My Dearest Madelyn

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Hey Anti-pop! Here is my review as promised! Let's see what you've got!
anti-pop wrote:“Get out.”

“What?”

“You heard me. Get out.”

“Maddie, please—”

“Don’t."

John tried to open the door further Awkward, reword . He had just returned home from a long business trip in Philadelphia, and he could hardly wait to see his girl. Well, he had wanted to see her. The moment he walked in the door insert comma he was greeted by the lovely but livid figure of his girlfriend, Madelyn. Her blond tresses were flowing freely over her shoulders, [s]just like he preferred[/s], and she was even wearing his favorite dress. Show us how her beauty makes him feel.

“Maddie, I just—”

“Get out!” she threw his suitcase at him as he tried to coax his way back into the room.

He exhaled sharply as the briefcase [s]suitcase[/s] hit him squarely in the chest. His knees buckled under its weight [s]and he almost fell backwards[/s]. Staggering slightly, John managed to regain his balance only to have another bag launched at him. This one caused him to drop the suitcase; bursting open and spilling its contents all over the apartment floor.

He groaned.

“Maddie, let’s not—”

“All you ever do is work, John! Work, work, work, work, work!” she yelled, her voice cracking on the last ‘work’. “I never get to see you! And when you finally get back, what happens? You give your secretary an engagement ring!” her lower lip trembled as her voice increased in volume.

John stopped. She had seen him? This sentence didn't make sense. Maybe instead say "She had seen him propose?".

He closed his eyes and shook his head. No, no, no! This wasn’t supposed to happen!

“No! Maddie, you don’t understand. It was just—”

“Just what, John?”She interjected, tears sprouting in her eyes. “I thought you loved me, John. Only me.”

“I love you more than anything, Maddie.”

“But how can I know that?” Her voice[s] was almost back to its normal level now, but still [/s]held every ounce of rage and sadness. “You told me that before, John. And I was stupid enough to believe it,” she closed her eyes as tears freely flowed down her pink cheeks.

John took a few hesitant steps over to her and sighed. [s]This wasn’t supposed to happen.[/s] you said this already
“Maddie. Please, just look me in the eye,” he placed his hands on her shoulders.

She quickly shrugged them off.

“Don’t touch me.”

John’s eyes widened for a moment, then fixed their gaze onto the floor. He turned, [s]not knowing what else to do. [/s][s]G[/s] gathering up all of his bags and walked out of the apartment. He couldn’t bring himself to turn his head to look back at her as he shut the door; her quiet sobs ringing in his ears.

Madelyn just stood in the middle of the room; arms wrapped tightly to her body in attempt to anchor herself while the rest of her felt like caving in.


***


John was never much of a romantic. He loved Madelyn with all of his heart, but he wasn’t one to put it into words. As he sat on the bed in his apartment, head in his hands, he tried to make sense of what had just happened.

The plane had arrived much sooner than expected, and during most of the flight he had been contemplating something of utter importance. Once he got off of this plane, he was prepared to change his life. He was going to live the way he wanted to, not the way he was supposed to. This felt a little too telling. show us a bit more

After calling a taxi, he decided to head over to the mall [s]and prepare for step one of his new life[/s]. Upon arrival, he called the only other woman who lived close enough by (and who wouldn’t mind being called so late in the evening). His secretary, Cheryl, arrived a few minutes later and he explained his [s]new [/s]ideas to her. She agreed wholeheartedly and offered to give him a ride home after they were finished at the mall.

It was difficult for John to find what Madelyn might like, but Cheryl helped immensely. He couldn’t have done it without her, really. It was a shame that the moment he asked for her opinion in the jewelry department insert comma he didn’t see a young woman quite a few display cases down gasp and leave suddenly. She had just been to the beauty salon so she would look nice when her lover arrived later from a business trip. This felt awkward, reword

When Cheryl dropped John off at Madelyn's apartment complex, she gave him a small hug and a heartfelt goodbye. She told him how happy she was for him, and how she would see him around. John made his way up to Madelyn's apartment, eager to see the woman who held his heart. I'd rather you show us the entirety of this scene rather than summarizing it in a telling fashion. That's just my opinion.

