something kind of scavenger

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051. Yesterday


The rain thrummed on the cottage roof and trickled down the window, making tiny clear trails on the glass. I lay curled up in bed, feeling the lovely warmth of my blankets glow in my toes and wrap around my body. Next to me, Hamlet stirred slightly. For a moment I thought he would wake up, but he simply tucked his nose tighter under his paw and settled down again. I stretched out a finger and stroked his back, soft ginger fur tickling my skin.

On the other side of the room, Druth lay in his bed. Even though he didn’t look it, I knew that he was awake. I debated whether or not to break the silence. Druth was difficult to read sometimes. One night he had simply not gone to bed and had not insisted that I do so either. We had stayed up till dawn, he telling me about birds and what to do with a lamb when its mother rejected it, and I telling him about the differences between white blood cells and red blood cells. The next night I had expected to do the same thing again, but Druth gave me a gimlet stare, said, ‘Bed time, young lady,’ and packed me off to bed while it was still light.

How can someone be that changeable? I thought. It’s mad. I looked over at Druth again, a little resentfully. He was still on his side, the pale curve of his neck merging with the white of his pillow. It was too dark to see his features, but there was something about the slope of his strong shoulders under the blanket, the way he was hunched over, looking at his hands that changed my resentment to surprise. Druth was sad.

Very, very gently, I Sensed his mind. He was more than sad. He had a song running through his head, and even though I didn’t know the tune, I could pick up a few words here and there. Dachaidh, home. Ddó, yesterday, or long ago.

Druth sighed, a whisper of breath in the quiet room, and an entire sentence flooded into my mind: Lemmýn hy ýs arasgül aghy fadanagh cladg, ha hy cáf gasa’dref aghy broder hy.

The tune wandered around the words, playing in and out of the syllables like mist around standing stones. I felt a little guilty at eavesdropping like this, and withdrew inside my own head, where I tried to translate the words. Druth had only been teaching me Elvish for a few months, and there were lots of words in there that I didn’t know. ‘Broder’ meant ‘brother’ and I was pretty sure ‘gasa’dref’ meant ‘left behind’.

Druth had always come and sat beside me when I had lain awake at night, crying because whenever I thought of Da and my brother and sister, it had made such an awful twisting pain in my inside that wouldn’t go away. He would wait until I had cried the worst of it out, then just hug me, pushing back my sweaty hair back from my face and murmuring, ‘I know, I know,’ until the ache in my throat had lessened.

But I couldn’t do that for Druth. He grieved inside himself, and I knew that if I saw him giving into his sadness, he’d see it as loosing face. He’d get cross and would probably get out of bed and go stand outside the cottage in the rain, simply because that was a way of regaining control. I think the rain reminded him of home, as well.

I was still debating what to do when Ceòban uncurled herself from the corner near the fireplace and padded across the floor on velvet paws. She leaped up onto Druth’s bed and pushed her face against his. Even above the rain, I could hear her purring.

For a moment Druth lay still, then he shifted and I thought he was going to push her away. Instead he put his hand on her back and stroked her fur. She nudged against his hand, and then settled down against him.

Druth sighed again. I could feel him relaxing, some tightly wound spring of emotion uncoiling inside his mind. He stroked Ceòban with the tips of his fingers, and the bed creaked as he moved. The song in his head abruptly died, and the thoughts I now felt were ones taken up with the warmth of the blanket, the softness of the cat pressing against him and the sag of the bed ropes. Memories of a long-ago yesterday were forgotten, drowned in the rain-soaked night outside.



047. School

‘School?’ I folded my arms. ‘You’re joking of course.’

‘I happen to be quite serious,’ Druth retorted. ‘You can go to the school in the next town. It’ll teach you embroidery, cooking --’

‘Embroidery? Like, sewing?’

‘Like sewing, yes.’ He waved a hand. ‘Making tablecloths look pretty, stuff like that.’

‘I have not the slightest desire to make tablecloths look pretty. I’ve never been to school, won’t go to school, and never will go to school.’

‘Oh, indeed?’ Druth raised his eyebrows.

‘Yes.’ I sniffed. ‘I’ve probably got a better education than anyone around here, anyway. Da taught me to read and write, I know my times tables, all about the Zulu War, and I know what can cause a pulmonary embolism.’

