What Becomes of the Reluctant Hero

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A/N: This is part of a series of short stories I am writing with a common theme, What happens when we fall in love


What Becomes of the Reluctant Hero

‘Mr Boyes?’
‘Sorry, can you repeat the question?’
‘Do you consider yourself a hero?’

Sitting before a bouquet of microphones, the square-jawed man cleared his raspy throat. He leaned in close and eyed the exit sign at the back of the hall. Then, he turned his head and faced the corporal general, staring intently.

‘I don’t have anything else to say.’

He quickly stood, and then the others at the table did the same. In lock-step, all but one of the men turned and walked to the exit behind the speaker’s table. The cameras’ click came on like midsummer crickets.

The only remaining man approached the bouquet.

‘Thanks everybody, that’s all we have time for today.’

It had taken only four questions to spook the reclusive veteran. The interviews were getting shorter. The crowded room had waited over an hour, they were briefed on the rules. Not one of the four questions asked was about his art, the reason he was here. Art doesn’t sell magazines, art doesn’t win viewers. They still waited, expectant, mouth-watering like dogs baited by, then denied, a bloody steak. Nik Boyes didn’t possess the words to sate the hunger. He wondered if anybody did.

There were more of them outside, as he left the building; the camera flashes barely pierced the dark car windows. He ignored the swarm. The driver dropped the pedal, and the car moved quickly with the support trucks at either end.

Nik's fingers locked and his hands sat on his belt buckle. He looked down, looked in. His dark eyes washed with indifference. A silent gaze, a quiet mind.

‘That went well, Nik,’ the general said in monotone.
He nodded; it was a token lie, of course. His eyes fixed on his hands, jaw locked.

When the car door pulled open, he lifted himself from his seat, took his case from the boot, then moved through the automatic doors. Two men in dark suits and dark sunglasses tailed him to check-in, then to the departures lounge. They shook his hand and fared him well.

***

He reached through the window and paid the airport parking for the overnight stay. The old diesel Chevy took a heavy foot to get it moving along and by the time he got home, it was getting dark. The air was thin up there in the mountains and the mutts’ yelps echoed as he pulled up beside the lonely hilltop shack.

He pushed through the door with his suitcase under arm. He entered, leaving the gripping chill for a blazing milieu.

His wife sat, it had only been five years since their wedding day. She had lost her gloss, her skin was drab, eyes trapped in dark rings. Her gaze was exhausted, almost desperate. Piled cotton was nestled on her arms, and at the centre was a pink face. It was creased not with age, but surplus skin, waiting to be filled.

‘Those bloody dogs Nik, and that truck.’
‘I’m sorry Jodie.’
‘She’s only just fallen asleep and you arrive with that riot.’
He walked to the dark bedroom and dropped his case in the corner. He sat on the edge of the bed and looked out of the window at the whitecaps. Fingers locked, hands over his belt.

One piece of his work adorned the bedroom wall, not unlike any of his others; it was the symbol of wonder. A black question mark on white canvas, identical to the ones selling for thousands, not because of what it was but because of whose signature was set in the corner. Jodie must have figured it to be art, that’s why she had hung it in here.

The cheque for his latest was on its way to his mother, along with the fee for the interview. And, here he sat in the dark, staring at another one.

She came in crying and closed the door gently behind her. Then swiftly, her palm came across his cheek with a sharp pang.
‘Why, Nik?’ She was sobbing now, and her hands shaking. ‘Why?’
‘I don’t know what you want from me.’
‘I want you to care, I want you to kiss me and your daughter. You went on duty and come back the same Nik and we were happy, but lately you have changed, you don’t care.’ Her sobs came in heaves and her tiny frame was like a splinter, trembling against the wind.

His eyes still wandered over the work.
‘Your mother is sick, waiting for you to go see her, why don’t you go? You don’t care Nik.’ She wanted him to hurt. She wanted him to feel something. Sweat started on her back bone and her shaking arms were capped with white fists. This wasn’t going the way she had planned. She was always going to leave, but not like this, she was going to be indignant, unmoved. She slapped him again, and his face barely flinched.

