A Moonlit Stroll [Re-write]

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Here's the completed re-write with ending number three but there are other changes too...

A Moonlit Stroll

The moonlight trickled through the thick, grimy air and alighted upon the cobblestone road where a young boy sat amidst the fragments of glass from a half broken bottle. Intermingled with these pieces were tiny droplets of dark, dried blood that wrought a pattern across the cobbles. The boy stared, as if he could read the markings, and perhaps to some extent he could. The blood was splattered in a circle, spiraling inwards towards one point. Towards the boy. He was small, his clothing ragged and as filthy as the streets, stained with the same substances.

The boy hardly blinked as tears spilled from his eyes, cleansing a portion of his dirt covered face. He was holding something and barely dared to breathe lest he should disturb her peace. A peace that could not be disturbed. The bundle seemed to stir and the boy's wooden eyes glowed feverishly for a moment but it was merely the wind. Again, the wind rose and lifted a corner of the ragged cloth to reveal her face.

Placing a tender kiss upon the porcelain cheek, the boy stood and cautiously carried his cargo towards a shadowy doorway. He dared not raise an arm to knock for fear of dropping his burden. Instead, he lifted a foot and kicked the door violently.
“Have you come to your senses, young master Samuel?” the cheerful voice preceded a plump, rosy cheeked maid who opened the door a crack and peered out.
“I want her with me,” Samuel spoke fiercely and shook his head so that his chestnut snakes uncoiled and struck the air.
“Now, now master Samuel, you know better than to bring foreign objects into your father's house.” The maid scowled and shook a finger back and forth in exact timing with the movement of her head, almost as if she were a clockwork toy.

“She's my sister,” Samuel objected, attempting to push the door further into the house.
“That may be half-true, master Samuel,” the maid hissed, “But she's no longer welcome here. Come inside before your father loses his patience.”
“He killed her,” Samuel stated, clutching to a familiar piece of information as he tried to understand the maid's peculiar reaction.
“Your mother's dreadfully worried,” the maid declared, wringing her hands. “It was very naughty of you to run after your father like that and when you didn't return home with him, your mother started crying and...”
“My father is inside then?”
“In the library, master Samuel, and he desires your presence there. Come with me.”
“Thank you, Martha, that will be all.”
“But master Samuel...”
“I said that will be all,” Samuel insisted and with one final push, he entered the house and thrust the body into the maid's arms.

The first room was beautiful, in full contrast to Samuel and while it did not make him falter, a residue of guilt hung in the air. I should have wiped my feet. To the left, a smoothly carved arch led into a magnificent parlour where the corner of a mahogany fire place could just be spied. Straight ahead lay the stairs - lustrous oak.

Samuel climbed the stairs in five great bounds and entered the library, slamming the door behind him. The walls were lines with endless shelves, stacked neatly with ancient volumes. The smell of must lingered in the air. A dark-haired man was seated in a padded armchair before a roaring fire, garbed in silk pyjamas and a fine, red velvet waistcoat. He closed his book and placed it on the floor before standing and approaching his son.
“You cleaned up the glass?” the man queried in a hard, cold voice.
“She's dead,” Samuel stated.
“I suppose I shall have to deal with it then.” He turned away and shuffled to one of the shelves.
“Did you not hear me? Do you not care?” Samuel's voice rose to a scream, a hysterical cry.
“I cared too long for another man's child.” The man said calmly. As he spoke, he poured himself a drink and then added almost casually - “Go wash your hands.”
Last edited by Rydia on Wed Aug 27, 2008 10:35 pm, edited 2 times in total.
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In the first sentence, I would personally change the word moonlight to moon.

"his dirt covered face"
dirt-covered is better---you need to add another word though!

"In his arms, the bundle seemed to stir and the boy's wooden eyes glowed feverishly for a moment but it was merely the wind"
I had to reread this in order to understand. The problem with this sentence is that the "it" in the second hald could mean the bundle, the boy...

"It was very naughty"
Nad word choice--naughty is usually used for little children, and it really does not fit in this story.

I liked the ending. It was confusing, but still rather dramatic. Can you explain it to me?

Good job overall, though sometimes I felt like it was dull, and had no real spice or fascinating parts. I really liked the mystery surrounding the story, but I think you should edit to include more information (showing!) in order for the reader to idetnfiy the plotline.
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Thanks Gadi! I'm working on a longer version at the moment actually so that I can bring more of the plot into it and don't have to hold back on my description and such. Basically, the father killed the girl with a broken bottle because she was another man's child but I have loads of little sub plots and background stories going through my head and I really want to try and include those.
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Wow, really dramatic =) Even though the ending wasn't explicitly shown. I liked how the story progressed, it didn't leave any holes. I hope that I'd be able to read a longer version! =) The poor kid... haha! =)
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Awww... What a rotten father.... Reminds me of someone in my family... I feel so bad for the boy!

