s length from her lake. She hadn’t aged in the years he had taught her. The red of her hair shone with the same brilliance, and her skin was still pure white.

“You have taught me everything?” she asked, as if to reassure herself what he had spoken was true.

He nodded, glad to see she was still asking questions. Seeing somebody flourish under his guidance reminded him of the times he had spent with Arthur. Merlin followed her finger with his eyes as she traced patterns in the water. He recognized the spell; it was the one he had just taught her. She never completed spells, however. He knew it was just to solidify them in her mind.

“Merlin, have you ever wondered why I asked you to teach me?”

He sat up, taken aback by her question. “No. I haven’t.”

The corners of her mouth suddenly resembled thorns. “I trusted you to give Excalibur to somebody trustworthy. Yet Arthur handed it to Morgan La Fey.”

Merlin frowned. “But it was returned.”

The woman smiled now, but her lips were thin like a knife blade. “For all your wisdom, you have forgotten one thing.”

He looked at the water. The symbols she was tracing were almost complete. To the point of being irreversible by an outside force.

She lifted her finger out of the water, taunting him. Should she stop now, she would be able to erase the spell. Merlin looked at her, unable to comprehend, pleading with his eyes.

“What did I forget?”

Slowly she lowered her finger back into the water. “You forgot to observe.”

With a final stroke the symbol was complete. Mist began to swirl around them. The cold fog soon became too opaque for him to see through. As he searched his memory for a spell, any spell, to escape, he heard her voice pierce through the mist. He recognized the melody she was singing. A sleeping spell.

He sank back against the tree. Visions, no doubt sent by her, flashed in his mind. Morgan using her own magic to copy the scabbard and sword. Only the scabbard being returned. Arthur, laying on the battlefield, bleeding to death from his wounds. Even in his trance-like state, Merlin cringed when he saw Arthur. Had Merlin checked the scabbard, he would have been able to save Arthur’s life at that battle.

Merlin saw one more vision as he closed his eyes. Projected onto the mist around him he saw a ship. The ship that would take Arthur to the otherworld of Avalon, where he would heal. Merlin let out a breath, almost a sigh, at the knowledge the boy he had loved like a son would be safe.

His head fell back against the bark of the tree. Her face, the one he had come to love, was now the only thing he could focus on. With his consciousness fading, he cursed the Lady of the Lake.
Last edited by Rosendorn on Mon Sep 20, 2010 12:58 am, edited 3 times in total.
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O yo. ^_^

Well, I don't particularly like your interpretation of the Lady of the Lake, but that's just me. Otherwise, this was well written!

Just a few things:

A wooden hull cut through the fog, a woman carved at the bow of the ship.


I'd like a mention that he was standing by a lake before you mention a boat. You said he was standing, and then you start talking about a boat, so I got this weird picture of a boat ploughing through a field. :roll:


Her hair shone like brushed copper, flashing first in the mist’s cloak. Her skin, almost as white as the mist, was last to appear.


Again with the weird mental images. I get what you're saying, but the way it's worded seems like you're trying too hard. You mention her skin later on, and I think I'd like it better if you took this description of her skin out and only had the one later on.


His eyes traced over her face. Eyes blue as the water, mouth as soft as the roses that grew along the shore. He stroked her cheek, like he had done so long ago.


For the Lady of the Lake, such an earthy simile doesn't seem right.


Merlin leaned back on the tree he was sitting under. “That is my last secret. The spell for how to imprison.”


Awkward wording. Maybe try something like a binding spell, or at least reword.


The corners of her mouth suddenly resembled thorns. “I trusted you to give Excalibur to somebody trustworthy. Yet Arthur handed it to Morgan Le Fey.”


I love the description of her mouth here, but I think that should be "Morgan La Fey"?


Slowly she lowered her finger back into the water. “Observation.”


