Fated Prologue and Chapter 1 (revised)

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Rae traced the jagged cut in the writing desk below her hand. Had it been any other way, she might have let it go. Six years. Six short, fast years was all it took. Six years to become so powerful, and six years to have that power diminished. She could still remember that day, the hour, the time, even the shade of the sky. It was a deep, stormy blue. Rae supposed it had always been fated, their relationship. Mothers and daughters never got along well, especially when fate was destined to take its toll. And the color of the sky never lied. Yet, for some unexplainable reason, she had never imagined it ending like this.

“Fate is not something you have any control over, Rae,” came a voice. Startled, Rae looked up at the shadowed face of her brother. “Fate is something that can never change, whether it’s your daughter’s or your own. Just because Leah was murdered doesn’t mean that it has to be your fault.”

His ever-changing eyes were the color of a crow today. They were the color of mourning. Somehow, though, he did not look as grieved as his eyes told. Jall’s eyes never lied. The only explanation was that he was carefully putting on a reassuring face, as if his eyes didn’t exist. There were no lines of depression sitting atop his forehead. There were no signs of the foretold desperation at the inability to do anything about what had happened. Jall was not a person who regularly accepted fate, yet, somehow, it appeared that he had. Despite the obvious farce, Rae turned her head in disgust.

She flicked an overwhelming strand of sadness away, clearing her mind of all emotions. Just thoughts, only thoughts, she repeated over and over in her mind. For too long she had been living by emotion- it was time for logic to take a part in her thinking process.

To others she had been just another Fated. To Rae she had been a way of life.

Logic, Rae reminded herself, turning back to Jall. “Dispose of it,” she said firmly, knowing perfectly well that she would regret the decision later.

Jall looked alarmed, his black eyes flashing green for the slightest bit of a second. “You want me to dispose of her… body?” Jall stuttered, struggling to form the resigned expression that his face had displayed just seconds before.

Rae swallowed. Logic, she chanted. “Yes,” the response came quickly, too quickly, as if to make the decision known before she changed her mind. “It’s the only way I can forget that she ever existed.”

One Simple Song
Allen
I’m trapped in a cage of Moore.
Before the wild bird sings,
Of all the beauty in the world,
Trapped in a cage of lore.

Allen shook his head. Silence, he thought, shifting in his seat uncomfortably. I need silence. If only there was a place, a thought, anything to keep me from becoming like Mom. Desperation tinged his mental voice as he realized exactly what he had just said. Like Mom.

Hadn’t he always vowed never to go crazy like his mother?

Hadn’t his eleven year old self spent days in his room, crying, worrying that it was genetic?

All of the days,
I sat under your oak tree,
Under the door

Allen shook his head once more, irritably. Could he ever get a chance to think? Without that, he would be like this forever. Have to get it out of my head, he thought, crazed. I have to get out of my head. Need to. Have to. How...
The song ran in his head again, and his thoughts became rambling incoherent sentences. One way, he thought.

One way, got to know, one way, find out, girl’s voice, haunting, no sleep.

Slowly but surely, Allen Cromer was going insane.

There was something unexplainable about that particular discovery. To most of his friends, Allen was the sanest person they would ever know. He never drank, he never stayed out past midnight, and he never failed to look after his family. If anyone were to go insane, it would not have been Allen.

Another unexplainable thing was that Allen knew he was going insane, not to mention his thoughts. After all, as unexplainable as they might be to the person lurking in Allen’s mind at that very moment, the thoughts all made sense to Allen.

The girl’s voice sang the song in his head once more, playing one time after another until Allen banged his desk, causing the wood to crack. This normally would have made him jump. Desks were strong, they didn’t break.

That brings the tally up to three. He didn’t imagine the dramatic, inhuman changes in his strength.

