The Legend of the White Dragon- Part One

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I wrote this at the prompting of a friend of mine (the "prompting" was that she threatened to kill me if i didnt finish it, which would have defeated the purpose anyways). The main character, Taysarla, isnt really based on anyone except maybe my imagination. (And PS, no i do not like the twilight series all that much, so this is totally not based in any way whatsoever on those bookd :P , believe me, i've been asked.)

Feel absolutely free to tear this apart, because i want to get it published and i can use all the nitpicks i can get. :D :D

(PS, sorry for sounding so grumpy---- just crashed from a sugar-high.)


He found me waiting for the bus one morning. One moment I was alone, the next here he comes walking straight towards me. I would have assumed he was walking to somewhere past me, but he was looking at me and when I met his gaze he smiled.

He was tall with lightly tanned skin and curly black hair that reminded me of my best friend‘s labradoodle. He was well built, muscular, and walked with a spring in his step as though the world were his, and everyone else had better move aside.

When he reached me, he grinned and extended his hand. “Hi, I’m Andre.” His tone was as casual as though we had already met a few times before.

I was a bit surprised by his abruptness. Why was he talking to me? It‘s not like I knew him. “Umm, hi. I’m Tay-D.” I replied awkwardly. He might have felt like the ice was broken, but I didn’t.

“Tay-D, huh?” He raised a quizzical brow. “What does that stand for?”

“Taysarla Derek.” I pushed my blond hair behind my ear, hesitating because I have an unusual name. A lot of
people pick on me for it.

“I like that better. Can I call you Taysarla? Or maybe just Tay?”

I shifted uncomfortably, I‘m a bit skittish around strangers. “I guess. . . Who are you?”

He laughed. “Oh, I’m a neighbor of sorts, if you can claim to have neighbors way out here.”

I laughed nervously, part because it was funny, and part because it was the sad truth, and I knew it. “I guess not.”

Andre glanced at my back pack. “Catching the bus?”

“Oh, um, yeah.”

“What grade?”

“Eleventh.” I ventured a question of my own. “Are you in school?”

He shook his head. “No, I dropped out.” He said it like it was totally normal and acceptable.

“Why?”

He shrugged. “I don’t know. Tired of it I guess.”

The distant rumble of the bus hit my ears as it chugged into view.

He laughed. “Well, it looks as though your ride is here. See you later, Taysarla.” When I turned to look at him, he was gone. Just like that.



I didn’t see Andre for a while, but I made a new friend, or, I should say, a pack of new friends.

See, I’m really into nature photography, and the best thing about living so far out into the woods is the nature. The birds, the trees, the little animals. And bigger ones, including a pack of wolves.

They were an unusually large pack, twenty or thirty strong, maybe more, if the ones who weren’t hunting stayed at the den. They were all unique, the chestnut one had dark brown eyes, the light gray had yellow, and I learned to tell them apart. Kitty and Jon-O, my parents, knew about them, and thought it was wonderful that I was “taking the artistic path they had set out for me in a new and unique way,” as Kitty, an artist, liked to say it. Jon-O, a rock star, just sat down, and wrote a song titled, “My Baby Loves a Wolf.” I kinda like it.

School had let out by then, so I decided to take a walk through the woods until I came to the bus stop, then walk up my driveway to get back. Just in case, I took my camera with me.

I didn’t see the wolves, and that was disappointing, for really I had hoped to get more pictures of them. But by the time I got to the bus stop, they were still nowhere to be seen. And who should be waiting there but Andre.

I considered turning around and creeping away unnoticed, avoiding an awkward conversation and an unpleasantly weird meeting. Unfortunately, he turned around and waved to me. I had no choice; I walked up beside him. “Hi.”

He turned towards me, and smiled. “Hi.”

“So where have you been these days, Andre? I meet you once, then I don’t see you for a while, then you’re back again.”

He laughed, a little forced, I noticed. “Yeah, I had family business. But I’ve seen you.”

That was weird, and I was suddenly suspiciously wary. “You have?”