This is very well written. There are some things I'd like to comment on, though they are minor in nature.

"The moonlight trickled through the thick, grimy atmosphere and alighted upon the cobblestone road where a young boy sat amidst the fragments of glass from a half broken bottle."

Whew. That's a mouthful. It's beautifully written, mind you, and I wouldn't take away a word of it. I just think it needs some commas, some kind of punctuation to slow down the pace. Imagine if someone was reading this aloud for some reason. Be kind to them; give them places to catch their breath. How you decide to put your breaks is up to you, but I definitely suggest putting some in. Otherwise, it's a beautifully descriptive sentence, pulling the reader into your environment almost immediately.

Should "master" be capped? I'm not familiar with that. Just noting it. I wager you are familiar with that, lol.

Chestnut snakes . . . Hmmm. It's a nice image. But it could be a little confusing. Consider maybe tying it more obviously to hair . . . But maybe not. I'm on the fence about that.

“But she's no longer welcome here."

That "B" actually shouldn't be capitalized, because even though it resumes the dialouge, it's not the beginning of a new sentence, due to that comma before it.

“In the library, master Samuel and he desires your presence there."

I think a pause after "Samuel" would be natural, so maybe put in a comma?

"A dark haired man was sat in a padded armchair before a roaring fire."

"Was sat" is not good grammar. It should be "was seated."

Such minor matters aside, you have a nice start here. I am always dreadfully bothered by critics who argue that the plot isn't packaged in the first paragraph or that full character sketches aren't crammed within the first sixty words. You have a nice glimpse at a rather unsettling, and therefore quite gripping, plot, as well as excellent samples of the characters that you're starting with. Well done.




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jynxy - Thanks very much, I'm so glad you liked it!

Scribe - Thank you! You're right, the grammar needs tidying up in places and some of the imagery could be clarified. I'll certainly take a good look at that in the longer version. Thanks again for all your comments =)
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Now, this ending I like! I loved the last sentence, it really showed how detatched the father was, and, on the whole, the conclusion was beautifully subtle. I might strike "Did you not hear me?" As the father had made a response. I think "Do you not care?" is enough in and of itself, though I might describe how Samuel looked or what he did just before he asked this question, eg did he blanch, or did his hands tremble, or his eyes burn? Was his expression one of disbelief, or incomprehension , or loathing...Lol. You get the idea. Fair play, and thank you for this ending! :)
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I'm glad you liked it Jasmine since it's practically yours. And gosh do I feel guilty. Somehow you find time to read nearly everything I've written and I still haven't finished going through your short novel so I'll tell you what, send me the rest of it as soon as you can and I'll dedicate thursday to the part I already have and the weekend to the rest. Thanks again Jasmine, I'm forever in your debt =)
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Hey Heather! :)

The moonlight trickled through the thick, grimy atmosphere and alighted upon the cobblestone road where a young boy sat amidst the fragments of glass from a half broken bottle.


'Atmosphere' sounds kind of... odd. It's really just personal preference but I think it would sound better as 'through the thick, grimy air' or something. 'Air' would infer that the atmosphere was grimy and smoggy, since if the moonlight is only trickling... okay, I lost my train of thought. XD And maybe a comma after 'road'?

The boy was alone. He did not move. He did not speak. He did not even blink as the tears spilled from his eyes, cleansing a portion of his dirt covered face.


I like the bluntness of these phrases, but I feel like they're telling rather than showing. You could probably make them just as powerful -- if not more so -- by showing us that he is alone, and that he is silent, and that he didn't blink.


In his arms, the bundle seemed to stir and the boy's wooden eyes glowed feverishly for a moment but it was merely the wind. Again, the wind rose and lifted a corner of the ragged cloth to reveal her face.

“I want her with me,” Samuel spoke fiercely and shook his head so that his chestnut snakes uncoiled and struck the air.


He has snakes for hair? Now this is getting interesting!

“Now, now master Samuel, you know better than to bring foreign objects into your father's house.” the maid scowled and shook a finger back and forth in exact timing with the movement of her head, almost as if she were a clockwork toy.