But something went wrong.

He straightened his back and rubbed his eyes, his head throbbing. [s]What could he do to make this right?[/s]A few minutes passed when his gaze fell upon a blank sheet of paper lying on his bedside table. He sighed and picked it up, fishing through his suitcase for a pen. If this was what he had to do, he would.

All for Madelyn. He couldn’t lose her. Not now.


***


The postman hated his job. He hated it with an absolute, indescribable, fiery passion that could only be compared to the flames of Hell. Love it! Because of this, he treated everyone who dared to associate themselves with him like the dirt beneath his shoes. Many often wondered why on earth someone like his continued his occupation, but his answer, if anyone bothered to ask, was always because he "just couldn't quit". I'd rather you just show us what he's like rather than telling us he's absolutley mean and pompous

It was December 10th, 2008. A cold day to be out delivering mail to those who, in his opinion, were "too lazy to get it themselves". The air was rather foggy as it often was come winter, and the mail carrier could see his breath stream from his mouth in little puffs. He wrapped his scarf around his neck once more and adjusted his earmuffs.

The only thing that kept him going that evening was the promise of going home to see his wife. He didn’t like her all that much, but boy, could she cook. Tonight would probably be pork chops, and the old postman couldn’t wait. This blasted cold weather always made his head pound and his stomach ache for some good hot food. But he still had quite a way to go before he could head back home.

He groaned and began making his way down the streets when he came across a street vendor selling roasted peanuts. Description please! What do his surroundings look like? Stomach rumbling, [s]he figured taking a quick break shouldn’t set him too far back from dinner. H[/s]he crossed the street towards the vendor [s]and nearly became the victim of a fatal accident[/s]. He was just a step away from the other side of the road when a bright red Camry came to a screeching halt no less than an inch from the man.

Because the driver of the vehicle had managed to successfully avoid ending the life of the city's beloved postman, he jumped out of his car and began to shake his fist at the jay-walking perpetrator.

Meanwhile, the postman had attempted to jump out of the way, but failed and landed in strange position on the curb. His bag had spilled and letters flew everywhere. Bills, magazines, invitations; all were scattered across the curbside. The mail carrier scurried up and managed to snatch up all but one. It had landed between the grates of a gutter, and the mail carrier decided that it was too filthy for him to pick up. Show us this!

He shrugged, figuring that the letter was better off in the gutter.


***


After John left, Madelyn had cried the remainder of the evening. She even cried herself to sleep while wondering what had gone wrong. What had she done that had driven John away from her? Wouldn't she be more upset that she thinks that he had proposed to his secretary? The last question just felt a bit cliche Why did it have to happen?

The next day she stayed in her apartment and waited. She sat by her phone and waited Try not repeating words for a call. For something. For anything. For a shred of hope that things were going to be the way they were, and John would love her once again.

Night had begun to fall when Madelyn made her decision. If he really loved her, he would make the first attempt to speak with her. If not, then he really did love Cheryl, and Madelyn wouldn’t get in the way. She would let them be happy together and let them love one another; just as she had loved John.

She would wait for John.

Madelyn never heard from him again.


***


At a small French restaurant across town,[s] there [/s]sat a man. He occupied a single seat at a table meant for two. The restaurant would be closing in less than an hour, and he was the only customer there. He arrived at exactly 5:00 pm and had been there for almost four hours now. Much to the annoyance of the manager, he hadn’t eaten a thing. For the first three hours he had checked his watch several times a minute, his eyes straining as if hoping he was reading the hands wrong.

For the past half hour, he had taken up staring in silence at the empty seat across from him. A young waiter had tried and failed many times to offer him something to drink, but the man just refused with a shake of his head. Once closing time came around, the waiter approached the man once more, feeling a strong sense of sympathy for him.

“I’m sorry, sir. It’s closing time.”

