Tipping The Velvet {two}

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This is a novel I have just started, set in the Victorian Times. It was previously set in 1920 but it was far too hard for me to write as I barely knew anything about that time period and started this novel on a whim. So now it is in the Victorian Times, and Anne is no longer blind, due to the changed storyline. Um...oh yes, I would have put it in Historical Fiction but it covers multiple themes, so Other Fiction it is. :wink: It's quite rough. So tear apart.


Chapter 2

Anne walked briskly along the cobbled streets, holding her thin cloak tightly against her as protection against the biting October wind. She clutched the basket with gloved fingers and glared at any man trying to make advances on her. Once at the King’s Theatre, she stood in front of the stage and checked the oranges inside her basket, to make sure none of the fruit was bruised or browned. Having made her inspection, Anne contented herself with gazing around her at the theatre, which never ceased to amaze her.

Glittering chandeliers shone above her, so the high ceiling seemed as if it were made of liquid gold. Bronze plaster Cupids decorated the walls, with stone wings frozen in flight forever and plump hands outstretched towards the audience. Rows and rows of gilded seats ascended upwards until the top ones seemed almost lost from view.

She felt a sharp tap on her shoulder and spun round to behold Eliza. A slim, gorgeous figure with a head of bouncy red curls and sparkling green eyes in a pretty, mischievous face. It was no wonder that Anne’s best friend had been accepted at the King’s Theatre the day she reached fourteen. Four years later, Eliza was now one of the best known performers in the theatre, and Anne was still an orange seller, just like the day she started, having neither her companion’s breath-taking looks nor her confidence on stage.

“What a lazy goose it is!” exclaimed Eliza dramatically, clutching Anne’s hand. “Oversleeping, I dare say. I must admit I was starting to think you would never arrive in time for the performance.”
Anne could not help smiling, in spite of her inner turmoil. “It is not like I am needed,” she said, feeling a pang of jealousy, as she always did, when comparing Eliza’s station and her own. “I wouldn’t have been missed, with all the other trollops around.”

“Come, now,” said Eliza, her light eyebrows knitting together. “Let’s not be sour.” She twirled around, holding out her skirts. She was clothed in a gown of fine embroidered cambric, trimmed in primrose yellow, with a blue velvet cloak. “Do you like it? It’s borrowed from the changing rooms, heavens knows what I would do if I had to buy my own costumes.”

Anne shook her head. “You’re vital to the theatre, Liza. They would pay you to work, if they had to.”

You should try your hand at auditioning, Anne,” said Eliza. “With a bit of training, I’m sure you’d be promoted.”

“Oh no, Liza!” she replied. “That would never do. I...I couldn’t act.”

Eliza rolled her jade-sparked eyes. “The old bookshop dream, is it, Anne?”

Anne smiled. “Oh, Liza. You think I’m silly for it, don’t you? Well, at least you don’t repress me like Mother does.” She rolled her eyes. “I...I know it’s not very ambitious. But it would be so lovely, Liza. And imagine all the books!”

Eliza laughed, flinging her head back and parting full scarlet lips to reveal a perfect set of white teeth. She had never quite understood her companion's life-long dream of owning a little bookshop off the High Street, but she had no intention of inhibiting her for it. “You are quite mad, dearest, I am sure of it,” she said, looking fondly at her best friend. “But sometimes I wonder whether we all had better follow your example.”

As she said this, they both cast a glance of disdain around the stage, at the other orange girls. There were six of them in total, though not all selling oranges. Holding baskets of apples and lemons, and other various sweetmeats of frosted rose petals, sugared almonds and marzipan shapes. All wearing much lower cut dresses than Anne and all batting their eyelids flirtatiously at any gentlemen who would come to peer at their merchandise.

Whether that was the fruit or their bodies, each were given willingly. Anne tossed her head, black tendrils tumbling about her thin, pale neck.

“What harlots,” she groaned to Eliza, who nodded sympathetically, “I refuse to make any such spectacle of myself. I will simply...sell the goods. As usual.”

“Just as you should,” said Eliza approvingly, tossing a dainty head of bright curls at the crowd. “Whores, the lot of them. Do you remember the day you arrived here?”

“Indeed,” grinned Anne, her brown eyes crinkling up with laughter. “To fill the position you’d vacated, by being promoted to an actress.”

“And remember what Moll Megs said to you on your first day?”

“How could I forget?” Moll Megs, the woman in charge of the orange sellers, universally known as Orange Moll had terrified the fourteen-year-old Anne when she had first come to work at the King’s Theatre. She had but one grey tooth glistening in her mouth, and a head of lank white hair sparsely distributed over a frail skull.

She spoke kindly enough, however, explaining to Anne that the oranges were to be sold for sixpence. “An’ if you give a special smile to the gentlemen and p’raps a kiss on the cheek, you might find yerself earning extra.”

Anne spluttered at the memory, and then the smile disappeared as her thoughts darkened. “But oh, Lisa,” she sighed. “I detest this lowliness...I would give anything to leave it. Though now poor Mother and I need all the money I can bring in. Because-“

She was cut off as Eliza was escorted away to rehearsals by an apologetic co-actor. She waved in Anne’s direction, making faces, and then disappeared into the changing rooms. Anne sighed and then hung her coat up and progressed to the middle of the stage, to stand with the other orange girls.

She ended up being forced to stand by Elinor Marson, the most vulgar of the lot. She wore a scarlet gown so low-cut that each time she bent over, both bosoms appeared obligingly at the top of her dress. A fact which didn’t go unnoticed by the boys lighting the chandeliers at the top of the stage. They frequently threw copper pennies at the girls, of course, making sure they landed on the floor.

Elinor swaggered over to Anne once Eliza had gone. She simpered at her. “Your pockets look a bit empty today, Anne dear,” she said, displaying a fistful of shillings. “Though I dare say it’s nothing out of the ordinary. You ought to take a page out of my book, girl.”

