Resistance [Prologue 0.0]

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So yes.
I write about werewolves. *sighs* It's quite embarrassing.
This is the re-write.
I've titled the novel, and now I might actually wtitet it.

I'm not a fan of this, so let's see what you all think. :)

Special Note: This is the result of a Word War. For those of you who know what Word Wars are, that should inform you of the quality of this piece, which was generated in 15 minutes, give or take a few. :?

Ah, but I digress. As I always do.

But onto the story...

Prologue

..Prologue
The summer night was hauntingly still. Nothing moved, not even the leaves covering the surrounding trees.
A slight breeze drifted by, rustling the grasses softly. It carried with it the scent of ash and smoke.
The scent of fire, I thought, as I hunched over the carcass of a deer. I licked my teeth casually, enjoying the sharp feel of my canine teeth against my tongue. The blood of the deer was still as warm as it was in life. I glanced up and saw pinpricks of flames in the distance.
Villagers? At this hour? They shouldn’t have been there. The villagers feared night; they wanted nothing more than to hide fearfully from it in their little huts, burning oil to create the illusion of day. It was odd to see a group of them in the dead of night.
Other scents co-mingled in the air – humans, making me drunk with scents of the farming fields and of alcohol, and something else -- the scent of my brother.
I rolled my eyes, which were a thorned rose-red . “Playing with humans again, Feran?” I stalked away from the deer. I’d already eaten all the parts of it that I deemed good. If Feran would rather play his silly games than hunt, he was out of luck. I hunted for myself and no one else. Subtle hints of color in my fur glinted underneath the light of the moon, a sleepy-eyed crescent among an audience of stars.
I raised my snout and sniffed the air experimentally. The ash burned my nose and I wheezed lightly. The smell was closer. I could her shouts now, too. Angry human voices, grating my sensitive ears.
A mournful howl split the illusion of quiet like an arrow. It was followed by a second, and another, all coursing through my ears, sad as a dirge.
I didn’t think. Even I had to admit that I was the slightest bit impulsive. Feran wouldn’t howl without reason. He would never try and draw attention to us and our kind. I took off through the forest, dodging trees and bushes. The rough bark of a root scrapped my paw as I ran, panting, toward the howls.
A silver blur in my peripheral vision dashed past, followed by flickering lights of the torches.
The scene astounded me. Yes, the slaughter of demons was a true fact, but never had I seen a group so intently chase one, not many. Humans were chasing my brother, but why? It doesn’t matter why, I decided, and rushed after the group.
The silver blur was closer now, and I could fully make out my brother’s features – he was slim, and built for speed. His long silver fur blew back as he ran, the shine of it contouring his muscles. But his speed seemed to be failing now. He was obviously tired, pink tongue lolling out the side of his mouth. Eyes like mine, red like a wound, darted back and forth. I didn’t think he saw me.
I joined the pack of men from behind, silently pursuing them. I thought it was to keep my distance from the humans as I ran, trying not to make myself known. If one of us fascinated the human men so, two would be their lucky day. I had to act.
I tensed my muscles , focusing my vision on the broad back of one man in particular. I leaped.
The man bellowed as I knocked him over from behind. He dropped his torch and the world was suddenly ablaze in a crackling frenzy as the glass ignited. This was the part I hated. I didn’t want to kill him, though I admit that I often had the urge to do so – kill without discrimination, let the bodies fall around me. But further investigation consisting of a nudge with my snout relieved me. He was unconscious. No killing spree for me today. I smiled, as best as an overgrown wolf could manage.
The other men stopped and seemed in a daze.
“A second--?” one asked, his voice shaking.
One of his comrades, and immensely strong-looking man quieted him.
Unfortunately, my grin seemed to have come off as a snarl.
The confused men turned, and I glanced with them.
Feran was standing in front of a huge tree. His luminescent fur shone preternaturally, his eyes seemed to reflect every star. Why hadn’t he left?
“Leave me, Bane!” he cried out in a language of grunts and snarls the humans could never hope to understand.
I shook my head no.
My brother’s outburst reversed the spell of disorientation. Several of the humans turned, while the rest stayed staring at me.
“We only need one,” another human said.
“Bane, run!” Feran shouted again.
It was then I realized that he was trying to save me. Feran, the kind, slender one. The innocent brother, the youngest.
And then, in plain common speech, Feran made his proposition so that even the humans could understand him. “Come and get me.”
Humans never could stand someone taunting them. They lunged at Feran, and I lunged after the humans. I would never have my brother killed.
The large man who had quieted the fearful one before blocked my way. He lifted me by the scruff of my neck easily and threw me against a tree.
My head banged helplessly against the truck, and I certain I hear a loud crack as the black in the corners of my eyes threatened to engulf the rest of my vision. As I lost conciseness, I heard Feran’s struggle. I had failed.