The man said nothing, but kept his head in his hands.

The waiter leaned forward.

“Sir..?”

The man shook [s]was shaking[/s], and several wet drops slipped through his hands and onto the clean tablecloth. Lifting his head, he opened his right hand. The ring he had been clutching had left distinct marks on the inside of his palm. Describe more of what the indents look like The man simply turned his hand downward, and allowed the small ring to drop onto the table.

He left without a word.

He had to get some rest. He had to go back to his job in the morning. The job he had been going to quit.

Just to be with her.


***


“Mommy, what’s this?”

A woman who looked to be in her thirties replied, “What's what, sweetie?”

A small six-year-old child extracted a crumpled piece of paper from his pocket Wait, wouldn't a child not put it in his pocket? Usually children show it the second they find something interesting. . It was ripped, dirty, soggy, and looked as if it had even been run over a few times.

“Ryan! Put that down! That’s disgusting!” she quickly swatted the paper out of the boy’s chubby hands and thrust a small green umbrella at him. “Here, it’s starting to sprinkle. Hold this.”

The boy proudly held up his umbrella as the two began to walk back down the city streets towards home.

The crumpled paper fell back into the gutter where the child had found it. True, the paper was dirty. There was mud and water, rips and tears, and even tire marks. And it was the most beautifully sad thing in the world. Through the ink smudges and the dirt one could see written:



My Dearest Madelyn,


Please, hear me out.

You know I love you more than life itself – you have to. Who else but you would stay with someone who’s gone for months on end? I don’t know, and probably will never know, why you always insisted that you’d be right here when I got back. Sometimes, the only thing that would ease the pain of not having you was the thought of being with you again. The only thing that kept me from feeling broken was the assurance you gave me every single night when you called— only to tell me that you were still there.

Madelyn, darling, what you saw yesterday was a mistake. I was not cheating on you, nor would I ever. Cheryl was helping me shop for you. You have to understand that I don’t know the first thing about shopping; let alone what women like. I didn’t want to tell you because…well, here. I’ll show you.

Maddie, if you still love me and will still hold me in your heart, then I want you to meet me.

Tomorrow, December 11th at 5:00 pm, at the Château Fantaisie.

I will wait for you all night if I must, but if you decide not to come, then I understand. I will never deserve someone as breathtakingly ideal as you, Maddie. I never have. I knew that God had smiled upon me the day that we met. But I still cannot understand why you wanted me. You deserve so much better, Maddie. Someone who will always be by your side. Someone who will never leave you. I want to say I’m so sorry I’ve never been able to live up to that.

If you can find it in your heart to forgive me, I will see you tomorrow night.
If you find that my love isn’t satisfactory, then you don’t have to show up. If I leave for home tomorrow night without you back in my arms, I will never burden you again. I will keep my things at my apartment, and I will not bother you with calls or letters. If we should ever meet again after that, it will be as mere acquaintances.

I love you, Maddie.

And if this is it, farewell.


John


Overall:

The Good: Cute ending! I liked the letter! And interesting idea overall.

Stuff That Could Use Some Work:

The Three Ds: Description, Dialogue, and Detail. You've gotten the dialogue part down really well, but I can't say the same for the other two. When I was reading the piece, it felt a bit skeletal. What I mean by that is that it lacked description and details. I couldn't picture your MCs at all or their surroundings and for some reason that really bothered me.

Pace: Slow down! It felt very rushed overall. There were multiple areas in the story that you could have expounded upon. This adds to the skeletal feelings that I felt in the beginning.

The Premises: Okay, frankly I had a bit of trouble with the entirety of the letter business. The letter itself was very cute and heart wrenching, but the role of it in the story was a bit unbelievable. 1) We're in the phone age and if he really wanted to talk to her, he should have called her. It just felt too extravagant that I couldn't believe that he would think she'd get this letter. I don't know why, but for some reason it felt a bit far fetched.

