Love for the Country (chapter 1)

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The river moved through the forest like a vein winding through an arm. The colors contrasted each other, the trees being a mixture of greens while the river was a radiant blue. The forest’s colors changed with the age of the trees. The young trees were a bright green while the older taller trees produced a dark melancholy green. The young trees were not tall enough to pierce the canopy and were left in the older trees shadows. This seemed to carry over to humans as well, the young being bright and full of energy while the old had reached their peak and could only go down.

Charlie sat on the bank of the river and pondered this relationship. His thoughts moved between the forest and his own life. He had lost his grandfather recently and it had a taken a toll on him. The old trees reminded him of the old man, strong and withered both of whom had seen a lot. His grandfather was a poor man and after his passing he only left a few tools and unpaid bills.

The sun moved to midday and the heat became unbearable. Charlie got up and began to make his way back to town. Moving through the old-growth forest he remembered the first time his grandfather took him hunting. They had shot a nine point buck not far from where he stood. Most of Charlie’s life lessons had been taught to him by his grandfather. His parents were killed in a car wreck when he was very young. This left him to the old man’s care, but he was never around, work had been his life. It seemed to Charlie that the old man never wanted to have free time but work and work he did. The old man had worked almost all of his life in the chicken farms. Working for the Ander’s company provided him a solid paycheck but at the cost of hard manual labor. Right before his death they let him off saying that his service was no longer needed anymore. How could you do this to someone who had been loyal for over 50 years? Charlie thought the betrayal of the one thing he was passionate about had killed him.

Leaving the woods behind him he began to walk down the road towards town. On his way a girl on a bicycle rode by and stopped when she got to him.

“Excuse me do you know where I can find the ferry dock,” she said.

Charlie was struck by the beauty of the girl. She had light brown hair and green eyes, the same as his mother.

“Its two mile down the road, there are signs for it.”

“Thanks,” she said whiling riding off.

Charlie couldn’t resist asking this girl on a date. He had never seen a girl so beautiful in his life.

“I haven’t seen you around here before, are you from the city?”

She stopped peddling and responded, “Yea I just wanted to get out for awhile and clear my head.”

“That must be nice, I’m Charlie by the way,” he said.

“I’m Kate and it was nice to meet you.”

Charlie wanted desperately to impress Kate but he feared that he would let her go and never see her again. There wasn’t much to do around here so all he could offer was to take her to dinner and drinks at the pub in town. To Charlie’s surprise she accepted the invitation to dinner and planned to meet him in town at seven. Kate rode her bike down the road towards the ferry while Charlie flagged down one of his friends in a pickup truck. Before losing sight of each other their eyes met for one last time.

Kate had been quite pleased by Charlie’s invitation. She found his curly brown hair and muscular physique quite attractive and it seemed to her that the night was going to be a lot of fun. All of her friends in the city were snobbish and condescending. They had booed her for wanting to spend the summer in such a place but to her it was the perfect escape. Her family owned a large estate just north of the town. Her grandfather owned the Ander’s chicken company and had made millions since he opened his first farm. Never actually doing any labor himself her grandfather had spent most of his time with the elite in the far off city. He despised the town and its people but he knew it was easy to profit from such simple people.

The Ander’s chicken company owned pretty much the whole town. Charlie despised the whole establishment and wanted to see it burned down. After being dropped off he found himself walking outside the factory where his grandfather had worked, he picked up a stone and threw it at a window. It shattered to pieces and this made Charlie feel a little better. Once away from the factory he went back to thinking about Kate and how he felt like she made him melt when they talked. He wondered where she was staying for the summer and how he had been so lucky to meet her.




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(I did not expect to see myself frequenting the Romance board this much.)

The river moved through the forest like a vein winding through an arm. The colors contrasted each other, the trees being a mixture of greens while the river was a radiant blue. The forest’s colors changed with the age of the trees. The young trees were a bright green while the older taller trees produced a dark melancholy green.
Try using a more active voice when contrasting the colors. Say something like, "The trees in the forest began life exuberantly green, but they waned into a more solemn and melancholy shade as they grew older." You can probably think of a better line, however. The first line is really good, I think.