Ta-da! Thanks to all who reply.
Last edited by Antigone Cadmus on Wed Jul 08, 2009 7:59 pm, edited 2 times in total.
Odi et amo. quare id faciam, fortasse requiris?
nescio, sed fieri sentio et excrucior.
-Catullus, Carmen 85




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If you can even write something cohesive in a Word War, and you clearly can, you deserve a medal. :P The product of my most recent Word War was a lot of sentences strung together with no connection at all.

I spotted a couple of typos:

He would never try and draw attention to as and our kind.


should be "us".

I joined the pack of men from behind, silently perusing them.


pursuing, or did you mean perusing? I read it as pursuing originally, "perusing" doesn't seem to fit as well.

My head bang helplessly against the truck


Just missing an "ed" on the end there.

plane common speech


Shouldn't that be "plain"?

Your style is instantly readable and I'm interested in the storyline as a result. I love the description of Bane's red eyes in particular; to go from describing them as a rose, a dangerous and yet alluring flower, to a wound is clever. The imagery as a whole is well worked in, especially at the very beginning, but the standard is constant.

Sometimes the sentences don't flow as well as they could because of a few mismatched words, which I think is likely to be the result of the Word War.

Several of the humans turned, while the rest stayed staring at me.


Perhaps, "continued to stare at me" would work better here. It sounds very colloquial all of a sudden when you say, "stayed staring". It pulls the reader out of the story and back towards a writer scribbling down words.

and immensely strong-looking man


I think it's "an" you're looking for there. However, I highlight this because it's an odd phrase, "strong looking man". If you want, you could use "bulky" or "well-built". That would imply a strong man even if you weren't explicitly saying so.

The story progresses well; it's a good beginning. The main problems are typos - easily corrected, and I hope it helps that I've pointed most of them out. I'm not trying to nitpick, I hope you understand. Other than that, I think you should read it aloud, either to yourself or to someone you know. Reading aloud really helps pick up on the flow problems. Other than those very minor issues, it's a good piece of writing - even if it IS about werewolves. :P




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Jetpack -- Duuuude! I totally meant pursuing. *smacks self* Well, according to my spell check, perusing is a word, although I've never hear it used. ;)

Thanks a lot! That was really helpful.

Also, welcome to YWS! It's nice to see a new member already reviewing -- and helpful reviews, at that!

--Antigone
Odi et amo. quare id faciam, fortasse requiris?
nescio, sed fieri sentio et excrucior.
-Catullus, Carmen 85




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Oh Man I Loved How You Described Feran Wonderful Imagery There
But Everything Jetpack Said I Totally Agree On......I Have Alot Of Word Wars ( Had No Idea What Those Were) Too But You Still Rocked It
"Horribly Marvelous"




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Let me first say I loved how you describe Feran that was some wonderful imagery i wish you would have did the same for Bane example when she walks away from the deer and hints of color are glinted in the moonlight what are the colors? I think you should also describe more of the humans just so the reader can see this might not be an east task for Bane taking them down but otherwise you're imagery was GRAND and the setup was lovely would love to continue reading this lovely piece
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Hello! Stella here!

lol, Anti, was this the result of one of those word wars in chat when everybody who wasn't JulNoing was bored and so you joined in?

If so, yay! Trust me, it'll be much better than the results of any of the ones I've participated in.

As for writing about werewolves, who cares? They're cool :)

I'm digressing also. Onto the critique!

I. NITPICKS

the leaves covering the surrounding trees.


I just debated this for five minutes, and I think "covering" is unnecessary when you could just say "on"...

saw pinpricks of flames in the distance.


Now, I know your grammar is better than mine, but "flame" sounds better to me here...

Other scents co-mingled in the air – humans, making me drunk with scents of the farming fields and of alcohol, and something else -- the scent of my brother.


You say "scent" a lot here.

Subtle hints of color in my fur glinted underneath the light of the moon


Um, they're looking at thetr own back? Or is this on their paws or...?

I could her shouts now, too.


hear.

as the glass ignited.


Glass? Did I miss something?

As I lost conciseness,


consciousness. Unless you mean the art of being concise? (Which, I mean, you might. You never know.)

II. OVERALL

I don't have any specific issues. I would mention proofreading, but I think the mistakes I picked up were just ones you missed and hey, that's what we're here for!

My only other advice would be not to be so wordy. It is a very wordy piece and it makes the descriptions a bit long. Other than that, enjoyable, very much so. I really don't have much elsse to say!

Hope I helped- drop me a note if you need anything!

-Stella.
"Stella. You were in my dream the other night. And everyone called you Princess." -Lauren2010




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Thanks a ton Stell. xD

Now, I know your grammar is better than mine, but "flame" sounds better to me here...


>-< But there are lots of flameSSSS. :wink:

You say "scent" a lot here.



