Young Writers Society


This Murderer

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Their eyes were locked. His muscles were tightened, teeth clenched his heart pumping blood through his tense body. His mask lay on the floor, exposing the impossibly twisted, discolored flesh and the sparse strands of hair.

Christine's tearful eyes stared at him defiantly. Her small fragile body was trembling, her little fists clenched. He couldn't read her expression. Dear God, what could she be feeling at this moment.

“Phantom,” she said, her voice unsteady. Two tears spilled down her cheeks. “Your face no longer frightens me. It is your black heart I am afraid of.”

His jaw shifted, his mismatched eyes never leaving her face. His pulse was pounding hotly in his ears.

“I...am willing to give you my heart, so that you may heal it,” he whispered, his voice hoarse from screaming. “I want you to take it.”

Christine's eyes watched his trembling hand press itself to his chest, above his cold heart.

“I can't...” she said.

“Take it. Take me.”

He grabbed her hand, desperate to feel her touch on his chest, but the gesture startled her. She tore away from him and stepped back. “No,” she breathed. “You frighten me so badly, Phantom. I thought you were my friend. I cannot be your lover, and I am sorry. You must understand.”

His brain began to tighten up with that mad rage, that unstoppable urge to strike something. His eyes darted around the room, looking for anything he could beat and destroy, but most of it had already been damaged by his own hand. Manuscripts lay torn and shredded on the floor, pieces of shattered glass scattered everywhere, bookshelves and tables knocked off their feet.

There was nothing left to destroy.

His eyes settled back on Christine.

He'd given everything to that woman. He'd written his music for, her, poured out his very soul onto paper as a gift for her. He'd trained her voice to make her own dreams come true. He'd offered her a wonderful life full of magic and music. He'd killed for her. He'd fallen on his knees and offered his heart and soul to her in return for her gentle affections.

She'd refused him.

She was turning around and leaving.

“No!” he roared. He ran after her, his arms wrapping around her. He felt her struggling against him, screaming with those powerful lungs of hers, beating him with her fists. She would not leave him. Not after all he'd done for her.

Her cries and his own labored breathing began to soften in volume, and his mind began to cloud...his arm pulled tightly around her neck, the crook of his elbow closing off her airway.

“You won't leave me,” he whispered calmly, his eyelids slipping halfway over his eyes, his rage slowly fading away and being replaced by mindless emptiness. She was still struggling against him, but she had become oddly silent and even as the seconds crawled by, she was growing more relaxed in his embrace.

“You see,” he mused, his lips twitching in a smile. “I am gentle. I can hold you and love you just like your young man, Christine. Perhaps I can even love you more than he can.”

She'd stopped fighting him, sinking back into his body. She was realizing how kind and gentle his touch was, at long last. She had only needed to agree to be embraced to understand his good intentions.

He dimly felt her muscles spasm in death, but thought nothing of it.

“Let me hold you just a while longer,” he said, dropping his head to kiss and sniff her hair.

The clock in the drawing room ticked. Tick. Tick. Tick. Tick.

He stood there with Christine as the hour chimed...and remained there ten minutes after, fifteen minutes, twenty.

He heaved a deep sigh. Christine was growing very cold. She needed to go get her shawl.

He released her from his arms. She crumpled into a lifeless heap, her lovely hair spread out on the floor.

Dead.

He stared at her.

His limbs began to cramp and stiffen, his lungs started to dry up and tighten painfully. He couldn't breathe. His skull was surely going to split. Bile pushed against the back of his throat. Cold sweat trickled down his temples.

“Christine?”

He ran into his room, gasping for breath, his eyes fogging with hot tears. He pulled out all of his drawers, throwing out the contents. His hands shook so badly he could hardly control them.

His fingers closed around cold metal.

Drawing out the revolver, he ensured that it was loaded, and he briefly recalled placing it in his drawer years ago. He'd sworn to himself that if he was ever discovered in his little house down by the lake, he would take his own life before the authorities could lay their hands on him.

With the gun in his hand, he stumbled back to Christine's body, landing on his knees beside her and rolling her over onto her back. Her face was calm and still, her eyes half-closed. So beautiful. He touched her lips. Such a sweet, gentle girl. An angel. Only a short while ago she had been speaking to him and crying.