Anne raised her eyebrows. “What book might that be, Elinor? Oh, you mean I ought to accompany any scallywag home for the night, for little less than a pint of tuppeny ale?"

Anne’s interlocutor stomped her satin-clad foot angrily and walked away, muttering angry comments. “Thinks herself above everyone else, don’t she?” Anne could make out. “What a plain, bookish tramp of a girl.”

Anne laughed drily, catching sight of herself in a cracked mirror lying on the stage floor. She believed Elinor in that moment, though the quiet watcher standing nearby, had he heard her thoughts, would have strongly disagreed. She was not pretty in the same way as Eliza or Elinor, but her aquiline features were so arresting, it was impossible to dismiss her as plain.

Anne’s face was white and angular, with thick dark brows curving over her intelligent tea mosaic eyes, starred with a jungle of bristly black lashes. She had not much of a figure, being tall and straight. She emanated fragility, an impression contradictory to her temperament.

Refusing to let her feelings be bruised by the girl she held in the most strong contempt, she turned away from the jagged glass and felt a light tap on her shoulder. She turned round, expecting it to be Eliza, but instead she found herself looking into the audacious black eyes of a stranger. He was staring at her in such a cool, impertinent manner that it aroused mixed feelings of indignation and feminine pleasure within her.

“May I help you, sir?” she asked abruptly, feeling increasingly uncomfortable as the man’s sharp gaze travelled the length of her form. Seeing as he did not reply, she took the opportunity to conduct a quick surveillance of him, in turn.

Anne estimated the man to be in his mid-forties, judging from his jowly, bearded face and broad shoulders clad in a vast black overcoat. He was powerfully built and very tall, and when she met his bold eyes he smiled with animal-white teeth shadowed with a dark, close-cut beard.

Trying to conceal the unease that was building up within her, she strengthened her voice and unlocked her eyes from his. “Sir, if you do not want to buy anything, would you kindly step away.”

He seemed surprised by the firm tone of her voice, and was about to reply when a younger man appeared by his side. He was dressed in a blue waistcoat and jacket, a cravat setting off his frilled shirt. His eyes were like liquid gold and seemed remote, far away.

“Bit young for you, eh, Father?” he said, his drowsy golden eyes laughing. Anne looked away, humiliated because she knew with what disdain everybody treated orange girls. “Sirs,” she started, a slight high-pitched quaver to her voice, “I am merely here to sell this fruit. I am most certainly not the kind of woman who-“

Her protests were ignored and she was interrupted mid-speech by the stranger’s son, who bowed – Anne could not tell whether the gesture was in sincerity or in jest – and began to depart from the stage. Before they had started to descend the steps, however, the overcoat-clad gentlemen returned and tipped his top hat at Anne.

“James Murdoch,” he said in a deep, throaty voice. “At your service. And your name might be...”

“Anne. Anne Lincombe,” she replied uncertainly, her dark eyebrows knitting together.

“A pleasure,” Mr Murdoch replied, his eyes twinkling. Then, he reached into the depths of his overcoat pocket and withdrew a handful of sovereigns. Anne was quick to refuse but he was quite insistent, pressing the coins back into her small palm. “Think of it as a gift from a well-meaning grand-father,” he said.

Anne declined. “No thank you, Mr Murdoch,” she said. “I have no need of it."

At that moment, the massive scarlet curtains started to close and the musicians raised their instruments and began to tune up. “No trouble,” Mr Murdoch said. “No trouble at all. I believe tonight’s performance is beginning. Might I accompany you off the stage, Miss Lincombe?”

Anne smiled broadly and took the arm he crooked towards her, walking down the stairs with a renewed spring in her step.
Last edited by CastlesInTheSky on Sun Dec 28, 2008 12:16 pm, edited 6 times in total.
Had I the heavens embroider'd cloths,
I would spread the cloths under your feet.
But I being poor, have only my dreams,
So tread softly, for you tread on my life.




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Ok, inhale, exhale...and review!

CastlesInTheSky wrote:
Chapter 2

Anne walked briskly along the cobbled streets, holding her thin cloak tightly against her as protection against the biting October wind. She clutched the basket with gloved fingers and glared at any man trying to make advances on her.Would they really be literally trying to make advances on her? Maybe they might make an advance. It simply won't wash with me. Once at the King’s Theatre, she stood in front of the stage and checked the oranges inside her basket, to make sure none of the fruit was bruised or browned. Do oranges brown? Maybe that's just my lack or orange knowledge...

She felt a sharp tap on her shoulder and spun round to behold Eliza. A slim, gorgeous figure with a head of bouncy red curls and sparkling green eyes in a pretty, mischievous face.
Woah there, slow down! Don't use it all at once...Maybe cut the pretty, mischievous face bit.
It was no wonder that Anne’s best friend had been accepted at the King’s Theatre the day she reached fourteen. Four years later, Eliza was now one of the best known performers in the theatre, and Anne was still an orange seller, just like the day she started, having neither her companion’s breath-taking looks nor her confidence on stage. Had she tried the stage? Just asking in case you were to elaborate later, if not, it detracts from your character.

“What a lazy goose it is!” exclaimed Eliza dramatically, clutching Anne’s hand. “Oversleeping, I dare say. I must admit I was starting to think you would never arrive in time for the performance.”

Anne could not help smiling, in spite of her inner turmoil. “It is not like I am needed,” she said, feeling a pang of jealousy, as she always did, when comparing Eliza’s station and her own. “I wouldn’t have been missed, with all the other trollops around.”

“Come, now,” said Eliza, her light eyebrows knitting together. “Let’s not be sour.” She twirled around, holding out her skirts. She was clothed in a gown of fine embroidered cambric, trimmed in primrose yellow, with a blue velvet cloak. “Do you like it? It’s borrowed from the changing rooms, heavens knows what I would do if I had to buy my own costumes.”

