Aubrey's Raven - Chapter 1

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I remember the coldness of the water that hit my face that afternoon. I awoke with a jerk and unfamiliar panting. Everything seemed blurry—a sole outline of a young man’s face was before me. Even though it seemed I had 5/20 vision, I could make out his chocolate brown eyes—just like my mothers. They were staring at me—though it was an alarmed scare. I noticed that his jaw was bobbing up and down—he was talking to me. The sounds—the noises—started to creep up into my soul. Sirens blazed. Men yelled to each other. They yelled orders that I could not understand. Yet the man was still looking at me. I could now not only see his jaw but also his entire mouth opening and closing.

“Little….awake…can….me?”

I didn’t understand. My world was on its side; sickness—real sickness this time—would overthrow my very being. Young yet amazingly strong arms reached towards me. They shook me though seemingly gracefully as if I was truly a princess like I imagined myself to be before I learned about reality. My head—my brain—jerked back and forth to the rhythm of the shakes that the man bestowed on me. My memory was now in place. I knew exactly what was happening.

Fire. There was fire all around me. “Fire…” the single word stumbled out of my mouth.
“Yes.” A smile slowly stretched out across the man’s face—the kind where nothing could stop you from smiling back.
I did. But then the creases of my face slouched to a frown.

“Eggs…oven…TV…couch.” I whispered, the words tumbling one after the other out of my mouth.
“Yes.” The man said again. He seemed as dazed as I was. He squirmed a little and tried to finish the sentence. “Your house has…”

My house has. I didn’t need the words “burnt down.” That was obvious. Everything just came together. I was rescued and placed about some feet from my front porch. The man kneeling over me was to keep me safe. Perfect. Suddenly, taking me away from my thoughts, I was being lifted up off of the ground. I hadn’t been picked up like that in years. I could feel his arms on my back and under my legs. It felt just like when Daddy picked me up. Daddy….

Looking back, I am surprised that I didn’t kick or scream. He was taking me away from where I was born; he was taking me away from myself. Because of how the circumstances went, I never would see my house again. I would never hear the Granddaddy’s grandfather clock swing its pendelum once more. I would never feel the warmth of the big blue chair as I listened to Mamma’s bedtime story.
The man and I were going to place out of harms way which happened to be in Ms. Griffin’s garden. Ms. Griffin was technically our neighbor though it a walk to get to her house. Highland, New York is a somewhat rural town. Thank goodness, she wasn’t home at the time so she couldn’t hit me with her nearly 100 year old broom. The man placed me right on her sacred bench. Mamma never told me what the bench represented but the whole town knew that Ms. Griffin was a little finicky about it. Ms. Griffin was also very superstitious. Of course, I didn’t—couldn’t—dare think about Ms. Griffin at the time.

The man sat beside me on the bench and continued to talk. I tried to catch every word. “Do you know what happened?” I wasn’t ready to tell him what happened. Not only was it devastating, but also embarrassing. 14 year olds should know not to leave the stove unattended. Warm innocent tears started to trickle down my cheek. He quickly tried to assure me that everything was going to be all right. It was the type of assurance you would give to a toddler but I took it anyway. I needed it badly. I looked over at him. His face proved to be quite young, it was a mistake to call him a man. His skin was a very light brown like what my cup of creamer resembled with a touch of coffee in it. His hair was also a chocolate color so his hair and eyes matched perfectly. It was in a short afro with sideburns coming almost to his jaw. He wore a black leather jacket and khaki pants with all the little pockets in them. His white shirt bore the words: Junior Police. That explained everything. I blushed when I noticed that I was staring at him—which I was. He smiled his smile again and so once again I was under his spell. His hand extended in an introduction like fashion. “The name’s Mike.” I looked at his hand nearly forgetting the human gesture. I quickly shook it to make up for the time wasted.