“Yes, taking pictures of the wolves.”

I dropped my voice to a whisper. “You know about them too?” It came out a bit like a secret, and the awkwardness between us seemed to crumble at the intimacy of an actual secret.

“Yeah. I keep a sharp eye on them too, you know. They stay on your land; They’ve learned well that hunters don’t look for them there.”

“My parents love my fascination with them. They’d never let anything happen to them.”

Andre took a deep breath, and glanced at the woods. “That’s not a good idea.”

“What do you mean?” Why was he so tense all of a sudden?

“Oh, there’s been talk of wolf attacks.” He got a far off look in his eyes that I couldn’t understand. “They’ve already killed so many. . .”

“How do you know this? I haven’t heard anything about¬ it.”

“Oh, it’s been going around. Don’t be surprised if you find that you have a lot more wolves than usual in this
forest; the ones being hunted will likely migrate here to escape death.”

“That’ll be great!” I almost shouted, excited at the prospect of even more wolves.

Andre eyed me curiously. “Most people would hate that so many wolves were going to be on their property. You. . . you seem different.”

“That’s because I’m not like everyone else, and I don’t mind wolves; it’s not like they’ve hurt me yet. Doesn’t mean they won’t, but they haven’t.”

“Don’t take that for granted, Taysarla. They’ll turn on you just as fast as anyone else.”

I paused. I didn’t even want to try to fathom what deeper meaning he was getting at. “Oh. Well, what are you up to?”

“Honestly? Waiting for you.” He glanced sideways at me to see my reaction. I kept my face expressionless.

“Oh. Why?”

“I don’t know. Check in on you I guess.”

“Well that’s very nice of you for thinking of me. I hadn’t known I made such a good impression.”

He smiled. “it’s my job to think of you. Why? Because the wolves are here. I wouldn’t be talking to you if I didn’t have to.”

I was a bit curious about what the wolves had to do with me and him, but my curiosity was overruled by my indignation. He wouldn’t be talking to me? Who did he think he was, and why did that make him so much better than me? “Well, I hope my company isn’t as displeasing as it used to be. Good-bye, Andre.” I sniffed, and turned to walk up my driveway.

He reached out and grabbed my arm. He was impossibly strong, and I couldn’t shake free. “Come one, Taysarla. You know I didn’t mean it like that--”

I shook free of his grip. “Let go of me! I don’t even know you!”

He let go. “You‘re right, Taysarla. You don’t know me. But I know you more than you can ever know.” He turned and walked away. I had a feeling I’d be seeing him again.


I was right. The next day, he was standing out in my driveway. I was alone; Jon-O and Kitty had already left for work. Sighing in annoyance, I pulled on my bathrobe, and walked out to meet him.

“What do you want?”

He smiled, shoving his hands in his jean pockets. “Just wake up?”

“Maybe.” I raised an eyebrow and twitched the corner of my lips in a sarcastic smirk.

“You don’t like me that much, do you?” His tone was as sarcastic as my smile.

“Gee, excellent observation.”

“Now, what did I say to make you so mad at me?” He looked genuinely concerned, and I couldn’t believe how naïve
he was. He must have known that his comment had more than just kinda hurt my feelings.

“Oh, I don’t know. I just don’t like you.”

Andre laughed a little. “Right. Well, it appears as though my very appearance here annoys you. Should I leave, or
can I stay and try to make amends?”

I considered this. Okay, so he had been a little rude, and I didn’t like him very much, he scared me out of my mind, but he was trying to apologize. “Okay, I guess you can stay for a little while.”

“Can I come in, or are we gonna talk out here?”

I crossed my arms. “Well, I’ll think about that. For now, we can stay out here.”

“Alright, fine.” He scuffed his feet nervously. “Look, I’m sorry about yesterday. Believe me, it’s hard for me to say
that, but here I am.”

“Right. Okay, so I kinda forgive you. But I don’t like you, or trust you. So I want to know what you meant by that you know more than I can ever know.”