Anne shook her head. “You’re vital to the theatre, Lisa.Wouldn't it be spelt Liza? They would pay you to work, if they had to.”

To avoid another surge of envy, Anne turned away from her companion’s finery and cast a glimpseCan you cast a glimpse of disdain? I mean, a glimpse is something you see, you catch a glimpse. Maybe cast a look of disdain is better
of disdain around the stage, at the other orange girls. There were six of them in total, though not all selling oranges.Some were Holding baskets of apples and lemons, and other various sweetmeats of frosted rose petals, sugared almonds, marzipan shapes. All wearing much lower cut dresses than Anne and all batting their eyelids flirtatiously at any gentlemen who would come to peer at their merchandise.

Whether that was the fruit or their bodies, each were given willingly. Anne tossed her head, black tendrils tumbling about her thin, pale neck.

“What harlots,” she groaned to Eliza, who nodded sympathetically. “I refuse to make any such spectacle of myself. I will simply...sell the goods. As usual.”

“Just as you should,” said Eliza approvingly, tossing a dainty head of bright curls at the crowd. “Whores, the lot of them. Do you remember the day you arrived here?”

“Indeed,” grinned Anne, her brown eyes crinkling up with laughterup with laughter is irrelevant. “To fill the position you’d vacated, by being promoted to an actress.”

“And remember what Moll Megs said to you on your first day?”

“How could I forget?” Moll Megs, the woman in charge of the orange sellers, universally known as Orange Moll had terrified the fourteen-year-old Anne when she had first come to work at the King’s Theatre. She had but one grey tooth glistening in her head,
Tooth in her head. If you must. But consider tooth in her mouth.
and a head of lank white hair sparsely distributed over a frail skull.

She spoke kindly enough, however, explaining to Anne that the oranges were to be sold for sixpence. “An’ if you give a special smile to the gentlemen and p’raps a kiss on the cheek, you might find yerself earning extra.”

Anne spluttered at the memory, and then the smile disappeared as her thoughts darkened. “But oh, Lisa,” she sighed. “I detest this lowliness
I'm not sure if she would say lowliness, maybe poverty perhaps or, I don't know. Something else....I would give anything to leave it. Though now poor Mother and I need all the money I can bring in. Because-“

She was cut off as Eliza was escorted away to rehearsals by an apologetic co-actor. She waved in Anne’s direction, making faces, and then disappeared into the changing rooms. Anne sighed and then hung her coat up and progressed to the middle of the stage, to stand with the other orange girls.

She ended up being forced to stand by Elinor Marson, the most vulgar of the lot. She wore a scarlet gown cut so low-cut that each time she bent over, both bosoms appeared obligingly at the top of her dress. A fact which didn’t go unnoticed by the boys lighting the chandeliers at the top of the stage. They frequently threw copper pennies at the girls, of course, making sure they landed on the floor.

Elinor swaggered over to Anne once Eliza had gone. She simpered at her. “Your pockets look a bit empty today, Anne dear,” she said, displaying a fistful of shillings. “Though I dare say that’s nothing out of the ordinary. You ought to take a page out of my book, girl.”

Anne raised her eyebrows. “What book might that be, Elinor? Oh, you mean I ought to accompany any scallywag home for the night, for little less than a pint of tuppeny ale?"

Anne’s interlocutor stomped her satin-clad foot angrily and walked away, muttering angry comments. “Thinks herself above everyone else, don’t she?” Anne could make out. “What a plain, retiring tramp of a girl.”

Anne laughed drily, catching sight of herself in a cracked mirror lying on the stage floor. She believed Elinor in that moment, though the quiet watcher standing nearby, had he heard her thoughts, would have strongly disagreed. She was not pretty in the same way as Eliza or Elinor, but her aquiline features were so arresting, it was impossible to dismiss her as plain.

Anne’s face was white and angular, with thick dark brows curving over her intelligent cocoa eyes, brown mosaic almonds starred with a jungle of bristly black lashes. She had not much of a figure, being tall and straight. She emanated fragility, an impression contradictory to her temperament.Really? SHe seems quite fragile to me so far. Certainly not a strong character.

Refusing to let her feelings be bruised by the girl she held in the most strong contempt, she turned away from the jagged glass and felt a light tap on her shoulder. She turned round, expecting it to be Eliza, but instead she found herself looking into the audacious black eyes of a stranger. He was staring at her in such a cool, impertinent manner that it aroused mixed feelings of indignation and feminine pleasure within her.

“May I help you, sir?” she asked abruptly, feeling increasingly uncomfortable as the man’s sharp gaze travelled the length of her form. Seeing as he did not reply, she took the opportunity to conduct a quick surveillance of him, in turn.

Anne estimated the man to be in his mid-forties, judging from his jowly, bearded face and broad shoulders clad in a vast black overcoat. He was powerfully built and very tall, and when she met his bold eyes he smiled with animal-white teeth shadowed with a dark, close-cut beard.

Trying to conceal the unease that was building up within her, she strengthened her voice and unlocked her eyes from his. “Sir, if you do not want to buy anything, would you kindly step away.”

He seemed surprised by the firm tone of her voice, and was about to reply when a younger man appeared by his side. He was dressed in a blue waistcoat and jacket, a cravat setting off his frilled shirt. His eyes were like liquid gold and seemed remote, far away.

“Bit young for you, eh, Father?” he said, his drowsy golden eyes laughing. Anne looked away, humiliated because she knew with what disdain everybody treated orange girls. “Sirs,” she started, a slight high-pitched quaver to her voice, “I am merely here to sell this fruit. I am most certainly not the kind of woman who-“

Her protests were ignored and she was interrupted mid-speech by the stranger’s son, who bowed – Anne could not tell whether the gesture was in sincerity or in jest – and began to depart from the stage. Before they had started to descend the steps, however, the overcoat-clad gentlemen returned and tipped his top hat at Anne.