True Love?: I agree with the above reviewer who stated that we really don't know enough about your two characters to care about them. I just didn't feel the emotion and love that they felt for one another. Develop your characters. Show us how much they love one another. I want MORE emotion, more pain, more struggle, more hopelessness so I can drown in my tears. It just wasn't as touching as I expected it to be because I just couldn't feel the love.

Show us A Story: This problem came up throughout the entire piece (showing versus telling). You told a lot of your story. What I mean by that is you said "The man simply turned his hand downward, and allowed the small ring to drop onto the table." it would be better if you said it like "The man turned his hand downward, his eyes glistening in the low lamplight of the restaurant. The glittering band dropt onto the table with a low thunk, a sound that echoed in his mind long after he left the restaurant" I know that's an awful example, but something along those lines. For example (I'll try again) if you say "she was angry" you should show us by saying "her hands clenched into fists at her sides, her nails digging into her palm. Heat crept up her neck, threatening to disband any last ounces of restraint that she possessed." See the difference? Try to do that with your entire story.

Good job! If you have any questions, let me know.




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Hey there! Sorry for the week-long delay. I don't want to lose my reputation here, so I hope you can handle a harsh review =]

“Get out.”


I don't think I ever will be able to accept any beginning to any story that starts with a piece of dialogue with no tag. First off, the first paragraph is incredibly vital to hooking your reader in, and these two words just don't cut it. Sure, they interest us somewhat with the blunt, yet infamous command of "Get out," but we still don't know what to infer. Is this a teenage girl, playfully slapping her friend when she's told that she's liked by that total hottie in her biology class? Or is this a husband recalling a story to his friends about how his wife kicked him out of the house for a night?

You're trying to create a large impact on the reader with so few words, but it's backfiring. We don't know what's happening, and most likely when somebody doesn't know what's happening in a story, that start to not care.

“What?”

“You heard me. Get out.”

“Maddie, please—”

“Don’t."


I think if the word "cliche" dropped out of the sky and broke your nose, you still wouldn't be able to see how overused this conversation is. Girl tells guy to go away, guy protests, girl cuts him off and slams door in his face. In this case, we now know what the situation is, and you've introduced one of the characters. What we still don't know is what Maddie's tone is when she says the dreaded first words, and what the poor guy's expression was when she cuts him off and shuts the door on him. Read this conversation to yourself in monotone, because that's how your making the reader hear it. Now think to yourself, "What kind of relationship do these two characters have? How was each feeling when they uttered their lines? Why did they say what they said?"

John tried to open the door further. He had just returned home from a long business trip in Philadelphia, and he could hardly wait to see his girl. Well, he had wanted to see her. The moment he walked in the door, he was greeted by the lovely but livid figure of his girlfriend, Madelyn. Her blond tresses were flowing freely over her shoulders, and she was even wearing her most attractive dress.


I'm positive you've heard "show, don't tell," before. How can we infer that he's returned home from a business trip, rather than you just blatantly pointing it out? Talk about how he bumps into his suitcase when he backs up from having the door slammed so spontaneously. Tell us the details about how he presses hard against the mahogany door, jamming his ear against the wood so he can hear the sighs of his beloved.

And when you speak of Madelyn and her "blond tresses flowing freely over her shoulders," you made it sound very present tense-y, when it really happened in the past. You're writing this in in the past tense, so what you should be saying is something like, "Her blond tresses had been flowing freely over her shoulders, and she'd been wearing her most attractive dress." "Had been" are our key words here.

“Maddie, I just—”

“Get out!” she threw his suitcase at him as he tried to coax his way back into the room.

He exhaled sharply as the suitcase hit him in the chest. His knees buckled under its weight. Staggering, John managed to regain his balance only to have another bag launched at him. This one caused him to drop the suitcase; bursting open and spilling its contents all over the apartment floor.