I thought for a moment that he was going to tell me. He opened his mouth promptly, like he was ready to confess all if I would only listen. But just as quickly as the openness appeared, it vanished. “I can’t explain that.”

“Why not?”

“Because there are too many risks.”

“What’s that supposed to mean?”

He sighed and ran his hand through his hair. “That’s another thing I can’t explain. Look Tay, I really want to tell you, but I just can’t.”

“Why?”

“Because it’d. . . oh, there’s nothing I can say without making you wonder even more.”

“That’s not possible. I already wonder a lot.” He should have realized that already, I thought.

“Fine. I can’t tell you because it’d put both of our lives in danger.” He looked around at the forest. “I should be going. I’m sorry for being rude, and that I can’t tell you anything more. Don’t go into the woods. See ya.” He turned and left.


I didn’t tell Kitty or Jon-O about my meeting with Andre. I didn’t want to remember it. It scared me.

What had he meant that he couldn’t tell me anything else, or our lives would be in danger? It sent shivers up and down my spine.

At the dinner table, I told my parents, who were both there, about the wolf hunting. They reacted as I knew they would.

“Oh, that’s awful!” Kitty looked up from her food, first at me, then at Jon-O.

Jon-O shrugged. “What do you want me to say?”

Kitty threw her hands in the air. “Jon! Obviously this is an important matter to our daughter, you should at least assure her that her wolves won’t be harmed!”

It seemed to dawn on Jon-O. “Oh! Right, sorry, I wasn’t thinking about your wolves, Tay. Don’t worry, if any bast-- ”

“Jon! Language.” Kitty reprimanded.

“Oh, right. Sorry, day with the guys. Don’t worry, Tay, if any man steps onto my property with a gun, or even sends a bullet into my property, I’ll send the hounds on him! I’ll have the courts strip him bare. He’ll wish he never learned to fire a gun! He--”

Kitty put a hand on his arm. “Easy, love. I think we get the idea.”

I stood up. “Well, I’m done, you guys?”

Kitty handed me their plates. Jon-O rubbed his stomach, and leaned back in his chair. “Yep. Done-er than a non-rare burger. Lolo seems to be getting better and better at this cooking thing.”

“Jon, we fired Lolo three months ago, remember? Something to do with a dead mouse in the fridge.” Kitty reminded him politely.

“You didn’t hire her back?!?!” Jon-O looked at Kitty alarmed. “Then who’s been making our food for us?”

I raised my hand slowly. My parents both turned to look at me. “Guilty.”

They were silent for a minute, but then Jon-O started laughing. “W-w-w-wait. . . you. . . you’ve been cooking? Kitty’s girl, cooking?”

Kitty sniffed. “Don’t look so surprised. I am quite the professional in domestic matters. After all, I did raise Taysarla.”

“With much help.” Jon-O added. Kitty shot him an annoyed glance. He stood up, and took her hand. “Come on, Kit, take a joke.” He looked at me. “Your mom and I are gonna turn in early, we have a party to go to early tomorrow morning. . .”

“Around two in the morning. . .”

“Yes, and we won’t be back for a few days, okay?”

Great, they were leaving me again. “Sure. I can go shopping if I need to.”

The two of them turned around, and went up the stairs into their room, leaving me to clean up. Maybe I would make a point of re-hiring Lolo. She did okay.

True to their word, I woke up the next day, and my parents were gone. That’s about when I realized that I had nothing to do. I couldn’t call any of my friends, they spent their summers in exotic tropical climates. I didn’t have a boyfriend to call. All I had was this huge, empty house, where all the servants had taken the week off, knowing that my parents would be gone. Great.

I tried watching TV, but nothing good seemed to be on. Then I spotted my camera. My super, enormously expensive, photographer’s camera. I wondered if the wolves were out today.

Determined to find out, I picked it up, and left the house, locking the doors and windows, as if anyone would find this house all the way out here. It’s a two mile driveway, for gosh’ sakes. They’d probably give up after the first half-mile.

