Untitled- first short story. Please read and comment.

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If I could sit on that train forever, watching the little girl’s empty but raging expression, I would. Each stop we came to, I prayed deeply that she would not get off, wouldn’t leave my living canvas blank. It was as though she was my muse, my creation, yet every time she looked at me, I could not help but look away.

The fascination had begun at Amersham; I, innocently reading the daily express; She, stepping on to the train like Dorothy in to Oz. Her eyes were glassy and vacant but I could see that behind them, behind that plain wrapping, was a distraught little girl, running away from something, just as I had all those years ago.

Please, however, do not get the wrong idea. I was no victim of abuse, neglect or such ghastly things. Rather, on the contrary, I felt that I was a victim of love, of endless happiness and money. Every medal I won, every first team, I played in. Yet happiness and satisfaction was not what this brought.

I left one summers night. My parents,with no clue of how encaged I felt, sat at a pleasant dinner with their companions.

On occasion, I would dare to hint at how ignorant I felt we were, how we were living lives removed from the so-called ‘real world’. Yet my dear Mother would simply reply by saying that there was actually a range of different classes and backgrounds among my peers at school. Clearly what my Mother meant by a “range of different classes” spanned from upper middle class to middle upper class.

So it was for no significant reason at all that I left the estate that night- only that I wanted to feel free and I was the only person who could liberate me.
I was, in fact, twenty-three years of age when I departed, not some young hopeless teenager. Nevertheless, I was young in terms of what I knew of the world. My streetwise skills were poor, my knowledge of popular culture: non-existent.

And there I sat, twenty-six years on, watching this poor little rich girl, in whom I could see my former self, if somewhat altered. It was hard to look because she brought back all the guilt of my impossibly limited contact with my family. And she reminded me also of my vulnerability when I arrived in the city, how people took advantage of me, why at markets I paid the full price yet others (dare I say it working classes) got a better offer. I had never before known a world in which I wasn’t given the best deal. In a way I liked it,but in a way I did not. For all those reasons and more, I wanted to tell that girl to be strong, that it was okay to be scared but not to let that make her weak because I knew she was not. I knew from the bold exterior that she was putting on that she was brave. All she needed was for someone to reassure her.

At each stop my heart pumped hot and fast, trying to pluck up the courage to talk to her before she would be out of my life forever. Yet at each stop, those glassy eyes remained still, that face empty. Until finally I rose from my seat at my stop, still watching her closely out of the corner of my eye. Like magic, she rose also, causing my heart to beat erratically and uncontrollably.

We both stepped out on to the platform; I, confident in what I was about to do and she, searching all over for some guidance to her destination, whilst laminated with fear. I put my hand on her shoulder as if to say, “You’re safe with me” and almost started pouring my heart out to this girl about all afore mentioned when suddenly, whilst gazing at me, a little tear fell from her delicate glassy eye and trickled down her fragile doll face.

Quickly she left out of my sight in a hysterical sprint.

I had missed my chance and sure enough, she had missed hers; for I knew what lay ahead for that poor little rich girl on my train.
Last edited by mer on Sat Sep 23, 2006 4:22 pm, edited 1 time in total.




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Hi there! Hope you like my critique :-) It'll be my second ever. (I'm keeping a tally for now, I'm excited)

Every medal; I won. Every first team; I played in.
I don't really like the semicolons in this, maybe you could say "Every medal I won, every first team, I played in." Even that last part I don't like 'every first team, I played in" It sounds clunky, but that's just me.

My parents [comma] with no clue of how encaged I felt, sat at a pleasant dinner with their companions.


Clearly what my Mother meant by a[comma] “range of different classes[comma]” spanned from upper middle class to middle upper class.