Yeah I really need a synonym, ha. But "aroma" sounded weird... xD

[qutoe]
consciousness. Unless you mean the art of being concise? (Which, I mean, you might. You never know.) [/quote]

*facepalm* Oh my gosh, I always write concissness! conciousness. conciousness. That word is much to long. :D

--Antigone
Odi et amo. quare id faciam, fortasse requiris?
nescio, sed fieri sentio et excrucior.
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Heya there Antigone! I'm here to review your story as requested (but not without pleasure). :)

A slight breeze drifted by, rustling the grasses softly. It carried with it the scent of ash and smoke.


- It should be "grass", not "grasses".
- I think you should combine these two sentences, because otherwise it seems a bit broken and difficult to read.

The scent of fire, I thought, as I hunched over the carcass of a deer. I licked my teeth casually, enjoying the sharp feel of my canine teeth against my tongue. The blood of the deer was still as warm as it was in life. I glanced up and saw pinpricks of flames in the distance.


- I think that if you swapped it around and said how your tongue feels against your teeth (instead of your teeth against your tongue) it would be a more effective sentence, and will emphasise the contrast of the sharpness of your teeth and the softness of your tongue.

- I would combine the first two sentences (from the first paragraph) and work it into this one. Eg. "A slight breeze drifted by, rustling the grass softly and carrying the scent of ash and smoke, the scent of fire closer. I licked my teeth casually while hunched over the carcass of the deer..."

- Maybe mention more about how Bane enjoyed the feeling of fresh deer? How the warm blood filled his mouth as he bit down on the deer's neck ravenously? (haha... got a bit carried away there...) :)

Villagers? At this hour? They shouldn’t have been there. The villagers feared night; they wanted nothing more than to hide fearfully from it in their little huts, burning oil to create the illusion of day. It was odd to see a group of them in the dead of night.


- Include the "They shouldn't have been there" into Bane's thoughts.

- You use the word "fear" twice in one sentence and that makes it a bit difficult to read, try a synonym like "dread".

- The word "odd" doesn't really fit in with the style of your writing - it's a bit simplistic for this piece. I'd replace it with the word "unusual".

Other scents co-mingled in the air – humans, making me drunk with scents of the farming fields and of alcohol, and something else -- the scent of my brother.


- Co-mingled? Just mingled. :)
- I think that the hyphens are incorrect. There should only be one hyphen at the end. This sentence doesn't sit well with me, maybe change it to something like:
"Human scents mingled with the other smells in the air, making me drunk with the fields and alcohol smells wafting to me. Another smell struck me, the scent of my brother."
Or something like that. :)
The pen is indeed mightier than the sword. I will maim you with a weapon, but destroy you with a word. -- A.C.G




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Heya there Antigone! I'm here to review your story as requested (but not without pleasure). :)

A slight breeze drifted by, rustling the grasses softly. It carried with it the scent of ash and smoke.


- It should be "grass", not "grasses".
- I think you should combine these two sentences, because otherwise it seems a bit broken and difficult to read.

The scent of fire, I thought, as I hunched over the carcass of a deer. I licked my teeth casually, enjoying the sharp feel of my canine teeth against my tongue. The blood of the deer was still as warm as it was in life. I glanced up and saw pinpricks of flames in the distance.


- I think that if you swapped it around and said how your tongue feels against your teeth (instead of your teeth against your tongue) it would be a more effective sentence, and will emphasise the contrast of the sharpness of your teeth and the softness of your tongue.

- I would combine the first two sentences (from the first paragraph) and work it into this one. Eg. "A slight breeze drifted by, rustling the grass softly and carrying the scent of ash and smoke, the scent of fire closer. I licked my teeth casually while hunched over the carcass of the deer..."

- Maybe mention more about how Bane enjoyed the feeling of fresh deer? How the warm blood filled his mouth as he bit down on the deer's neck ravenously? (haha... got a bit carried away there...) :)

Villagers? At this hour? They shouldn’t have been there. The villagers feared night; they wanted nothing more than to hide fearfully from it in their little huts, burning oil to create the illusion of day. It was odd to see a group of them in the dead of night.


- Include the "They shouldn't have been there" into Bane's thoughts.

- You use the word "fear" twice in one sentence and that makes it a bit difficult to read, try a synonym like "dread".

- The word "odd" doesn't really fit in with the style of your writing - it's a bit simplistic for this piece. I'd replace it with the word "unusual".

Other scents co-mingled in the air – humans, making me drunk with scents of the farming fields and of alcohol, and something else -- the scent of my brother.


- Co-mingled? Just mingled. :)
- I think that the hyphens are incorrect. There should only be one hyphen at the end. This sentence doesn't sit well with me, maybe change it to something like:
"Human scents mingled with the other smells in the air, making me drunk with the fields and alcohol smells wafting to me. Another smell struck me, the scent of my brother."
Or something like that. :)
The pen is indeed mightier than the sword. I will maim you with a weapon, but destroy you with a word. -- A.C.G




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Heya there Antigone! I'm here to review your story as requested (but not without pleasure). :)

A slight breeze drifted by, rustling the grasses softly. It carried with it the scent of ash and smoke.