But that’s what I did. I set out to the west, where I knew they liked to hunt, and snapped pictures of other lovely summer scenes as I went. A mother bear and her two cubs, a butterfly sitting on a leaf, a fox carrying her young into her den. All this and more, but no wolves. I finally came to a large clearing, where I found a huge herd of caribou. I snapped pictures of them too, a mother nursing her baby, two calves play fighting. Then, suddenly, the caribou all began to call frantically to one another. I realized too late what was happening, when I saw the wolves.

They sprung out of the woods from all around the caribou, snapping, and gnashing their sharp teeth. The caribou were startled, and began to run, towards me.

Now, I know what you’re thinking, what about that super nifty tactic of theirs, the one where they stand in a circle around their young. I’m telling you now that that’s not the only way a wolf attack can play out. Unfortunately, instead of getting the unique opportunity of photographing their defense strategy, I was stampeded.

Too shocked to scream, too terrified to move, I sat where I was, and watched my inevitable death approach me at an extraordinary pace. My finger pressed the button that you press to take a picture. I held it. If someone found my body and my camera, they would know how I died. My camera repeatedly took pictures of every moment, every second that went by. My heart pounded like a bass drum in my ears.

The first caribou to reach me swerved away from me, and missed me altogether. Then the rest of the herd followed, and I was lost in a tangle of hooves and fur, and snow and my own blood, but after the first few long moments I was numbed and felt no pain. All I felt was my finger pressed against the button, and my heart thundering in my chest.

When at last the final caribou stepped over my carcass, I was still alive, but not for long, I knew. I still had my finger on the button. What a great moment to capture. My death. Wonderful. It was still taking pictures, hundreds at this point. It could hold more. With my last bit of energy, I turned my head to face where I could faintly hear the wolves eating their prey, and I saw one, a black male with blood smeared across his noble face, look at me. He turned from the pack’s catch, and walked towards me. The last thing I saw before fading into oblivion was the wolf growing bigger and bigger, as he walked towards me snarling, his second catch of the day.




So yeah this is the edited version of the first draft. :D
Last edited by DragonLADY on Thu May 05, 2011 2:01 pm, edited 2 times in total.
You have been adressed by the Lady of the Dragons, lol




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Oh CRAP no. That did NOT just happen. I deleted, like, 1,000 characters. >.<

What I was saying was, it's easy to fall into the trap of over-describing things. Like, "The girl was 5'6", and she medium length blonde hair. Her eyes were blue like sapphires, and she was wearing a coral pink shirt with a puppy on the front, holding a basket in his mouth. Her jeans were...."

Like that. It's annoying. But you didn't do that! Yay you!

You use commas a bit incorrectly in places. For instance:
How else to describe him#FF0000 ">? #FF0000 ">Oh, I know--he changes his hair color every day#FF0000 ">. His most favorite shades to work with are purple, pink, and neon colors.

Maybe add what styles he likes, so that last part won't be a fragment. And you should do this in your own style, these are just suggestions.





Your dialogue is okay, but it sounds stiff, and kinda stilted. It's not really natural. Try to fix that by adding more descriptions of what the characters are doing. For instance:

At any rate, he walked up to me, and extended his hand. “Hi, I’m Andre.”

#FF0000 ">Taken aback, I stuttered.“Umm, hi. I’m Tay-D.” I replied awkwardly.

“Tay-D, huh?#FF0000 ">" He eyed me quizzically.[ "/color]What does that stand for?”

“Taysarla Derek.”

“I like that better. Can I call you Taysarla? Or maybe just Tay?”

“I guess…[color=#FF0000]" I was a little unnerved by this guy.
"
Who are you?”

He laughed. “Oh, I’m a neighbor of sorts, if you can claim to have neighbors way out here.”

I laughed too, part#FF0000 ">ly because it was funny, and partly because it was the sad truth, and I knew it. “I guess I can, but there are like two hundred acres of empty land around my house, so I guess not.”