My streetwise skills were poor, my knowledge of popular culture: non-existent.
I don't like how this reads because you go from using 'were' to using a colon. Maybe you could use were in both cases? Or a colon in both cases? If you don't agree with me, don't change it. It just sounds...strange.

why at markets I paid the full price yet others (dare I say it working classes) got a better offer.
Maybe you should change it to 'dare I say, those of the working class' it doesn't read right the way you have it. At the least add a comma after 'it'

In a way, I liked it but in a way, I did not.
The punctuation here is funny. Maybe 'in a way I liked it, but in another way I did not." the repetition, also, keeps the sentence from flowing, which is why I added 'another'
And at each stop my heart pumped hot and fast, trying to pluck up the courage to talk to her before she would be out of my life forever.
I think using the word 'and' to start the sentence takes away from it. I read it from the end of the paragraph before, and this sentence without the 'and', it makes it sound so much better. It gives it more of a rushed, suspenseful tone.

Yet each stop, those glassy eyes remained still, that face empty.
Yet at each stop?

Until finally I rose from my seat at my stop, still watching her closely out of the corner of my eye.
the word until makes it feel like you are not starting a new sentence but continuing on from another, maybe you should remove it?

We both stepped out on to the platform[semicolon] I[coma] confident in what I was about to do and she[coma] searching all over for some guidance to her destination, whilst laminated with fear.
I'm not completely sure on the comma usage here, but the semicolon I added is fitting.

“You’re safe with me[coma]” and almost started pouring my heart out


I loved this story so much!!! The voice you use is just amazing, and the style is great. everything about it, as a story, is good if not more than good. The character was real strong, and I could understand him completely. He doesn't get whiny, like some first person narrators might do. You have it perfect, don't change a thing in it literary-wise. I'd really like to know more about the girl, though. Maybe they could exchange a few more words before she leaves? So we know why she is running away, more than what the narrator assumes. And, IMO, if a stranger touched my arm, I'd be very scared, but instead she just runs. It sets a good scene, but I'm not sure its...realistic?

Either way, amazing job!




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First off, welcome to the site.

I got the feeling the narrator had elements of both genders so I wasn't too sure if it was a guy/lady. From the beginning it seemed he was male but when he/she reflected to how they were once like this girl on the train I supposed it must have been a woman. You might want to clear that up a bit, inless I'm the only one who thinks this way.

I would agree about the girl. If you don't want to put any dialogues in you can have the two characters observing one another. Like the narrator compares her to themself, do they think the girl is doing the same?

Were there other people at the station or was it empty that could have given the narrator a chance to call after her.

You would need to make it realistic in the end, the other parts fit well together. Good job. :D
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'...'




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Thankyou both for your critiques and suggestions. I knew i had overused the semicolon and the punctuation was quite awkward in places so thanks for helping me fix that. I've made a few changes where I thought necessary.
As for the gender of the narrator- I thought there was no real subtle way to indicate it although I tried. I wanted the narrator to see themself in this little girl on the train because of how frightened and naive she looked and how she might be feeling similar to how the narrator did.
I can see how the ending for me when writing it could be seen differently when reading as an outsider. I guess I had the idea in my head that the way she gazes at the narrator is like a stunned stare- unable to convey emotion but for the tear. Then she realises what is going on and dashes off.
Thanks again




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I liked how the narator was running away from ritches, not poverty. That was a really unusual twist, and it sepperated your story from others with similar themes. I had a few questions, though.

I wondered about the gender too. Maybe look at her hands or hair or something, and you could say a bit about them and that could indicate it.

How does he/she contact her parents?

If someone I didn't know randomly put their hand on my shouldure, I'd probably freak out yell "Get off me, pervert!" or something equally inarticulate. Just out of reflex. Why isn't the girl scared/angery at first? I don't know, it's probably fine. That's just my opinion.

Quickly she left out of my sight in a hysterical sprint.


For some reason, this sounds really awkward to me. Maybe you could rephrase this or something. Since it's the near last sentence, it has some power over the ending of your story.

Yet my dear Mother would simply reply by saying that there was actually a range of different classes and backgrounds among my peers at school.


No need to capitilize mother when it's not a pronoun, I think. ("Yes, Mother?" or "My mother.")

I like your adjectives, by the way. I like how you're specific with them. It gives my a better picture of what's happening.
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