‘Do you know how to make a sampler? Bake bread? Clean a house?’

‘I can quote entire scenes from House and ER,’ I offered.

Druth ran a hand through his dark hair. ‘You’re not making this very easy.’

‘Good.’ I sighed. ‘Honestly, Druth, I don’t need to go to school. You only need to learn how to sew and bake and clean and all if you’re going to get married. And who’d marry a hybrid? Only another hybrid, and it wouldn’t be marrying then, it’d be seen as mating.’

‘All right,’ Druth muttered. ‘All right.’

I waited for a moment, then prodded, ‘So, I don’t need to go?’

‘I didn’t say that!’

‘You thought it, though.’

‘We’ll see.’



019. Sword

Druth brought the sword out its sheath in one flashing wave of movement. I goggled. ‘Ooh, it’s so big!’

‘It’s not really. Kioni swords are much longer than Elven ones. We tend to use explosives more, though.’

‘’Cos of the Sky Hunters?’

‘Ebren-Chadyorä,’ he corrected.

‘Same thing.’

Cafos y cha dyscy-fos ty ealla?’ he demanded.

I took a few moments to work this out, frowned and asked, ‘Where does tea come into it? I get about the birds, but --’

‘Tea? Oh you aswon, “cha” is “not” -- “che” is “tea”. And “éan” is “bird” and “ealla” is “nothing”!’

‘Oh-h.’ I blinked. ‘I thought you said, “Have I tea taught you birds?”’

Druth let the tip of the sword sag down to scrape on the floor. ‘Hai Mai,’ he groaned.

‘It’s not that bad,’ I comforted. ‘I’ll get it eventually.’

He passed a hand over his brow like Macbeth must have done after killing Banquo. ‘Why did I ever agree to teach you Elvish?’

‘If I remember right, it was you who insisted that I learn.’ I held out my hand. ‘Can I hold the sword?’

‘No.’ Druth hurriedly sheathed it. ‘I’m not going to let you loose with this.’

I stuck my tongue out at him. ‘Party-pooper.’



039. Too Little

I bounced up and down on my toes, made a grab and missed. Hamlet looked down at me through lazy yellow-green eyes. You can jump like a frog all you want. I’m not coming down.

You need to! Druth asked me to clean the mantelpiece!

How can you clean it if you can’t even reach up and get me down?

I’ll stand on a chair. Come on, Hamlet!

I don’t want to. It’s nice and warm up here. I can see everything. I can see out of the window.

Go and sit on the windowsill, then.

He gave me a condescending look and nestled down onto his paws more firmly. Don’t be silly. The windowsill’s too small for me to sit on.

Or you’re too fat.

Hamlet didn’t understand why that should be a bad thing, so he turned his head away and closed his eyes.

I hissed in annoyance. Hamlet!

He ignored me.

I made another leap and pinched the end of his tail between my fingers. He growled and curled his tail around his nose. Silly person.

I dragged the high, thin-legged stool over and stood on it, wobbling precariously. Hamlet opened his eyes, got up and stretched, arching his back up and down like an accordion.

Are you coming now? I demanded.

No. He slipped between my hands and slinked to the other end of the mantelpiece. He lay down again, winked insolently and yawned.

I glared at him, then climbed down from the stool and went to find Druth. He was in the hen run, cleaning out the hen house.

‘Dru-uth…’

Sa?’

‘Hamlet’s on the mantelpiece and won’t move.’

Druth scraped at a smear of dried guano with the spade. ‘He’s your Sense-familiar.’

‘That doesn’t mean he does everything I want him to!’

‘True.’ He half-smiled. ‘Na, it doesn’t mean that at all. Well, drag him down.’

‘I’ve tried. I’m not tall enough, and if I stand on the stool and try, he just runs away.’

‘Oh, all right then.’ Druth laid down the spade, wiped his hands on his trousers and followed me back into the cottage.

Hamlet was curled up just as I had left him. He didn’t even open an eye when Druth lifted him down and put him on the hearthrug.

‘Why is Ceòban never this difficult?’ I poked Hamlet in the side. He merely sighed and curled up tighter.

‘Sons don’t always take after their mothers,’ Druth said, with an air of great wisdom.

‘No duh,’ I said, rolling my eyes.