Overall, I actually liked this. When I saw it, I was like, "Not a novel!" because I don't like reading things here that I'd have to follow, but I'm glad I read this. Thanks for posting it.
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Hi there!

Lava here to review. ^^

Once upon a time, there was me.
This should not be a staring line. Not powerful. It starts of boring, like an angsty teen. She maybe one, but we want a story that starts off really well. Opening is always a clincher. I thought it's going to be another teen drama until I read about Andre, so there, you got me interested. Since she obviously loves photography,. you can show it in the beginning.


When you talk of the parents, it seems more like she's writing a bio. You don't have to tell us right in the beginning all about her. Sometimes, too much description spoils the story. Limit it to the necessary amount so that the readers have an idea of what the characters are and their relationships.
On the topic of description, I found some places where you had too much. And that too of physical description. You could also work with the smells, the sounds, the emotions. There's so much you can use. Like for example, don't say he had curly black hair. Say something that is relevant to your character. Like his hair is like one of my father's wigs. :P

but I felt no pain.
Why? I mean, her blood's flowing, so why no pain? Is it some special power or is her brain too confused to think of pain?

Dialogue.
I think you need work here. As anime put it you need to make it more realistic. It seems a little stiff. For improving dialogue, I would suggest you to actually listen to what you speak and note the structures or intonation used.


I did like the last couple of paragraphs and what was happening to her. Though I think it could do with some polishing.

PM me if you have any questions!
Good luck with this!
~Lava
~
Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know.
- Ian McEwan in Atonement

sachi: influencing others since GOD KNOWS WHEN.





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Hey hi!

This actually reminds me a lot of Shiver by Maggie Steifvater. It's not exactly the same, but the premise is similar enough and the book popular enough that I'd tread carefully. You can definitely still make something original out of this and I'm really excited to see where you go with it!

I'm gonna second Lava about the description here. I sort of felt like we were getting a lot of information here that we really didn't need. So much stuff is thrown at us so quickly that we don't really have time to process it all. It's not really integrated in the story at all and doesn't seem to impact it all that much. How much of that stuff about her parents do we need to know right now? I'm sure it might come up at some point in the story, but do you really need it right then? And it's all sort of bunched together in clumps of exposition in the beginning, as opposed to more spread out where they might do more good in coming in where they are needed.

I was a bit confused about the need for the time skip too. All the stuff before it becomes fairly irrelevant due to the way everything changes after the time skip. It might just be a better idea to start where that time skip resumes and just fill us in on any previous meetings between her and Andre in some other way.

I think part of it is that this goes by really quickly. I mean, really quickly. For all the exposition and description we get, the action itself just zooms on by. Slow down a little. Spend some time in a scene, showing how the characters act and react to one another. How does Tay feel about Andre's suspicious behavior? The guy is obviously shifty. How does he act physically, aside from how he speaks? How does she react? Does he make her nervous? They seem to be just standing around talking. Are they doing anything while this is going on? How close are they standing? Do they move at all? Take us into the moment and let us feel the emotion through the characters' actions, not just what they are saying.

I'd actually like to see more of her parents. They seem to have an interesting dynamic with one another, with her not calling them by their names, but them still having family dinners and whatnot. I'd like to see how their jobs and family life work out some more. Too often, families are neglected in stories like this.

Good luck with this! Feel free to PM if you have any questions!

~GryphonFledgling
I am reminded of the babe by you.




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Hey Lady, here for the review!

Okay, so I was actually going to say that this reminded me a lot of Steifvater's Shiver, but Gryphon beat me to it! Anyway, it's definitely something to keep an eye on, and if you haven't read that book then I'd suggest reading a detailed description of the story (try Wikipedia maybe?). I wouldn't suggest actually reading it (if you haven't yet) because that can really influence your writing or discourage you if you find too many similarities -- trust me, I've done that twice before and I never finished my novels because I got so disheartened at finding so much in common and feeling like I unintentionally copied their book.

