POD 2- Poison Gas

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Chapter 2- Poison Gas
-on both accounts.


Now, I know it's weird to put beginnings with ends, but truly, that's all we ever know. Right? So why wait for the end itself when you can save yourself the trouble off all that suffering that comes with suspense. The need to cheat pages and find out what happened. So I'll just tell you, my guess, as of now, is about as good as yours, my only advantage, it will ultimately be my choice. So I guess I already know the answer. Well, that is if I really know myself.

Endings are odd sort of beginnings really, a new way to think, another thing over and done with. So what about the absence of an ending? I suppose we could go on forever, waiting for the end, or like so many others we could just hang up on our chance for a new beginning.

***

She tried several times to add self obsession to the story, here and later. It never did work out though.

Maybe it was her mindset, that if somebody really reached a point of notation-worthy self-obsession wouldn't they already know? The answer, Jamie concluded, was yes. After all, where do you think first person narration comes from? Think about it though, seeing as we've already established that characters have souls, and thus feelings, imagine how self-inclined that person must be to spend up to six hundred pages just talking about themselves.

Despite this fact, Jamie's story didn't change. In meaning or in narration. She figured that she preferred self-obsession to limited truth.
So was the excuse.

Now, all self-obsession well and truly forgotten, Jamie put down her pen, changed and went back downstairs. She wrote a short note to her mother, grabbed her purse and left.

The spot was basically a nickname to placate the fact that they hung out in a wash. Surprisingly enough they had beaten the stoners.

Jamie parked and honked her horn once, waited for the reply honk, and then climbed down into the tunnel where the car was parked.

It was a simple procedure, if Nat and Chris were down there, you warned that you were coming, waiting for the safety reply before heading down. Unless of coarse you were some sort of demented pervert looking for an eyeful. Of which Jamie was not.

“Abstinence,” had never been part of Natalie's vocabulary, and Chris, upon meeting her, quickly forgot it as well.

Natalie, Chris, and Amber were all sitting on the hood of the car.

“Beat ya here,” Amber said laughing.

“Spoiled all my fun, Bitch,” Natalie said, combing her hair with her fingers.

Despite her words she was smiling. Chris chuckled that manly laugh that meant it had been a good time. He brought a cigarette held between his first and middle finger up to his lips.

“So how about it Kid,” he began, smoke trailing out of his mouth as he spoke, “gonna try it this time?” He asked Jamie holding the half-burned cigarette out to her.

“But that would be less poisonous gas for you, we wouldn't want that,” she replied coolly.

“No, we really wouldn't,” with a sly smile he drew another lungful, exhaling it appreciatively.

Jamie shook her head.

“So, how are you all, anything new going on?” Natalie asked, finally done combing her hair, now having moved on to fixing makeup that had been mixed around during all the fun. Chris had some eyeliner on his neck, Jamie didn't say anything.

“Not really,” Amber said, taking a cigarette out of her purse and lighting it. After breathing it in deeply she continued, “The twins are being bitches though, If I didn't get paid so fucking much I swear I would love nothing more than to show them the cool side of the pillow.”
They all laughed.

“How bout you Kid? Anything new and exciting in your black hole?” Chris asked, referring to Jamie's room of perpetual night. Lit only with a small lamp when she was writing at her desk.

“Eh, my dad got married today,” she answered, shrugging.

“So, what would this be? Wife number five?” Natalie joked.

“Four, actually,” Jamie said.

“And is he still going to live with you guys?” Amber asked, with actual concern apparent in her voice.

“Yeah, Tammy's moving in too, they come back from their honeymoon in, get this, Paris, in two weeks.”

“I don't know how you guys cope with that,” Natalie said, taking some of Chris's lung poison. Jamie imagined it slowly making its way through their bodies, until finally it decided that enough was enough. “It must be really stressful.”


***

It's interesting how nobody knows just how hard it is to watch your father come home with a new wife all the time. The same home. No escape for us, we just get to sit and watch and bet on how long they'll last this time.
Even better is that as bad as it is, we all just deal. Ignoring the horrendous fact that the person who could hold an infant so dearly, claim undying love, and commit till death do them part-at least four times- could be such a cold jackass.
I almost feel bad for Him. But not enough to love him.
That's still not as bad as having to watch the person who held you up when you scraped you knee, pushed you down when you stood yourself up on a weak pedestal, and loved you unconditionally, have to cope with the stress of planning wedding after wedding for the love of her life, hoping-in vain- that some day he'll re-kindle the fire that went out so very long ago.
That's what kills, knowing first hand how messed up some people are, taking advantage of the ones that love them most. By not loving them at all.
It almost temps me to take all the poisonous gas in the world, take it all at once and watch as it makes it's way through me, until finally, I give up. Just like he did.
Oh, the love of a father hath no bounds. And if it does, please, point me their way.
Last edited by JC on Fri Apr 13, 2007 8:53 pm, edited 1 time in total.
But that is not the question. Why we are here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come. -Beckett




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Hey, JC! (Hehe, best nickname I could come up with. Any suggestions?)