“James Murdoch,” he said in a deep, throaty voice. “At your service. And your name might be...”

“Anne. Anne Lincombe,” she replied uncertainly, her dark eyebrows knitting together.

“A pleasure,” Mr Murdoch replied, his eyes twinkling. Then, he reached into the depths of his overcoat pocket and withdrew a handful of sovereigns. Anne was quick to refuse but he was quite insistent, pressing the coins back into her small palm. “Think of it as a gift from a well-meaning grand-father,” he said.

Anne accepted the money and smiled broadly at him, resigning herself to the fact that extra money would be useful at home, especially as she had managed to sell no fruit today before the performance. “Thank you, Mr Murdoch,” she said. “It is very kind and I scarce know how to thank you.”

At that moment, the massive scarlet curtains started to close and the musicians raised their instruments and began to tune up. “No trouble,” Mr Murdoch said. “No trouble at all. I believe tonight’s performance is beginning. Might I accompany you off the stage, Miss Lincombe?”

Anne emptied the coins into her pocket and took the arm he crooked towards her, walking down the stairs with a renewed spring in her step.




Ok, I didn't slack off in the last bit, it just got better as it went on :wink:. Either way, it is miles better than the last piece of yours I read. Definately not boring. However, I think you need to work a little more on the action in the piece (really I'm being serious). Anne surely must move somewhere and do something while all this is going on. I'm confused because I thought she was outside the theatre, then suddenly she was on the stage. Maybe you need to make that clearer. Also, I thought Anne character appeared a bit inconstistant. She appears to be desperate for money, yet holds her morals more highly. Yet, a stranger she doesnt know gives her money for no reason and she accepts even knowing his possible immoral reasons. I thought the dialogue was spot on though, very authentic! I just think you need to get to know and develop your character a little more. Overall, very promising, great work!




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Thankyou for reading and for all your suggestions, Ducati, they were very helpful. When I said she was the opposite to fragile, it's because she has this inner strength. It doesn't necessarily mean being bold or brash but she's determined, if you see what I mean. She stands up to people, and things like that. I know I haven't shown it enough and not been that consistent, however, so I'll work on it. :wink: Thanks again.
Had I the heavens embroider'd cloths,
I would spread the cloths under your feet.
But I being poor, have only my dreams,
So tread softly, for you tread on my life.




User avatar
Gender Female
Points 890
Reviews 273
This is a novel I have just started, set in the Victorian Times. It was previously set in 1920 but it was far too hard for me to write as I barely knew anything about that time period and started this novel on a whim. So now it is in the Victorian Times, and Anne is no longer blind, due to the changed storyline. Um...oh yes, I would have put it in Historical Fiction but it covers multiple themes, so Other Fiction it is. It's quite rough. So tear apart.
Sits down, takes off spectacles (even though I don't own a pair of glasses :lol:)



Chapter 2


Anne walked briskly along the cobbled streets, holding her thin cloak tightly against her as protection against the biting October wind. She clutched the basket with gloved fingers and glared at any man trying to make advances on her. Once at the King’s Theatre, she stood in front of the stage and checked the oranges inside her basket, to make sure none of the fruit was bruised or browned.


She felt a sharp tap on her shoulder and spun round to behold Eliza. A slim, gorgeous figure with a head of bouncy red curls and sparkling green eyes in a pretty, mischievous face. It was no wonder that Anne’s best friend had been accepted at the King’s Theatre the day she reached fourteen. Four years later, Eliza was now one of the best known performers in the theatre, and Anne was still an orange seller, just like the day she started, having neither her companion’s breath-taking looks nor her confidence on stage.
Good description, not too much, not too little.


“What a lazy goose it is!” exclaimed Eliza dramatically, clutching Anne’s hand. “Oversleeping, I dare say. I must admit I was starting to think you would never arrive in time for the performance.”


Anne could not help smiling, in spite of her inner turmoil. “It is not like I am needed,” she said, feeling a pang of jealousy, as she always did, when comparing Eliza’s station and her own. “I wouldn’t have been missed, with all the other trollops around.”


“Come, now,” said Eliza, her light eyebrows knitting together. “Let’s not be sour.” She twirled around, holding out her skirts. She was clothed in a gown of fine embroidered cambric, trimmed in primrose yellow, with a blue velvet cloak. “Do you like it? It’s borrowed from the changing rooms, heavens knows what I would do if I had to buy my own costumes.”
Nice descriptions again ;) This is looking good :D


Anne shook her head. “You’re vital to the theatre, Liza. They would pay you to work, if they had to.”


To avoid another surge of envy, Anne turned away from her companion’s finery and cast a glimpse of disdain around the stage, at the other orange girls. There were six of them in total, though not all selling oranges. Holding baskets of apples and lemons, and other various sweetmeats of frosted rose petals, sugared almonds, marzipan shapes. All wearing much lower cut dresses than Anne and all batting their eyelids flirtatiously at any gentlemen who would come to peer at their merchandise.


Whether that was the fruit or their bodies, each were given willingly. Anne tossed her head, black tendrils tumbling about her thin, pale neck.


“What harlots,” she groaned to Eliza, who nodded sympathetically. “I refuse to make any such spectacle of myself. I will simply...sell the goods. As usual.”


“Just as you should,” said Eliza approvingly, tossing a dainty head of bright curls at the crowd. “Whores, the lot of them. Do you remember the day you arrived here?”


“Indeed,” grinned Anne, her brown eyes crinkling up with laughter. “To fill the position you’d vacated, by being promoted to an actress.”
I really like the dialogue.


“And remember what Moll Megs said to you on your first day?”


“How could I forget?” Moll Megs, the woman in charge of the orange sellers, universally known as Orange Moll had terrified the fourteen-year-old Anne when she had first come to work at the King’s Theatre. She had but one grey tooth glistening in her head, and a head of lank white hair sparsely distributed over a frail skull.