The young trees were not tall enough to pierce the canopy and were left in the older trees shadows. This seemed to carry over to humans as well, the young being bright and full of energy while the old had reached their peak and could only go down.
This is all unnecessary information. You've established the setting well enough already, and although the first line is written nicely, it won't be needed in the story. Many readers (myself included) are quite impatient, and don't care much for trees, if you get my meaning. ;) We want to see the action! Also, the last line concerning the similarities between trees and humans is a bit too obvious to be mentioned in your book, I would think.

Charlie sat on the bank of the river and pondered this relationship
With what, my I ask? Is it a girl, or is it nature? It will probably become evident very soon, but I think you should be more specific, nonetheless.

He had lost his grandfather recently and it had a taken a toll on him.
Something like almost always does. What type of toll are we talking about? Is it a really big one?

The sun moved to midday and the heat became unbearable.
Normally, this would have been a really nice switch, but it left me hanging. I felt cheated because I felt like I really didn't get much when listening about Charlies problem. I want to feel him brooding. Make his emotions seem more alive for your reader. Talk more about Charlie's affection towards his grandfather, show his feelings of loss to the reader however you can without making the piece sound too pretentious.

On the plus side, I think that the analogies you make are really good. I find them quite touching :)

Moving through the old-growth forest he remembered the first time his grandfather took him hunting. They had shot a nine point buck not far from where he stood.
I like what you're doing here. Charlie is alone in the wilderness with no other human beside him. All that surrounds him is nature. You begin the story by making analogies between man and nature, and then Charlie relates memories of his old man and the forest he's ruminating in. The fact that you're being consistent with the themes you set up is a really good sign.

This left him to the old man’s care, but he was never around, work had been his life
Are you talking about the grandfather? I'm kind of confused, because you stated earlier that most of what Charlie knew was taught to him by his grandfather. Perhaps this will be cleared up later in this piece, however.

It seemed to Charlie that the old man never wanted to have free time but work and work he did.
This sentence needs to be refined a tad. Say something like, "It seemed to Charlie that all the old man wanted to do was work. And that was exactly what he did."


Charlie thought the betrayal of the one thing he was passionate about had killed him
This is the second confusing sentence that I have stumbled across, which is odd, since your first few paragraphs seemed really well written to me. Make more distinctions, and say something like, "This betrayal had almost killed Charlie's grandfather." I'm sure there's better variations, but you get what I mean.

Leaving the woods behind him he began to walk down the road towards town. On his way a girl on a bicycle rode by and stopped when she got to him.
I'm not used to romantic relationships starting this early in books, but go on. This kind of threw me off, but I can imagine starting this early is not unheard of.

Charlie was struck by the beauty of the girl. She had light brown hair and green eyes, the same as his mother
Kinda cliche, too my mind. Still, go on....

Its two mile down the road, there are signs for it.”


It's = It is
"Its" is possessive (i.e.: "its brown hair," "its strength" etc.)

“Thanks,” she said whiling riding off.

Charlie couldn’t resist asking this girl on a date. He had never seen a girl so beautiful in his life.
I dunno...this seems really typical of a romance book. I've seen beautiful girls before, but I'd like to get to know them before asking them on a date. Also, beauty doesn't always help. Sometimes, it can intimidate people and prevent from asking for a date in the first place. This is way to unrealistic, in my opinion.

“I haven’t seen you around here before, are you from the city?”
On the plus side, this isn't a bad line, at all. I can see how someone could begin a conversation saying this.

“Yeah I just wanted to get out for awhile and clear my head.”
"Yeah" ends with an "h".