‘I’m leaving Nik, my brother is coming to get me tonight. He will be here soon.’

Nik lifted himself from the bed. He moved through the kitchen to the lounge. He didn’t have much here, he had dogs and horses. But his awards were polished under glass in museums, and his paint belonged to the people he despised, the critics, who had no idea. All he had was here in his arms, a pile of cotton, skin, blood and bone. He delicately placed his lips on her forehead. He could hear draws slamming; a suitcase was piled and zipped tight then dragged in before him.

‘Oh- now you care, we’re out the door and suddenly you care,’ she said storming about the kitchen piling bottles and nibs into a plastic bag. ‘Yes finally you act normal and why now? Because you know you have nothing without us. Well it’s too late Nik, it was always too late.’

He didn’t feel the venom this time; she had always spat when things were hard, but she was never quite this bitter. He thought about how they were before his last tour, before his mother’s diagnosis, we never fought. And now, while the storm cracked, they didn’t fight, not him.

Gently he moved his daughter back and forth in his arms. He watched her; she was lost in the solace of dream. She would never know.

Light beams swung through the windows as a car turned up the driveway. Her brother wouldn’t knock; he wouldn’t even use the horn. He knew that, her brother was respectful. And as far as he knew, the famed Nik Boyes was a dangerous trained killer. Before her brother arrived, he knew he wouldn’t knock.

Jodie lugged the case outside with the bottles and nibs. She came back and marched at him. Still shaking. She forked her arms under the baby and pulled, but he wasn’t ready to say good-bye. She pulled harder.

‘Let go,’ she growled through her teeth. ‘You’re hurting her!’

Nik squeezed, then Jodie pulled hard. She might have torn the baby in half to take her. Moving one hand from beneath his daughter, he pressed it against his wife’s chest, shoving hard and standing in one motion. She hit the hard wood, like wet sand on concrete. Nik rocked his daughter in his arms again, as she stirred, teasing consciousness. He kissed her forehead and a single tear silently surfaced in each of his eyes.

‘You animal!’ she screamed, climbing to her feet. She slapped him hard again and Nik held his daughter out.

‘Good bye, Daddy loves you.’

She clutched the baby to her shoulder. Suddenly, the room filled with the baby’s siren, mouth open, eyes wide, she protested.

The gravel moved under hard spinning wheels. Then they gripped and the black Ford was gone, descending through the hills.

Nik Boyes took the kitchen torch and made his way to the shed, across the paddock behind the home. The cold pang stung every piece of unclothed skin. In the shed, he set a dusty canvas against his handmade easel. He uncapped the red paint and sprayed a dollop into the tin pallet.

There under flashlight, without considering what he was doing, he took the brush and moved it across the canvas with long languid strokes.
Last edited by joshuapaul on Fri Aug 19, 2011 5:58 pm, edited 7 times in total.
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Hi there!

This was a very good piece and I felt like I was getting inside Nik's head. You did a great job describing him and his feelings toward his art. One thing I have to say though, is that I didn't understand why everyone wanted a picture of him. What did he do in the war that was so heroic? Maybe you could go a bit into his past.

There were more of them outside; the camera flashes barely pierced the dark windows. He ignored the swarm. The driver dropped the pedal, and the car moved quickly with the support trucks at either end

Where are they outside? Are they outside the building or outside the car? You also didn't mention him getting in the car.

Keep writing! :)
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Hey there. First off, interesting story. I hope that there is more to this, because now I'm intrigued at to why this man is a hero.

He quickly stood, and then the others at the table rose. [This reads awkwardly. Consider revising to something like this: 'He stood quickly, and the others at the table did the same.' Just a suggestion, of course.]


The only remaining man approached the bouquet. [Might want to mention beforehand the fact that one of the men stayed behind. As is, it seems a little offhand.]


The crowded room had waited over an hour, they were briefed. [I'm not sure I understand this sentence... 'they were briefed' just seems to come out of nowhere.]


