Tarot Trip Travesties

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This is an idea I'm toying with. 22 brief little tales, based off the characters of Major Arcana of the general Tarot cards. If you're not familiar with Tarot cards, then here: http://en.wikipedia.org/wiki/Major_arcana. It's probably not completely original, but something I wanted to try. The stories aren't all in order, because I'm doing it in order of the cards. Most characters won't reappear, and are based off the card. And most of the characters are loosely connected in some way. I'll just post a little bit first, to see if it's any good. :)

I
[The Fool]

“New York can drown.” Felix Antsworth murmured, dropping his books on the cement sidewalk. They were worn and overpriced college texts, stuffed with a maelstrom of notes. The rumpled papers quivered as cars drove by, fragments of definitions flashing up at him. He cleared his throat and spat on them.
He tried to muster up more saliva for the sidewalk, but he would never have enough to drown the city; he whirled back toward his books and gave them a vicious kick instead.
All of the papers flew up into a storm and began to blow across the street. An old man standing in the doorway of a nearby apartment building shouted at him:
“What the fuck is your problem?”
Felix gave him a dirty look, then lost his confidence and decided to flee toward his own home. It was one block over; he had been close to arriving before he lost his temper. He trudged onward.
He wished he could draw in a breath and let serenity cascade over his limbs and mindset - but college, and work, they were parasites that scurried under his skin and made him shake with the frustration of that intolerable itching. It wouldn’t be so bad if he felt developed and nearly complete with his personal ideal. If he knew who he was, what he was made out of, it wouldn’t feel so goddamn awful when the stress ate at the meager muscles that did construct him.
There was a precipice at his feet; he could continue standing at the edge and peering down and around, or lean forward and feel the rush of air drag him downward.
Jump, jump, his insides sang as he whipped open his front door.
“Dear?” his mother called from the kitchen, oven mitts on her hands as she stood up straight and beamed at the blur of him passing by the kitchen doorway. “Felix, honey? Is something wrong?”
He tramped into his room, each step pumping him with excitement. Just lean forward, just lift one foot up, and then you’ll feel the rush of escape. A grin spread across his face as he dumped his backpack of all of the college notebooks and began to fill it with clothes instead.
“What’s going on?” His mother was in the doorway, still wearing her oven mitts. The little golden cross on her chest glimmered under the ceiling light and her eyes were wide and blank, staring all around. “Are you going somewhere?”
“Yes.” he huffed, winded from running all around his room, jamming clothes into the small spaces in his pack and gathering up toiletries. “I’m leaving.”
“Leaving?” His mother’s voice came out a high-pitched keel. “Where? You can’t just leave!” She pointed down the hallway with one big floral mitt. “Someone needs to feed Miss Baby Ruth!”
He couldn’t help but laugh in her face. The last thing he cared about was that ugly old cat. She stared at him, aghast, as he walked past her with his bulging backpack, his face a mocha tan from working at the carnival, his hair as chocolate as his father’s curling mess. “Felix!” she screeched at his back, grabbing at the cross around her neck.
“Mom.” He gave her one last look before exiting the house. “I’m only heading west a bit; it’s just a little trip. Later.”
She began to protest again, but it was only to a closed door.
He hailed a taxi and threw his cellphone into the sewer vent. He was going to live, he was going to acquire substance; he was rising from his roots and falling off the precipice.

II
[The Magician]