I absolutely adore your writing style- it's very nice and personal, but at the same time it's very elegant. A good thing, in first person. :D

One thing that I noticed in this section- and I hate to be blunt- but the side characters, her friends, are well...obnoxious.

Even if they were supposed to be a bit, erm, loud, there's a way to make it a lot more accessible to your readers. They have to be adoringly slovenly, not repellent.

Two tips:

- Enlist a Voice of Reason- a person who reacts or notes the crudeness of the situation. Jamie, in this instance, could force a laugh or grimace at the sight of eyeliner on Chris' neck...just some sort of reaction so we know that we're not complete pariahs for thinking these people are strange and rude.

- Focus especially on these characters in develompment. We can't just know them as Sex Fiends #1 and #2- we've got to know them by personality, just like any other character.

___

Mmm, another very, very good section. As usual, don't hesitate to ask if you want me to look at something- this isn't exactly the longest review, but there was very little to squawk about. :wink: If there is, though, you know the drill.
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JC's fine.
As for Jamie's friends, well...your not supposed to like them, Jamie will say later that she only stays with them to keep herself from being alone. They've all basically become different people, but stuck together because thats how it's always been. (note: this will all come into play later). But, thank you for the advice, I'll do what I can to fix that.=)
-JC
But that is not the question. Why we are here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come. -Beckett




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BTW- Chapters three and four are posted, five may be coming later tonight or tommorow.
But that is not the question. Why we are here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come. -Beckett




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Ireally love your writing style (As Sam has already said) and like i said in your frist one, i like how it goes from the story to like bing talked to. This peice was great!

Meevs
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The second narrator, the italics one, takes different tones sometimes. For something that is giving deep insights into Jamie's life it then reverts to some rather low level comments like,

Despite this fact, Jamie's story didn't change. In meaning or in narration. She figured that she preferred self-obsession to limited truth.
So was the excuse.


Are highbrow and intelligent.

The spot was basically a nickname to placate the fact that they hung out in a wash. Surprisingly enough they had beaten the stoners.


This bit seems like it's at odds with the person that I imagine the narrator to be.

On the other hand if it's some third person narrator, who has some personal relationship with Jamie, as it maybe, as it may be, it could work well. If the narrator is some higher being (No, not God - whatever your story may warrant) it wouldn't quite work.

Is it perhaps a part of Jamie? I guess that then such comments would be more easy to accept. Well basically what I'm trying to say is that why you use this tone will probably become evident - maybe just put in some clues (I suppose it is a bit early on for that) to help the reader.

I think that it is really good. I'm really enjoying it so far and I'm really hooked by the storyline.
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Naught else is worth the having. -- Ezra Pound

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Another good installment.

I suppose we could go on forever, waiting for the end, or like so many others we could just hang up on our chance for a new beginning.
I liked this a lot, very good.

of coarse
That should be 'of course'.

Interesting story line with the Dad....I wonder what will happen....

Alainna
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the trouble [s]off[/s] of all that suffering


Despite this fact, Jamie's story didn't change. In meaning or in narration.
Should be one sentence.

I don't see the point in the sentence, "So was the excuse." I understand it, but it seems useless overall. Oh well.

“So, how are you all, anything new going on?” Natalie asked, finally done combing her hair, now having moved on to fixing makeup that had been mixed around during all the fun
This dialog tag is really long. You should stop at "Natalie asked." then start a new sentence.

Chris had some eyeliner on his neck, Jamie didn't say anything.
Either these should be different sentence, or separated with a semicolon [;] or the word "but" should be in between the two clauses.

Chris asked, referring to Jamie's room of perpetual night. Lit only with a small lamp when she was writing at her desk.
again this dialog tag is too long, and the last sentence should be connected to the first. So, stop at "Chris asked." Start with "He was referring to...." and then connect the last sentence, to the middle sentence. (Hope that made sense xD)

That's what kills, knowing first hand how messed up some people are, taking advantage of the ones that love them most. By not loving them at all.
The first part "That's what kills" fumbled through my brain. It makes sense, but it isn't smooth. I think it is that the first and third word end with "s" (I know how trivial that seems, but it makes my brain freak out.) Also the last sentence should be hooked to the previous sentence. You seem to have a problem with that, so you might want to watch out for it later on. Make sure all your sentences are complete.