“I’m Kate and it was nice to meet you.”
Someone's in a hurry ;)

Charlie wanted desperately to impress Kate but he feared that he would let her go and never see her again. There wasn’t much to do around here so all he could offer was to take her to dinner and drinks at the pub in town. To Charlie’s surprise she accepted the invitation to dinner and planned to meet him in town at seven.
Whoa, whoa, whoa! Back up just a minute! Charlie comes here to brood about his grandfathers death, and he instantlyforgets about him upon just seeing a girl? This does not click with me. I think he should take his grandfather's death more seriously. He has other concerns right now. The problem is that you're starting this relationship way to early. There's nothing wrong with them meeting in the first chapter, but things are just boiling to quickly. In my opinion, they should meet again some time later in the book. Maybe it's okay for Charlie to be mesmerized by the young woman's beauty, but he has problems to deal with right now.

Second thing: give us some meaty dialogue! This is a romance novel, after all. Dialogue is really important for scenes between two lovers. Dialogue makes it easier for the reader to see the characters come alive, and make unconscious assessments about the relationship. It's very, very, important! Romance novels are about personal relationships, so it makes no sense to talk about the relationship in an impersonal manner.



Kate rode her bike down the road towards the ferry while Charlie flagged down one of his friends in a pickup truck
Just who the heck is this friend, and just when did he get in? Your tying up things too fast.

Before losing sight of each other their eyes met for one last time.
The reader knows they're going to meet again. Also, there's not much description in this departure to make the scene feel as tense as you would like it to be.

Kate had been quite pleased by Charlie’s invitation.
Make a border before suddenly switching POV like that. It could be something as simple as this:

***

See what I mean?

Also, if you want my word of advice: I don't think you should have two POVs unless you really know what you're doing. It can be really tricky, especially in a romance novel. As you know already, the more time the reader spends with a character, the more likely the reader is to empathize with him or her (usually). It would be much easier to write a story from just one characters POV, and if this is one of your first novels, than I would recommend doing just that. In romance novels, couples occasionally break up (for a while, at least), and in situations like that it may be hard for the reader to empathize with both couples. The reader may even end up taking sides, and I don't think that's a good thing if the couple is meant to be together. Well, it usually isn't, anyway. That's just one of the examples that I can give.

All of her friends in the city were snobbish and condescending.
Not only is this statement really harsh, it's unfair and unrealistic. People are never as simple as they appear to be. In real life, people are more than one-dimension. That's not to say that, in a novel, it's everyone's story! There's certainly going to main characters and minor characters. But I would suggest that you don't dehumanize people like that. And even if her friends really are one dimensional, how can all her friends be that way?

Her grandfather owned the Ander’s chicken company and had made millions since he opened his first farm. Never actually doing any labor himself her grandfather had spent most of his time with the elite in the far off city. He despised the town and its people but he knew it was easy to profit from such simple people
Don't use the word, "people", twice in the same sentence. It kinda drags.


The Ander’s chicken company owned pretty much the whole town
Oh, boy. Does stuff like this occur anywhere but the wild-west? I dunno, maybe it does, but not that I know of. You can tell the reader that they're very powerful, but saying that the company owns the whole town seems like an overstatement to me.

Charlie despised the whole establishment and wanted to see it burned down.
Why did you switch point of view again, and with no indication that you were about to do that?

I'm not gonna read anymore. Sorry. I liked the story at the beginning, but it just kept going downhill. What happened? I'm gonna be honest with you, but try not get discouraged: some of these mistakes were really bad. You changed POV three times in the story prematurely. There were some punctuation mistakes, most of which concerned commas (I didn't bother correcting them, as they seemed too trivial), and some of the occurrences in this story are cliched and unrealistic. I suggest that you write another draft.

Don't give up, though. We all make mistakes, and the first step to improving is realizing what those mistakes are. I did not criticize your story to hurt your feelings. I'm sensitive to criticism myself, and I know it can be really hard to take. Writing is a very personal thing, and when someone criticizes a writers "child", it's like the artist is being criticized. If you feel hurt, just take a break and do something that makes you feel better. Then come back and write a second draft. If you want me to review it when again you're done, I'll do it. If not, then I guess I understand.

Good luck.



oh to be a cat in a pile of towels
— ChesTacos