I. Little Things
The monster is an insidious little fucker; already got its grubby little paws in me, trying to get my heart but I won’t let it.
To me, the swearing stuck out, here. I don't know why, but the beginning, the sentences before that didn't seem like they'd be accompanied by swear words. <_<; I dunno, I suppose it's up to you, but maybe a more descriptive word instead of 'fucker'? xD Also, I really like the 'trying to get my heart', because it has multiple meanings and I can see both of them coming through in this piece so far.
That credit belongs to the goddamn doubly damned heat, the constant never-ending reminder of just how close we are to hell.
Love the second half of this, don't like the 'damn damn damn damn'. xD It seems silly, actually, and I don't know that you want that ruining the tone of this piece.
I can almost see the flames licking at my gross little toes.
'Little', here, comes off as kind of a term of endearment. My cute little toes. Something like that. Might want to consider rephrasing.
It isn’t just the sun, I think, glancing at the clock with its tiny, almost missed ticking – click, tick, click, tick it goes, as the clock and fan dance lazy circles around my head – its Bill too.
No, no, no. Please take out the clicking and ticking in the middle of this sentence unless you REALLY want it there. It's distracting and makes it even more hard for the reader to try to figure out what 'it' is (which never comes, is vague, so we need that much more help keeping on task).
Outside, the sun blazes a sadistic gold, turning the world into a furnace. The occasional car grunts pass. Though I keep my eyes on Bugs Bunny, my ears are perked up and I listen, just waiting for what I know is coming, any minute now; as inevitable and indomitable as the heat
The clicking and ticking somehow seem slower and thicker for each minute that passes.
A dog barks once, twice, in a running chorus.
At first, I was going to be like 'omg, please stop repeating everything. it's getting so old.' Then I realize, that may be what you were going for. The repetition gives a dragging feeling to the whole piece, which I think is what the character is feeling anyways, and the fact that you translated that into the reader is fantastic. Keep it, because it adds that feeling, however unconsciously the reader will feel it.
Thin words. Hisses, full of tongue and throat. So soft, it’s almost missed. Comes up through my fingers in slight, tiny transmissions. I listen real close, focusing in on it until it’s the only sound in the whole room. Words as small as fleas. Those parted, unformed lips, spelling out the first, gnawing words.
Mmm, I really like this part, especially with the use of the word 'transmissions', because it adds to that 'alien' sort of description. However, the broken up sentences make it really hard to figure out that that's what the narrator is talking about -- some speaking/message coming up to her from her stomach. If you smooth it out a bit, though I know that's not really your style, it will make it a lot easier to read. C:
Through the lips, the lips. There is a small smile. Lidded eyes, gills and webs.
Something wrong.
Misplaced.
Eww. Maybe it's coming from the smoother style in the first part, but this choppy stuff is kind of ruining the flow now. >__< How would it come through the lips if it wasn't? How would we know there was a smile? And what is all this about wrong/misplaced? Why is it so important that it needs its own line? Even if it were important, it will garner that attention even when connected to the rest of the prose. I don't like the way it sticks out here.
Above and about, the clock and fan continue their constant love affair, clicktickclicktickclickticking all the damn time.
<3 This was so good. xD My favorite part of the piece, so far.
No air to breathe, only the red, sticky kind.
And I liked that as well. There are some good, simple images in here that I just attach myself to with love.
II. Overall
I really admire the way you can get the feelings across using the form of the words, not just the words themselves. I also like the characterization here, and though I would say I'd like some that is not based on the baby, that suffocating feelings goes so well with the message that I wouldn't want you the mess that up. On to the next half.
PM me if you have any questions. C:
-Hannah-
