The Jane Effect

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I loved it! I couldn't stop reading, normally it takes so much determination to finish reading something on YWS but i was immediately hooked, ive never really read any austin books before but ive seen pride and prejudice (dont judge me lol) and it reminded me of that, the main charcter Elizabeth's name, that she was quite stubborn and no one thought she was as beautiful as her sister, and the hansum stranger who was thankfully nothing like grumpy Mr Darcey! :D i loved it, i want to read more! no bad comments from me, it was great
SOME WISE WORDS xxx
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If at first you don't succeed, destroy all evidence that you tried.
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You spelt countenance as countinance.
Very Jane Austen-ish indeed.
The language and eveything seems to be influenced by her writing.
I've recently been reading all her works. Quite similar style.
I guess most of the little errors have been pointed out.
You did a good job! :)
I can see Elizabeth's character develop quite clearly.
Make Jane Austen proud! :D
~Liverpool F.C Supporter~
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Elizabeth picked up the hem of her skirt and ran back towards home, hoping she'd make it. Her long, dark hair floated in the wind, blanketing the sky with black. As she ran, her blue ribbon released itself from the knot of her hair. Fear washed over Elizabeth's face; her mother wouldn't approve of her losing her ribbons.

So when I first reading the beginning, I thought this was a modern story. But man, was I wrong. Angel, you seriously have made my morning even better. I just can't get enough of historical stories. So I thank you.
When I first saw the words skirt and ribbons, I was so happy. Yeah, historicals rock!!

The Greenly family was almost poor, and the only thing that would bring them into high society would be if either Elizabeth or her blue-eyed sister, Maxine, were to marry. Alison Greenly, the most stubborn yet impatient woman whose ever graced Pennington, was always inviting ideal suitors to the house to meet her two "lovely" daughters.

Suitors. Check. High society. Check. Marriage. Check, check, check! Angel, you are amazing!! This is what I have been looking for all along.

Elizabeth scoffed at the word lovely; she knew she was nothing of that sort. Now her sister, Maxine, was the definition of the word. She was the fair-haired, blue-eyed beauty of the family and all the men in Pennington adored her. Even though Elizabeth was smarter and stronger, no one paid much attention to her when Maxine was around.

Maxine? I've never really heard that name before. Good choice.

The ribbon disappeared into the tall grasses, making Elizabeth's hopes fall deep into the depths of her heart. If her ribbons were dirty, her mother would be just as upset as if she'd lost them. Elizabeth fell to her knees and searched through the grass for her ribbons. Minutes passed, and the rain soon began to fall down hard.

Nope, don't want that to happen. God, I can just picture her mother's expression.

Just when Elizabeth decided to give up, a strong hand slipped into hers and pulled her up. Through the rain, she could make out little about the person who pulled her out of the mud.

Oh. Oh. Oh. Oh! Is it a man? Is is a gentleman? Is it a rogue?! (I love rogues)

"Please, call me William. William Harvey. Now listen, I'm...," the man started, pointing somewhere behind Elizabeth.

William? Goodness, I love that name. It's so...oh, I don't know.

Lydia and Bertha emerged from the pantry, covered in flour.

Haha!! This seriously made me laugh! I can just picture them covered in the flour. Head to toe.

A pink frilly dress happened to be poking out, so Elizabeth pulled it off the rack and laid it across her bed. Then she slipped out of her old dress and threw it in the corner next to countless other dresses that belonged to Maxine.

Okay, I can stand frilly. But, pink? It better be a pale pink.

Angel,
Wow, this first chapter has have me hooked! Man, being high off of coffee (it's the morning) and reading this story...well, you just don't wanna see the outcome. :wink:
I do have to ask, were you planning to write in the Regency period? You know the whole Jane Austen period. If you do, I congratulate you. It's a hard thing to get everything put together, especially writing a historical piece. -- For me, it takes forever. :roll:
Well, I've got to stop writing and get to read chapter two. Bye!
-Merry
Mary had a little lamb. Little lamb. Little lamb!

Ugh!! I really hate my name. >.<




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Thanks so much Merry!

Yeah, though I like Jane Austen, I have no clear as to where this came from. Lets just say that when I started writing this, I didn't do any research and it was just on a whim, if you will. But I'm so glad you like this!

*throws confetti*

Thanks again!

~Angel
True love, in all it’s celestial charm, and
star-crossed ways, only exist in a writer’s
mind, for humans have not yet learned
how to manifest it.




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Here at last to review, as requested, Angel! :D Sorry for digging an old thread up...

Elizabeth sauntered across the lush green fields and twirled in the sun's warm breath.


To avoid sounding like you're using a verb overload, why not change the structure somewhat so it reads:

'Elizabeth sauntered across the lush green fields, twirling in the sun's warm breath.'

Her long, dark hair floated in the wind, blanketing the sky with black.


To avoid the alliteration of 'blanketing' and 'black', why not nix, 'with black.'

The Greenly family was almost poor, and the only thing that would bring them into high society would be if either Elizabeth or her blue-eyed sister, Maxine, were to marry. Alison Greenly, the most stubborn yet impatient woman whose ever graced Pennington, was always inviting ideal suitors to the house to meet her two "lovely" daughters.


Bit of an info dump here, why don't you show rather than tell us this through events. Have a scene in the story where Alison invites suitors in and show the dialogue - it's a great opportunity to insert characterisation; and dialogue is always the cure for showing instead of telling.