The T in 'the' should be capitalized. :wink:

“That may be half true master Samuel,” the maid hissed, “But she's no longer welcome here. Come inside before your father loses his patience.”


I think 'half true' should be hyphenated and there should be a comma after 'true'.

“In the library, master Samuel and he desires your presence there. Come with me.”


Comma after 'Samuel'?

A dark haired man was sat in a padded armchair before a roaring fire.


I think 'dark haired' should be hyphenated...

-----------------------------------------------

Bravo! :) I quite like this. There's some very nice description and it's very original.
However, it's kind of confusing at parts. I like the mystery but it seems like too much -- often, I didn't at all understand what was going on. You say that the boy has wooden eyes and chestnut snakes for hair? I'm assuming that he and his sister are dolls, but his father isn't?

But anyway. I love the ending; it seemed perfect and it really showed the father' personality. I agree with Jasmine that you could describe the boy's reaction when the father says, "“I suppose I shall have to deal with it then.” But other than that, I can't find much to critique!

Good job on this. It's short and a good read, though if you were going to make it longer, more characterization might be beneficial.

Keep it up!

- Camille xx
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Thank you, Camille. Just to be clear, my descriptions of the characters were metaphorical, haha. They're just ordinary humans, I think someone's been reading too much fantasy ;)

I made a few changes, thanks for the help everyone,

Heather xx
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This was good. Everyone else has the grammar and punctuation stuff covered so I won't waste my breath, er, finger energy.

It was attention-catching, which is something I always like for a story to have, and the beginning of the plot was good. And... I guess I can't think of anything else to say.




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Hey, Kitty! (I hope you don't mind being called that--I like it as a name, and since your name is kitty15... well, anyway, let's get on to the critique. ^_^)

The moonlight trickled through the thick, grimy air and alighted upon the cobblestone road where a young boy sat amidst the fragments of glass from a half broken bottle.
This feels like a little bit of a run-on. I guess it's grammatically correct, but for the first sentence, it feels a tad long. Maybe have a more concise, to-the-point sentence before this one? Also, I think "half broken" should be hyphenated.

The boy hardly blinked as tears spilled from his eyes, cleansing a portion of his dirt covered face.
I guess this is a matter of opinion, but I feel like "dirt covered" should be hyphenated as well...

He was holding something and barely dared to breathe lest he should disturb her peace.
I don't like the "he was holding something." It sounds too blunt and tell-y. Maybe try something like: "In his skinny arms was a stained bundle, and barely dared to breathe lest he should disturb its peace." But whatever you decide, I think that if you say "something" then you shouldn't say later on "her" because "something" is kind of vague, while "her" is very specific... does that make any sense whatsoever? XD

“Have you come to your senses, young master Samuel?” the cheerful voice preceded a plump, rosy cheeked maid who opened the door a crack and peered out.
The "t" in "the" before "cheerful" should be uppercase, because it isn't a dialogue tag, it's a full sentence. ^_~

To the left, a smoothly carved arch led into a magnificent parlour where the corner of a mahogany fire place could just be spied.
This is probably optional as well, but I think "smoothly carved" should be hyphenated.

The walls were lines with endless shelves, stacked neatly with ancient volumes.
That should be "lined," shouldn't it?
--------------

Let's get the negatives over with before moving on to the positives...

I feel like Samuel's character is rather cardboard. He feels stiff and unfeeling. For example, why isn't he furious at the maid, yelling, kicking and crying? He seems too calm. If that's part of his character, then you might want to add something about how strange the calm after the storm is? Also, when at first he's fighting with Martha to let him bring his sister's body into the house, but then he just dumped her in the maid's arms and walked away. I think (this is just my opinion, of course) that it would be more powerful if he confronts his father with the corpse in his arms...

I also think you should add more description of what the maid looks like, because ai don't really have much of a mental picture.


On a more positive note, the descriptions are quite effective and beautiful. I love the metaphorical descriptions of the characters. I didn't think they were actually dolls like Camille, but I can understand how she did--and that's a good thing, IMO because it gives an eerie, superficial feeling.

Overall, I liked this a lot. I'm not usually a fan of "deathy" pieces, but this was really well-written and I enjoyed it a lot. I kind of wish you had spread out the dialogue lines, because they make big blocks of text, but that's up to you.

PM me if I was unclear about anything! Hope this helps...
~Azila~




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Thanks KJ!

And thank you, Azila, of course you can call me Kitty. Those are some really good points and I'm not going to make any changes just yet but Easter's coming up and I'd really like to get an extended version of this finished so I'll make the edits then.
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