She spoke kindly enough, however, explaining to Anne that the oranges were to be sold for sixpence. “An’ if you give a special smile to the gentlemen and p’raps a kiss on the cheek, you might find yerself earning extra.”


Anne spluttered at the memory, and then the smile disappeared as her thoughts darkened. “But oh, Lisa,” she sighed. “I detest this lowliness...I would give anything to leave it. Though now poor Mother and I need all the money I can bring in. Because-“


She was cut off as Eliza was escorted away to rehearsals by an apologetic co-actor. She waved in Anne’s direction, making faces, and then disappeared into the changing rooms. Anne sighed and then hung her coat up and progressed to the middle of the stage, to stand with the other orange girls.


She ended up being forced to stand by Elinor Marson, the most vulgar of the lot. She wore a scarlet gown so low-cut that each time she bent over, both bosoms appeared obligingly at the top of her dress. A fact which didn’t go unnoticed by the boys lighting the chandeliers at the top of the stage. They frequently threw copper pennies at the girls, of course, making sure they landed on the floor.


Elinor swaggered over to Anne once Eliza had gone. She simpered at her. “Your pockets look a bit empty today, Anne dear,” she said, displaying a fistful of shillings. “Though I dare say that’s nothing out of the ordinary. You ought to take a page out of my book, girl.”


Anne raised her eyebrows. “What book might that be, Elinor? Oh, you mean I ought to accompany any scallywag home for the night, for little less than a pint of tuppeny ale?"


Anne’s interlocutor stomped her satin-clad foot angrily and walked away, muttering angry comments. “Thinks herself above everyone else, don’t she?” Anne could make out. “What a plain, retiring tramp of a girl.”
The dialogue is brilliant.


Anne laughed drily, catching sight of herself in a cracked mirror lying on the stage floor. She believed Elinor in that moment, though the quiet watcher standing nearby, had he heard her thoughts, would have strongly disagreed. She was not pretty in the same way as Eliza or Elinor, but her aquiline features were so arresting, it was impossible to dismiss her as plain.


Anne’s face was white and angular, with thick dark brows curving over her intelligent cocoa eyes, brown mosaic almonds starred with a jungle of bristly black lashes. She had not much of a figure, being tall and straight. She emanated fragility, an impression contradictory to her temperament.


Refusing to let her feelings be bruised by the girl she held in the most strong contempt, she turned away from the jagged glass and felt a light tap on her shoulder. She turned round, expecting it to be Eliza, but instead she found herself looking into the audacious black eyes of a stranger. He was staring at her in such a cool, impertinent manner that it aroused mixed feelings of indignation and feminine pleasure within her.


“May I help you, sir?” she asked abruptly, feeling increasingly uncomfortable as the man’s sharp gaze travelled the length of her form. Seeing as he did not reply, she took the opportunity to conduct a quick surveillance of him, in turn.


Anne estimated the man to be in his mid-forties, judging from his jowly, bearded face and broad shoulders clad in a vast black overcoat. He was powerfully built and very tall, and when she met his bold eyes he smiled with animal-white teeth shadowed with a dark, close-cut beard.


Trying to conceal the unease that was building up within her, she strengthened her voice and unlocked her eyes from his. “Sir, if you do not want to buy anything, would you kindly step away.”


He seemed surprised by the firm tone of her voice, and was about to reply when a younger man appeared by his side. He was dressed in a blue waistcoat and jacket, a cravat setting off his frilled shirt. His eyes were like liquid gold and seemed remote, far away.


“Bit young for you, eh, Father?” he said, his drowsy golden eyes laughing. Anne looked away, humiliated because she knew with what disdain everybody treated orange girls. “Sirs,” she started, a slight high-pitched quaver to her voice, “I am merely here to sell this fruit. I am most certainly not the kind of woman who-“


Her protests were ignored and she was interrupted mid-speech by the stranger’s son, who bowed – Anne could not tell whether the gesture was in sincerity or in jest – and began to depart from the stage. Before they had started to descend the steps, however, the overcoat-clad gentlemen returned and tipped his top hat at Anne.


“James Murdoch,” he said in a deep, throaty voice. “At your service. And your name might be...”


“Anne. Anne Lincombe,” she replied uncertainly, her dark eyebrows knitting together.


“A pleasure,” Mr Murdoch replied, his eyes twinkling. Then, he reached into the depths of his overcoat pocket and withdrew a handful of sovereigns. Anne was quick to refuse but he was quite insistent, pressing the coins back into her small palm. “Think of it as a gift from a well-meaning grand-father,” he said.


Anne accepted the money and smiled broadly at him, resigning herself to the fact that extra money would be useful at home, especially as she had managed to sell no fruit today before the performance. “Thank you, Mr Murdoch,” she said. “It is very kind and I scarce know how to thank you.”


At that moment, the massive scarlet curtains started to close and the musicians raised their instruments and began to tune up. “No trouble,” Mr Murdoch said. “No trouble at all. I believe tonight’s performance is beginning. Might I accompany you off the stage, Miss Lincombe?”


Anne emptied the coins into her pocket and took the arm he crooked towards her, walking down the stairs with a renewed spring in her step.



Okay Sarah, sorry if this review is crap, I really am rather lazy today :lol:

The dialogue I feel was one of your strongest points here. It was well thought out and worked well. I liked your description too, not too much but enough ;) This piece was good and has potential to be fantastic :) The only way to make it better, I feel, is to carry on with it. I'll come back tomorrow, and give a longer, better and altogether more interesting.
for what are we without words and stories?




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Thankyou to everyone for reading.
Just a quick alert: This isn't going to be am average historical romance, so don't let the first few chapters put you off.
Had I the heavens embroider'd cloths,
I would spread the cloths under your feet.
But I being poor, have only my dreams,
So tread softly, for you tread on my life.