I liked this, and I'm glad to see some conflict show up. I'm still debating what I think of your style :lol: Although, the narration being in italics is starting to bother me in the slightest. Usually italics aren't part of the main story, but the narration is the main story. I feel it should be the other way around, her words in italics, and the narrations regular. But, that is my opinion.

Otherwise, nothing major to comment on. I think I like your style...We'll see ;-) I certainly don't hate it!
“It's necessary to have wished for death in order to know how good it is to live.”
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kk, nitpicks again ! :]

--So why wait for the end itself when you can save yourself the trouble off all that suffering that comes with suspense. u've got an off that's s'posed to be an of.

--"find out what happened" just as a technical bitch, u s'pose happens would fit better? just cos' like, when you've read it, it happened, but if u haven't read it yet, it's what's gonna happen, so it's find out what happens..... (sorry, me being... er, nitpicky, lol.... [i do this with my own writing too!)]

--A rephrase:
"So I'll just tell you, my guess, as of now, is about as good as yours, my only advantage, it will ultimately be my choice. "
it's somewhat awkward and wordy. try this:
"So I'll just tell you now that my guess is about as good as yours; my only advantage is that, ultimately, it will be my choice."
the semi-colon helps break up a run-on sentance into two complete thoughts in one. Just looks and sounds better.

--this is a bit late, and a bit repetitive, but here's another nitpick:
"So I'll just tell you, my guess, as of now, is about as good as yours, my only advantage, it will ultimately be my choice. So I guess I already know the answer. Well, that is if I really know myself. "
eh.... my first thought that came to mind was "know what?" and then "what is she talking about?! ... i'd make it a bit clear at the beginning what you're meaning to get at. her story? or the book in general? and how does she know what the future entails? etc. etc.

--"Endings are odd sort of beginnings really, a new way to think, another thing over and done with. "
awkward. try:
"endings are really just odd beginnings, new ways to think, more things that are over and done with." i added new ways because you used plurals with endings and beginnings, so it's talking about more than one new way to think. same with the more things.(although i think it's just fine with another thing over and done with)

--"we could just hang up on our chance for a new beginning. " instead of hang up, i'd say latch on.... it's more of a concrete description.

--to the narrator's description that 'Jamie' is adding self-obsession, it's more like philosophical. that kind of thinking isn't self-obsession because she's not talking about specifically her future, etc. that and it's more profound and prophetic... the philosophical discussions and theories generally get optimistic and the thinking is about way in the future, they're idealists-- if they're not getting into the mud of how shitty the world is-- (i'm summing up because really it's like, to quote Kahlil Gibran-- the ultimate poetical philosopher "Beauty is life when life unveils her holy face" etc.) ...........
and then i read the next paragraph.
i still hold true to my original statement about Jamie's paragraph though... Lol. :D

--"when you scraped you knee" your*

oooh. got better. enjoying this very much :]
sorry i'm nitpicking through the little things, just figured i'd be your editor again :P

love it. can't wait for more (unfortunately, it'll have to wait until tomorrow-- THERAPY! so much "fun." lol. call me this weekend!)

--C
life is multifaceted: some people see it as hell, some as heaven, and... some just don't give a damn.




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--"find out what happened" just as a technical bitch, u s'pose happens would fit better? just cos' like, when you've read it, it happened, but if u haven't read it yet, it's what's gonna happen, so it's find out what happens..... (sorry, me being... er, nitpicky, lol.... [i do this with my own writing too!)]

but you see dear, thats what we call "switching tenses" and is in fact frowned upon by most editors and publishers.

--"we could just hang up on our chance for a new beginning. " instead of hang up, i'd say latch on.... it's more of a concrete description.

If you'd payed attention in chapter one, "Hang up" would make more sense to you =D

I appreciate your suggestions, but seeing as I disagree with a lot of them, I don't know if I'll be using them. Especially the sentence re-writes. Honestly if you don't know the story that well, don't say how the sentences should be to you. Everything is done for a reason. Sorry if that was harsh, but still. It had to be said.

So, thanks for reading this, I appreciate it. But also, please read other peoples critiques on this just so you dont repeat whats already been said. =D

Thanks!
-JC
But that is not the question. Why we are here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come. -Beckett



cron
The highlighted children are not mine.
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