Elizabeth scoffed at the word lovely; she knew she was nothing of that sort. Now her sister, Maxine, was the definition of the word. She was the fair-haired, blue-eyed beauty of the family and all the men in Pennington adored her. Even though Elizabeth was smarter and stronger, no one paid much attention to her when Maxine was around.


Again, try to show this rather than giving us a character profile.

As the blue ribbon danced with the wind, Elizabeth ran hopelessly after it. She did not indeed care what anyone else thought of her but making Mrs. Greenly angry was a mistake that would follow her the rest of her days.


There should be 'for' before the second-last, 'her', so it reads, [...] was a mistake that would follow her for the rest of her days.

The ribbon disappeared into the tall grasses, making Elizabeth's hopes fall deep into the depths of her heart.


Deep into the depths? :P Nix 'deep' and replace with another adjective, to avoid alliteration/repetition.

If her ribbons were dirty, her mother would be just as upset as if she'd lost them. Elizabeth fell to her knees and searched through the grass for her ribbons.


Repetition of 'ribbon's here, nix the second one.

She had never seen many amiable appearing men in Pennington, though they were rumored to all have lived in London.


There should be a hyphon between amiable and appearing.

"Yes, I'd be happy to assist you, kind sir." Elizabeth said, nodding her head.


The yes is redundant, why don't you simply say, 'I'd be happy to asisst, you, kind sir,' < it moves the story along faster.

She was fanning herself with a worn book, staring out the tear stained tear-stained window.


You've repeated 'tear-stained' twice. But I do like the metaphor. :P

"Your hair, its absolutely atrocious.


Don't forget the apostophe in 'it's.'

"There's no time to fret mother, Mr. Harvey is on his way!" Elizabeth panicked.


Comma after fret.

"Oh dear God!!" Mrs. Greenly shouted, rising up from her slouch.


No need for multiple exclamation marks.

Even though they were on their uppers, Alison Greenly managed to hold a household.


I'm probably being ignorant, but what are uppers?

She picked up her bell and rung it six times, signaling for the maids to come forth.


Signalling has two 'l's...oh no, you use American spelling, don't you? Lol, my mistake.

Once in her room, Lizzie found her sister in front of the vanity, brushing her long yellow curls.


Don't you mean, 'in front of the mirror' ? You can't really be in front of the vanity. xDD

Before she could finish, there was a knock at the door. Both Max and Eliza looked up to find Emily, their maid, standing in the doorway.


I'm not sure I like you referring to Maxine as 'Max' out of dialogue, it makes it too colloquial. Keep her nickname for dialogue.


Overall Comments

I

I'm really getting into this. I think a bit more characterisation is necessary of the MC, as we've only heard about her personality from her sister's thoughts at the end. Up till then, I didn't really like her that much. The fact that she's plainer than her sister is good, because obviously, it means the reader can empathise with her. I'm so glad you haven't made her into some blonde-haired, blue-eyed goddess of a woman. Flaws are beautiful, so be sure to embrace them.

II

My main problem is that her dialogue with the man hasn't shown her personality. Seeing as she's loud spoken, from what the sister's told us, she would have been a lot less coy, a lot more brash. I love the fact that she's intelligent and speaks her mind, but you need to show this. Make her be less flirting and shy with whats-his-name, make her show him that she won't be taken advantage of. Strong girls are very good if you're looking to write 18th century novel that isn't cliched, so make sure you embrace her strength, rather than make her a bit flat, a bit simpering.

III

Your opening wasn't the best for dragging me in, as it didn't really scream at me. At the beginning, the character annoyed me because she seemed a bit superficial, worrying about ribbons. If she's strong and brash, she'd probably dismiss the thought of worrying about ribbons. Maybe have her decide not to chase after the ribbons, deciding that it's pointless.

But it is important to note that inspiration for your opening can come from many places and is ongoing. In the end, you, and only you, must put something down on paper. You must commit to one sentence so intense, so powerful that the reader simply cannot stop reading. They no longer care what may or may not be on television or playing at the local cinema, they care only about this world you, YOU, have created for them.

Opening sentences are probably the trickiest - for me, a least. An opening sentence needs something to fire the imagination of reader. Make the reader want to know what happens next - something that pulls them into the story. Makes them ask questions - who is this, what's happening, what's going to happen? You're not really looking for scene setting or establishing character - that comes later. Dramatic openings should try and put you right in the middle of things.

IV

One of the best opening sentences I know is from George Orwell's book '1984':"it was a bright cold day in April and the clocks were striking 13."
There's a great balance to that sentence - the first half seems ordinary and reassuring and then, bang, he hits you with the twist.

Yours isn't completely flat - you need to beat around the bush less, cut down all the wording, be simple. ^_^ Gah, I feel like such a hypocrite. Since you're writing in an old-fashioned way, you definitely have licence to be wordy. Look at Jane Austen, Charlotte Bronte, Thomas Hardy. Wordy-ness is good, we as classics readers know that, but seeing as your average Joe doesn't really appreciate the style, make the opening a bit simpler, so you'll have them hooked.

V

All in all, it was a lovely little first chapter to this and I'll soon be critiquing the others. I might not be as lenghty as I was in this review, as I tend to give the bulk of my advice in the first chapter critique. But I'll definitely be reviewing later, don't worry about that! Just remember to expand on Lizzie's personality - don't be worried about making her stand on her own two feet and be that strong little character we know's in her!

Good luck and thanks for the read!

-Sarah
xxx
Had I the heavens embroider'd cloths,
I would spread the cloths under your feet.
But I being poor, have only my dreams,
So tread softly, for you tread on my life.



Be careful or be roadkill.
— Calvin