The End of Time Chapter One

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Good afternoon, Bickazer! Thank you for being my friend. :D

It seems I've come to the party a little late, so people have beat me to a substantial amount of sentence-level issues ^_^; Still, I wonder if I can be of some use to you.

Tey ducked under the burly arm of a large man who threw several choice curses at the boy, who cheerfully ignored them. He stopped several steps away from Nendo, hands on his knees, panting in exertion. When he spoke, he sounded annoyed.


I think Tey switched from cheerful to annoyed somewhat abruptly there. I'd recommend choosing one mood or the other, possibly the latter, especially with the bruise Tey got on his shoulder earlier, since I can't think of a way to pull that transition off otherwise.

And as others have pointed out, you tend to use more names instead of pronouns, which made this paragraph slightly hard to read, ironically:

Nendo wasn’t worried that Tey would fail, though. The two had done enough thefts together for Tey to become used to Nendo’s way of doing things, even if it bothered Tey. He could always trust Tey to do exactly what he said… Inhaling deeply, Nendo swept his eyes around the bustling marketplace, his mind racing for a suitable diversion, one that would draw the old man’s attention away from the grill…


I would also caution you about the "magic bombs" that went off in the middle of the market for one reason: those bombs seemed little different than conventional explosives. Granted, it seems imperative that that be the case so it can't be detected just by anybody, but must Nendo be the only one or among the few who recognize magic in that instant? (I haven't read the second part of the chapter, nor the subsequent chapters later, but perhaps that question is answered for me.) If you want to differentiate magic bombs from normal bombs in subtle ways, maybe you could have some people complain of fire or some other unpleasant sensation within their bones, and others insensitive/resistant to magic, well, not.

That aside, I will discount your fears of taking too long to set up/provide description for the story because you performed one very important task: giving your protagonist a conflict right away. He's hungry. The reader has a reason to root for Nendo and Tey straight off, and makes their ploy all the more rewarding when they pull it off -- regrettably, not for long. I also admire how you built a different setting by mentioning the names of places, inventing food and currency, and describing a river no Earth civilization would want to live near -- I was reminded of China Mieville's New Crobuzon. My favorite approach to developing civilizations is figuring out what kinds of words they consider profane, whether made up as parodies of existing cuss words, or deciding what is considered taboo. For instance, gambling can be a horrible thing to one culture, so words associated with gambling are vulgar, but scatological words are less offensive.

I very much look forward to reading more of your stuff but I'm afraid I have to break it off here. Yard work really sucks. :(

=Hyun
Stop thinking pessimistic thoughts. You will run out.




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Good aft-- evening, Bickazer! I consider 6 PM to be the start of evening and the hour just turned. :]

Since you expressed this chapter isn't representative of your best work, I'm going to try and point out as much stuff as my attention span will allow. This place has some really thorough people combing through your lines and I worry about burning out XD Let's see...

He was going to die...


I am not a big fan of those kinds of sentences -- they're overused by trailers for shows on the cusp of some climatic event and wind up a little cliche'd.

Nendo’s breathing came faster, in sharp pants that never seemed to force enough air into his lungs.


That sentence was a bit on the awkward side for me. I get what you're trying to get across; perhaps rephrasing it as "Nendo's breathing became faster, but the air failed to fill his lungs" might be better.

Nendo had the uncomfortable feeling that he was standing in a garden furnished with statues…if the scene of devastation before him could be called a “garden.”


My Sci-Fi professor put across an interesting writing tip: Try avoiding the use of "that" in the middle of a sentence. I don't remember the exact reason she forbade it, but my writing seems fresher when I follow her advice. Along the same lines,

It was all right, though; the time mage continued to speak, his words coming in disbelieving spurts.


You wouldn't be a large offender in my professor's eyes, but she handed back my papers with "It is" crossed out if it came at the beginning of a sentence, since the "it" would lack an antecedent, thus becoming a grammatical error. "There was" also belongs in the same category. Both of those also tend to waste words. I've also found a good way to reduce excess words is eliminating extra verbs. For example, in the previous sentence, I could have written "...a good way to reduce excess words is to be eliminating extra verbs."

“Then—that—” Nendo was beginning to feel weak; weak from disbelief. He just couldn’t—understand—any of this.


Also be wary of "just". "Just" is all right as a synonym for "moments ago" or "unbiased". It is less serviceable as a synonym for "solely", "only", and other such adverbs. Read it aloud to yourself. It "just" doesn't sound right a lot of the time.

Other words you should consider removing are "almost", "seemed", and other, well, whatever the antonym is for "intensifiers." Words like those dilute the potency of a sentence. Try finding another word that expresses the same degree of action; for instance, instead of:

“What--?” Nendo was given no time to mull over the statement before Masudo started walking again, almost dragging Nendo off his feet from the speed of his strides.


Try:

“What--?” Nendo was given no time to mull over the statement before Masudo resumed striding, sending the boy off-balance.


I should wrap this up; these reviews are intense! I do wonder what would be so important to Masudo that would attract him to the middle of the blazing square and deploy such flagrant magic -- only to turn around and forsake that reason as soon as he finds some boy who can talk back at him. Looks like Idach will have to wait for his duel, if that's what he wanted.

Of Masudo, I know you like him. I'm sorry, I take issue with the character. Nendo surprised him well enough by proving resistant to time-freezing magic, but the word that keeps coming to mind is "oily." Conceited, even -- things happen his way, no other option. He disregards the well-being of the burning victims he left behind, removes Nendo from his best friend by force without apology, and informs the kid he will become a servant for some guy he's never heard of before. Other times and places would call that "enslavement." Maybe he turns out to be a good guy later and I'm supposed to like him, but this was not the best first impression he could make.

I did like Nendo's quiescent contemplation of his changing situation at the beginning -- he wasn't very much counting on a diet of death when he woke up, did he? I feel that kind of mentality still fits with his more combative side, which he displayed against the bobel merchant and Masudo. People always think of the most inappropriate things -- like the incident with Masudo's nose -- like it's a coping device of some sort.

I'm counting on the others to cover more of the sentence-level issues |D; Three reviews in one day just might be enough for me. Please be aware that I like the story thus far and can't wait to bite into Chapter Two. :)

=Hyun
Stop thinking pessimistic thoughts. You will run out.




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Hey I've only read the first half so far, will review the second half later. But so far this story seems pretty good, you give an interesting feel to Nendo and Tey. They're a funny pair, not in any gangs but still sticking together. You do a good job setting up the heist, and then pulling me in with the more serious explosion.

You should give some more description for the city, and say more about what your character look like. Overall this story is pretty cool so far, I will definetly read and review more.
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LOVE- Like you've never been hurt
SING- Like no-one is listening
LIVE- Like it's heaven on earth.

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I thought the second part of the chapter was awesome. Becareful about run-on sentences. Some of your sentneces are too long or too wordy and it is hard for the reader to understand what you're trying to say. I really enjoy your piece so far and am excited to see what happens to Nendo next.



If I feel physically as if the top of my head were taken off, I know that is poetry.
— Emily Dickinson