There was no room in a home more important than the study room, or wherever the library may be. Martin Weiss firmly believed that everyone should collect their books like coins, groom them like pets, and tuck them into the best arrangement on a grand bookshelf. There was not a more magnificent sight than hundreds of volumes of every hue, all erect and evenly placed on a shelf.
If only he could get others to see such majesty in the limitless knowledge bound in paper and glue. The art that was words, the exhilarating power of knowledge; looking at the world and seeing the electrical spark of existence, not just a flat image of colors.
This, at the Bayside Bar and Grill, he tried to explain to a young college student with hair the color of a Hershey bar.
“We have the tangible and the intangible.” Martin murmured into his bottle, leaning on the bar counter. “Some people merely pay attention to what they see; they are moved only by the physical. Like the main character Mersault in Camus’ “L’Étranger”, though not quite to the extreme, some people have a difficult time with emotions and can only find contentment in the physical things they experience. And the others - those that operate on the intangible - are the artists, surprisingly. They need what can only be expressed and not seen or touched. Once you understand where you can find your joy, life lowers one notch on the complication scheme, Felix, lad.”
He bent his head back and took a swig of his beer.
“But I don’t know what I am.” the college boy murmured, slouched on his stool. “I hardly have time to know. I go to class, I go to work, I make payments. I don’t touch enough to know if that’s what I live for, and I don’t express enough to know if that’s where I’m content.”
“Then make time, kid.” Martin laughed, amazed he was making this all sound so simple. Of course it wasn’t. Someday this young man would know that, too, and laugh at old men like him, who still wished they were in college themselves.
“How?”
“I don’t know. You’re young. When I was your age I was wearing a uniform in some country where the air tasted funny.” He ordered another drink.
“Oh.” The college boy dropped his eyes to the counter. It was almost heart-breaking to see a young well-meaning lad look so forlorn, or almost infuriating, for a man far past that age.
Martin sighed and looked sideways at the boy. “Escape. Learn.”
He whisked off the bottle cap and dropped it on the counter, listening to it ring as it wobbled.

III
[The High Priestess]

Everyone has that phase in life. The one they look back on and click their tongue at, saying “Oh, I was young and silly, then”. Life was short, but if one tried hard enough you can cram quite a bit into it.
Heather Antsworth knew this better than most. She was old now, a mother now, but she had once been a sun-kissed blonde with legs like Barbie. She had parted lips for all the boys in town and been able to drink more professionally than the entire football team.
But that was a long time ago. That had been a phase, and now she was on the right path. She gripped her tiny gold cross and kissed the four corners. Oh, how lucky she was to have spiritual guidance. To know you are loved and to love unconditionally in return.
Or perhaps unconditionally is the wrong word.
“Please, Lord, let my Felix come to his senses.” she prayed, kneeling at the coffee table in her living room, her worn fingers folded before her face. “I know of the evil and temptation that exists in this world, and he’s young and foolhardy; his trip is sure to bring about discretions, and may you forgive him in his youth.”
An unplanned and spirited taking off onto the highways of this country was something that a decent young man did not do. And she had raised her boy to be a decent young man, nothing like all the men in her young years.
But he had just disappeared on her. Walked out on his own mother, if there ever was a sin…
And to travel by taxi and train, by bus and - she shuddered - hitchhiking. Only vagabonds of the Lord’s great enemy did that.
First, he attends college for English. English! No one respected a poet. No one married a poet. And now this.
Was law school so much for a mother to ask? How wonderful that sounded: my son is going to law school. Mm-hmm. And yours? English? Oh-ha, I’m sorry. My son was going for English but then he came to his senses and now he’s in law school.
Heather let out a heavy sigh. She had been wild once, but she had learned.
The Lord reined in all chaotic souls.

IV
[The Empress]

Emma Beryl heard her phone trilling in the living room. She cursed its existence and continued her rhythmic pulling of weeds, squatting in her garden with her big round belly resting on her knees.
Carrying a baby certainly was a task; it threatened to interrupt all of her normal tasks. Which certainly would not do.
She breathed out slowly, discarding the weeds and leaning back on her heels. She could hear the answering machine kick on, but the only thing that followed was a whoosh of static and then a click. It didn’t matter; she knew who it was that had called.
Her sister had been calling nearly every other hour for the past three days. Her nephew had recently decided to be a normal young boy and go on a road trip of sorts. This had sent her daffy sister into a spin and she could hardly keep the exasperation out of her voice every time she had to tell Heather to screw her head back on and calm down.
Heather and her God. Even if an angry, omnipresent being was leaning over the clouds and watching her nephew, she doubted He would man the lightning bolts when He saw the boy run off in a bout of free-spiritedness.
She was sure everyone did this sometime in their youth. Her sister was hardly a saint, with her past of chemically blonde hair and all those boys. And for herself…well, she couldn’t admit to ever having matured.
For a mature person didn’t have the thoughts that Emma toyed with. If her sister knew her mind was cavorting with fantasies of adultery, she would never cease hearing the trill of that goddamn phone.
A woman who was eight months pregnant shouldn’t purse her lips at the man who helped assemble her baby’s crib, who was but a long-time acquaintance, an employee of her husband’s. But Heath Maverski was everything she had once wanted, before she had met her husband and changed her mind.
And here she was, changing her mind again.
But she would stop with her flirting, her teasing. For the sake of her baby, she had no more time for games for the young.