- It should be "grass", not "grasses".
- I think you should combine these two sentences, because otherwise it seems a bit broken and difficult to read.

The scent of fire, I thought, as I hunched over the carcass of a deer. I licked my teeth casually, enjoying the sharp feel of my canine teeth against my tongue. The blood of the deer was still as warm as it was in life. I glanced up and saw pinpricks of flames in the distance.


- I think that if you swapped it around and said how your tongue feels against your teeth (instead of your teeth against your tongue) it would be a more effective sentence, and will emphasise the contrast of the sharpness of your teeth and the softness of your tongue.

- I would combine the first two sentences (from the first paragraph) and work it into this one. Eg. "A slight breeze drifted by, rustling the grass softly and carrying the scent of ash and smoke, the scent of fire closer. I licked my teeth casually while hunched over the carcass of the deer..."

- Maybe mention more about how Bane enjoyed the feeling of fresh deer? How the warm blood filled his mouth as he bit down on the deer's neck ravenously? (haha... got a bit carried away there...) :)

Villagers? At this hour? They shouldn’t have been there. The villagers feared night; they wanted nothing more than to hide fearfully from it in their little huts, burning oil to create the illusion of day. It was odd to see a group of them in the dead of night.


- Include the "They shouldn't have been there" into Bane's thoughts.

- You use the word "fear" twice in one sentence and that makes it a bit difficult to read, try a synonym like "dread".

- The word "odd" doesn't really fit in with the style of your writing - it's a bit simplistic for this piece. I'd replace it with the word "unusual".

Other scents co-mingled in the air – humans, making me drunk with scents of the farming fields and of alcohol, and something else -- the scent of my brother.


- Co-mingled? Just mingled. :)
- I think that the hyphens are incorrect. There should only be one hyphen at the end. This sentence doesn't sit well with me, maybe change it to something like:
"Human scents mingled with the other smells in the air, making me drunk with the fields and alcohol smells wafting to me. Another smell struck me, the scent of my brother."
Or something like that. :)
The pen is indeed mightier than the sword. I will maim you with a weapon, but destroy you with a word. -- A.C.G




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Hey there, :)

As you sort of hinted that you might want a review, I kind of decided to indulge you. I hope that the following helps. *Pulls out story shredder and guillotine in case they're necessary, and licks fingers hungrily* So, let's see what you got.
Antigone Cadmus wrote:The summer night was hauntingly still.

Not quite as... original as a hook might be. I guess it works, but I don't think it has too great an effect.

Nothing moved, not even the leaves covering the surrounding trees.

A slight breeze drifted by, rustling the grasses softly.

So, let's take a look at the above two sentences. Perhaps they were intended to create a spooky effect and to give us readers the chills. Honestly, I didn't feel any chills. So, what was it exactly about this little bit here that squandered its spookiness? I'm not quite sure, but let me offer some possible insight nevertheless. You tell us that nothing moved to start off with. This if I'm not mistaken is meant to tell us that the air was still and thereby create a feeling of peace which will be broken shortly...

Now, whether or not my above assumption was correct, I don't think the image of the leaves being still as well adds to anything. And then you go on to break the silence gradually with a slight breeze. Think how much more effective this would be if you shattered the silence dramatically, making our heart rates increase. Before you do this, however, perhaps it would do better to build your peaceful image. Introduce your characters at this stage before the disturbances start, and as we get settled shatter us with an explosion. Something that makes your heart stop. etc.

If you did not want to create the suspense, then I hardly see any purpose in the opening sentences.

It carried with it the scent of ash and smoke.
The scent of fire, I thought, as I hunched over the carcass of a deer.

I don't know. Maybe it's just me, but I'm finding this quite repetitive. But let's forget about that and look at first person narration. For me this was the primary blemish of your piece: the fact that you notice things in a way that a person narrating his or her own story would not. What I mean by this is that a first person narrator would not notice himself hunching. He would merely see himself as bending over. When writing in the first person, it is important to become the persona and to write things as he would see them.

Also, although this is not always vital, to describe thought from first person narration is often an unnecessary burden on the story. The fact that you are telling the story from your own perspective lets us know already that you are telling of that which you think. This means you can afford to describe things as though they were objective. A couple of advantages to doing this are a) We become more confident of you as a narrator. As soon as you tell us that you think something, we fear it may not be the reality. Tell it as the reality and we'll trust you far more as a narrator. b) The second reason that you should describe things as though they are objective is that you want your readers to see things through your eyes. As soon as you draw attention to yourself as a narrator, we are drawn a little out of the story.

I licked my teeth casually, enjoying the sharp feel of my canine teeth against my tongue.

As soon as you do something casual, you shouldn't be telling us about it. If it were casual you wouldn't notice it as important. If you do tell us you lick your teeth, it should be something special rather than casual.

The blood of the deer was still as warm as it was in life.