Now, onto the story. I really love the narrator's voice -- it's very down-to-earth, with a sarcastic, spunky tinge, and I really like the way she talks. However, especially in the very beginning, she does way too much telling. I realize you're trying to move the story along and give the reader the basics so we have something to picture, but it feels more like an essay than a story, if that makes sense. In an essay, you state the facts without any embellishment; in a novel, you use clever, encrypted descriptions to give readers a picture without just throwing it all on the table for them to see. You also want to give these details slowly.

For example, if I were to introduce a character, I wouldn't state all the facts in an essay manner, like so:
Ally was 5'7, which was pretty tall, especially for a girl her age, 15. She had shoulder-length brown hair, blue eyes, and freckles on her nose.

See how that leaves little for the reader to infer on their own?

Now, here's that same info in a more story-ish formatting, but this time given all at once:
Ally delicately wrinkled her freckled nose, her blue eyes scrunching up. The fifteen-year-old ran a hand through her brown hair and wished once again that she was shorter than her 5'7 height.

This is much better in terms of descriptions, but it's a lot of info for the reader to ingest regarding that one character, so it's best to spread it out gradually, like so:
Ally crinkled her freckled nose in frustration, making her blue eyes disappear from the scrunching. "Mom, do you think I've stopped growing yet?"
"You've probably still got a year to go," Mrs. Smith replied. "Most people don't stop growing until they're sixteen."
Ally sighed. "I'd like to stop these growth spurts. I already feel freakishly tall around other girls my age."
Mrs. Smith, who had heard this song and dance more than once, simply made a sympathetic noise and returned to her cooking.

There! See how there are a few descriptions, but through dialogue, you've already inferred that she's a year younger than 16 and she's tall for her age, without stating any of those facts. This is something that takes a lot of practice and revision (I still have trouble with it sometimes), but is a great payoff when you look back at your old work.

Since I've just about beaten that point to death, I'll continue on. The way she meets Andre and the way that she treats him is a bit too comfortable, in my opinion. I'd be seriously freaking out if some random stranger seemed to be stalking me and making comments on my appearance. I think she needs to be more suspicious and wary around him, and that you should show the gradual build-up of trust, or at least a careful trust on her part. That way it feels more believable when they start talking. That being said, I love the dialogue between the two! It doesn't feel forced at all; you're able to give it an easy air of realism and humor. So great job!

Okay, so that's all I've got to say. I'm looking forward to reading more, so please let me know when you post the next chapter! Keep up the great work, and you know you can write me if you've got any questions or whatnot. Cheers! (:
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psychopaths and mystery writers.

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I finished reading this, and let me say, I wanted more, definitely. You have a very nice cliff hanger. I haven't read Twilight either, and I have that kind of problem also with my story, people saying it's a fanfic when I don't intend it to be. I like how you have set this up, especially with her being a photographer. I also like the mystery you've implemented with Andre and the wolves. Please keep writing this story, I really want to find out what happens next. So far, for me, it's a page turner.
something something dragons something something open to conversation
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Hey-oh! Stopping by to re-review, as requested!

Okay, the beginning here is like a billion times better than the first time. You get right into the action, introducing us to the characters, setting up her fascination with photography, and her family situation, all without those dreaded info-dumps. It flows so much better now!

One thing that did still bother me was how she went out to meet Andre in her bathrobe. I mean, she obviously doesn't much care for him at this point and you have to admit that his behavior is rather creepy. She probably should have just let him be and called the police if she felt threatened, but if she really did have to go out, she definitely shouldn't have done it in her bathrobe. It just seems like she's putting herself in unnecessary potential danger. I mean, nothing happens, but it still seems really creepy. Maybe have them talk at the bus stop again? It would make more sense, seeing as how they would both be in the open at that point, so it's not like she had to go out after him.

I would have also liked to have heard a little bit more about how she managed to find the wolves. I mean, wolves are known for being shy and even those folks who go and spend time befriending wolf packs have to work for a long time at gaining their trust. And bears are really, really dangerous to get near, especially mother bears with their cubs. Does she just have incredible luck to be stumbling upon these animals, or does she actually take the time to hunt them down and photograph them? Does she have particular woodlands survival skills, or is she just sort of ambling about?