Uhh, I'm completely clueless about what she means. :mrgreen:


---

So! As I said, I did like it. :) Although I'd have liked just a bit more description of Merlin himself. I know you're a bit limited because of the perspective you've chosen, but I'd at least like an age so I can know which version of the story you've gone with.
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Here goes the nitpick machine. ^^ *cough trying to distract myself from writers block cough*

Merlin lifted his head and stared at the sight before him


"Stared" doesn't seem right here; it implies an intensity that feels a tad jarring. Perhaps "gazed" would work better.

His body was soon shrouded, but his eyes were clear.


I don't quite get the second half of this sentence ("but his..."), though I can somewhat see the impression you're aiming for. And watch the passive voice. :)

slowly revealing white and green fabric over the wood.


?

As the boat continued to move forward


Such unspecific language! "Move forward"? How is the boat moving forward? Slowly and soundlessly, or racing with the wind? Little details like that help anchor the setting in our minds.

. She seemed to come from the forest around her: the early autumn leaves, flaming orange, mixed with green, and the late summer blossoms white against the water.


This is beautiful imagery (I especially love the juxtaposition of "early autumn" and "late summer"), but "come from"? Try for a more specific verb, like "emerge"?

Her hand dropped away to the side of the boat, lifting her gown as it trailed beside the boat, floating in the water.


I'm completely lost as to what's going on here. It feels to be like the wrong subjects are doing the wrong things, but I can't pinpoint exactly what. Fat load of help I am...

Water dripped through his fingers, forgotten. Merlin rose from his knees and took a step into the water, seeing the leaves clear between him and the woman.


I think the first "him" should be Merlin, and you can change the "Merlin" to a "he". Just to make it clear that you're talking about Merlin from the outset.

The boat drew closer, as if pulled by a thread.


Nice imagery.

A waterfall was now visible behind,


Behind what? The boat or Merlin? I think you mean the boat, but try making it more clear.

its soft rumbling masking the sounds around the lake.


You could be more specific with what these "sounds" are; chirping of birds, croaking of frogs, humming of insects?

Merlin suddenly felt the water around his thighs, realizing how far he had wadded in.


"Waded" has only one d, and I feel that you should introduce the idea that Merlin waded in earlier, because right now it seems rather jarring.

T
he water seemed to become solid steps, allowing him to climb into the boat.


I'd like to see this a little more concretely.

It seemed to blend with the sound, almost enhanced by it.


That's a nice image; I can just picture (err, hear) it.

Merlin let his free hand trail in the water. Her hand still rested in his.


These thoughts feel a tad disjointed; try conencting them, maybe (with a semicolon or conjuction). And maybe say "his other hand" to make it more clear.

"This journey was not to come and meet you.”


As this is phrased, this is confusing; does he mean that the journey was one not to meet her, or that he didn't intend to meet her on the journey?

He was silent and looked away.


"Fell" silent?

Marlin returned his gaze to her.


I wasn't aware that Merlin suddenly turned into a clownfish.

(Sorry, stupid unfunny Finding Nemo joke...)

His eyes traced over her face. Eyes blue as the water, mouth as soft as the roses that grew along the shore. He stroked her cheek, like he had done so long ago.


"Eyes blue as water" is a cliche, but I do like the imagery of "soft as the roses". Also, maybe try saying "like he had done so many times so long ago"; that'd sound a little more natural.

Merlin leaned back on the tree he was sitting under. “That is my last secret. The spell for how to imprison.”


I know there's a scene break, but maybe have something else to indicate the passage of time, because as it is this feels a tad sudden. Maybe note that the sun is setting or something.

The woman looked at him, absently tracing her finger in the water. She would only come on land for Merlin’s lessons, but she refused to stray farther than an arm’s length from her lake. She hadn’t aged in the years she had taught him.


Nice way to characterize the Lady of the Lake through showing instead of telling. ^^ I think a "since" is needed before "years", though.

“You have taught me everything?” she asked, as if to reassure herself what he had spoken was true.


Another bit of characterization; shows she may have some misgivings about Merlin.

She hadn’t aged since he had started working with her. The red of her hair shone with the same brilliance, and her skin was still pure white.


This is all repetition of what you've already said. Cut it out.