V
[The Emperor]

Be a man, Earl Beryl thought, watching one of his coworkers slink along the hallway, his shoulders sloped in a blatant and embarrassing sign of misery. No one cares.
He felt contempt for all of the sniveling, acne-pockmarked imps who he called coworkers. They all went home to their videogame consoles and drank their sorrows away in basements or bars. It was much too easy to step on their heads, climbing ever higher in the office, to more money and that white Tudor-style house he always dreamed of.
And his wife was already pregnant. That was a check on the to-do list. He was starting a family, a business, and if this wasn’t a life then he didn’t know what living was.
A baby was a nice accessory. Pictures in the office. In the wallet. Those oily coworkers of his had to respect a man who actually had something to work for.
And while they looked at these pictures of his progress, he would step on their heads and climb ever higher
Last edited by Clo on Sun Jun 29, 2008 5:20 am, edited 2 times in total.
How am I not myself?




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Wow! Okay, first off, I loved the intro to this piece. I thought the first line was great, it hooked from just from that alone. I admire that a lot, because I have such a difficult time with that.

There are a couple little things I think might make the piece stronger...

For instance, in the fifth paragraph, you write: Felix gave him one quick dirty look...
I think this is a little wordy to describe something that is quick, simply, 'Felix gave him a dirty look' will suffice. Later in the same sentence: "...and decided to flee back toward his own home." Again, you're describing a quick action, and "decided to flee home" works just as well with less.

I love your descriptions. Your work is overflowing with poetry within the story. I bet you're an amazing poet.

In the next story, I had a bit of a hard time getting across this sentence: 'The art that was words, the exhilarating power of knowledge and looking at the world and seeing the electrical spark of existence and not just a flat image of colors. '

I'm afraid it's a run-on, and it's very beautiful, but I think it can be split.

The rest of this story is beautiful, I love how the little actions and expressions show so much of the characters' personality.

'The High Priestess' is absolutely perfect.

The Empress is great, too, though I'm having a difficult time matching this character with the tarot's Empress. I'm not an expert though, I'm sure you are much more knowledgeable and are pulling on character traits I haven't even considered.

The Emperor seems to be going really well.

I love this idea you have going. I've been reading tarot cards for four years, so I am partial. I can see this story in an old fashioned fairy tale way, with big curvy letters beginning each part and lovely illustrations that borrow a lot of the tarot's symbolism.

I also think you will enjoy this: http://www.youtube.com/watch?v=1CIjH0iYjWE

I hope I've helped! Can't wait to see the rest.
"Your pain is the breaking of the shell that encloses your understanding." ~Kahlil Gibran




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Thank you for the review! I followed your suggestions and cleared up those sentences.

I actually knew how to read Tarot when I was younger, but I've forgotten over the years. Now I only have a general knowledge of it still, and I had to use my books to get a clearer image of what each card means.

I probably am a little off with the Empress. Her figure is mother and shows fertility, hence the pregnancy. But I thought there was also desire and attraction there as well. Eh. If you can read the cards now, you must know better than me. :D

And I wish, wish, wish I could watch that video, but I'm currently at a residence with only slow dial-up. :( Once I relocate I'll be sure to watch it though!

Thank you again~
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Hey, clograbby!

Huzzah! More of your writing. This is such a cool idea, original or not. I love how the characters are all very unique and fit together in the grand scheme of things--that's really hard to keep track of, and hard to pull off. I tip my had to you, madam. ^_^

QUESTION MARK, USA

A problem you had pretty consistently throughout the pieces was a lack of setting description. At the very beginning, I thought that Felix had gone outside, but then he's messing with his things and it makes me think that maybe he was standing at a window inside. I really can't tell. In the other perspectives, on the other hand, it seemed that you put a sentence or two of description--usually something like "a restaurant"--but don't have more detail than that.