In whose life? The fact that you are talking about the time that the deer was still alive is initially unclear. I'd clarify this by rephrasing the sentence similar to the following: "The blood of the deer had not cooled since it had died."

I glanced up and saw pinpricks of flames in the distance.

Once again, I'm going to pick on you for your first person perspective: when you glance you will tell us that you looked. Not that you glanced. Sometimes especially in first person narration, simple is best.

Villagers? At this hour? They shouldn’t have been there. The villagers feared night; they wanted nothing more than to hide fearfully from it in their little huts, burning oil to create the illusion of day. It was odd to see a group of them in the dead of night.

Once again, you've stressed the time so much that it becomes repetitive. Night twice, and "At this hour" all implying the late night.

Other scents co-mingled in the air – humans, making me drunk with scents of the farming fields and of alcohol, and something else -- the scent of my brother.

I do believe that I really liked this piece. It seemed almost nostalgic.

I rolled my eyes, which were a thorned rose-red .

You would not notice yourself rolling your eyes. Nor, for that matter, would you care to tell us the colour of your eyes, as they feel natural to you. At this stage, I'm not going to point out anything more inconsistencies in the first person narration. You are more than capable of finding the rest by yourself. :)

“Playing with humans again, Feran?” I stalked away from the deer.

Very nice! Especially the dialogue piece. It reveals so much of your character. As for the term stalking away, I don't think they fit too well together. Stalking would usually imply trailing rather than walking. It's up to you, but that's how I'd see it to start off with. :)

I’d already eaten all the parts of it that I deemed good.

That I'd deemed good. ;) Remember to stick to your tenses.

Subtle hints of color in my fur glinted underneath the light of the moon, a sleepy-eyed crescent among an audience of stars.

You are rather vain noticing the glinting of your own fur. :P

I raised my snout and sniffed the air experimentally.

I know I said I wouldn't comment any more on the first person inconsistencies, but I couldn't resist this one: I'm sure that your paw got quickly tired of holding your snout up. Just tell us you sniffed the air. Neither you nor we care about you raising your snout. :P

The ash burned my nose and I wheezed lightly. The smell was closer. I could her shouts now, too. Angry human voices, grating my sensitive ears.
A mournful howl split the illusion of quiet like an arrow. It was followed by a second, and another, all coursing through my ears, sad as a dirge.

Yes, I really love this piece here. Perfectly balanced. :)

The rough bark of a root scrapped my paw as I ran, panting, toward the howls.

*scraped.

A silver blur in my peripheral vision dashed past, followed by flickering lights of the torches.
The scene astounded me.

What was this silver blur. You have so much opportunity to elaborate. Yes, I think you should describe more of this here. You only give us a fleeting glance into your mind. We can't connect unless you give us an opportunity.

It doesn’t matter why, I decided, and rushed after the group.

Careful not to draw your readers' attention away from your story. By telling us you decided, you take us one step away from your narrator's head.

The silver blur was closer now, and I could fully make out my brother’s features – he was slim, and built for speed. His long silver fur blew back as he ran, the shine of it contouring his muscles. But his speed seemed to be failing now. He was obviously tired, pink tongue lolling out the side of his mouth. Eyes like mine, red like a wound, darted back and forth. I didn’t think he saw me.

Nice paragraph.

I tensed my muscles , focusing my vision on the broad back of one man in particular. I leaped.

I found the contrast between these two sentences a little too strong. One is long and compounded, one short and simple. Perhaps you could fuse them. Alternatively change the second piece of the first of the two sentences to one which acts alone from the first part. ie. "focused my vision on a man's broad back. I leaped." As soon as you use the "ing" to connect the two, you hang the dependency of one on the other. You should only do that when you feel it's absolutely vital to the story telling role.

“Leave me, Bane!” he cried out in a language of grunts and snarls the humans could never hope to understand.

If you didn't feel the language to be grunty and snarlish, you can't describe it such. You can say that the humans would have understood it that way, but you can't objectively call it that.

It was then I realized that he was trying to save me. Feran, the kind, slender one. The innocent brother, the youngest.

Why is it that you see fit to include "slender" as one of his praises? I didn't find it to fit too well with the rest...

My head banged helplessly against the truck, and I certain I hear a loud crack as the black in the corners of my eyes threatened to engulf the rest of my vision. As I lost conciseness, I heard Feran’s struggle. I had failed.

Anti-climatic, but an apt ending I guess...

So that I believe pretty much sums up the concrete problems and merits of your piece. Let's take a look at one or two things that I found could have been done better over all:

:arrow: Setting: You don't give us much about the setting. Describe a little bit of the forest to us in greater detail, and give us a more vivid picture than the vague, generic forest if you want to attain maximum effect.

:arrow: First person narration: What I have to say about this is mostly above. It boils down to becoming the character and narrating the story as he would. Perhaps, though, you would consider rewriting it from a third person perspective. I think that you could afford to do this and only improve the story. You don't need to get so personal with the character, and I think you could still squeeze our emotions from a third person stand point. Either way, switch viewpoint or clean up a lot of your first person narration. I far more enjoyed the actual story telling when you began to tell of things not necessarily related directly to you. As soon as you were describing the humans or your brother I felt far more at ease.

