Tipping The Velvet {one}

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This is a novel I have just started, set in the Victorian Times. It was previously set in 1920 but it was far too hard for me to write as I barely knew anything about that time period and started this novel on a whim. I've rethought it, and planned and rewritten the whole plot and now it is in the Victorian Times, and Anne is no longer blind, due to the changed storyline. I know this is a very short first chapter; I will presently be elongating it.It's lacking something so I'd be grateful for harsh reviews.

Anne read. Seated in the creaking armchair, thin legs crossed. Her slippered feet hung off the ankles at odd slants. The flimsy sleeve of her blue muslin frock loosely hung off her white shoulder. One thin white arm draped carelessly over the edge of the chair, the other clenching the book tightly at its spine. Engrossed, she stared at the pages through her strange dark eyes, starred with bristly black lashes.

Outside, dawn was breaking. Streaks of light flowed in streams, checkering the room. Anne could feel the warmth shocking her face. Her eyes crinkled. They looked like smouldering tea, pools of light flitting inside the liquid brown. Clumsily, she ran bony fingers through her hair. The light-coloured feathers stuck up awkwardly, a golden coronet raised around her head.

Anne heard the familiar bark resound through the room and, startled, dropped her book. It landed face down on the floor, its pages spread out like crushed wings.

She dropped to her knees and groped around on the periwinkle carpet, her fingers closing protectively around her book. She stood up on wobbly legs and nursed it in her frail arms, like a child. She stroked the emerald cover lovingly, running her fingertips along the engraved title, feeling each crease and indent worn into the leather.

The bark echoed again, the sound grating in Anne’s ears. Then the creature responsible bounded into the room excitedly, an endearing mess of tangled brown fur, scrabbling paws and dewy eyes. It pressed its damp muzzle firmly but gently into her palm. She gave in and abandoned the book on the floor.

“Oh, you,” Anne murmured fondly. She cradled the head in her lap, feeling the dog’s velvety ears prick up every time a breath evaded her lips.

Her mother hobbled inside presently, sighing grievously with each creak of the floorboards, as if they pained her. She eased herself down on a rocking chair facing her daughter and placed her gnarled hands in her lap. The wrinkles etched into her face were like a confused map; roads, boulevards and streets intersecting in strange patterns.

Anne stretched out her hand and intertwined it with her mother’s, tracing each vein, bulge, every soft indentation in the withered skin.

“Anne,” started her mother. She grabbed her daughter’s hand and squeezed it tightly, her breath quickening. “Anne, we have not sufficient money to pay."

The young woman broke away from her mother’s grip, curling up in the armchair and wrapping her arms around herself. “Surely there must be some means of paying,” she said, her voice cracking through her effort to restrain the tears. Anne never cried in front of anybody. Never. “Though firm, the landlord is a fair man. We will explain matters to him and..."

“No, my dear. The lodgings at this dastardly boarding-house have risen in price, inexplicably. I do not know what we can do to prevent it.”

“But Mother!” Anne interjected, her tealight eyes brimming. “Who knows what will become of us if we are thrown out now? A workhouse? The factories?"

Her mother flinched and avoided Anne's imploring gaze. At sixty years old, Ethel Lincombe still had no knowledge of how to deal with family quarrels. She preferred to keep quiet and listen.

“This cannot happen, Mother," Anne continued, lowering her voice. "It simply cannot."

“It will.” Anne's mother drew a letter out of her apron pocket and unfolded it with trembling fingers. “'Tis all in here, Anne."
Anne refused to cry like a spoilt infant, in front of her mother, so she retreated to her bedroom. She sat on the bed, trying to ignore the dust she could feel sticking to the fabric of her dress, and the broken slat cracking even more underneath her weight. She choked back angry tears till they formed a painful lump in her throat. The dog scratched at the door, but Anne ignored it.

Outside, Anne's book lay crumpled on the floor, abandoned.
Last edited by CastlesInTheSky on Sun Dec 14, 2008 4:32 pm, edited 8 times in total.
Had I the heavens embroider'd cloths,
I would spread the cloths under your feet.
But I being poor, have only my dreams,
So tread softly, for you tread on my life.