He turned away from her, his body sagging in anguish, and placed the revolver against his head, pulling the hammer back.

The clock was still ticking. He listened to the stillness of his home. It was so quiet.

The explosion shattered the silence. The bullet buried itself deep in his brain. His body slumped over onto Christine, his eyes closed, dark blood oozing from his nostrils and mouth.

The Phantom was dead at last, sleeping beside his final innocent victim.


Disclaimer: I do not own Phantom of the Opera or its characters. The rights belong to those who have acquired them legally.




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Hello! I picked this piece to read when I saw it was about POTO. I'm a great fan myself so I decided to give it a try.

The grammar was correct, at least I didn't notice anything else. But did I miss something in Christine's death? In what did she die? Also, I don't think the Phantom would ever take his life with a gun, after all, their world is far in the past and then, there weren't that much guns as nowadays. No, maybe he'd rather hanged himself or something like that.

The ending reminded me of... that's right. Romeo and Juliet.

Sorry for not having anything else to say for now.

All the best
Demeter
"Your jokes are scarier than your earrings." -Twit

"14. Pretend like you would want him even if he wasn't a prince. (Yeah, right.)" -How to Make a Guy Like You - Disney Princess Style

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Wow..I definatly liked this..It was a much more tragic ending to the already terribly tragic tale of the Phantom of the Opera..I am a big fan of POTO, so that is why you caught my attention with this piece. I liked the element you put in with him living in a small old house instead of in the underbelly of the opera house. I would of liked his home to be described a bit more, just because I think I pictured it too nice.

"With the gun in his hand, he stumbled back to Christine's body, landing on his knees beside her and rolling her over onto her back. Her face was calm and still, her eyes half-closed. So beautiful. He touched her lips. Such a sweet, gentle girl. An angel. Only a short while ago she had been speaking to him and crying. "

I like this bit because it shows his true love and devotion to her, also it talks about how they had been talking before the reader stepped in and it makes me wonder what they were talking about and how and why she was there.

"The Phantom was dead at last, sleeping beside his final innocent victim. " I think this was a good strong ending, it made you love and hate the phantom at the same time. Love because of the previous parts you had written but hat because instead of just saying lying beside the girl he loved or christine, you put innocent victim which showed the truth behind the "love" that he had for her and what she must have seen it as.

overall very nice..you should write another one about what led up to this part ;]
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This was a very nice piece of work, and honestly I can't think of anything to change when it comes to grammar. However, I didn't quite understand how Christine died. I just kinda figured he held her too long, and what seemed like minutes for him was longer for her. Either that or he squished her.
“Your face no longer frightens me. It is your black heart I am afraid of.”

Also, I love that part.
no second thoughts, the knife is nearing
you'll never hear the little pitter patter pitter patter




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A stunnning piece of writing by all accounts. It was moving and brilliant, but as a phanatic I have one or two points...

1. The Phantom would not be crass enough to own a gun. It lacks style and flair. Punjab lasso, yes. Sinking beneath the lake with the dead Christine in his arms, even better. The more dramatic, the more inclined he would be to do it.

2. Our darling Erik could never kill Christine. Even if the musical is all you know, the line is 'why should I make her pay for the sins which are yours?'.Erik was more inclined to blame Raoul for what happened than Christine. Right up to the end, she had doubts over whether what she was being forced to do by Raoul was right.

Also remember that Erik knows that there are things worse than death. Living out the remainder of his days in the knowledge that he killed the woman he lived for would have been more painful than the simple and quick act of killing himself. Maybe he would have kept her corpse with him, talked to her everyday, unable to let go.

The story is beautiful, but the Phantom is a very difficult character to write about. Trust me, I;ve just sat through three performances just doing research on my own POTO stuff! (LOVE Anthony Warlow!)
~@ Hyde's Classic Lines @~
“I must say, I enjoy a bit of carnage in the evening.”
“Well, this is the oddest angle I've seen London at, I must confess.”




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I read this story on fanfiction.net a few months ago. I thought I loved it then, but I, being the lazy thing that I am, did not take the time to write a review. I hope that you shall forgive for my past atrocities now.
It love the Phantom, and while I find it sort of a stretch for him to kill Christine, I still find this story beautifully tragic and moving. Poor Erik, why must he be made to suffer these horrible things. Maybe I'll write a story about that.
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