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Kylan

  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    vacuums (OR -less) the chrysanthemums are yawning lionesses, solariums of petals – i trace their veins in search of small beauty. little hints at the rebellion against gravity, against fourteen ...

    Jul 28, 2010
  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    Thanks June! NOTE: Reviewers, don't bother with this one. seti and all the cupped deepspace radio dishes turn slowly westward, like the pull of a blossom's head toward the sun ...

    Jul 27, 2010
  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    painted woman your oil paints mixed like feelings on seeing a piece of abstract art – geometric shapes rutting, combusting and rubbed off their edges like bees dying purely for ...

    Jul 20, 2010
  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    période rose et bleu (or, deserts) ridges in the sand underfoot, wavy, inked with shadows like the lunge of arabic characters. the desert heat is a pueblo dancer with a ...

    Jul 18, 2010
  • Short Story » General, General Re: Revenant

    Wonderful insight, Navita. Just wanted to add a disclaimer about my theme explanation for future readers: any and all other interpretations are welcome. That's what's so great about vignettes, and ...

    Jul 12, 2010
  • Short Story » General, General Re: Revenant

    Thank you so much for your comments both of you! One thing that you both pointed out was the grocery store scene. I thought maybe I'd explain my thinking here. ...

    Jul 12, 2010
  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    Thanks Gal! at the bronx zoo with grandpa your voice is a river carving a canyon – silty, with shelves of strata, and wearing away at the pueblo sandstone, thrones ...

    Jul 9, 2010
  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    Thanks! There is really no relation to each part below. But maybe. physics i. frictive but why is friction always regarded as a negative force, drawn in diagrams as pulling ...

    Jul 7, 2010
  • Poetry » Other, General Re: mass-energy equivalence (co-written with Albert Einstein)

    Awww, Gal. You read my blog! -Kylan

    Jul 4, 2010
  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    Thanks! dishes girl in a red dress, every twitch of her hip like the tug of a grin at the side of a mouth. high heels – white, a little ...

    Jul 3, 2010
  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    fraternal what I share with him is nebraska like a motel bed shared by brothers the comforter thrown off because the hispanic bead-kneading housekeeping ladies never wash the comforters, and ...

    Jul 1, 2010
  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    Thanks Navita! For Blinker's Contest: io in chapped rococo, the bell curve of her hips, myrrh-smelling fold of linens, and the grope of a bedchamber's candlelight; and now, puzzlingly, the ...

    Jun 29, 2010
  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    types of kiss, according to the encyclopaedia i. kiss of love (see Longus's Daphnis and chloe) under the yellow-lit nave of the parasol, she turns her head so that the ...

    Jun 27, 2010
  • Poetry » Other, General Re: Of Sheep

    It was a pleasure to critique. I must say, though, that I wasn't reading this as a literal interpretation at all. In fact, in my critique, I address this poem ...

    Jun 26, 2010
  • Poetry » Dramatic, General Re: The Ultraviolet Catastrophe -- Summer Poetry 2010

    thank you guys so much! you're all wonderful! deprecatio i hold your hand – amazed at its lightness, the bones brought out like tea-things, the feeble saddle of your blood ...

    Jun 25, 2010


Mr. Scorpio says productivity is up 2%, and it's all because of my motivational techniques -- like donuts and the possibility of more donuts to come.
— Homer Simpson