These lessons had been a joy for him.


Oh, please don't say this. The writing instructors at NYC explained that if you have a "showing" statement after a "telling thesis statement" (and that sentence is, essentially, a thesis statement) you don't need the thesis statement, because you've already clarified. Okay, I'm making no sense...all I'm saying is delete this sentence.

Merlin followed her finger as she traced patterns in the water.


I don't think he got up to follow her finger; do you mean he followed her finger with his eyes?

The corners of her mouth suddenly resembled thorns.


Strong and fresh image.

“But it was returned,” Merlin said.


Maybe have more of a sign that he's protesting/defending his actions here, like backing off or holding his hands up or something.

The woman smiled now, thin as a knife blade.


I'd phrase this as "the woman's smile was now thin as a knife blade".

He looked at the water.


"Looked"? You can do better than that!

Merlin looked at her, unable to comprehend, pleading with his eyes.


Again that word...strong, specific verbs, remember!

Overall thoughts--

Okay, I did get a tad nitpicky, but I think the language and phrasing is the biggest detriment of this piece. You did a great job creating atmosphere and tension (I could just picture the forest they were in, and my heart definitely started beating me faster near the end), but overall I felt detached from the story. And that's not even because most of my knowledge of Arthurian mythology comes from Monty Python; it's because I couldn't connect with the characters because of the vague language you tended to use. Merlin is the viewpoint character, but I was never really feeling anything for him until near the end. It feels more like we were told, than shown, that Merlin and the Lady have a romantic history together. Which is a bit of a bad thing if you're classifying this as romantic fiction. ~_^

There's definitely potential in the piece, and it already has a very nicely defined plot; it's just the details need quite a bit of tweaking. Hunt for those awkward turns of phrase, aim for more specific verbs and description that help convey Merlin's emotions and character (basically...what you're telling me to do with TEoT XD). Especially near the end--I feel we didn't get a strong enough emotional reaction out of Merlin. He's just been betrayed by the woman he loved. Surely, I don't know, he'd be feeling a lot more strongly? It kind of felt to me like I was watching a movie of him being imprisoned, not actually there with him.

Have fun revising! All right, revising is never fun...but it's like eating your vegetables. Not fun, but necessary. :) PM me with any questions.

Best of luck in your endeavors!
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Lightly edited. Waiting for more opinions before major editing.
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Heya Rosey!

Just a few nitpicks for you as most things have already been summed up.

A wooden hull cut through the fog,


Watch out for repetition of the words "fog" and "mist".

Eyes blue as the water, mouth as soft as the roses that grew along the shore.


Something about this sentence didn't seem quite right. I dunno maybe it makes her seem a bit to innocent or something. Perhaps try using a different eye colour and try focusing on the colour of the lips rather than a softness as it becomes clear by the end of it that she's not a "soft" person.

Even in his trance-like state, Merlin cringed when he saw Arthur


I think you need a stronger word than "cringe" here, he's really supposed to have let him down so cringing just doesn't cover it.

I'd also like to see a lot more mysterious description and relation to magic, lots of metaphors, similes and personification of the lake and it's surroundings. The Lady of the Lake needs to seem more mystifying and entrancing, as she seems more powerful than Merlin who is a great wizard.

Good Job!

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Hi Rosey! Conrad here to give you a review.

I thought that this was a rather solid story. Your plot and dialogue are very well constructed, and there are no grammar or punctuation issues that I can see, though I'm not very good at seeing that sort of thing.

But there seems to be a lack of emotional impact. That might be okay in another story, though that's a very suspect assumption in itself. But in a romantic story, an emotional impact is essential. It's absence here is very noticeable, in my opinion. You might try having both Merlin and the Lady show a few more mannerisms. Let us see their emotions through the way they're acting. That's the best advice I can give you on that though, as I'm unsure on just where the lack of emotional impact is coming from.

PM me if you have any questions or comments. Good job, and good luck.