027. Purple

The skirt was very soft, the folds of material caressing my legs like warm hands. I pirouetted, and it flared out around me in wide billows of purple wool.

Druth shook his head. ‘Na. Wrong colour.’

‘Uh?’ I came to a halt. ‘I like it.’

‘Not in purple. Have you got any other colours?’ Druth asked the pedlar.

The pedlar turned over his pile of clothes that he had spread out on the cottage floor. ‘Many colours, sir, of course. I have the same skirt in blue and red and yellow.’ He held up three other skirts.

‘Let’s try the red,’ Druth suggested.

The pedlar handed it to me, and I slipped off the purple skirt and put on the red one over my petticoat. It was just as warm and light as the purple one, but… I held the edges out and looked down at myself.

‘I like that one,’ Druth said. ‘It goes with your hair.’

‘I’ve got black hair,’ I pointed out.

‘That’s what I mean. It’s a nice contrast.’

‘Purple would be a contrast, too,’ I said wistfully.

‘The purple makes your eyes look orange.’

‘No it doesn’t.’

‘How do you know?’ Druth raised an eyebrow. He had a point. We didn’t have a mirror.

‘The red is of a very fine weave,’ the pedlar said, adding his two cents worth.

Oh, be quiet, I thought. ‘But I like the purple.’

‘You like looking like a violet blot on the landscape?’

I glared at Druth, then grinned. I gave a twirl, and the skirt spread out even further than the purple one had. It was a very bright red. Like poppy petals, or the heart of a glowing coal. Ladybird-red. Burning like a sunset.

‘Well, you'll have to dress for the ambiguity,’ Druth said dreamily.

‘You what?’ I stopped twirling long enough to blink at him.

‘Ambiguity. It's when something—’

‘I do know what ambiguity means.’

Sa, sa, sa.’

There was a pause.

‘Oh, okay,’ I said, beginning my gyrations again. Druth and the pedlar blurred into a dizzy streak of colour. ‘I’d like the red one.’
Last edited by Twit on Fri Aug 22, 2008 8:24 pm, edited 3 times in total.
"TV makes sense. It has logic, structure, rules, and likeable leading men. In life, we have this. We have you." -Abed Nadir




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A nice set of interesting stories. There's a lot of stuff that's left unexplained, but I guess that's alright, seeing as how this is for a contest. I am kind of interested to know how Elvish and popular medical TV shows got mixed up in the same universe, but that's just me. I can't really see any mistakes, which is good. I hope you do well in this contest.
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Can I just say I love your writing? Something about it just flows so beautifully that it's really just a pleasure to read. Like Conrad said, I couldn't find any mistakes besides maybe a typo here and there, but nothing major. I liked the way each scene was just sort of like snippets of their lives together, even though nothing really major or exciting. Each scene was very pleasant and well-written, and I thought the interaction between your characters was very realistic and natural. And seeing as this is for a contest, I'm pretty sure it will do well. ^_^

Well anyways, if you ever want a crit on anything else, feel free to PM, because I really do enjoy your writing. :P

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Okay first i want to say, i know nothing about Elvish or anything like that but i am always open to new things.
Also, you pointed out that only hybrids get married to 'Mate' but why are they together in the cottage? what is their relation.
also you dont really describe them, like what they look like. Do they look like normal humans or is their skin different...i dont know what elvin look like.
You have a good story here and im looking forward to reading more.
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Hi TL. Here to review, as promised. I'm new to fantasy fiction so if I'm wrong about something, feel free to correct me.

Very, very gently, I Sensed his mind.
The S in Sensed shouldn't be capitalized because it's not a proper noun. How can someone sense someone else's mind?

But I couldn’t do that to Druth.
Don't start a sentence with a conjuction. It's a connecting word, not a beginning word.

I think the rain reminded him of home, as well.
There's no point for the As Well part in the sentence.

Instead he put his hand on her back and stroked her fur.
There should be a comma after Instead because (at least, when I read it), there was a slight pause after that word.

drowned in the rain-soaked night outside.
I like this line.

‘Oh, indeed?’
There's something not right to me about saying Indeed. Since I'm not sure what would work for this genre, I looked up synonyms for you http://thesaurus.reference.com/browse/Indeed

Da taught me to read and write, I know my times tables, all about the Zulu War, and I know what can cause a pulmonary embolism.’
This seems like a list to me with all the commas. I'd suggest saying this

Da taught me to read and write and I know my times tables. I've learned all about the Zulu War and I know what can cause a pulmonary embolism.