As soon as my fingers touched his palm, guilt rushed through my soul and had no intention of staying there. Something had to come out. Someone had to know—and he was the only one here. The tears were coming by the thousands. I tried my best to tell the whole story even though my speech was impeded by snuffles every 30 seconds. “And them….I...felg…to…sleepf.” It was the best I could do. By that time, my head was buried into Mike’s shoulder and his arm was placed around me. His patted me and whispered another “Its going to be alright.” So much for therapy but it worked.

I finally stopped sniffing and snuffing when a stern police officer came up to the bench where Mike and I were sitting. He was tall and an unruly moustache nearly covered his mouth. “Are you the girl?” I nodded wearily. “My name is Aubrey.” The police moved his eyes towards Mike and gave him the look that only a boss could give. Obviously embarrassed, Mike took his arm from around me and gently pushed me off of his shoulder. “Michael, come with me.” He quickly obeyed but after a few paces, he turned around and said “Goodbye, Aubrey.” It was so small but devastatingly sweet. I noticed that I had not personally told him my name. I wanted to apologize but Mike had already turned around with the police officer at his side, walking away in the distance. And at that, I was alone in Ms. Griffin’s garden on a cursed bench. How nice.

The two men did not go that far—they were only standing at the end of the road. I hadn’t been truly abandoned after all. At first they were just talking, but then something happened that stirred my interest and would continue to stir it for the next several years. A gurney. Another police officer had walked over to the pair of men, pushing a white silvery gurney with a body bag on it. Someone had died. In the fire I started. But who? The fire was contained only to my house and Ms. Griffin wasn’t home. The question—and answer—would haunt me for years.
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Ask and ye shall receive. One harsh, line-by-line critique coming right up.

I remember the coldness of the water that hit my face that afternoon.


Normally this would be a good opening, but you make no mention of water the rest of the chapter. I know this is part 1, but usually metaphors are place closely to their anticedents (what they are representing).

I awoke with a jerk and unfamiliar panting.


This sentence is awkward. I'd re-work it

Even though it seemed I had 5/20 vision,


5/20 vision doesn't fit the fogginess of the paragraph. You've already mentioned that things were blurry, that's enough.

I could make out his chocolate brown eyes—just like my mothers.


At first, I thought she had a brother. Usually a parental reference means the person is a sibling/half sibling. Then you mentioned that somebody had died. Any suspense as to who did is killed by the "mother" reference.

though it was an alarmed scare


"Stare."

I noticed that his jaw was bobbing up and down


Bobbing seems like an odd word to use.

“Little….awake…can….me?”

I didn’t understand.


If she didn't understand him, why are there words there in the first place?

My world was on its side; sickness—real sickness this time—would overthrow my very being.


This line is really out of place. It doesn't have any reference. Was she sick? Why would it overthrow her being?

Young yet amazingly strong arms reached towards me. They shook me though seemingly gracefully as if I was truly a princess like I imagined myself to be before I learned about reality.


Why would she know the arms are young? And the second line..... Why would they shake somebody that had just been rescued from a fire? And the princess metaphor is lost in this setting of disorientation and flames.

My head—my brain—jerked back and forth to the rhythm of the shakes that the man bestowed on me.


Long sentence, and it feels wrong. Really, why would he shake her? A gentle touch I could understand, but a shake? No.

“Yes.” A smile slowly stretched out across the man’s face—the kind where nothing could stop you from smiling back.
I did. But then the creases of my face slouched to a frown.


Why would he be smiling? And why would a simple "yes" be his only answer?

"Eggs…oven…TV…couch.” I whispered, the words tumbling one after the other out of my mouth.


Something about slurred speech like this... It doesn't feel right.

“Yes.” The man said again. He seemed as dazed as I was. He squirmed a little and tried to finish the sentence. “Your house has…”


We don't know he's a junior yet. Why would he be squirming?

My house has. I didn’t need the words “burnt down.” That was obvious.


She's just learned that her house has burned down. This line (this paragraph) has a very calm tone. Something doesn't add up.

Everything just came together.


This is a case where you'd need to show, not tell.

I was rescued and placed about some feet from my front porch. The man kneeling over me was to keep me safe. Perfect.