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Romantic Fiction, oh dear XD I don't claim to be any good in this genre but I'll help where I can and I think I might have a few tips on how to make this less stale. There's just a little too much emphasis on the distant, descriptive tone and I've made that mistake myself in the one attempt I've made at writing romance. The thing is, even the sweetest, softest of romance has to have a kick. There needs to be that touch of sexual tension, that quickening of the heart and the desire. Even when your main character is a dried up old man, don't you think he finds her body attractive? And more than in a 'her hair shined' sort of way. The best thing is, you can do all of this while staying at a pg rating, awesome huh?

Anyway I've rambled enough and I've always been better at showing what I mean rather than trying to tell it so here we go:


Merlin lifted his head from the water and gazed at the sight before him. The mist on the lake caressed his face, the damp softness like a lover’s kiss. His body was soon shrouded, but his eyes could see through the fog.
[Okay so I'm going to take your opening for my first example. You can be beautiful without being slow. Yup, that's right. You don't need any of this 'gazed at the sight before him' and it's much more interesting to cut straight into the descriptions. Yes we need to know where he is in relation to what is being described but after that you can go a little faster. Every piece of prose needs some action or at least the semblance of action and speeding up your pace can help to create that. Also, action, yeah. So Merlin has come here to see the lady of the lake, how is he feeling about that? Apprehensive? Excited? Oh sure he doesn't have to act it but let's see what Merlin's like inside and then we can feel more for him.

A more effective opening might be something along the lines of, 'Delay only went unnoticed so long before the body had to admit that it wasn't just one more swallow of water that it wanted. Merlin wanted more, he wanted so much more. It was close. He could feel it in the soft, damp kisses of the mist. He felt that if the fog were only to part he wouldn't have to keep on walking so delay he must. This time she might come.' Okay so you can do better than that but I've thrown this together to show you the different pace. There's something more immediate about mine, more emotive if you like. It's because you're seeing this from within Merlin instead of looking over his shoulder. Note the changes in sentence structure too. Remember, beautiful doesn't have to be slow.


A wooden hull cut through the fog, a woman carved at the bow of the ship. The mist began to clear, [It would be more accurate to say that the ship approached and what size of ship are we talking about here? Where did it come from? Lakes don't tend to join to the sea and if I remember correctly most versions of the legend say it surface so maybe describe it as water-logged or describe the water falling away from its deck as it rises.] slowly revealing white and green fabric hanging over the wood and trailing into the water. As the boat continued to glide forward, the silhouette of a woman appeared. Her hair shone like brushed copper, flashing first in the mist’s cloak.
[Brushed copper huh? I know what you mean but buffered might be better or something more indicative of copper as in the metal rather than the hair. It's just a tad confusing. Also, silhouettes don't tend to be in colour so you might want to re-think that.] Her skin, almost as white as the mist, was last to become clear against the fog. She seemed to emerge from the forest around her: the early autumn leaves, flaming orange, mixed with green, and the late summer blossoms white against the water.[/Quote] [It's pretty imagery to describe her but it's also quite common and if you really want to make this emotive, she has to be more than just a beautiful woman. There needs to be some spunk. Even if it's just one image that stands out from the rest. She can have hair like copper and skin like mist if she also has a nose like a door-knob. There's got to be something about her that's a little personal to Merlin, something that also shows us a little intimacy, something that a casual observer might not think but that occurs to a man in love.]

Water dripped through Merlin’s fingers, his thirst forgotten. He rose from his knees and took a step into the water, seeing the leaves on the surface clear between him and the woman as he walked farther. The boat drew closer, as if pulled by a thread. A waterfall was now visible behind her, its soft rumbling masking the bird songs around the lake.
[Is this waterfall important? If a woman I loved had appeared unexpectedly out of the water, the waterfall would get no attention. If it's important, introduce it before miss beautiful appears and if not who cares? It is good to know what he can hear but you can maybe drop in later that her voice harmonizes with the rumble of the waterfall. That way the main concentration remains on the two lovers where it belongs. You could even be a little soppy and have something like 'The waterfall had been nothing until she spoke and then it was as if it existed just to serve her, nothing of the waterfall mattered beyond the alluring effect it had when combined with her words.' or you know, something ^^]