:arrow: Description: A general rule for me when it comes to description is to describe everything that's relevant, while at the same time is interesting or necessary for us to know. Describe that in such great detail that we can see a picture of it. Everything else can be completely neglected. :) Certain pieces of your description are marvelous. Others are empty.

:arrow: Prose: Overall, although I found your style suited to the stories piece, I cannot help but feel that it was a little melodramatic at times. It went from rational to over the top in seconds, and it wasn't so consistent. Certain pieces were spectacular and others mediocre at best. Try to attain more focus and drive while writing your story, and I have no doubt that you will come out with a far more directed prose. :)

:arrow: Characters: I actually think that essentially you built up your characters as much as could be expected in a short story like this. Kudos for taking us into the mind of a werewolf so fast and effectively. It takes great skill to do something like this.

:arrow: Overall: I think you have a good start here. I do however think that it needs to be rewritten when you're not having a word war to attain maximum effect. :)

I hope my review helped.
Have a great one!
#TNT

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
-- Robert Frost

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Hi! Here as requested. :)

The scent of fire, I thought, as I hunched over the carcass of a deer.

Thoughts should be in italics, and no comma after thought.


The blood of the deer was still as warm as it was in life.

The second was should be "had been," since you're talking about something that happened further in the past... If that makes sense...

Other scents co-mingled in the air

Co-mingled? Just plain mingled would be fine, dear.

I could her shouts now, too.

Her should be hear.

It was followed by a second, and another

This seems oddly worded to me... Maybe try "followed by a second, and then a third."

followed by flickering lights of the torches

Follwed by the flickering lights of the torches?

the shine of it contouring his muscles

This seems oddly worded to me, but I'm not sure how you can change it. Maybe "the shine of it contouring to his muscles"?


I thought it was to keep my distance from the humans as I ran, trying not to make myself known.

I don't really understand the context of this sentence? Perhaps there should be a "best" between was and to?

I tensed my muscles , focusing my vision on the broad back of one man in particular. I leaped.

I agree with Yoda on the contrasting lengths of these two sentences. Maybe if you link them together, it will sound less awkward? As it is, the first sentence sort of leads us on, and the second is too abrupt.

He dropped his torch and the world was suddenly ablaze in a crackling frenzy as the glass ignited.

Glass? What glass? I think you meant grass, darling.

One of his comrades, and immensely strong-looking man quieted him.

Did you mean to say an immensely strong-looking man? And strong-looking sounds awkward. Just strong would do fine.

“Leave me, Bane!” he cried out in a language of grunts and snarls the humans could never hope to understand.

And how does Bane know that the humans can't understand? The words spoken by Feran must sound intelligible to your MC, so it's not fair that he (she?) describes them the way he/she does.

My head banged helplessly against the truck,

I think you meant trunk?

and I certain I hear a loud crack as the black in the corners of my eyes threatened to engulf the rest of my vision.

And I was certain?

As I lost conciseness

Consciousness?


Characterization: I thought you had done that pretty well. It's hard to really see who characters are in a prologue, but I think that you did this effectively, while still leaving enough mystery for later chapters. Good job. :D

Imagery:[/i] You described things beautifully, but I think you could have played up this sense of fear and urgency a little more. Imagery is a good way to do that. You have to make the readers fear, so maybe describe some gnarled tree branches or roots, or haggard human faces, or a sharp chill in the air? You describe the things that are imminent, but the setting remains a blur. Where are we? What is this place that you are taking your readers on a journey through? I'd like to see it.

[b]Narration:
I disagree with Yoda about your first-person narration. I find that you got us in touch with who your character is and that you took us on a journey with him (her?). However, I'd like you to tell us Bane's emotions, and not just his/her actions. Or, perhaps, show us how his/her emotions are connected to the actions?

Overall I wish I could write something this cohesive during a word war. It's clear you have talent, but word wars aren't necessarily the best way to show that to your readers. I think that if you clean this up a bit, your pice will be a far more enjoyable read than it already is. :D
"You can love someone so much...But you can never love people as much as you can miss them."




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I’m here, as requested, though much later than usual and I’m sorry I wasn’t as prompt as I generally am. But I’m here, so never fear…actually I’m reviewing at five in the morning, that might be reason to fear. ^^ But I see you already recieved some wonderful reviews, so if mine is terrible, you have better reviews to fall back on.

The scent of fire, I thought, as I hunched over the carcass of a deer.


Since it’s a thought, why don’t you italicize the things that were thought, so we know that they’re being thunked, or something like that.

The villagers feared night; they wanted nothing more than to hide fearfully from it in their little huts, burning oil to create the illusion of day.


Too repetitive with the word ‘fear.’