User avatar
Gender Female
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CastlesInTheSky wrote:This is a novel I have just started, set in the Victorian Times. It was previously set in 1920 but it was far too hard for me to write as I barely knew anything about that time period and started this novel on a whim. So now it is in the Victorian Times, and Anne is no longer blind, due to the changed storyline. Um...oh yes, I would have put it in Historical Fiction but it covers multiple themes, so Other Fiction it is. :wink: It's quite rough. So tear apart.

(Hey there Sarah! I'm going to review this for you today, although my reviewing skills are quite rusty today.)

Chapter 2
Anne walked briskly along the cobbled streets, holding her thin cloak tightly against her as protection against the biting October wind. She clutched the basket with gloved fingers and glared at any man trying to make advances on her. Once at the King’s Theatre, she stood in front of the stage and checked the oranges inside her basket, to make sure none of the fruit was bruised or browned.


(I had to read the first sentence twice for it to register in my head. I'm probably just slow today, but I think it should be ..."holding her thin cloak tightly around her to protect her from the biting October wind..."

Ha, the American spelling of "Theatre" is "Theater"; I'll try not to let it bother me much though, haha. )


She felt a sharp tap on her shoulder and spun round to behold Eliza. A slim, gorgeous figure with a head of bouncy red curls and sparkling green eyes in a pretty, mischievous face. It was no wonder that Anne’s best friend had been accepted at the King’s Theatre the day she reached fourteen. Four years later, Eliza was now one of the best known performers in the theatre, and Anne was still an orange seller, just like the day she started, having neither her companion’s breath-taking looks nor her confidence on stage.


mmkay, now here, the first sentence somewhat irked me the way it was worded. Maybe you can reword this to be something like, "A sharp tap on her shoulder made her spin around to behold Eliza, a slim girl with a head full of bouncy curls..."

“What a lazy goose it is!” exclaimed Eliza dramatically, clutching Anne’s hand. “Oversleeping, I dare say. I must admit I was starting to think you would never arrive in time for the performance.”

Anne could not help smiling, in spite of her inner turmoil. “It is not like I am needed,” she said, feeling a pang of jealousy, as she always did, when comparing Eliza’s station and her own. “I wouldn’t have been missed, with all the other trollops around.”

“Come, now,” said Eliza, her light eyebrows knitting together. “Let’s not be sour.” She twirled around, holding out her skirts. She was clothed in a gown of fine embroidered cambric, trimmed in primrose yellow, with a blue velvet cloak. “Do you like it? It’s borrowed from the changing rooms, heavens knows what I would do if I had to buy my own costumes.”

Anne shook her head. “You’re vital to the theatre, Liza. They would pay you to work, if they had to.”


Remember to start dialog on a new paragraph!
To avoid another surge of envy, Anne turned away from her companion’s finery and cast a glimpse of disdain around the stage, at the other orange girls. There were six of them in total, though not all selling oranges. Holding baskets of apples and lemons, and other various sweetmeats of frosted rose petals, sugared almonds, marzipan shapes. All wearing much lower cut dresses than Anne and all batting their eyelids flirtatiously at any gentlemen who would come to peer at their merchandise.

Whether that was the fruit or their bodies, each were given willingly. Anne tossed her head, black tendrils tumbling about her thin, pale neck.

“What harlots,” she groaned to Eliza, who nodded sympathetically. “I refuse to make any such spectacle of myself. I will simply...sell the goods. As usual.”



The comma after stage is unnecessary. Also, in the sentence where you tell what their baskets contained, you should certainly stick "and" before marzipan shapes. The period after "sympathetically" should be changed to a comma


“Just as you should,” said Eliza approvingly, tossing a dainty head of bright curls at the crowd. “Whores, the lot of them. Do you remember the day you arrived here?”

“Indeed,” grinned Anne, her brown eyes crinkling up with laughter. “To fill the position you’d vacated, by being promoted to an actress.”

“And remember what Moll Megs said to you on your first day?”

“How could I forget?” Moll Megs, the woman in charge of the orange sellers, universally known as Orange Moll had terrified the fourteen-year-old Anne when she had first come to work at the King’s Theatre. She had but one grey tooth glistening in her head, and a head of lank white hair sparsely distributed over a frail skull.


Can a tooth glisten in ones head? Haha, maybe change that to mouth or something.
She spoke kindly enough, however, explaining to Anne that the oranges were to be sold for sixpence. “An’ if you give a special smile to the gentlemen and p’raps a kiss on the cheek, you might find yerself earning extra.”

Anne spluttered at the memory, and then the smile disappeared as her thoughts darkened. “But oh, Lisa,” she sighed. “I detest this lowliness...I would give anything to leave it. Though now poor Mother and I need all the money I can bring in. Because-“



She was cut off as Eliza was escorted away to rehearsals by an apologetic co-actor. She waved in Anne’s direction, making faces, and then disappeared into the changing rooms. Anne sighed and then hung her coat up and progressed to the middle of the stage, to stand with the other orange girls.

A dash is two hyphens, my dear :) (--)


She ended up being forced to stand by Elinor Marson, the most vulgar of the lot. She wore a scarlet gown so low-cut that each time she bent over, both bosoms appeared obligingly at the top of her dress. A fact which didn’t go unnoticed by the boys lighting the chandeliers at the top of the stage. They frequently threw copper pennies at the girls, of course, making sure they landed on the floor.

Elinor swaggered over to Anne once Eliza had gone. She simpered at her. “Your pockets look a bit empty today, Anne dear,” she said, displaying a fistful of shillings. “Though I dare say that’s nothing out of the ordinary. You ought to take a page out of my book, girl.”

Anne raised her eyebrows. “What book might that be, Elinor? Oh, you mean I ought to accompany any scallywag home for the night, for little less than a pint of tuppeny ale?"

