POD 8- Patterns that look like swirls...

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:!: Philosophy of the Dark- Chapter 8. Mild use of language. :!:

- Patterns that look like swirls
-but are really just dust in the dark
-On both accounts.


That's how it works, you roll over, take the punishment and hope to God that nobody finds out.

These were the three rules as stated by Richard the one, and only, time Jamie ever asked a question pertaining to his anger.

She couldn't just do that though, she needed someway to release her own anger, keep from becoming the smaller replica of the volcano that was her father. She tried about a dozen things, running, snapping rubber bands to her wrists, cutting-as already stated- and writing songs. None of them stuck.
Until one day, she looked back on the song she had spent hours working on, and realized, that it wasn't just a song. It was a story.

That was the explosion, that was the idea that began her world.

That was the day she tore the songs from her new red notebook, opened a fresh page and dared to dream. Dared of having something she could call her own. Her stories.

Whenever she got a burst of inspiration, another idea, or when something potentially life changing happened she would write it down, to keep from getting lost in the labyrinth that was her mind.

That's what she was doing when it happened.

The familiar sound of pissed of footfalls coming up the stairs was the first warning, loud cursing was the other.

“Shit,” Jamie said under her breath as she flipped the notebook shut. Her dad was almost to the door.

“Dammit, dammit, dammit!” she cursed quietly, desperately searching for something to do. Finally she picked up a book, and desperately opened it to a random page.

The calm before the storm, the few moments of deadly silence before the explosion. There was the silence.

Then was the explosion.

The door was pushed open with enough force to push a page-turning wind toward Jamie. She cringed as it's coolness lashed at her back. She held back a cry.

He didn't say anything for a while, Richard stood at her door, his anger growing force, second by silent second. Finally he stepped forward.

“Just what kind of death do you want, you worthless bitch?” he asked.

There was no answer.

“Because I assure you, that if you keep up whatever play you're going for,
it will be very, very unnatural.”

Silence.

“Answer me!” Richard yelled.

Jamie set her book down calmly and turned around as calmly as she could muster. Her heart beat furiously in her chest, slowly making it's way up to her throat slowly choking her.

“I don't understand,” she said with a surprisingly serene voice for the situation.

“You must be fucking stupid or something, you know very well what's going on! Or at least Amber does.”

Her heart reached the back of her throat, where it beat like a wild animal just as it realized it was trapped.

Amber.

What had she done?

And did she even know she'd done it?

“So what do you have to say for yourself, because if you want to live it'd better be good,” Ricard took a menacing step forward. Jamie flinched back unconsciously, making him smile.

“I really don't know what to say,” Jamie admitted.

“What exactly did you tell her, little bitch, why is she so concerned about you being here?”

“Why would you say she's concerned?”

“She fucking came here and asked if you were okay, how things between you and me were.” Richard's voice took on a disgusted tone, “What did you say?”

“I told her that I felt like you and me were growing apart,” Jamie answered.

“What would make you think we were ever connected, Bitch?”

“I used to have to look for bruises, now I have to look for ways to hide them. It's getting worse,” tears meant to be held back broke through, “I used to be able to convince myself that you cared, now every time I try I can't. All I ever wanted was for you to care about me, maybe say my name every once and a while. I wanted to know what love was other than just another form of hate.”

Richard's face fell, and for the first time Jamie could see lines that had woven themselves into his skin emerging from the sides of his eyes. The edges of his hair had a faded, dull look, graying strands offset ink black.

He turned and left the room, leaving Jamie alone. By some miracle she had avoided the hand. For now.

The room was dark now, no light pushed it's way through the curtains,none came from under the door. The only light came from the lamp, set to a low red glow, just enough to write.

Dust caught the small amounts of light that did show, reflecting as they waltzed through the stirring air. Swirling and twisting they navigated in relative circles, dancing to their own interpretation of the silence.

Some moved joyously and quick, moves filled with purpose and skips, while other floated slowly toward the ground, the inevitable fall.



***

I don't know what to make of it, the dust. One minute it's swirling patterns adding life to an otherwise barren existence, but the next seconds it's back to being dust, pointlessly making it's way back to the ground.

The more optimistic side of me wants to say that I've stirred something up, started something new, while the other part of me is waiting for that last one to hit the ground and open up the gates to hell. Mostly it's the second one.

It doesn't take long for you to forget the good in some people, especially if it was never visible.

But it's just dust, pointless, endless, waiting for the fall to end. Waiting to be stirred up again, just to fall right back down.