Nik Boyes didn’t possess the words to sate the hunger, he wondered if anybody did. [This should be two individual sentences.]


When the car door pulled open, he lifted himself from his seat, took his case from the boot[,] then moved through the automatic doors.


His wife sat, it had only been five years since their wedding day, but she had lost her gloss, her skin was drab, eyes trapped in dark rings. [This sentence is a bit cumbersome. Consider splitting it up.]


This was well-written for the most part, but there were a lot of sentences that should have been broken down into shorter sentences. Also, the story flow was good at times, but it seemed stiff. I understand the mood you were going for (I think), but consider loosening it up a little bit.

On the other hand, the scenes with Nik and his wife seemed...well, melodramatic. It reminded me of a 1930's soap opera, which isn't always a bad thing, but in this case it was a bit much.

One last nitpick: The whole matter of playing tug-of-war with an infant seems unrealistic. I would understand if I knew a bit more about the characters (i.e. they're unbalanced, uncaring, something like that), but at this point it seems out of character. Especially for a man who has apparently been termed a hero.

Aside from that, very intriguing story, and I look forward to seeing where it goes from here! Hope I wasn't too rough. If you have any questions, please let me know.
Keep up the good work!
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Hey Josh!

So I'm going to skip with the usual preamble and dive right into the review!

It had taken only four questions to spook the reclusive veteran; the interviews were getting shorter. The crowded room had waited over an hour, they were briefed. Not one of the four questions asked was about his art, the reason he was here. Art doesn't sell magazines, art doesn't win viewers. They still waited, expectant, mouth-watering like dogs baited by, then denied, a bloody steak. Nik Boyes didn't possess the words to sate the hunger, he wondered if anybody did.


Something I've noticed about commas and semicolons: commas make for smooth transitions, they make the situation in the reader's eye more calm and predictable. Semicolons, on the other hand, seem to make for more choppy and less-calm situations. This could just be me though, I haven't really taken time out to poll people yet. :P

So my point with the above paragraph is that when you want everything to be calm and fluid, it seems that you should use commas. I think that it does wonderfully for this piece because it makes the mc seem more detached, and I think that you were going for that. So kudos for making good use of commas!

There were more of them outside, as he left the building; the camera flashes barely pierced the dark car windows. He ignored the swarm. The driver dropped the pedal, and the car moved quickly with the support trucks at either end. #FF0000 ">His fingers locked and his hands sat on his belt buckle. He looked down, looked in. His dark eyes washed with concern. His eyebrows almost met.


I had to read this part a couple of times before I realized who you were talking about - the driver or the MC. That isn't really good, because it makes the reader pay more attention to the the words and sentences than the world that they could be imagining.

His wife sat, it had only been five years since their wedding day, but she had lost her gloss, her skin was drab, eyes trapped in dark rings.


Try dividing this sentences into two sentences, or maybe adding a semicolon. There are just too many commas in this sentence. Maybe you can take out the ", but" and put a semicolon there.

Piled cotton nestled on her arms, at the centre was a pink face, creased not with age, but surplus skin, waiting to be filled.


Same as the last. There just seem to be too many commas.

[quote]She came in crying and closed the door gently behind her. Then swiftly #FF0000 ">her palm came across his cheek.

Your choice of words seems too passive to me. If you don't want to say "slapped", then maybe you can say "rapped across" or something of the like. The heavy use of commas has, up to this point, built up a feeling of calm and detached feeling. When I first read it, I thought that she had just stroked his face, but then I read on and saw that it made no sense. So once again, you'll have a reader who is wondering.

There are more errors similar to the ones mentioned and there are also small mistakes with grammar or a left-out word here and there. Overall, I think that this is an interesting story you have going. The feel that you have going so far is mainly what kept me reading - I'm not altogether convinced that the MC isn't insane somehow; his level of unreasonable calm and seeming lack of substantial empathy kind of makes you wonder. :P Haha, well I'm glad that I stumbled onto this story of yours! I hope that you go forward with it and, as your writing style continues to develop, I wouldn't be surprised if you went on to write spooky mystery books!