Are her parents worried about her at all? I know that they seem rather like free-thinkers, but addressing that just a little bit more than the bit we're given might be nice. It would set them up for some nonchalance later in case it becomes important. They do seem like they care, but, I mean, their daughter is wandering around alone in an area where rather large wild carnivores roam. Most people don't even go on long hikes alone, just in case they should end up in trouble. But if that's what her family is like and accepts, make sure you make it clear, rather than assuming that is normal.

All in all, like I said, this is definitely a huge step forward from the last draft. I'm interested in seeing where it goes from here! Let me know when you add more and I will be happy to continue reviewing!

~GryphonFledgling
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All right, here for the edited version! I have to say, this is a great improvement; you cut out a lot of the back story and it just read so much easier and I really felt immersed in the story instead of trying to fathom all of the information you had previously had.

The meeting with Andre still feels a little creepy, but I realize that's kind of part of the story, and it's not as pronounced as before. Also, her reaction feels more believable and I definitely noticed more of a build-up of dialogue and interaction between them, which is great. Their conversation is still good and amusing, don't change that! :D

I think the only real problem I noticed is related to grammar -- you seem to have a lot of run-on sentences that are missing the commas and whatnot to give it that natural pause. For example:
They were all unique, the chestnut one had dark brown eyes, the light gray had yellow, and I learned to tell them apart.

If you read this aloud, you should hopefully hear that it sounds a little rushed. There should be some kind of lengthier pause before you list the wolves and their characteristics. I'd suggest using a colon since you're listing things, like so:
They were all unique: the chestnut one...

See how that gives it more of a natural pause? If you really want to make sure you find all of the spots that need more or different punctuation, my best strategy would be to read it aloud, so you can really hear where those pauses should be. It can sound very different from how you read it in your head.

All right, so that's all I've got to say! Great job, I love the revision, and I'm looking forward to reading more! Keep up the great work. (:
There are two kinds of folks who sit around thinking about how to kill people:
psychopaths and mystery writers.

I'm the kind that pays better.
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I read it. Your prose is superb!

Not gonna lie, though, this felt a lot like a preface. A preface, by definition, is "an introduction to a book, typically stating its subject, scope, or aims." Is this a bad thing? In a novel, kinda.

Dragonlady, you mentioned wanting to have this #FF0000 ">PUBLISHED. I'd love to publish a book someday as well. My advice would be to show, not tell. This felt a lot like a narrative that spent too much time explaining. Also, it imposed much crucial information about the characters that should have been spread out over a few chapters.

I know how to fix this, though. You should increase the size of this segment to about fifty pages (yeah, a lot). Use those pages to show her at work and school. Show her interactions with multiple people. Show the story; don't narrate it. By doing this, the characters will be gradually explained, and the reader will be more affected by developments such as her meeting a new guy, his outrageous prediction coming true, her being left at home alone, and her dying.

I love this story, and it's captivating, but this segment felt like a preface-calibre "statement." Change it to a drama.

If you want this to be published, then I could help get it there. I'm only fifteen, but I'm homeschooled, and I love writing. I have the curse of never completing anything, so I'm willing to do what it takes to boost someone else up there :)




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Nooo! I liked the intro you had before. :(

Watch your punctuation. You sometimes leave out commas where they should be, or put too many in-- that's really a job for an editor, I think, who can go through and show you everything.

....why is this titled "Legend of the White Dragon"? It's about wolves......
"Ok, Lolpup. You can be a girl worth fighting for."
--Pengu




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Haha, that's because it's not about wolves anymore! lol The similarities between Shiver and my story were waaaay too many, so i changed it. it requires a lot of editing, but i'm following through with it! :D XD :'( although i am sad that it turned out that way. :'( :(
You have been adressed by the Lady of the Dragons, lol



If you have a dream, you have a duty to make it come true.
— Marco Pierre White