An endless cycle that life has condemned it to, sad thing is that it's all that can be looked forward to, the final fall. The last time it ever hits the ground.


:idea: Next instalment- Chapter 9- A fate worse than falling, On both Accounts. Now Posted. :idea:
Last edited by JC on Wed Apr 18, 2007 6:45 am, edited 1 time in total.
But that is not the question. Why we are here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come. -Beckett




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You're making me emotional. I can't read this just before I'm about to go to sleep again--I'll have trouble accepting the fact that I have to wait for the next chapter to come!

I have one problem, though. Richard come in. He beats her. He leaves. There's never any passionate anger in him. He's always angry about something small. Even when something serious comes up that would anger him more than usual, he's just angry. I can't feel how angry he is, and I would suggest adding some words to describe his features twisted in hatred, or maybe an expression that could describe his feelings.

I'll congratulate you on showing Jamie's feelings of fear perfectly. She's afraid of what Richard can do, but she also feels alone since he won't love her. *I think...* Also, this is real. This isn't something so over the top that it's not believable, but it's also not something "censored" as somebody critted in one of the first chapters.

Just one little thing I'm having a problem with. You make a lot of incomplete sentences. In many of the cases, it's done to emphasize what's being said, but there are also times when it's just overdoing it, such as the following cases:

Her heart reached the back of her throat, where it beat like a wild animal just as it realized it was trapped.

Amber.

What had she done?

And did she even know she'd done it?

None of them stuck.
Until one day, she looked back on the song she had spent hours working on, and realized, that it wasn't just a song. It was a story.

The calm before the storm, the few moments of deadly silence before the explosion. There was the silence.

Then was the explosion.

In the last one, I think you could just take out "There was the silence" all together, because it already mentions the calm before the storm. No need to repeat it. =]

As you can tell, I'm just loving this. I should have gone to bed a LONG time ago, but my eyes are attatched to the screen, reading your chapters. I really enjoy reading this because of the reasons listed above ^^^^^^ with all the uncensorship and stuff like that. It really makes one step back and think about the fact that it really happens. Keep writing and I'll keep reading, oki?
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You portray her emotions perfectly, as Royboy says but there is something lacking in the father's anger (as Royboy says)

That's how it works, you roll over, take the punishment and hope to God that nobody finds out.

These were the three rules as stated by Richard the one, and only, time Jamie ever asked a question pertaining to his anger.


They don't really come across as rules, though they are. More as a threat.

The familiar sound of pissed of footfalls coming up the stairs was the first warning, loud cursing was the other.


There is an extra of in there.

You use some really good, concise descriptions in this chapter which create a vivid portrait of whats happening. I like your short broken sentences, they add emphasis but I think that there are too many - like Royboy says.

(sorry to be a mimic of you, Royboy)

Then was the explosion.


Here I think it should be "Then came the explosion".

I enjoy the metaphor at then end - just a small warning, don't overuse them. They work well and I'm not suggesting you change it, just don't overdo it.

And to risk sounding like a broken record, I think that the way you narrate Jamie's thoughts works exceptionally well.
Sing we for joy and idleness,
Naught else is worth the having. -- Ezra Pound

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I fixed the short sentences thing, not here, but I fixed it. Yeah...and the second of should be off.
But that is not the question. Why we are here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come. -Beckett




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Whenever she got a burst of inspiration, another idea, or when something potentially life changing happened she would write it down, to keep from getting lost in the labyrinth that was her mind.

Loved that bit :)

Anyway, another great peice, what more to say really? You are so good at capturing characters emotions well done.

Meevs
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He didn't say anything for a while, Richard stood at her door, his anger growing force, second by silent second.
I think you should say this, "He didn't say anything for a while, standing at her door, his anger gathering force, second by silent second." I only changed two words.

I think you should develop her father more as a character. Why is he abusive? What started it? Why doesn't he love her? Does he secretly feel ashamed for what he does? is he ashamed of himself, or of her? If he beats her, and treats her so horribly, why does he stay? And why does he keep getting new wives? He needs a goal. I suggest you run him through some of the threads in Snoink's Character Development user group :-)
“It's necessary to have wished for death in order to know how good it is to live.”
― Alexandre Dumas, The Count of Monte Cristo




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That's parts coming, but right now Jamie doesn't know what his motives are, she can only guess. I want to put the reader in the same boat, so to speak.
But that is not the question. Why we are here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come. -Beckett



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