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My only real critique is, you switch up your tenses.

You begin the story in past tense- "She read", and later switch to present- "Anne hears".

You need to pick on tense and stick to it.

CastlesInTheSky wrote:

“Anne,” started her mother. She grabbed her daughter’s hand and squeezed it tightly, her breath quickening. “Anne, we are not going to be able to pay.”

The young woman breaks away from her mother’s grip, curling up in the armchair and wrapping her arms around herself. “There must be a way,” she says, her voice cracking. “Surely the landlord will let us owe the rent...he must understand how important this is.”

“No, my dear. There’s not enough money for anything. Not the rent, not the operation, not even for food.”

“But Mother!” Anne interjects, her tealight eyes brimming. “It’s impossible. We’ve waited so long, we all have. I want to see, Mother. I want to be able to see again. We have to keep trying.”

“How can you be this selfish, child? Can’t you see I’ve worked the skin off my back to bring in the money?”

“But...but we can’t just turn away the doctor. He will have come all this way for nothing. We can’t just tell him we cannot afford it. This can’t happen.”

“It will.” Anne hears the crinkling of paper, as her mother unfolds a letter. “It’s all in here. We’re going to lose the apartment in a month if we don’t find rent. Your eye operation’s no longer our main concern.”
Anne refuses to cry like a spoilt infant, in front of her mother, so she retreats to her bedroom. She sits on the bed, trying to ignore the dust she can feel sticking to the fabric of her dress, and the broken slat cracking even more underneath her weight. She chokes back angry tears till they form a painful lump in her throat. The dog scratches at the door, but Anne ignores it.

She curls up miserably on the lumpy mattress and closes her eyes. She wonders how long it is going to be until she can read a book, instead of holding blank pages and imagining the words for herself.


After the first line I have quoted, you switched to present tense. I highlighted the first present-tense word for you.

If you want to continue in past tense, the first word I have bolded should read "Anna broke. I'm sure you know all about your tenses though. If you don't, tell me and I'll go back and highlight what should be changed.

Good job :)




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I agree that you messed up the tenses. I suggest you switch to past, the present can get annoying really fast.
This piece actually did annoy me. It had too many descriptions for not enough substance. It seems impossible for you to say a noun without an adjective. It doesn't add to the story, though it can be pretty. It can also distract the reader from what you are trying to say, so they stop reading before you ever get to the point. I understand it's an introduction, but I was bored. Try to make it a little more fast paced and a little less flowery.




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*squeals* I can never critique any of your work! It's too perfect. So I shan't do it.
~ Mnes x




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wow. I'm new here so this is the first peice I've seen that you've written. :D I didn't think it was boring at all actually. I do agree, sometimes the adjective load was a little heavy but it wasn't that bad. It made the reader want to know what was really going on with Anne so you kept on reading. The only thing is the tenses. Basically, whenever you have a verb that ends with a "s" change it to a "ed". (ie. breaks, hears).
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Oo, hm, yes, yes.
*sets down lenseless glasses and smiles*
I liked this. If one thing is certain, though, I can't critique to save my life. Not that there was anything to critique, anyway. It was like.. perfect. =]
I'll definitely be checking back for numbah two, so, beware that my insignificant little posts are in your near future..
ANYWAYS, I loved it.
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Hey. :) I don't think I've read anything of yours before. That's the problem with disappearing for months. You don't know anybody anymore. XD On with the critique.

This was quite an interesting piece. I'd read more of it, I think. However, it did have a few problems, the most prominent of which that you switched tense. People have already focused on that, though, so I'll move onto the other big problem with this.

Adverbs. Other people have complained that you use too many adjectives, but I think your description itself is very good. It paints the image well and allows the reader to see the scenario, which is why the adverbs have an even worse effect than in most stories. They're a sign of telling, which is odd, because your story is rich in description. You're good with it, so most of them are unnecessary.