And he didn’t imagine the reaction of the people around him, despite the fact that he barely noticed it. Allen was popular. Conceited. Arrogant. You could call him all of those things. He based his entire life on other people’s thoughts; he thrived on them. People loved him. Normally, everyone would have clapped when he broke the desk, admiring his strength, but now they looked terrified. There was something in his eyes, a crazed light; something that made him like the old man with the shopping cart sitting on the street corner. You want to trust them, but you know you can’t.

“Allen?” his teacher questioned timidly. She had become afraid of him in the past few weeks, as had everyone. He had gone from her very likeable star pupil to the guy sitting in the back of the class, brooding angrily.

Allen was a complete cliché. Quarterback of the football team, class president, boyfriend to the head cheerleader. Everything in his insignificant life was cliché- everything except his mom.

“Allen?” said the voice again. The teacher’s concern and fear was evident to the class and the lurker inside Allen’s mind, but all that Allen heard was a distant noise, a quiet rumbling, like the buzzing of a bee. Her words blended into the song, making a sort of melody.

Suddenly, lights. There were lights everywhere. To Allen it was like Christmas. He was the starry-eyed ten-year old with the awed expression. For just a few seconds, Allen was thankful for the relief, but then the song started up again.

All of the days,
All of the days of Moore.

It was sung by a six year old girl dressed like a princess. The mirage was strong, never flickering, never fading. It made Allen feel like he was at a drive-in theater, except he was the only one there. Her mother sat down beside her, lovingly. The girl turned to her mom and giggled. Allen felt a pang in his heart, looking at the relationship he had often wished he had.

Trapped in a cage of lore.

When the song reached the end, the girl’s expression changed drastically. Her eyes transformed to a deep, dark red, the color of blood. Her voice grew deeper, throatier, as she started the song over, and her pupils widened until there was no white left to contrast with them. The mother grew panicked, and tears streamed down her cheeks. With a sad expression, she banged her child’s head against an old writing desk. The child sang softly, hauntingly once more. The mother’s screams mixed with the song, creating a terror-inducing melody.

Through his blurry mind, Allen heard himself shout with terror.

The image cleared, but the song kept playing.

Before the song took its toll on his brain, Allen had attempted to sing it, but he had never been able to. It was like the words just wouldn’t come out. He choked on them, causing him to cough violently and gasp for breath.
One, a voice in his head would say. Only one.

Now everything was a blur, everything except the song.

Allen didn’t notice the strange looks his friends kept giving him or even the pain in his fist at that very moment.
Breaking the desk, he burst out of the room, following the one coherent thought in the mess that was his brain. One way, one way, one way.
Writing's a socially acceptable form of schizophrenia E.L. Doctorow
I've always believed that writing advertisements is the second most profitable form of writing. The first is ransom notes Philip Dusenberry
I'm so clever that I don't understand a single word of what I'm saying Oscar Wilde




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Ahh! Ahhh! I remember this!!

Ahem, well, the first paragraph is still gripping. I especially love the repetition of "six years". Very dramatic. Your MC tends to rely on the colour of certain things telling her what's what. Like, the sky, her brother's eyes... I may be picky, but I don't like how in the first paragraph you say "the colour of the sky never lies" and then in the third you also say "Jall's eyes never lied". Might be being a little too picky here, but if you could replace the word "lied" with another, similar one?

In the second paragraph you say how her brother's face was shadowed, yet in the next Rae describes it aptly without you saying if he stepped forward into the light. It was as if saying he's hidden, but we don't need to worry about that, here's what he looks like anyway, guys! ...No.

Despite the obvious farce, Rae turned her head in disgust.

..Why? I know, it's probably obvious, but could you treat us like we're three and explain every characteristic of Rae, pretty pleeease? Rae turned her head in disgust, *...shocked, he did not appear upset about what had happened...* While typing, there was a lot of shrugging. Seriously, I'm not too sure about why she's disgusted..

She flicked an overwhelming strand of sadness away, clearing her mind of all emotions. Just thoughts, only thoughts, she repeated over and over in her mind. For too long she had been living by emotion- it was time for logic to take a part in her thinking process.