And who’d marry a hybrid?
Don't start a sentence with a conjuction; it's a connecting word, not a beginning word.

“Have I tea taught you birds.”’
There should be a quotation mark at the end of the sentence because she's asking a question.

It was, as Black Ghost said, very well written. Some of the lines, like this one
I stuck my tongue out at him. ‘Party-pooper.’
completly caught me by surprise but a good surprise. I am interested in seeing what ER and House have to do with it, since it seems a little like it was set in the past, minus the main character's outbursts. I liked the characters and the story overall, which is a first for me in this genre. Not that this is relevent but what's the main character's name?

I hope I helped at least a little. :)

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>insert usual apologies about tardiness<

The rain thrummed on the cottage roof


Awesome verb.


while it was still light.


Erg, I’m not a huge fan of this phrase, but neither am I all that opposed—maybe it’s a Brit/Yank thing, but what I naturally expect to see is “still light out” or sumsuch. Again, not a huge deal.


. He was still on his side, staring out at the darkness. It was too dark to see his features,


You really don’t need the repetition, and either one could be easily replaced. “staring out the window” or “Dawn had not yet arrived, and so I could not see his features”. You know, not those exact phrases, but something like that for one or the other would be nice.


looking at his hands


Wasn’t he just staring out at the darkness?


that changed my resentment to surprise. Druth was sad.


I don’t really think you need that last sentence—you do a great job of showing his sadness, but I can understand if you wanted to include it in case you didn’t think all readers might interpret the signs like you want them to.


Very, very gently, I Sensed his mind.


Okay, let me put in my two cents here. You’ve given us little concrete idea what this ‘Sense’ really is, but from the way in which it’s been used and described, I have to assume it’s some kind of telepathy. That being so, what else would you Sense about a person except their mind. Ergo, “Sensed his mind” is a bit redundant. Now, if that’s not what Sense is really about, then I think you might want to take a little more time (doesn’t have to be here, in the main Scavenger work should be fine) to define exactly what it is. Also, how does one “gently” Sense someone’s mind? One of the things I really appreciate in a sci/fi or fantasy is when the author can describe how their character’s particular mental power works. I’ve heard the human mind compared to a maze, a knot of thread, a fortress, and so on. I’ve heard an act of telepathy described as similar to “one bowl fitting inside another.” Ect. Give us some idea of what Sense is really like, both for Raven and, if possible/necessary, for Druth. It doesn’t have to be much, a clause or such would do the trick. But it could really give your piece a unique flavor. Well, I think I’ve rambled on here for long enough, let’s get back to your regularly scheduled critique, already in progress.


Druth had always come and sat by me


ARG! I really don’t like the way those two verbs sorta grate against each other, but I’m not sure what to do. “would always come and sit by me” doesn’t really work with the rest of the sentence…I’m not sure what to do but please don’t leave it like that.


crying because I was homesick, and because whenever I thought of Da and my brother and sister, it had made such an awful twisting pain in my inside that wouldn’t go away.


The bit in blue describes homesickness as perfectly as I’ve ever seen, thus making the bit in red redundant.


He had waited until I had cried the worst of it out, then just hugged me,


Again, I’m not sure your verbs are exactly what you want to use here, especially as you said ‘always’ before, indicating an action that occurred, not just one time, but several. In this case, you might want to use ‘would’ instead.


But I couldn’t do that to Druth.


I think you mean ‘for’ Druth. As it is, it sounds like what Raven can’t do for him is to make him help her out like he often did/does. You see the confusion?


and go stand outside the cottage in the rain, simply because that was a way of regaining control.


This is probably just a style thing, but personally I’d word it ‘in the rain, his way of regaining control.’ Obviously your call.


Ceòban uncurled herself from [color]her[/color] corner


I think “uncurled in her corner” might work better, and avoid a bit of repetition there.


all about the Zulu War


From watching movies with you! :-) *hug*


‘’Cos of the Sky Hunters?’

‘Ebren-Chadyorä,’ he corrected.

A sort of cameo for the whole Fool plotline. :)


I stuck my tongue out at him. ‘Party-pooper.’


