Lighthouse

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I'm considering turning this in to my fiction writing class for a workshop, but I'm not totally sure yet. I need to tack on another page and a half-ish if I'm going to workshop it (it's just over four pages now, and I need at least five), so if anyone finds areas I could expand on, that'd be cool. Any critiques at all are definitely welcome and much appreciated though.

So yeah. Here it goes.

---

You're the only person I've seen in three days.

You take my hand and pull me across the beach, close enough to the water that the warm mist hits my face. Out in the distance two dogs fight over a dead seal. I wonder what happened to their families. If they were smarter than us and left with all the others, or if they tried, like us, to wait it out.

I cover my nose as we get closer, and you try to wrap an arm around my shoulders, but it's hard to walk that way so you hold my waist instead.

The seal's front flippers are missing, and its tail is shredded to pieces. Soon it won't even look like a seal. Just a hunk of meat.

The dogs snarl at us as we pass.

When my roommate packed up her last bag, she dropped it in the foyer and looked at me, straight at me, for the seventh time that day. "Please come with us," she said. Our friends were outside in the van they had just rented. Last one in the city.

"He said there was time," I told her, because you did. And I've never not believed you.

"But all the crime," she said, stepping once toward me.

"There's always crime here."

"But it's worse now. You know it's worse now. Please."

I've never not believed you.

Our city's dying, out across the dunes. I pull you to a stop so I can watch the red-orange flicker in the dark water. I wonder what it looks like to the animals underneath.

Two days before it happened the birds squawked at each other and fought over trees. They each flew in great big lines, no pattern to any of it that I could make out. No bird ever sat still for long, even after it won a tree. By the next morning, all the birds were gone.

That morning you came to my apartment without anything. My bag was as tall as me.

You wiped your feet on the mat and took your hands out of your pockets and you looked at my bag like you'd never seen luggage before.

"Where's your stuff?" I asked.

And I swear you laughed. You say you only smiled and maybe chuckled a bit, but I swear you laughed and said, "We're not gonna need anything. Me or you."

"What about the fire?"

"It's supposed to rain. They said so."

"But it's a drought." When I stepped on grass, it crunched beneath my shoes.

"I can feel it," you said. "I just . . . I don't know, I just know it's going to rain. Trust me. You don't need all that shit, it'll just be a pain to carry."

You said we'd be coming right back. Two days, tops, and the fire would be out. It wouldn't even have time to reach the city. Everyone who left was just scared of nothing; it'd be fine. We'd be fine.

So I sat my bag in the foyer and followed you outside.

The water's usually see through, a light, sometimes medium blue. Today it's opaque. You say it's because of all the debris washing in. Maybe that's what killed the seal. A charred candy wrapper. It's always the candy wrappers.

"We're the only ones left, aren't we?" I ask you.

When you don't answer, I turn away from the ocean to look up at you.

"You're the only person I've seen in three days."

You pick my hand back up and keep pulling me down the beach.

The lighthouse sits alone a ways down the coast; they never light it up anymore. When it was built, everyone thought it was the best thing in the city. Not red and white stripes like a normal lighthouse, but yellow, a little beacon of hope. Now the yellow paint's chipped off to show the steel underneath, but it couldn't stand the rain and the surf. The metal's rusted red.

While we're walking, there's a shout from inside the lighthouse, and you stop me this time. "Did you hear that?"

The person screams again, louder, "Hey!" and you start walking.

"What are you doing?" I ask.

"There's someone else. Em, we're not the last ones." You trot instead. "What if they've got food? I'm starving." You pause, look back at me, and you smile bigger than I've seen since that morning. Since we still thought it might rain. "You said you didn't want to be the only ones. Let's go, so we're not."

So I jog along behind you, and the lighthouse looms closer and closer.

I trip when we make it to the rocks, scrape up my knee on one of them, and you pull me back to my feet without a word. Above us, the lighthouse touches the sky. The door's propped open with a stick; the steps leading up are cracking. You look at me again, then take my hand, and we walk inside.

"Hello?" you ask, but no one answers. "Weird. I know I heard someone. You heard someone too, right?"

I nod. Blood's already spilling down my calf in snaky little rivers.

You whisper, "C'mon."

We spiral up the stairs, clutching each other and the rail, and it surprises me how cold the steel is against my hands and feet.

Halfway to the top, the door clangs shut, and it's pitch black.