I'm confused. I thought she shut the door. You say that he's trying to open it further. Is she attempting to hold it closed? And wow, Madelyn must be really strong if she can throw a suitcase at a man who "buckles under it's weight." And I don't understand that semi-colon, either - it doesn't belong there, so perhaps you should change it to a comma? And this is a little too dramatic for what's actually happening; the verbs you use make it seem like poor John is being brutally attacked by flying suitcases, while in reality she's simply throwing two at him, two suitcases that should be easy to dodge, and aren't really worthy of a sharp exhale. By the way, try to exhale sharply. I think you might have meant inhale.

He groaned.

“Maddie, let’s not—”

“All you ever do is work, John! Work, work, work!” she yelled, her voice cracking on the last ‘work’. “I never get to see you! And when you finally get back, what happens? You give your secretary an engagement ring!” her lower lip trembled as her voice increased in volume.


Ha, John was totally owned. And isn't he ever going to get a word in edgewise? What a bitch. Anyway, I believe the "her" after Madelyn's last sentence should be capitalized. And her dialogue is slightly awkward. I would suggest you read it out loud, in the tone Madelyn would, and see if it sounds real to you. Most people don't scream "what happens?" and then answer their own questions. You think they would, but they don't. Most of the time they curse at ninety miles per hour while choking on their tears. Or, if the person is really sensitive, they are too overcome by their emotions to really think of something remotely intelligent to say at all, like your character does here.

John stopped. She had seen him?

He closed his eyes and shook his head. No, no, no! This wasn’t supposed to happen!

“No! Maddie, you don’t understand. It was just—”

“Just what, John?”She interjected, tears sprouting in her eyes. “I thought you loved me, John. Only me.”


Here's the tears! And space between, "Just what, John?" and "She interjected." And by the way, imagine the guy who cheated on you closing his eyes and randomly shaking his head back and forth. Wouldn't you sort of cock your head a little and let him say what he has to say?

“I love you more than anything, Maddie.”


And when John finally isn't interrupted, he says something that doesn't help his case in the slightest. Of course, this should be what first popped into his head when she said, "Oh, I thought you only loved me." Why am I commenting on this?

“But how can I know that?” Her voice held every ounce of her rage and sadness. “You told me that before, John. And I was stupid enough to believe it.” She closed her eyes as tears flowed down her pink cheeks.


Aw.

John took a few hesitant steps over to her and sighed. This wasn’t supposed to happen.


Yes. We know. You told us. Dude, why isn't he explaining already? He has the time - do it now! Go, go, go! In real life the guy would be trying to explain everything possible, and make the girl listen to him. Now he's got time, and he's deciding to wobble around in the hallway and be dramatic. Smart protagonist you have there.

“Maddie. Please, just look me in the eye,” he placed his hands on her shoulders.

She shrugged them off.

“Don’t touch me.”


He was totally owned. Again! But I think that her shrugging him off and her "don't touch me" should belong to the same paragraph, don't you think so?

John’s eyes widened for a moment, then fixed their gaze onto the floor. He turned, gathered up all of his bags and walked out of the apartment. He couldn’t bring himself to turn his head to look back at her as he shut the door; her quiet sobs ringing in his ears.

Madelyn just stood in the middle of the room; arms wrapped tightly to her body in attempt to anchor herself while the rest of her felt like caving in.


You're getting too cocky with all the semi-colons. Just replace them with commas, because they work just fine. And I still fail to understand why he doesn't tell her his story. I know he does in the letter, which gets lost, and which progresses the whole story, but if this scene was just him saying, "Hey Madelyn -" and her shutting the door in his face, it would me much more believable than all the dramatic dialogue and actions. In fact, if you took the first two paragraphs and the last two of this scene, it would have been better than all that tension, because all that pretty much does is confuse us.

John was never much of a romantic. He loved Madelyn with all of his heart, but he wasn’t one to put it into words. As he sat on the bed in his apartment, head in his hands, he tried to make sense of what had just happened.

The plane had arrived much sooner than expected, and during most of the flight he had been contemplating something of utter importance. Once he got off of this plane, he was prepared to change his life. He was going to live the way he wanted to, not the way he was supposed to.