The woman lifted her hand and extended it to him. Merlin suddenly felt the water around his thighs, realizing how far he had waded in. Still, he took her hand, feeling the slight dampness of her fingers. [Time for some sentence variation! Why not split that sentence and simply have 'Her fingers were damp.' There's something more intimate and suggestive about that. It's nothing much but there's just the extra touch of tension and action.] The water seemed to become solid steps under his feet, allowing him to climb into the boat with ease. It was remarkably stable, hardly rocking as he sat behind her. The woman turned to face him, sliding her legs over the bench she rested on. [Draw this out a tiny bit perhaps? How does Merlin feel about her sliding legs?] Her train never left the water.


Merlin let his free hand trail in the water. [Uh... why? Maybe it's to keep his blood cool so that he won't allow himself to become over excited by her presence but if not, it seems inappropriate. Maybe you do have a reason. If so, please share. Any insight into who Merlin is would be good.] His other hand still held hers. “This journey was not to come and meet you. This was the only water source for leagues. I had no choice but to stop here.”


The woman smiled. “But you came by this lake when you did not have to. I know you could have taken many other routs to Camalot.”
[Camelot.]

He didn’t answer and looked away. She reached across the distance between them and touched his cheek. Merlin returned his gaze to her. Her fingers were just as soft as the mist had been before.
[I don't like the comparison of her fingers to the mist, surely he values them more than that. Would he just as soon have the mist caress him?]

“You have come here before, Merlin,” she said, voice still soft. “Do not think I have ignored your passes by this lake. Every time your fingers enter my waters to drink, I know why you have truly come.”
[Does Merlin read anything into this? Were I him I would be thinking innuendo, old man or not. Does he perhaps wonder if she means more by her waters, does this make him blush inside to think of any previous relation they have had or could have? Even old men get such feelings.]

“It has,” Merlin said. “I thank you and this lake for providing it to him.”
[Okay so these are the things he says but are there things he wants to say but can't? Does he want to thank her for other things, does he want to ask her for other things? What is going on in his head?]

He slowly nodded. “I will teach you. If only to repay your debt to me.”
[Should be my debt to you.]

The sounds of newly-hatched birds mixed with the sound of a man’s voice. Soon, Merlin leaned back on the tree he was sitting under. “That is my last secret: the imprisonment spell.”
[This might sound hugely wacky but I'd actually love to see this from her point of view. Does she perhaps have some doubts and regrets as to her intentions? Is she remembering their love as well or does she scorn this stupid old man? You don't have much of an element of surprise anyway to be honest and I think it would add something. If nothing else you could try it and see which version you prefer.]

The woman looked at him, absently tracing her finger in the water. She would only come on land for Merlin’s lessons, but she refused to stray farther than an arm’s length from her lake. She hadn’t aged in the years he had taught her. The red of her hair shone with the same brilliance, and her skin was still pure white.
[She hasn't aged but how does Merlin feel about that. Mentally he has grown older and physically and yet here he is presented with the same alluring, sexual woman as before. How does that make him feel?]

With a final stroke the symbol was complete. Mist began to swirl around them. The cold fog soon became too opaque for him to see through. As he searched his memory for a spell, any spell, to escape, he heard her voice pierce through the mist. He recognized the melody she was singing. A sleeping spell.
[What are Merlin's thoughts on being betrayed? If you're staying with this perspective, that should be fore-most at his mind. Yes there's the human instinct to fight and survive but every other thought should be of her until they get mingled and the mind can't think and there's panic. The coming of peace you have later is good but there needs to be a struggle and a panic first or the reader will feel nothing.]

I'm afraid that I don't really have any closing comments as there isn't much wrong with this. In fact, there is literally just that lack of emotion and perhaps a slight tenancy toward unoriginal descriptions. This is well written and it reads very smoothly so I do hope you can tidy it up a little.

Lastly, apologies for the delay, dear. I suppose I have got a little rusty ^^

Heather xx
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