For a second we stand there, trying to hear, but there's nothing. I tug at your arm gently and you follow me back down the steps until my feet hit concrete instead of metal. I let go of your hand to feel around on the wall, but when I find the door handle, it won't turn. "It's locked," I tell you, then I hear a match against its box, and light floods the space.

I smile--you're always prepared--and turn to thank you, but you aren't behind me.

The man holding the match is not you.




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Hey!

I really liked this! You held my attention throughout the whole piece and your writing has a nice flow to it, making it easy to read.

The plot was interesting. I gathered that something, maybe a natural disaster - you mentioned a fire and a drought, was coming toward their city and the MC and her boyfriend? were the only ones left. At least until the weird man in the lighthouse appeared.

I can't think of anything that you really need to change in your piece. The grammar was good and so were your descriptions. But you say that you want to expand it, so the only suggestion I have is to add in more emotions and descriptions. Maybe describe how the lack of rain is effecting her - does the moist air seem to stick to her skin? etc. Is she tired? Worried about what is going to happen?

The part where her friends leave, you could add in how she feels about being left behind. You say that she trusts the man she's with, but is she scared she won't see her friends again? I would be.

Your piece works well as it is, but adding in more descriptions and feelings will help you to expand certain parts.

The ending did confuse me a bit though. Where did her boyfriend go and who is the man with the match, apart from the person who called out. Does she know him? It was all a bit creepy and cliffhanger-ish. Maybe you could expand that bit too, unless it was your intention to make it a cliffhanger ending - don't change it if it was because it's good :)

You should definitely hand this in. It's brilliant :)

Thanks for the read!

xDudettex
'Stop wishing for the sunshine. Start living in the rain.' - Kids In Glass Houses.

'Would you destroy something perfect in order to make it beautiful?' - MCR artwork.




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Hey! Overall, I love this. The writing's nice and the descriptions are good as well. I really like the POV, how she acts so naive and innocent, just following him, leaving her friends for him. It showed us her personality and their relationship, without too much "telling" of what happened.

But the "only people there" thing seems almost too dramatic. Sure, the only ones at the beach, but the only ones around, the only people like escaping the drought and fire... that seems a bit much. There are always going to be people who either refuse to believe the disaster will happen, or people who think they can't leave for one reason or another, or people who are just stubborn. I find it hard to believe that two college students(?) are the only ones staying. Still, that's not that big of a thing, I just thought I'd mention it.

My big main critique is the ending. Total cliffhanger. Which is generally good. If this were a prologue or first chapter of a novel, I wouldn't be able to put the book down just then for anything. But this isn't a novel; it's a short story. And while, yes, some stories can benefit with a cliffhanger - not knowing how things turn out, or mysterious endings like you pulled - they're generally more vague, or with a sense of foreboding or something that indicates that this is, in fact, an ending, it's all we're going to find out, and that better be okay, because the writer pulls it off. This is almost too much for a standalone. I mean, what happens to her and her boyfriend? Who's the guy? Is there a fire, or isn't there? Okay, the only mandatory questions is, what happens? Even if you don't tell us in extreme detail or give us a whole run down, this is unfinished. That's just a fact. It's an introduction to something bigger, better, something that improves tenfold this piece.

That's what I'm saying you should do to lengthen this. Give it an ending and explanation. More than just that cliffhanger. Even, keep the cliffhanger but give this story another part. That way we still feel the need to read on, and we have something to keep reading. I think if you add on to this, it'll become even more amazing. And the ending doesn't have to become long or winding or tedious or whatnot. Just be careful not to make it cliched.

Okay, so if this doesn't make sense or you don't understand something, PM me and I'll try to make it make sense. Or if you want another review on something else. Or whatever. Oh, but if you do make another part, I'd love to read it. So yeah, PM me. (Wow, do I sound desperate for a review. :P )

Anyway, nice piece. Sorry for my rambling. I do that a lot.

loveness, ultraviolet <3
"Blah blah blah. You feel trapped in your life. Here is what I am hearing: happiness isn't worth any inconvenience."

~asofterworld.com




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Huge thanks to both of you for the reviews :D There are some really good points in both, and I'm definitely going to keep them in mind when I go back through and edit this again. Hopefully I can squeeze five pages out of it.



The worst bullies you will ever encounter in your life are your own thoughts.
— Bryant McGill