Nice start to this next scene.

After calling a taxi, he decided to head over to the mall. Upon arrival, he called the only other woman who lived close enough by (and who wouldn’t mind being called so late in the evening). His secretary, Cheryl, arrived a few minutes later and he explained his new ideas to her. She agreed wholeheartedly and offered to give him a ride home after they were finished at the mall.

It was difficult for John to find what Madelyn might like, but Cheryl helped immensely. He couldn’t have done it without her, really. It was a shame that the moment he asked for her opinion in the jewelry department, he didn’t see a young woman quite a few display cases down gasp and leave suddenly. She had just been to the beauty salon so she would look nice when her lover arrived later from a business trip.


Great with the showing and not telling. It's a shame that Madelyn misunderstood the situation...

When Cheryl dropped John off at Madelyn's apartment complex, she gave him a small hug and a heartfelt goodbye. She told him how happy she was for him, and how she would see him around. John made his way up to Madelyn's apartment, eager to see the woman who held his heart.

But something went wrong.

He straightened his back and rubbed his eyes, his head throbbing. A few minutes passed when his gaze fell upon a blank sheet of paper lying on his bedside table. He sighed and picked it up, fishing through his suitcase for a pen. If this was what he had to do, he would.

All for Madelyn. He couldn’t lose her. Not now.


You make it seem he's going to jump off a cliff for her or something with the "He couldn't lose her..." I like the "eager to see the woman who held his heart," though. And you didn't use a semi-colon incorrectly! Yay!

The postman hated his job. He hated it with an absolute, indescribable, fiery passion that could only be compared to the flames of Hell. Because of this, he treated everyone who dared to associate themselves with him like the dirt beneath his shoes. Many often wondered why on earth someone like him continued his occupation, but his answer, if anyone bothered to ask, was always because he "just couldn't quit".


It's great that the postman hates his job, but care to tell us why? Does he hate wandering around in the sometimes merciless weather, or is he always late for his appointments? Does he wish he could spend more time with his wife and kids? Has he always dreamed of getting a promotion to UPS man? That last one was a joke =] Anyway, looking at the second sentence, we can see that this guy despises going to work everyday. So he doesn't quit because he "just couldn't?" Interesting. Seems like some writer is trying to dodge giving the reader any reasons for this paragraph because they like the wording in it too much. cough.

It was December 10th, 2008. A cold day to be out delivering mail to those who, in his opinion, were "too lazy to get it themselves". The air was rather foggy as it often was come winter, and the postman could see his breath stream from his mouth in small puffs. He wrapped his scarf around his neck once more and adjusted his earmuffs.

The only thing that kept him going that evening was the promise of going home to see his wife. He didn’t like her all that much, but boy, could she cook. Tonight would probably be pork chops, and the old postman couldn’t wait. This blasted cold weather always made his head pound and his stomach ache for some good hot food. But he still had quite a way to go before he could head back home.


Ha. I really don't like the postman that much. He probably has an incredibly annoying personality.

Meanwhile, the postman had attempted to jump out of the way, but failed and landed in strange position on the curb. His bag had spilled and letters flew everywhere. Bills, magazines, invitations; all were scattered across the curbside. The mail carrier scurried up and managed to snatch up all but one. It had landed between the grates of a gutter, and the postman decided that it was too filthy for him to pick up.


How do you "scurry up?" And what kind of strange position did he land in? And you used a semi-colon correctly! This calls for a celebration!

He shrugged, figuring it was better off in the gutter.


Ew. How mean. Go and get it, you filthy old man.

The next day she stayed in her apartment and waited. She sat by her phone, anticipating a call. For something. For anything. For a shred of hope that things were going to be the way they were, and John would love her once again.


Sort of strange, seeing how she totally blew him off the night before.

Night had begun to fall when Madelyn made her decision. If he really loved her, he would make the first attempt to speak with her. If not, then he really did love Cheryl, and Madelyn wouldn’t get in the way. She would let them be happy together and let them love one another; just as she had loved John.