Adding detail is what's going to help distinguish these characters from each other even more, so it's not something you want to pass up. When you mention where a character is, take a moment or two to expand--explore the colors, the sights, the smells, the atmosphere. How do your characters interact with the setting itself? By adding more detail to their world, you're helping your reader ease into the panorama you've already built with all of the different people.

OUT OF ORDER

I know that you're doing them in the order of the cards for that reason, but the pieces don't really flow into the next at this point. Since you keep cycling through perspectives, it's important that you carry something similar from the previous section from the next. It keeps things consistent and easier for your readers to keep track of. It's also easier for you to put in plot arcs consisting of all of the characters.

Most people won't notice that the tarot cards are out of order--a lot of people won't know what tarot cards are, either, so it shouldn't be too much of a problem. ^_~

__

Thanks for the read, clograbby! You know where to find me if you have any questions. ^_^
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“New York can drown.” Felix Antsworth murmured, dropping his books on the cement sidewalk. They were worn and overpriced college texts, stuffed with a maelstrom of notes. The rumpled papers quivered as cars drove by, fragments of definitions flashing up at him. He cleared his throat and spat on them.

Comma at the end of the dialogue there, not a period.
Now, are you sure that "maelstrom" is the word you're looking for, here? I just can't see it applying to bits of paper stuffed into a textbook. It's close, but not quite right. Maybe... "confusion?" It can be very difficult to come up with the right word, but it'll be worth it in the end.
In the third sentence, the order you've put your words in suggests that the fragments of definitions are somehow related to the cars. I'd reword something like this:
"As cars drove by, the rumpled paper quivered, flashing fragments of definitions up at him."

He tried to muster up more saliva for the sidewalk, but he would never have enough to drown the city; he whirled back toward his books and gave them a vicious kick instead.

All of the papers flew up into a storm and began to blow across the street. An old man standing in the doorway of a nearby apartment building shouted at him:

“What the fuck is your problem?”


That first sentence there should probably be part of the previous paragraph, but that's a stylistic choice. Also, I'd rearrange the second half, after the semi-colon, so that both parts don't start with "he." Maybe something like this:
"to drown the city; instead, he whirled back toward his books and kicked them viciously." Experiment.

That second sentence should definitely be part of the same paragraph as the first one, in this section. Also, I'd make "What the fuck is your problem" part of the sentence, instead of separating it with a colon like that.
"An old man standing in the doorway of a nearby apartment building shouted, "What the fuck is your problem?"

Felix gave him a dirty look, then lost his confidence and decided to flee toward his own home. It was one block over; he had been close to arriving before he lost his temper. He trudged onward.

Simply because you're starting a new paragraph here, you might want to clarify to whom Felix is giving that dirty look:
"Felix gave the old man a dirty look before losing his confidence and fleeing toward home."
As for "He trudged onward," well, I don't think "trudged" is a verb that applies very well to the action of "fleeing." You might want to replace it with something a little more active, or change "fleeing" to "retreating."

He wished he could draw in a breath and let serenity cascade over his limbs and mindset - but college, and work, they were parasites that scurried under his skin and made him shake with the frustration of that intolerable itching. It wouldn’t be so bad if he felt developed and nearly complete with his personal ideal. If he knew who he was, what he was made out of, it wouldn’t feel so goddamn awful when the stress ate at the meager muscles that did construct him.

I'd use "mind" instead of "mindset."
"mind - but college and work were parasites"
You don't need to say "they" in the above revision.
"Constructed" might be better than "did construct."

I love the imagery in this paragraph, by the way, it's very good.



There was a precipice at his feet; he could continue standing at the edge and peering down and around, or lean forward and feel the rush of air drag him downward.

Jump, jump, his insides sang as he whipped open his front door.

“Dear?” his mother called from the kitchen, oven mitts on her hands as she stood up straight and beamed at the blur of him passing by the kitchen doorway. “Felix, honey? Is something wrong?”

That first sentence there should be part of the paragraph in the last quoted section. I know it's important to have short paragraphs for on-screen reading, but you're splitting up ideas too much. That sentence is part of the same idea as the previous paragraph, and belongs there. That said, the sentence beginning "Jump, jump," is a good stand alone to follow. I like it.


He tramped into his room, each step pumping him with excitement. Just lean forward, just lift one foot up, and then you’ll feel the rush of escape. A grin spread across his face as he dumped his backpack of all of the college notebooks and began to fill it with clothes instead.