Anne’s interlocutor stomped her satin-clad foot angrily and walked away, muttering angry comments. “Thinks herself above everyone else, don’t she?” Anne could make out. “What a plain, retiring tramp of a girl.”


You can take out "of course" in the first line-- it doesn't take away or add anything to the paragraph, so it's practically unnecessary. In the last paragraph, you should replace the period after "comments" with a comma, and same with the period after "out"

Anne laughed drily, catching sight of herself in a cracked mirror lying on the stage floor. She believed Elinor in that moment, though the quiet watcher standing nearby, had he heard her thoughts, would have strongly disagreed. She was not pretty in the same way as Eliza or Elinor, but her aquiline features were so arresting, it was impossible to dismiss her as plain.

Anne’s face was white and angular, with thick dark brows curving over her intelligent cocoa eyes, brown mosaic almonds starred with a jungle of bristly black lashes. She had not much of a figure, being tall and straight. She emanated fragility, an impression contradictory to her temperament.

Refusing to let her feelings be bruised by the girl she held in the most strong contempt, she turned away from the jagged glass and felt a light tap on her shoulder. She turned round, expecting it to be Eliza, but instead she found herself looking into the audacious black eyes of a stranger. He was staring at her in such a cool, impertinent manner that it aroused mixed feelings of indignation and feminine pleasure within her.


"drily" should be spelled "dryly". Hm, the description about her eyes seems a bit overdone here. You can trim that down a bit and whatever you take out can most likely be used some time later on.

“May I help you, sir?” she asked abruptly, feeling increasingly uncomfortable as the man’s sharp gaze travelled the length of her form. Seeing as he did not reply, she took the opportunity to conduct a quick surveillance of him, in turn.

Anne estimated the man to be in his mid-forties, judging from his jowly, bearded face and broad shoulders clad in a vast black overcoat. He was powerfully built and very tall, and when she met his bold eyes he smiled with animal-white teeth shadowed with a dark, close-cut beard.

Trying to conceal the unease that was building up within her, she strengthened her voice and unlocked her eyes from his. “Sir, if you do not want to buy anything, would you kindly step away.”


"Travelled" should be spelled, "traveled".

Haha, "animal white" teeth made me giggle. Sorry, but I've just never heard the term "animal white before". Maybe pearly white? Something else besides animal white, my dear.

When do her eyes become locked on his? She was looking him over, and then unlocks her eyes from his :).

He seemed surprised by the firm tone of her voice, and was about to reply when a younger man appeared by his side. He was dressed in a blue waistcoat and jacket, a cravat setting off his frilled shirt. His eyes were like liquid gold and seemed remote, far away.

“Bit young for you, eh, Father?” he said, his drowsy golden eyes laughing. Anne looked away, humiliated because she knew with what disdain everybody treated orange girls. “Sirs,” she started, a slight high-pitched quaver to her voice, “I am merely here to sell this fruit. I am most certainly not the kind of woman who-“

Her protests were ignored and she was interrupted mid-speech by the stranger’s son, who bowed – Anne could not tell whether the gesture was in sincerity or in jest – and began to depart from the stage. Before they had started to descend the steps, however, the overcoat-clad gentlemen returned and tipped his top hat at Anne.


The last paragraph here seems a bit rushed. Once again, remember that a dash is represented by two hyphens. or hold down ALT and press 22 on your numlock pad. If you have a laptop, the hold down the FN key while pressing the numbers on the keyboard.

“James Murdoch,” he said in a deep, throaty voice. “At your service. And your name might be...”

“Anne. Anne Lincombe,” she replied uncertainly, her dark eyebrows knitting together.

“A pleasure,” Mr Murdoch replied, his eyes twinkling. Then, he reached into the depths of his overcoat pocket and withdrew a handful of sovereigns. Anne was quick to refuse but he was quite insistent, pressing the coins back into her small palm. “Think of it as a gift from a well-meaning grand-father,” he said.



The period after "voice" should be a comma. You should put a period after Mr in Mr. Murdoch. "Then" is absolutely unneccessary here to begin a sentence with. You can begin it with "He reached..."
Anne declined. “No thank you, Mr Murdoch,” she said. “I have no need of it."

At that moment, the massive scarlet curtains started to close and the musicians raised their instruments and began to tune up. “No trouble,” Mr Murdoch said. “No trouble at all. I believe tonight’s performance is beginning. Might I accompany you off the stage, Miss Lincombe?”

Anne smiled broadly and took the arm he crooked towards her, walking down the stairs with a renewed spring in her step.


The "Anne declined" seems like a fragment here. You can drop it entirely, and where you have "She said" you can put "she declined". Also, the period after said should be a comma.




Very, very good Sarah. Well done! I can't wait for the next part! It was a good read, a bit difficult to understand at some parts, but it was good to say the least. Somethings you should pay attention to:


Pace: It seemed to go a bit fast at some parts. I don't think the overall piece was too fast, I just think that some of the parts that should be dragged out slightly more were a bit too brief.

Commas: Often you use a period where you should have a comma. Whenever you stage something like this;

"Yes Ma'am," she said, "I'll do it now." A comma should be used at the first pause, and after the... I forget the name for it, but after "said". Just pay attention to that and then you'll be good!

Over all it was great! Now, onto part three!


Keep it up Sarah!

June
"I'd steal somebody's purse if I could google it and then download it." -- Firestarter




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She clutched the basket with gloved fingers and glared at any man trying to make advances on her.

Why not show this with an action, a scene. As opposed to a few words, give us action and interest.

cocoa eyes

Tea and cocoa are two different colors. Tea seems lighter, cocoa darker. Perhaps there is some reason her eyes have darkened?
__________________________________________

Characters:
I'm liking your main character a lot more in this chapter, comparatively. She seems to come to life here, and her friend, Eliza, is great so far. Very distinct. Try to incorporate that into the previous section.