In America, that translates as ‘kill-joy.’ ;) P.S. A really fun little scene. Though I like the School one best so far.


You can jump like a frog all you want. I’m not coming down.

You need to! Druth asked me to clean the mantelpiece!

How can you clean it if you can’t even reach up and get me down?


Where did the italics go?


He gave me a condescending look and nestled down onto his paws more firmly. Don’t be silly. The windowsill’s too small for me to sit on.


The case of the randomly appearing and disappearing italics…btw, unique take on the promt.


‘He’s your Sense-familiar.’


What? But…but…*remembers scene with Raven’s flashback to Druth’s burned-out hut* *sniffle, sniffle* *weep*


and I slipped off the purple skirt and put on the red one.


>.< This may just be me, but you might want to mention that she’s wearing something underneath the purple skirt!

Erm, I’m not sure about this last bit. Why does Raven suddenly change her mind? It just seems as if every other scene does a good job of character or world building, and this one, well. Maybe I was hoping for a bigger scene to take the end slot.


Overall

Lots and lots of fun, I’m really glad you wrote these if only so we Scavenger-fans (ha! I’m calling myself a Scavie now!) can get a little backstory—and what interesting and delightful backstory it is! Very enjoyable overall, with only a few small bumps. Keep it up!
"In a sort of ghastly simplicity we remove the organ and demand the function...We laugh at honour and are shocked to find traitors in our midst. We castrate and bid the geldings be fruitful." ~C.S. Lewis




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I don't like fantasy. Actually, that's not true, I can enjoy any kind of story, it's just that fantasy and science fiction always tend to care more about the world and the setting rather than the story. It's like those kids who want to play with toys, and come up with complex plots and stories, but never actually pick up the toy and use it. And some people like it. It's fun to read about languages and ancient wars and races and stuff, but personally I like my stories to be about the characters and the things that happen to them and how they react. The best fantasy fiction, in my opinion, is the one that throws you right into the world, doesn't bother explaining shit, just keeps going. Terry Pratchett does this with his Discworld novels (which is one of my favourite book series ever), and the only time he ever tries to explain something is to make fun of the genre in general. But, OK, I'm here to talk about your story.

Random Thought #345: Putting thoughts in itallics when you're doing first-person narration is like this quote: "people who like this kind of thing will find they like this kind of thing." That is, redundant. All first-person narration is supposed to be thoughts.

So, I know I talked about throwing the reader off without explaing anything, and you do that to some extent, but I still feel you're constantly aware that, hey, we live in a cool magical world, look at us! You know? You don't know. OK, references to House and ER may seem cool in theory, but why put them there? You're making your world unique, different from the rest of the fantasy novels out there. And that's fine. But them just mentioning it, is like when you're talking to a huge, muscular guy, and he says something like: "My arm is sore," and then flexes his muscles. He's drawing attention to himself just to draw attention to himself. Same with the Elvish lessons. I can't tell you how annoying it is for a reader to get lessons on how to speak Elvish.

I mean, what's the point?

In your defence, you do use the conversation to showcase the relationship between your characters, and that's fine, but wouldn't it be better for them to talk about something else? I mean, look, I'm speaking for myself here, and my opinion is not more important than the ones from the hundreds of guys who like to see Elves talking about the ancient Dragon Hunter wars in Dark Elvish, but I just find that sort of thing boring. Also, all those off-hand references to House and ER and Shakespeare do make your world interesting and fresh but bring forth some logical questions.

First, how is a show like House or ER, were women are portrayed as independent, and sexually active individuals, produced in a world where women are still expected to go to school to learn how to be good wives? If there's no elves and other races in House's and ER's casts, are they considered racist? Shouldn't they try to reach all demographics by adding dwarves and shit? And I'm assuming there's healing magic, white magic, whatever, in this world of yours. Shouldn't medicine be a hybrid between, you know, modern day medicine like the one we use in the real world, with magical, abra-kadabra stuff? And if so, cancer shouldn't be a problem anymore, right? You just conjure it away. So is most fo the deceases portrayed in the shows.

Etc, etc, etc.

So, you draw attention to the fact that your world is a half-modern times, half-Middle Earth hybrid, but that just gets us puzzled and confused. I don't know.

Grammar wise it's fine.