“What’s going on?” His mother was in the doorway, still wearing her oven mitts. The little golden cross on her chest glimmered under the ceiling light and her eyes were wide and blank, staring all around. “Are you going somewhere?”

“Yes.” he huffed, winded from running all around his room, jamming clothes into the small spaces in his pack and gathering up toiletries. “I’m leaving.”

It might be a good idea to acknowledge his mother, even though he does not. Perhaps add "Ignoring his mother, he" to the beginning of the first paragraph, instead of just starting out with the pronoun.
"as he emptied his backpack of all the"
The rest of this is good. I love his abruptness, and that little detail about the mother's cross.


“Leaving?” His mother’s voice came out a high-pitched keel. “Where? You can’t just leave!” She pointed down the hallway with one big floral mitt. “Someone needs to feed Miss Baby Ruth!”

"Keel" should be "keen." Comma between "big" and "floral."


He couldn’t help but laugh in her face. The last thing he cared about was that ugly old cat. She stared at him, aghast, as he walked past her with his bulging backpack, his face a mocha tan from working at the carnival, his hair as chocolate as his father’s curling mess. “Felix!” she screeched at his back, grabbing at the cross around her neck.

That description of Felix seems out of place. I'd just cut it entirely. And I'd say "screeched after him" instead of "screeched at his back."


“Mom.” He gave her one last look before exiting the house. “I’m only heading west a bit; it’s just a little trip. Later.”

She began to protest again, but it was only to a closed door.

"again, but it was only to a closed door."
This sounds weird and awkward. I'd rewrite end. Maybe something like this:
"She began to protest again, but the door closed on her words."

He hailed a taxi and threw his cellphone into the sewer vent. He was going to live, he was going to acquire substance; he was rising from his roots and falling off the precipice.

I really love the imagery in this part, but you're mixing metaphors a little.









The Magician
There was no room in a home more important than the study room, or wherever the library may be. Martin Weiss firmly believed that everyone should collect their books like coins, groom them like pets, and tuck them into the best arrangement on a grand bookshelf. There was not a more magnificent sight than hundreds of volumes of every hue, all erect and evenly placed on a shelf.

That modification about the library in the first sentence indicates that it us the most important room in the house. Forget the study room. Also, I think the use of the present tense would be appropriate here, but I might be wrong.
"There is no room in a home more important than the library."
As for the big about the books, I'd just remove the "tuck" part.
"groom them like pets and arrange them lovingly on a grand bookshelf."
You end two sentences in a row with "shelf." It might be time to find a different word, here.


If only he could get others to see such majesty in the limitless knowledge bound in paper and glue. The art that was words, the exhilarating power of knowledge; looking at the world and seeing the electrical spark of existence, not just a flat image of colors.

This, at the Bayside Bar and Grill, he tried to explain to a young college student with hair the color of a Hershey bar.


These are good lines.


“We have the tangible and the intangible.” Martin murmured into his bottle, leaning on the bar counter. “Some people merely pay attention to what they see; they are moved only by the physical. Like the main character Mersault in Camus’ “L’Étranger”, though not quite to the extreme, some people have a difficult time with emotions and can only find contentment in the physical things they experience. And the others - those that operate on the intangible - are the artists, surprisingly. They need what can only be expressed and not seen or touched. Once you understand where you can find your joy, life lowers one notch on the complication scheme, Felix, lad.”

Would he be "murmuring into his bottle" when he's excited about the subject? Use something more enthusiastic.
"though not quite to that extreme"
Remove "surprisingly." It's not surprising that the dreamers who move through the intangible are artists. What else would you expect of them.
Good reminder of Felix, there.


He bent his head back and took a swig of his beer.

“But I don’t know what I am.” the college boy murmured, slouched on his stool. “I hardly have time to know. I go to class, I go to work, I make payments. I don’t touch enough to know if that’s what I live for, and I don’t express enough to know if that’s where I’m content.”

“Then make time, kid.” Martin laughed, amazed he was making this all sound so simple. Of course it wasn’t. Someday this young man would know that, too, and laugh at old men like him, who still wished they were in college themselves.

“How?”

“I don’t know. You’re young. When I was your age I was wearing a uniform in some country where the air tasted funny.” He ordered another drink.