Her blue muslin frock clung lightly to her willowy body, one of the flimsy sleeves loosely hanging off her white shoulder. One thin white arm draped carelessly over the edge of the chair, the other clenching the book tightly at its spine. Engrossed, she stared at the pages through her strange dark eyes, starred with bristly black lashes.


You've used four of them here in just that part of the first paragraph (lightly, carelessly, loosely and bristly). It's annoying for the readers and most of them aren't needed.

Try to go through and take out as many as you think you can without lessening the quality of the story. I guarantee, most of them will be thrown out.

The only other thing is something that you can't fix at the moment: your characters don't have much depth. Of course, that's because it's the first chapter, but be careful to show other sides to the characters you're portraying. Expose more of their flaws. It'll make them real. You'll know all of this anyway, but it's just a warning. For a first chapter, it's very interesting. I do want to know more about the characters, so it's got a good hook to it.

Work through and delete your adverbs, and you'll find this a lot improved. :) Good luck.

-Mat




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Agh, I feel like such an idiot.
I don't normally have problems with my tenses at all, but lately I've been writing two stories; one in the past and one in the present, so this one ended up mirroring the tenses in both! >.< Thankyou so much for pointing it out, it helped a lot and I think I've edited it so it's all in past tense.
Eek. Description = my life. I can't help over-describing, and I know it's a terribly annoying habit for that prefer brisk writing with a minimalistic approach to their adjectives. It comes from reading too many classics, and I'm afraid it's a habit I can't break, so in the end, you'll either like my writing or hate it. Sorry to the people it annoyed. :lol:
I did try to cut down the paragraph that was criticised for having a huge adjective load, and tried to cut it down. I failed - miserably. :( Any help specifically on that, using examples, will be very much appreciated.

Thankyou to everyone who read!

-Sarah
Had I the heavens embroider'd cloths,
I would spread the cloths under your feet.
But I being poor, have only my dreams,
So tread softly, for you tread on my life.




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Hurrah! This is my kind of fiction. Fabulous --- not perfect but fabulous. :shock:

I loved the whole old-fashioned feel to it; the way it was the written, the dialogue, the setting. It had a pretty, sombre mood to it... but it could be tweaked. I see where the others are coming from. I think I'll just get onto the nit-picks because I'm terrible at the whole summary-bit.

She read.

I have a serious issue with these miniscule sentences-cum-opening paragraphs for effect. They work okay for short stories where the whole thing works on snappiness, but I think are a sort of cheat for novel-writing. When you think about it, they mainly frequent the pages of chick-lit genre, and I know you are better than that!

Anne sat in the wing-backed, creaking armchair, her slender legs crossed. Her feet were bent at odd angles in their soft patterned slippers. Her blue muslin frock clung lightly to her body, one of the flimsy sleeves loosely hanging off her white shoulder. One thin white arm draped carelessly over the edge of the chair, the other clenching the book tightly at its spine. Engrossed, she stared at the pages through her strange dark eyes, starred with bristly black lashes.

Hmm --- overwritten a tad? I realise you intend to create a very vivid setting, but sometimes it can get a bit too much. Maybe have a bit of both? Keep some sentences, such as 'flimsy sleeves loosely hanging off her white shoulder', and simplify others, such as 'her legs crossed' - or viceversa! Otherwise, god forbid, it tends to drag and you're left thinking: when will things begin? I think it's hard but us writers always have to be in pursuit of the happy medium.

Clumsily, she ran bony fingers through her hair.

I'd get rid of the 'clumsily'. Little details like that don't need to be dressed up with words.

Tears filled her eyes and she groped around on the periwinkle carpet, her fingers closing protectively around her book. She stood up on wobbly legs and nursed it in her frail arms, like a child. She stroked the emerald cover lovingly, running her fingertips along the engraved title, feeling each crease and indent worn into the leather.

She did this, she did that... :wink:

The bark echoed again, the sound grating in Anne’s ears. Then the creature responsible bounded into the room excitedly, an endearing mess of tangled brown fur, scrabbling paws and dewy eyes. It pressed its damp muzzle firmly but gently into her palm. She gave in and placed the book on the table, re-seating herself.