The scene astounded me. Yes, the slaughter of demons was a true fact, but never had I seen a group so intently chase one, not many. Humans were chasing my brother, but why? It doesn’t matter why, I decided, and rushed after the group.


This is just too much in too few words. Now that it’s not so much a word war scenario, break it up a little.

Eyes like mine, red like a wound, darted back and forth.


Too many ‘likes’. Try making the second ‘like’ an ‘as’ instead.

I thought it was (Insert something like ‘best’ maybe.) to keep my distance from the humans as I ran, trying not to make myself known.


My head banged helplessly against the truck, and I certain I hear a loud crack as the black in the corners of my eyes threatened to engulf the rest of my vision.


The stuff in bold, it make no sense to me. ^^

Thought/Action
At the beginning, you made Bane’s thoughts italicized. It was a good idea to write in this way. It makes it easy for the reader to know what’s being thought and what’s being said or done. Because after a while, you lost this idea and thoughts in italics being thought by Bane were turning into pieces of information being given to the reader about Bane. Did that make sense?
Anyway, make the thoughts distinct in more of the dialogue format using italics. It makes his thoughts seem more in the moment.

Overall
For being done in more or less fifteen minutes isn’t bad. Sure, there were some mistakes, but when aren’t there a few nitpicks to be found in a story. Any questions just PM me. And the cookie you totally deserve for this. *hands Anti some cookies on a massive silver platter* Enjoy.

~lilymoore
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Hey,
Oh my gosh, your writing style intimidates me. This can't have been written Word-warring! :?

It's really good, I liked your style, but I agree with someone up there about Bane's POV being melodramatic at times. There were also some spelling mistakes, but everyone else already pointed them out, so I won't bother. Keep writing!
Be yourself; everybody else is already taken.

I came, I saw, I conquered.

When you're being nice to your character, you're being bad to your book.




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Heya there Antigone! I'm here to review your story as requested (but not without pleasure). :)
I must apologise for it being so late, I started writing it, and meant to continue but YWS wouldn't save my draft, so I was a bit annoyed! :) Also, a big mistake on my part - I printed it and edited it while I was in the bath, which left me slightly lazy... :P Never doing that again!!

A slight breeze drifted by, rustling the grasses softly. It carried with it the scent of ash and smoke.

- It should be "grass", not "grasses".
- I think you should combine these two sentences, because otherwise it seems a bit broken and difficult to read.

The scent of fire, I thought, as I hunched over the carcass of a deer. I licked my teeth casually, enjoying the sharp feel of my canine teeth against my tongue. The blood of the deer was still as warm as it was in life. I glanced up and saw pinpricks of flames in the distance.


- I think that if you swapped it around and said how your tongue feels against your teeth (instead of your teeth against your tongue) it would be a more effective sentence, and will emphasise the contrast of the sharpness of your teeth and the softness of your tongue.

- I would combine the first two sentences (from the first paragraph) and work it into this one. Eg. "A slight breeze drifted by, rustling the grass softly and carrying the scent of ash and smoke, the scent of fire closer. I licked my teeth casually while hunched over the carcass of the deer..."

- Maybe mention more about how Bane enjoyed the feeling of fresh deer? How the warm blood filled his mouth as he bit down on the deer's neck ravenously? (haha... got a bit carried away there...) :)

Villagers? At this hour? They shouldn’t have been there. The villagers feared night; they wanted nothing more than to hide fearfully from it in their little huts, burning oil to create the illusion of day. It was odd to see a group of them in the dead of night.


- Include the "They shouldn't have been there" into Bane's thoughts. - You use the word "fear" twice in one sentence and that makes it a bit difficult to read, try a synonym like "dread".

- The word "odd" doesn't really fit in with the style of your writing - it's a bit simplistic for this piece. I'd replace it with the word "unusual".

Other scents co-mingled in the air – humans, making me drunk with scents of the farming fields and of alcohol, and something else -- the scent of my brother.


- Co-mingled? Just mingled. :)

- I think that the hyphens are incorrect. There should only be one hyphen at the end. This sentence doesn't sit well with me, maybe change it to something like: "Human scents mingled with the other smells in the air, making me drunk with the fields and alcohol smells wafting to me. Another smell struck me, the scent of my brother." Or something like that. :)

I rolled my eyes, which were a thorned rose-red . “Playing with humans again, Feran?” I stalked away from the deer. I’d already eaten all the parts of it that I deemed good. If Feran would rather play his silly games than hunt, he was out of luck. I hunted for myself and no one else. Subtle hints of color in my fur glinted underneath the light of the moon, a sleepy-eyed crescent among an audience of stars.


- If you're doing dialogue, it's preferable to start on a new line.
- It will flow better if you change it to "...away from the deer, after eating the the parts..."
- I really like that last sentence, I think it's very good imagery and sets the mood well. :)

I raised my snout and sniffed the air experimentally. The ash burned my nose and I wheezed lightly. The smell was closer. I could her shouts now, too. Angry human voices, grating my sensitive ears.