Plot:
Progressing, progressing. So far, so good. As long as it doesn't cliche, as you promise it wont.

Overall:
I liked this section much more overall than the last. It flowed. The language was natural and the characters real. The only suggestion I have is more of an overall statement. Emotion is lacking. Things happen, there are mild emotions, the necessary, but nothing that makes this painted picture come alive. Bring it to life, and you've got something spellbinding in the makes.

Keep up the good work,
-JC
But that is not the question. Why we are here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come. -Beckett




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I am really liking your story.

Your dialog and descriptions are improved and I like to see improvement. I love your characters and everything about this story. I certainly wasn't bored so good job making this quite entertaining.
Mr. Murdoch and the polite boy seem like they will people of interest throughout this story but I shall not make assumptions.

There were only a couple of nit-picks that I had:
Anne walked briskly along the cobbled streets, holding her thin cloak tightly against her as protection against the biting October wind. She clutched the basket with gloved fingers and glared at any man trying to make advances on her. Once at the King’s Theatre, she stood in front of the stage and checked the oranges inside her basket, to make sure none of the fruit was bruised or browned. Having made her inspection, Anne contented herself with gazing around her at the theatre, which never ceased to amaze her.


The beginning is supposed to completely hook the reader and have them transfixed. Though I felt that you went down the road, you sorta failed to go the whole mile. The underlined sentences were beautiful its just after that you go right into "Once at the King's Theatre..." and that bit just lacked transition. I'd like to see more there but not a lot just two or three more sentences.

Favorite Part:
As she said this, they both cast a glance of disdain around the stage, at the other orange girls. There were six of them in total, though not all selling oranges. Holding baskets of apples and lemons, and other various sweetmeats of frosted rose petals, sugared almonds and marzipan shapes. All wearing much lower cut dresses than Anne and all batting their eyelids flirtatiously at any gentlemen who would come to peer at their merchandise.

Whether that was the fruit or their bodies, each were given willingly. Anne tossed her head, black tendrils tumbling about her thin, pale neck.

“What harlots,” she groaned to Eliza, who nodded sympathetically, “I refuse to make any such spectacle of myself. I will simply...sell the goods. As usual.”


This piece was written beautifully and I felt that it was the second highlight of this chapter. The first one of course, would be the encounter with James Murdoch.

You have me hooked now, so I'm off to the next chapter.

Keep writing,

~Angel
True love, in all it’s celestial charm, and
star-crossed ways, only exist in a writer’s
mind, for humans have not yet learned
how to manifest it.




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Alrighty =P

Anne walked briskly along the cobbled streets, holding her thin cloak tightly against her as protection against the biting October wind.

I don't like this--not the end part, at least. I'd reword it to something that flows a little better: "Anna paced along the cobbled streets, holding her thin clock tightly, to protect her from the October chill." I changed "walked briskly" to "paced", because it's shorter, snappier, and makes it more active than a boring verb with an adverb.

and glared at any man trying to make advances on her.

And there were many of those? Is it significant? Could it help to develop character? I think so. Expand a little.

Eliza. A slim

Replace the full stop with a comma, since it flows better and you don't have an unnecessary fragment hanging around.

I would also like a slightly extended description as to why she is so beautiful. She's slim and has curly hair, but "gorgeous" is such a vague term, and by that you're stating that Anne herself found her gorgeous. That's fine so long as you explain to us the features beforehand--soft skin? Tender nose? Eyes that sparkled like stars? Something else cheesy?

exclaimed Eliza dramatically

The adverb is redundant. You can hardly exclaim something not dramatically. Try it.

grey tooth glistening

I just found that strange--white teeth are renowned to glisten, but grey? Maybe glimmer the moonlight, or something else.

No more nitpicks from me. This was, as before, a great read and well written, with special note to the change in dialogue and character development. I'd still love some type of physical description of Anne, though. So we know what her face is like and have a vague idea of her shape, but what would be better is if you could put that against how she feels about it--is she embarrassed? Can you express her poverty in it somewhat?

What I would like is some more action. I found it slow, and, although I respect the need for character development, didn't feel entirely engaged. One way I would counteract this, is, if she's involved in say a workhouse or whatever later on, put that at the start, and use the rest as a flashback. Just something to think about. If you are reluctant to do that (very understandable), just think more about how you can add small parts of action into this. As we learn more about Anne we will become more interested, so use that to your advantage. Specifically, add a sense of urgency, as if she needs money and will do a lot to get it.

Hope I helped,
Mark
"A man's face is his autobiography. A woman's face is her work of fiction." ~ Oscar Wilde




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Back for another dose!

I. NITPICKS

Bronze plaster Cupids decorated the walls, with stone wings frozen in flight forever


They're made of bronze, plaster AND stone?

“It is not like I am needed,”


Dude... the lack of abbreviation doesn't make it classy or formal, it makes it weird :D. I'd go with "It's not like I'm needed."

Holding baskets of apples and lemons, and other various sweetmeats of frosted rose petals, sugared almonds and marzipan shapes. All wearing much lower cut dresses than Anne and all batting their eyelids flirtatiously at any gentlemen who would come to peer at their merchandise.


Just out of interest... ever read The Life and Times of Eliza Rose by Mary Hooper? That's where I learnt what an orange-seller really was, and seeing as we have rather similar taste in books...

interlocutor


Anne's what?

II. CONNECTION

I would just make sure to connect this chapter to the last one. Is she distracted by the thought of moving out? Wouldn't she take the money off of the man? Perhaps she's more desperate and even more willing to sell herself a little if it means they can have enough to pay the rent?

II. OVERALL

You do well. That is all. :)

Hope I helped, and PM me if you feel the need!

-Stella.
"Stella. You were in my dream the other night. And everyone called you Princess." -Lauren2010



Go in fear of abstractions.
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