And here comes another unnecessary semi-colon! Just replace it with a comma, please. And fabulous foreshadowing, with her silent logic of how if he doesn't call her, he doesn't love her. And then we find out later John has the same exact kind of logic... Clever.

She would wait for John.

Madelyn never heard from him again.


And there ends Madelyn. Nice last line - you couldn't have picked a better one.

For the past half hour, he had taken up staring in silence at the empty seat across from him. A young waiter had tried and failed many times to offer him something to drink, but the man just refused with a shake of his head. Once closing time came around, the waiter approached the man once more, feeling a strong sense of sympathy for him.


There is no comma in the first sentence, because you don't naturally pause there. And I adore how you don't tell us Johns name and let us infer that it's him. Makes the story that much cuter.

The man shook, and several wet drops slipped through his hands and onto the clean tablecloth. Lifting his head, he opened his right hand. The ring he had been clutching had left distinct marks on the inside of his palm. The man turned his hand downward, and allowed the small ring to drop onto the table.


Yeah, no comma in the last sentence either. And I totally feel for John here; I want to give him a nice, giant hug and tell him why she didn't come. Which obviously was your goal here, so nice job!

He left without a word.

He had to get some rest. He had to go back to his job in the morning. The job he had been going to quit.

Just to be with her.


I'm on the edge of my seat, here.

“Mommy, what’s this?”


AH! More dialogue without tags! Why do you have to start scenes like this?

My Dearest Madelyn,

Please, hear me out.

You know I love you more than life itself – you have to. Who else but you would stay with someone who’s gone for months on end? I don’t know, and probably will never know, why you always insisted that you’d be right here when I got back. Sometimes, the only thing that would ease the pain of not having you was the thought of being with you again. The only thing that kept me from feeling broken was the assurance you gave me every single night when you called— only to tell me that you were still there.

Madelyn, darling, what you saw yesterday was a mistake. I was not cheating on you, nor would I ever. Cheryl was helping me shop for you. You have to understand that I don’t know the first thing about shopping; let alone what women like. I didn’t want to tell you because…well, here. I’ll show you.

Maddie, if you still love me and will still hold me in your heart, then I want you to meet me.

Tomorrow, December 11th at 5:00 pm, at the Château Fantaisie.

I will wait for you all night if I must, but if you decide not to come, then I understand. I will never deserve someone as breathtakingly ideal as you, Maddie. I never have. I knew that God had smiled upon me the day that we met. But I still cannot understand why you wanted me. You deserve so much better, Maddie. Someone who will always be by your side. Someone who will never leave you. I want to say I’m so sorry I’ve never been able to live up to that.

If you can find it in your heart to forgive me, I will see you tomorrow night.

If you find that my love isn’t satisfactory, then you don’t have to show up. If I leave for home tomorrow night without you back in my arms, I will never burden you again. I will keep my things at my apartment, and I will not bother you with calls or letters. If we should ever meet again after that, it will be as mere acquaintances.

I love you, Maddie.

And if this is it, farewell.

John


The first part I italicized is two sentences where you should omit all the commas in there. The second sentence is one where you turn the semi-colon into a comma.

I wanted to cry when I read this letter. It's so breathtakingly sweet.

***

CHARACTERS

JOHN
Let's have a look at your protagonist, whom I loved. He's so love-stricken that you can't help feel for him. He's the kind of guy you'd want to marry, yet you don't want him to end up with anybody else but his assigned love, Madelyn. One of his only cons is that he isn't fast enough in the head, or he tries a little too hard to make a dramatic impression. In the beginning he strives to explain to Madelyn why she saw him with Cheryl, and he doesn't take advantage of the multiple chances he had to do so. Obviously if he did this story wouldn't exist, but you have to be careful.