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Thanks for the advice. It is all very helpful and I will amend the mistakes.
I will briefly make two points about the story, I was hoping I wouldn't have to, but it's a learning curve, right?
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I consider this story whole, complete. How he became a hero is clear enough, it was in war, the acts in war are never clear nor are they openly discussed - particularly if soldiers lost comrades and so on. People are awarded merit for various acts and deemed a hero for representing their country so that is a safe assumption to make and I hope it's enough because the ideas I wished to draw upon are not related to the events in the war, just the nature of war itself.

As for the baby. One of the central themes is the warp in perception of life after witnessing such violence. I wanted Nik to show that he was human and cared for his child, that he wasn't completely detached, this is contrasted against his reluctance to see his dying mother and the cold relationship he has with his wife.

For this story I drew upon two chief sources for inspiration:

http://www.carversite.com/story.html

http://www.youtube.com/watch?v=8sUdvlrRka0


The first link is a story by Raymond Carver and the second link is a video of New Zealands 'most trusted' citizen. He does, however, have a dark history with his ex wife.

If you are wondering about
1) the baby tug of war
or
2) the briefing and nature of the interview

You should check out the links and perhaps you can advise me as to how I can make them a little more believable. I guess I thought if Carver can get away with it, meh.


Thanks again, your feedback is insightful and much appreciated.
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Hiya! So I really enjoyed reading this and there's a lot to like here, but the atmosphere wasn't quite right. It started off really well but when you got to the scene with the wife, you lost it a bit. You need to tone that down. She can scream and shout and there can be the fight over the baby, but you need to handle it a little better. I read the story that you linked as your inspiration and will use that as a comparrisson. Carver makes an amazing use of dialogue and short sentences. He's cutting and firm and he builds such a dark atmosphere that you could believe anything is possible. Your style doesn't work the same way. You're more descriptive and softer somehow. The dialogue seems too melodramatic against your descriptions and the actions just don't quite sit right. I'm not really sure how to explain it :/

Annnd I appear to be doing things backwards today. Here's a few line-by-line comments:

He quickly stood, and then the others at the table did the same. In lock-step, all but one of the men turned and walked to the exit behind the speaker’s table. The cameras’ click came on like midsummer crickets. <<< Just wanted to say I loved this simile.

The only remaining man approached the bouquet. <<< This metaphor on the other hand wasn't good enough to use twice. Maybe say stage or field. Field might be quite good since it plays in with all the war imagery.

It had taken only four questions to spook the reclusive veteran. The interviews were getting shorter. The crowded room had waited over an hour, they were briefed on the rules. Not one of the four questions asked was about his art, the reason he was here. Art doesn’t sell magazines, art doesn’t win viewers. They still waited, expectant, mouth-watering like dogs baited by, then denied, a bloody steak. <<<You don't need the 'then denied' and it breaks the flow of your sentence, makes it very awkward to read. Nik Boyes didn’t possess the words to sate the hunger. He wondered if anybody did.

Nik's fingers locked and his hands sat on his belt buckle. He looked down, looked in. His dark eyes washed with concern. <<< Concern doesn't fit. Later he struggles to feel any emotion at all so why is he concerned now?] His eyebrows almost met.

His wife sat, it had only been five years since their wedding day. She had lost her gloss, her skin was drab, eyes trapped in dark rings. Her gaze was exhausted, almost desperate. Piled cotton was nestled on her arms, and at the centre was a pink face. It was creased not with age, but surplus skin, waiting to be filled. <<< I really loved all the descriptions of his wife's appearance. They were very nicely written.

SoI did like this, a lot. Your character is intriquing and you left me wishing I knew more about him which is defineately a good thing. I sided with him over Jodie, which I think you intended, while still feeling for her as well. And the only advice I have is trying some shorter sentences to build the atmosphere a little more and maybe giving us just a little bit longer in the beginning, at the conference. I'd have liked to hear him answer another question, would have liked to see him in that situation a bit longer to compare with the later scene with his wife.

Keep writing!

Heather xxx
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