“Oh.” The college boy dropped his eyes to the counter. It was almost heart-breaking to see a young well-meaning lad look so forlorn, or almost infuriating, for a man far past that age.

Martin sighed and looked sideways at the boy. “Escape. Learn.”

He whisked off the bottle cap and dropped it on the counter, listening to it ring as it wobbled.


This is some good dialogue. I love it. :)




The High Priestess

Everyone has that phase in life. The one they look back on and click their tongue at, saying “Oh, I was young and silly, then”. Life was short, but if one tried hard enough you can cram quite a bit into it.

"...the one upon which they look back, clicking their tongues and saying..."
You're mixing tenses in the ending line of this paragraph.

Heather Antsworth knew this better than most. She was old now, a mother now, but she had once been a sun-kissed blonde with legs like Barbie. She had parted lips for all the boys in town and been able to drink more professionally than the entire football team.

Commas after "old" and "mother." I like the repetition, there.
I don't think "professionally" is the best word to describe the drinking habits of a teenage slut. Think more in terms of quantity when choosing a word here.

But that was a long time ago. That had been a phase, and now she was on the right path. She gripped her tiny gold cross and kissed the four corners. Oh, how lucky she was to have spiritual guidance. To know you are loved and to love unconditionally in return.

It's generally a bad idea to start a sentence with a conjunction, but I know that I do that all the time. However, you should not start a paragraph this way. Attach this paragraph to the previous one. Otherwise, it's good.

Or perhaps unconditionally is the wrong word.

Punctuate it like this:
"Or, perhaps, "unconditionally" was the wrong word."


“Please, Lord, let my Felix come to his senses.” she prayed, kneeling at the coffee table in her living room, her worn fingers folded before her face. “I know of the evil and temptation that exists in this world, and he’s young and foolhardy; his trip is sure to bring about discretions, and may you forgive him in his youth.”

Excellent first line, there. Suddenly, this strange woman becomes someone we know, whom we've already met. I love the way you're linking these seemingly disparate pieces together like this.
Her prayer is a little awkward after that, though. Here's one possible rewrite:
"I know of the evil and temptation that exists in this world, and I pray that you may forgive him the sins he is sure to commit, for he is young, and foolish."


An unplanned and spirited taking off onto the highways of this country was something that a decent young man did not do. And she had raised her boy to be a decent young man, nothing like all the men in her young years.

But he had just disappeared on her. Walked out on his own mother, if there ever was a sin…

That first part is just bad, if you'll forgive me. I'd scrap it and rewrite it from scratch, were I you. And you've begun another paragraph with a conjunction. what's worse, you've ended it with an ellipsis. You're starting to fall apart a little, here. These two parts, when rewritten, should be all one paragraph.

And to travel by taxi and train, by bus and - she shuddered - hitchhiking. Only vagabonds of the Lord’s great enemy did that.

Another conjunction. This should be part of the previous paragraph.


First, he attends college for English. English! No one respected a poet. No one married a poet. And now this.

Was law school so much for a mother to ask? How wonderful that sounded: my son is going to law school. Mm-hmm. And yours? English? Oh-ha, I’m sorry. My son was going for English but then he came to his senses and now he’s in law school.

This is a bit out of nowhere, but it's one of those old complaints that tends to linger, I think, so it's okay. I'd combine these two into one paragraph, though. Instead of italics on the last bit, use quotes.

Heather let out a heavy sigh. She had been wild once, but she had learned.

The Lord reined in all chaotic souls.


You've got some good stuff going on in this part of your story, but, on the whole, it just doesn't live up to the first two parts. Just a mother bitching to God about a son she seems to think is worthless.




The Empress
Emma Beryl heard her phone trilling in the living room. She cursed its existence and continued her rhythmic pulling of weeds, squatting in her garden with her big round belly resting on her knees.

Carrying a baby certainly was a task; it threatened to interrupt all of her normal tasks. Which certainly would not do.

So far, so good, but these should probably be one paragraph.


She breathed out slowly, discarding the weeds and leaning back on her heels. She could hear the answering machine kick on, but the only thing that followed was a whoosh of static and then a click. It didn’t matter; she knew who it was that had called.