Another case where you'd need to show. And she is way too calm.

Suddenly, taking me away from my thoughts, I was being lifted up off of the ground.


Try moving the info between the commas to the end of the sentence, or just re-work it.

It felt just like when Daddy picked me up. Daddy….


This is a good foreshadowing bit. It implies her father is either dead or she hasn't seen him in years. In her confused state it feels right

Looking back, I am surprised that I didn’t kick or scream. He was taking me away from where I was born; he was taking me away from myself.


How is he taking her away from herself? You explain it a little below, but it wasn't enough.

Because of how the circumstances went, I never would see my house again. I would never hear the Granddaddy’s grandfather clock swing its pendelum once more. I would never feel the warmth of the big blue chair as I listened to Mamma’s bedtime story.


I simply skimmed this. I wanted to find out where he was taking her. It's too.... calm, again.

The man and I were going to place out of harms way which happened to be in Ms. Griffin’s garden.


Replace "which" with a period or colon. If you put a colon you'd also cut: "happened to be." You could cut it anyway.

Ms. Griffin was technically our neighbor though it a walk to get to her house. Highland, New York is a somewhat rural town.


Info dump telling, both are usually bad things. For something like this, showing is needed.

Thank goodness, she wasn’t home at the time so she couldn’t hit me with her nearly 100 year old broom.


That memory doesn't fit. Is her neighbour really so grumpy that she'd hit a girl who was just rescued from a fire with a broom?

The man placed me right on her sacred bench. Mamma never told me what the bench represented but the whole town knew that Ms. Griffin was a little finicky about it. Ms. Griffin was also very superstitious. Of course, I didn’t—couldn’t—dare think about Ms. Griffin at the time.


We don't really need the "sacred" and everything that goes along with it. I skipped it to find out what events happened next.

I tried to catch every word. “Do you know what happened?”


Why would she need to try to catch every word?

I wasn’t ready to tell him what happened. Not only was it devastating, but also embarrassing. 14 year olds should know not to leave the stove unattended.


A very calm description of what happened. Too calm.

His skin was a very light brown like what my cup of creamer resembled with a touch of coffee in it. His hair was also a chocolate color so his hair and eyes matched perfectly. It was in a short afro with sideburns coming almost to his jaw. He wore a black leather jacket and khaki pants with all the little pockets in them. His white shirt bore the words: Junior Police. That explained everything.


An info dump description. Try to work some of this stuff into earlier and later paragraphs. Descriptions like this tend to be skimmed or skipped then promptly forgotten. And why would that explain "everything"? You haven't told us what was odd.

His hand extended in an introduction like fashion. “The name’s Mike.”


1- Break this into it's own paragraph. 2- Why would he introduce himself in such an informal fashion?

guilt rushed through my soul and had no intention of staying there.


The wording here is a touch strange.

I tried my best to tell the whole story even though my speech was impeded by snuffles every 30 seconds. “And them….I...felg…to…sleepf.” It was the best I could do.


Which is it? Does she tell the whole story, or just that one line? Pick one or the other to avoid confusion.

So much for therapy but it worked.


No idea what this line means

The police moved his eyes towards Mike and gave him the look that only a boss could give. Obviously embarrassed, Mike took his arm from around me and gently pushed me off of his shoulder.


Why would the police officer disapprove of Mike comforting her?

“Goodbye, Aubrey.” It was so small but devastatingly sweet.


Devistatingly sweet? How?

I wanted to apologize but Mike had already turned around with the police officer at his side, walking away in the distance. And at that, I was alone in Ms. Griffin’s garden on a cursed bench. How nice.


Why doesn't she just get up and talk to him? Why is that bench cursed? The sarcasum feels out of place in the setting.

At first they were just talking, but then something happened that stirred my interest and would continue to stir it for the next several years.


Two ideas are implied here, but they don't tie into each other. They don't show anything in their behavior that would imply "at first."

Another police officer had walked over to the pair of men, pushing a white silvery gurney with a body bag on it.


If they're a short walk away, why would somebody bother bringing that gurney?