Fantastic imagery of the dog! Pictured it perfectly. Realise it's not a major part of the story but made me think of that dog (now what was its name) in Rebecca, that the MC is fond of.

Anne stretched out her hand and intertwined it with her mother’s, tracing each vein, bulge, every soft indentation in the withered skin.

This was very touching.

her tealight eyes brimming.

Hmm. That just doesn't work for me.

She curled up miserably on the lumpy mattress and closed her eyes. She wondered how long it was going to be until she could read a book, instead of holding blank pages and imagining the words for herself.

Nice ending.

Over-all, yup, I liked it very much. Sounds like the beginnings of a novel I'd personally buy, not that that means anything. I think you should edit, beware of overwriting, tense changing and just general flow, and then it would be even better. Hope I've helped. Was an exceptionally enjoyable read.



Lauren x




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Thankyou so much for reading it, lhighton.
I really appreciate it, and I love your reviews. They make me smile and are so helpful and encouraging.
Thankyou again, you are wonderful.

-Sarah
Had I the heavens embroider'd cloths,
I would spread the cloths under your feet.
But I being poor, have only my dreams,
So tread softly, for you tread on my life.




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Just re-read my critique and I sounded like a total bitch, sorry. I was annoyed because it had potential, but you overwrote it. Just simplify it a little, calm down and don't try so hard. Sorry for the crappy review.
When you look at your life, in a strange new room, maybe drowning soon, is this the start of it all?




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Don't worry at all, Ducati. Harsh reviews are good for me, they get me focused and motivate me to do better. No need to apologise whatsoever.
Had I the heavens embroider'd cloths,
I would spread the cloths under your feet.
But I being poor, have only my dreams,
So tread softly, for you tread on my life.




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What!? I reviewed this yesterday as soon as you posted it and my internet must have not let it go through. I am so disappointed!

Anyway, the only slight errors you made have already been pointed out. It was really, really good. My only issue was with the opening line, "She read", but seeing that you have fixed it, it's perfect.

Like I said before, your writing is flawless Sarah! Sure you may make a mistake here and there, but I doubt there's a such thing as a person who doesn't. Even Shakespeare had to revise. I don't think you overwrote it. I think it was good; some people just don't like description in a story. I love it, so it was good and suited my taste well.

And it's historical fiction! I love historical fiction; I can't write it, but I love reading it. It takes you back-- mind and all-- and lets you envision it through the characters eyes although you are not writing in first person here. I hope I'm still making sense... if I ever was.

Anyway! I cannot wait to see more! I will try to review it as you go along! I really did review this yesterday, but it obviously didn't post (much to my disappointment). I love your imagery, and your ending! I absolutely love it! Everything in your writing suits together perfectly. If your work was to be published without revisions, I would still be able to marvel at it and not be able to fall out of my seat laughing as I did with Twilight.


[/rant]

I hope I didn't just repeat everything I said to you already. Not much of a critique, I know, more of a slight review! Well done mademoiselle!

June
"I'd steal somebody's purse if I could google it and then download it." -- Firestarter




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Wow. I couldn't believe she was blind! But when you go back and read the beginning of the story, it makes sense. This was really captivating. I can't wait to read more.

However, I do have one question (forgive me if someone had already asked this):
In all honesty, what kind of mother would call her daughter "selfish" for wanting to see again?

I understand how rent would be a bigger priority at the moment, but I think the mother could have been less...heartless, I guess. I don't know.
I understand that a mother would only want what was best for her daughter, but would at least sympathize with her if she lost her gift of sight....

Regardless, I liked it. Poor Anne :(


*anti-pop
...Bitter cold, it grows
changing holds
cynicism the new norm...

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Thankyou so much for reading, Juniper and Pop. You both rock. :wink:
Had I the heavens embroider'd cloths,
I would spread the cloths under your feet.
But I being poor, have only my dreams,
So tread softly, for you tread on my life.



I was never insane except upon occasions when my heart was touched.
— Edgar Allan Poe