I wish I could be more helpful. It's not really fair that I review your story, not being a fan of the genre overall. The thing is, you write good, it's just that you get caught up on the kind of thing I'm mentioned earlier. If you just focused on your characters, I could get lost in your story and not be distracted by Elvish doctors watching Zulu, starring Michael Caine.
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051. Yesterday

The rain thrummed on the cottage roof and trickled down the window, making tiny clear trails on the glass.

The "clear trails" bit bothers me a little. The glass itself is clear - the trails left by raindrops tend to distort the view of the outside.


The tune wandered around the words, playing in and out of the syllables like mist around standing stones.

*thumbs up*


‘left behind’.

Period inside the quotes.


crying because whenever I thought of Da and my brother and sister, it had made such an awful twisting pain in my inside that wouldn’t go away.

Crying, because whenever I thought of Da and my brother and sister, my insides were twisted with an awful pain that wouldn't go away.


he’d see it as loosing face.

"...losing face."


Memories of a long-ago yesterday were forgotten, drowned in the rain-soaked night outside.

Poignant and beautiful. A good line.


This first part is very descriptive, with excellent imagery and good metaphors. Good job! One or two things: you name the animals before you introduce them, which makes it a bit confusing at first, especially in Hamlet's case. I couldn't tell if he was supposed to be a dog or cat. I got Ceoban, but only because of the purring. All together, though, it's a nice picture of undefined sorrow. Next bit.



047. School


‘You’re joking of course.’

You're joking, of course.


‘I happen to be quite serious,’

I don't know about "happen to be." Maybe "I'm quite serious?" Or "Actually, I'm quite serious?" *shrug*


‘Yes.’ I sniffed. ‘I’ve probably got a better education than anyone around here, anyway. Da taught me to read and write, I know my times tables, all about the Zulu War, and I know what can cause a pulmonary embolism.’

‘Do you know how to make a sampler? Bake bread? Clean a house?’

‘I can quote entire scenes from House and ER,’ I offered.

Druth ran a hand through his dark hair. ‘You’re not making this very easy.’


I'm getting really confused as to the time frame of this piece. It seems to have modern elements, and at the same time it seems more historical. Some fantasy world with elements of both? Or is this another character from "our" world who's gone through into a fantasy land?


‘Good.’ I sighed. ‘Honestly, Druth, I don’t need to go to school. You only need to learn how to sew and bake and clean and all if you’re going to get married. And who’d marry a hybrid? Only another hybrid, and it wouldn’t be marrying then, it’d be seen as mating.’

Oh. Wait. Never mind. Is this Raven?


019. Sword


I goggled. ‘Ooh, it’s so big!’

*falls over laughing and rolls around on the floor*
I don't know if you did that on purpose, but it's damn funny.


‘Cafos y cha dyscy-fos ty ealla?’ he demanded.

I took a few moments to work this out, frowned and asked, ‘Where does tea come into it? I get about the birds, but --’

‘Tea? Oh you aswon, “cha” is “not” -- “che” is “tea”. And “éan” is “bird” and “ealla” is “nothing”!’

‘Oh-h.’ I blinked. ‘I thought you said, “Have I tea taught you birds?”’

Language lesson. Good. I always hate it when authors throw around all these fantasy words without explaining them to you.



039. Too Little


Is she actually talking to the cat with her Sense thing, or is this just an imagined exchange? Never mind, it doesn't really matter as far as the story goes, and it adds a fun speculative element.


Druth scraped at a smear of dried guano with the spade. ‘He’s your Sense-familiar.’

Oh. Guess I should read ahead. :P



027. Purple


Druth asked the pedlar.

"Peddler," unless this is one of your Elf words.


‘No it doesn’t.’

Comma after "no."


It was a very bright red. Like poppy petals, or the heart of a glowing coal. Ladybird-red. Burning like a sunset.

This is good, here.


Druth and the pedlar blurred into a dizzy streak of colour.

I love this line, too.

In fact, I love all the description in this piece! I didn't look to see what type of contest this was for, so I can't speak as to that, but you painted a lot of very colorful pictures and the imagery flows well with the dialogue. I think I'm becoming too used to your style, tho. I didn't have many comments. :(

Hope I was helpful, anyway!
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The greatest part of a writer’s time is spent in reading, in order to write; a man will turn over half a library to make one book.
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