Someone had died. In the fire I started.


Replace the period with a dash or eclipse for maximum dramatic effect.

But who?


Pretty obvious who. Her mother. As I said before, the comparison of Mike's eyes to her mothers kills any suspense this question would have posed. And if that wasn't enough, who else would be in the house? Her daddy isn't there, he's either dead or gone, and a fire has to be pretty big to spread a short walk down the street.

This entire thing is told in a flashback and it shows. You have bits of foreshadowing that kill any suspense for what happens next and who's where in her life.

Watch your dialogue! Make sure everything that's associated with one person talking is in it's own paragraph. And the slurred speech/ cut out lines that have dialogue around them are cleaned up.

The atmosphere is non-existent here. What time of day is it? Is it raining? Why would that porch be safe? Are sirens blaring? Lights flashing? People shouting instructions to each other? Talking in hushed tones? Answers to those questions are missing.

This is way to calm. She has just lost her house. She caused it. Hardly any guilt is visible, and panic is non-existent. Also, kill all "looking back," "once upon a time" and "a long time ago" type lines. They make you realize this is a flashback.

Well, I hope you haven't decided to abandon this after reading my comments. It has potential, but the key elements of panic and atmosphere is missing. Fill those in, and get some showing, not telling scenes out of there (and loose the info dumping) and this will be a very grabbing opening.
Last edited by Rosendorn on Thu Jul 02, 2009 12:45 am, edited 1 time in total.
A writer is a world trapped in a person— Victor Hugo

Ink is blood. Paper is bandages. The wounded press books to their heart to know they're not alone.




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ha, I don't want to give up on the story. It was harsh though I want to know all the mistakes I made...even though I have no intention of being a professional writer. I like to write and it only makes sense to try to make my writing even a little better. Though, its interesting to know that you think the mother died in the fire. Which wasn't my intention. Through the story, I was going to reveal that the father came back in the middle of the night after being gone for nearly 12 years. He was drunk and didn't wake up to notice the fire. the mother checked herself into an insane asylum after seeing the dad back. aubrey knows none of this. I know that makes no sense whatsoever but...hey its a little start right??
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Like I said, it has potential. You just need to pick which details to show. And that usually don't come unless you look at where your story's going to go, and you think about where you want to lead it, or where it leads you.

But, it was just that one detail that ruined it. Get rid of that detail, and the suspense is (partially) back. Or, you can keep it and really throw people for a loop. But fair warning: If you do that, some people might not be willing to keep reading. I'm one of them.
A writer is a world trapped in a person— Victor Hugo

Ink is blood. Paper is bandages. The wounded press books to their heart to know they're not alone.




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Even though it seemed I had 5/20 vision,


This assumes that the reader understands that 5/20 is bad... Yeah I know it's obvious to anyone, but it can still be distracting to people who have never had to worry about the X over 20 vision scales. Also, like Rosey Unicorn stated, we all ready know that the scene is blurry.

They yelled orders that I could not understand, yet the man was still looking at me.


Combine those sentences.

“Little….awake…can….me?”


This is a very minor detail that only I would ever pick up on, lol. I assume you use Microsoft Word or something that automatically makes three dots turn into an ellipsis. Well, see how the first three dots are together and then you have that fourth period just sitting there, looking all awkward in comparison? When you are going to use ellipses, only use three dots. No more, no less. Lol. It's just a good thing to remember.

Daddy….

and
“And them….I...felg…to…sleepf.”


Yeah, the same thing with the ellipses is there, too. :P

I would never hear the Granddaddy’s grandfather clock swing its pendelum once more.


Should "the" be in there? And also, I assume the clock is the narrator's grandfather's? Just wondering because "Granddaddy's grandfather clock" sounds repetitive in so many ways, lol.

---

So yeah, I hate always coming after people on reviews because they always pick up the stuff before me, but this is really great and with a bit of revision, it will be even greater. Let me know if/when you revise it =]



worlds buzz over us like bees, / we be splendid in new bones.
— Lucille Clifton