Too many pronouns at the beginnings of your sentences. Consider rewording a few of them.
"...matter; she knew who had called."
"It was" is extraneous.



Her sister had been calling nearly every other hour for the past three days. Her nephew had recently decided to be a normal young boy and go on a road trip of sorts. This had sent her daffy sister into a spin and she could hardly keep the exasperation out of her voice every time she had to tell Heather to screw her head back on and calm down.

Attach this to the previous paragraph, and then make it clear that it's Emma's nephew, not her sister's. You've got a lot of confusions as to just whom your pronouns are referring to in this paragraph.


Heather and her God. Even if an angry, omnipresent being was leaning over the clouds and watching her nephew, she doubted He would man the lightning bolts when He saw the boy run off in a bout of free-spiritedness.

Good lines, but you've still go that pronoun confusion here.



She was sure everyone did this sometime in their youth. Her sister was hardly a saint, with her past of chemically blonde hair and all those boys. And for herself…well, she couldn’t admit to ever having matured.

For a mature person didn’t have the thoughts that Emma toyed with. If her sister knew her mind was cavorting with fantasies of adultery, she would never cease hearing the trill of that goddamn phone.

Comma after "for" in the second paragraph. And I'd combine these with the previous quoted section to make one paragraph.



A woman who was eight months pregnant shouldn’t purse her lips at the man who helped assemble her baby’s crib, who was but a long-time acquaintance, an employee of her husband’s. But Heath Maverski was everything she had once wanted, before she had met her husband and changed her mind.

And here she was, changing her mind again.

And, now, here she was, changing her mind again.
Also, these should be one paragraph.


But she would stop with her flirting, her teasing. For the sake of her baby, she had no more time for games for the young.

Stop starting paragraphs with conjunctions! *growls* Put the baby at the beginning of the sentence.
"For the sake of her baby, she would stop with her flirting and teasing. She had no more time, now, for the games of the young."




The Emperor
Be a man, Earl Beryl thought, watching one of his coworkers slink along the hallway, his shoulders sloped in a blatant and embarrassing sign of misery. No one cares.

Good opening. :) I like.

He felt contempt for all of the sniveling, acne-pockmarked imps who he called coworkers. They all went home to their videogame consoles and drank their sorrows away in basements or bars. It was much too easy to step on their heads, climbing ever higher in the office, to more money and that white Tudor-style house he always dreamed of.

"Who" should be "whom." "Basements and bars" might be better.
"...house, of which he had always dreamed."



And his wife was already pregnant. That was a check on the to-do list. He was starting a family, a business, and if this wasn’t a life then he didn’t know what living was.

Remove the "and" at the beginning of this sentence. You don't need it.

A baby was a nice accessory. Pictures in the office. In the wallet. Those oily coworkers of his had to respect a man who actually had something to work for.

Attach this to the previous paragraph.

And while they looked at these pictures of his progress, he would step on their heads and climb ever higher

This is a place where that initial conjunction isn't quite as off-putting. You need a comma after "and," though.




Overall things to work on:
1. Starting paragraphs with conjunctions
Sentences are one thing, but, with paragraphs, it just looks bad. Attach them to the end of the previous paragraph, or reword them so that they start with a different word.

2. Splitting paragraphs
You're splitting your paragraphs too much, trying to make them readable on a computer screen. As I said earlier, you really want to try to keep all of the sentences about the same idea in the same paragraph.

Other than that, I enjoyed this piece, except, I admit, for #3. The other four, though, were excellent! I'd love to see more, if you continue this project. I hope I wasn't too harsh for you, I'm never sure!
Frylock, please, no books! I can't read; I'm not a loser!
-Master Shake




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It has already been severely pulled apart *looks pointedly at the last post* so I have nothing left to give except a "Well done!" and kiss from me.

*mwah*

The stories are very, very well written, but I have no clue of the meaning behind the titles, or the characters. *shrugs* Tarot cards are not of my world. Honestly. I have absolutely no idea what they are 'cause I've been brought up to believe that things like witches, warlocks, vampires etck are... well... evil. *shrugs* I'm not allowed to have anything to do with them, even if I'm just looking through.

And yet... and yet. I continue to read fiction... *smirks*
~ Mnes x



It is most unlikely. But - here comes the big "but" - not impossible.
— Roald Dahl