-her = hear. :) I think that is a typo! [Which is always forgivable!]

A mournful howl split the illusion of quiet like an arrow. It was followed by a second, and another, all coursing through my ears, sad as a dirge.


- You could use split, but it might be more effective with the word 'pierced' instead of 'split'. Arrows generally pierce something, not split it.

I didn’t think. Even I had to admit that I was [b]the slightest bit impulsive. Feran wouldn’t howl without reason. He would never try and draw attention to us and our kind. I took off through the forest, dodging trees and bushes. The rough bark of a root scrapped my paw as I ran, panting, toward the howls.[/b]

- The slightest bit - slightly
- Putting "I guessed" or "I knew" before 'Feran' would add certainty or uncertainty to the sentence.
- Scraped. :) [another typo!]
- I think it should be 'towards' and not 'toward'.

A silver blur in my peripheral vision dashed past, followed by flickering lights of the torches.


- Sentence order should be as follows: In my peripheral vision a silver blur dashed past, followed by the flickering lights from the torches.

The silver blur was closer now, and I could fully make out my brother’s features – he was slim, and built for speed. His long silver fur blew back as he ran, the shine of it contouring his muscles. But his speed seemed to be failing now. He was obviously tired, pink tongue lolling out the side of his mouth. Eyes like mine, red like a wound, darted back and forth. I didn’t think he saw me.


- Don't, not 'didn't'. Change this to a thought and it could be more effective.

I joined the pack of men from behind, silently pursuing them. I thought it was to keep my distance from the humans as I ran, trying not to make myself known. If one of us fascinated the human men so, two would be their lucky day. I had to act.


- It's not clear when Bane moved behind the men? I thought they were chasing him? Adding in a sentence saying where Bane fell behind the men would fix it. :)
- Try rewriting this sentence, it's very unclear and took me a while to figure out what was being said.

I tensed my muscles , focusing my vision on the broad back of one man in particular. I leaped.


- i think leaped is present tense, but if you're using the past tense, it should be leapt. [you may want to check this - I'm unsure about it, but it didn't sound right to me.]

The other men stopped and seemed in a daze.


- "Seemed to be in a daze."

Feran was standing in front of a huge tree. His luminescent fur shone preternaturally, his eyes seemed to reflect every star. Why hadn’t he left?

“Leave me, Bane!” he cried out in a language of grunts and snarls the humans could never hope to understand.

I shook my head no.

My brother’s outburst reversed the spell of disorientation. Several of the humans turned, while the rest stayed staring at me.

“We only need one,” another human said.

“Bane, run!” Feran shouted again.

It was then I realized that he was trying to save me. Feran, the kind, slender one. The innocent brother, the youngest.

And then, in plain common speech, Feran made his proposition so that even the humans could understand him. “Come and get me.”

Humans never could stand someone taunting them. They lunged at Feran, and I lunged after the humans. I would never have my brother killed.

The large man who had quieted the fearful one before blocked my way. He lifted me by the scruff of my neck easily and threw me against a tree.

My head banged helplessly against the truck, and I certain I hear a loud crack as the black in the corners of my eyes threatened to engulf the rest of my vision. As I lost conciseness, I heard Feran’s struggle. I had failed.


- "Luminescent fur shone" is tautology, take the luminescent out for a smoother sounding sentence.
- If you shake your head, you're already saying no. :) You could put the "no" in italics as a thought, and that could work too.
- He lifted me effortlessly/easily by the ...
- Where did the truck come from? hehe! :P
- I was sure/certain I heard... Keep with the past tense there.
- Consciousness. :)


:arrow: Characters:

I want to like Bane, but you don't give enough insight into his thoughts, you focus more on what's happening. Which isn't necessarily bad, because it is a prologue, and I can't expect fully-developed characters to emerge. A little more about Bane and Feran would help the story a lot though.
Bane obviously looks up to Feran, and we can see it from little things he thinks or says. :)
If you put a little more effort into their characters, I think I can see a story emerge!

:arrow: Grammar

You slip up a little bit here and there, but who doesn't? I'd suggest you read through your work before posting it (which I don't do... :wink: ) because a lot of the errors are just small things, like typos.
Also, you tend to slip between tenses using only one word. Just be careful of that. But they're not really bad mistakes! :)

:arrow: Overall

I'd like to see a little more about Bane and Feran, in terms of their thoughts. A little bit of insight into Bane especially (since he is your MC) would help a lot.
It's a good story, and I was interested to know more of what happened when I finished it. If you post another piece on this, let me know. :)

If you have any questions, feel free to PM me! :)

Ciao Ciao!

P.S
I use a lot of smilies, and I apologise for the long post - I just previewed it and was shocked to see how long it is! haha
The pen is indeed mightier than the sword. I will maim you with a weapon, but destroy you with a word. -- A.C.G



It always seems impossible until it's done.
— Nelson Mandela