MADELYN
Ms. Main Supporting Character. In the introduction, we hate Madelyn because she refuses to listen to John. We can see that he meant no harm in whatever he did, yet she adamantly believes that he wanted to humiliate her. In the scene with her waiting for John to contact her, we see her true colors, in which she truly loves our beloved protagonist. We see that she feels guilty for not letting him explain himself, and not holding him in her arms as soon as he stepped off that plane. You played these characters like puppets, here. They both had philosophies that caused them to meet the ending that both dreaded the most, which is obviously not ending up with one another. In the beginning I personally disliked Madelyn, but as we went on I understood her. I don't think she really has some cons, except she's too composed and quick when she's breaking into tears, as she does in the first couple paragraphs.

POSTMAN
This guy ticked me off, because he generally has no positive feelings toward anybody, even his wife, who seems like an innocent woman who has done nothing to make him dislike her. He's the glue that holds the story together, yet I can't forgive this man for letting that sweet, gorgeous letter slide down into the gutter. He was pretty in character for the most part, he did nothing that wasn't believable for normal human being.

GRAMMAR
Awesome. But you need to learn how to use semi-colons!

DIALOGUE
Try to add tags as much as possible, or else we won't know what your talking about. We won't know the expression, the tone, the setting, the person who's speaking - and yet, aren't those vital components for dialogue?

OVERALL
I liked this, I really did. I'm sorry I wasn't as harsh as you expected me to be, but I just liked this story too much! Sad endings leave the biggest impact, and although this one wasn't an incredible tragedy, it still left your heart a little sore. I finished 'A Walk to Remember' last night, and I tell you that I was bawling when I finished. You seem like the kind of author that sort of aims for that effect on your reader. If not, I recommend the book anyway!

If you have any questions, comments, or cries of outrage, feel free to PM me! Can't wait for your response, and thanks for the guest book post =]

Keep Writing!
~*Sara*~
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That was amazing! I was just waiting for the happily-ever-after, but somehow it was made better that it never came. It was sooo sad, but in a good romantic way (if that makes any sense). Most of the nitpicks were covered by the other reviewers. So, excellent job on building suspense and setting the scene.
**leaves with a gun to kill the postman**

fluteluvr77<3
Love is the answer to life yet the slowest form of suicide.
Love is a paradox.
And that's why we love it.

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Hey pop!

So, for some weird reason, all of the things of yours that I review aren't really reviews. They're more like me just saying that you rock epically. I wonder why? I need to get here sooner so I can actually be of some help to your writing, not just your ego. :D

So, here goes.

You rock epically.

Yeah, I read this a while ago before I was a member and absolutely loved this. There's no surprise that it won Sarah's Imagine contest; it's really a great plot, taking something as insignificant as a groucy old mail-man and having it ruin lives. I see that many people have gotten their hands on this and ripped it to shreds, but it all paid off because now it's wonderful. The storyline is fabulous, and it does make it all the better without the happy-ending.

See? I work wonders for your self-confidence. What would you do without me and my epicness? :D

I just saw that someone else brought it back to the first page and thought I'd leave a message. Talk to you soon!

~Evi
"Let's eat, Grandma!" as opposed to "Let's eat Grandma!": punctuation saves lives.




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This story is pretty good. You had a good hook that kept me reading on. you're discriptions were pretty decent and how you described the character's personalities is really good. I just couldn't stop reading and its hard somthing like you've written. good job :)
"More than anything, all I've ever wanted was to be close to someone."
-a million little pieces




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*wiping tears* Wow! You are probably the best writer I've reviewed on this site so far. Your story had deep emotion and left me really caring about Madelyn and John's relationship. It was so heartfelt. I even felt like I was in a movie theater watching this happening. Your characters are so real, especially the postman. Definitely an A+ job.

I only have one teeny, weeny nitpick. Wouldn't John try to contact Madelyn directly after she does not show up? Maybe by phone or a quick visit. It's understandable that he's trying to be romantic so he sent her letter, but I think he would consider a call and a visit, too.

Kudos on your scene and character transitions! This was amazing! This was WOW! :) :D :D



Maybe the real Mariah Carey was the friends we made along the way
— Ravena