This is confusing. At first I thought she was talking about her hair or something.. that may just be me, though... What thoughts? Remind us of the thoughts she'd had again?? And I think "thinking process" sticks out a little too much, like she's taking psychology or something. I don't know, I expect her to be more mystical with phrases... Is that .. okay??

To others she had been just another Fated. To Rae she had been a way of life.

Again, at first I thought you were talking about something completely different. I thought you were talking about Rae still .. not her daughter. If you don't want to say the name, fine, but please stick "her daughter" in the first line somewhere, just so we know right away who you're talking about. Pretty please.

“Yes,” the response came quickly, too quickly,

I am so not 100% about this, but I don't think it's a speech tag. It's not really her describing how she's saying it... I, ah, urghhh. All I can think of is when in a book a character says something and the main character is mulling over what they've just said. It's too ... separate... Did any of that make sense?? S: Sorry if it didn't.. Um, try it out.
"Yes." The response came quickly, too quickly....


Ahhh! I have to go now, sorry. I will review the rest later! Promise! But to end on a positive note .. I ADORE the atmosphere in this first section!! Love it, love it, love it! I could imagine it as a published book, the way you've introduced your characters and the conflict and a hint at the plot... Yeah, I do need to go now. Sorrrry!

~EmmaJane~
Your = Possession. Your shoes are so sweet!
You're = Omission. You're quite strange...

If you are confused about which to put, simply say in your mind "you are" and see if that fits the sentence. If not, you are looking for your.

Little Macey | Got YWS? | KOTS:BD




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Hey there! :)

This is well-written and definitely intruiging. I have just a few nitpicks:

Six short, fast years was all it took

In this context chort and fast mean exactly the same thing, so there's not much point using both of them. I would suggest just using 'short'.

. She could still remember that day, the hour, the time,

Again, hour and time mean exactly the same thing here, so you don't need both.

One Simple Song
Allen
I’m trapped in a cage of Moore.
Before the wild bird sings,
Of all the beauty in the world,
Trapped in a cage of lore.

Just small formatting things here. So, "One simple song" is the name of chapter one? I would suggest putting it underlined or in bold to make this clear, and it would make it seem less squashed up if you put spaces between the title, Allen's name and the song lyrics. It might be a good idea to put the song lyrics in italics, throughout this section, as well. I think it would make it clearer that the lyrics are just in his head.

Hadn’t his eleven year old self spent days in his room, crying, worrying that it was genetic?

Perhaps this is just be being dumb, but I thought by this you were saying that Allen is eleven, which meant that when it got to the but about him not drinking and not staying out late I was like, 'Whuhh? What eleven year old does go out drinking?' XD So maybe you could clarify this somewhat by saying 'four years back' or whatever, so that we know what age he actually is.

Allen was popular. Conceited. Arrogant. You could call him all of those things. He based his entire life on other people’s thoughts; he thrived on them.

This here is a lot of telling. If you had a scene with Allen interacting with his classmates and showed all this, it would be much more effective characterisation.

So, overall, like I say, this is a very interesting beginning. Still, there is one main issue with it, and, to me it's that right now it's very confusing. It's the beginning of the story; as yet the reader knows absolutely nothing about the world you've created, but you plunge straight into what feels like the middle of a story, without any description of the setting or any introductions at all really, and it's aso chock-full of hints to backstory/plot/future events that if I'm being honest, thinking about it makes my head hurt it a little.

This comes across especially so in the prologue because it's shorter than the first chapter, but it happens a lot in both. A certain amou
nt of hinting is good and makes the reader want to read on to find out the answer to these mysteries, but if you pile it on too fast it's a bit like being plunged into a swimming pool and subsequently flailing around wildly at the sudden imersion. For example:

Six years to become so powerful, and six years to have that power diminished.


Rae supposed it had always been fated, their relationship.


Just in these two sentences, which come quickly after each other, almost straight away, we have two massive clues to this character's backstory which are not mentioned again. This can be a good technique but too much of it and the reader begins to feel bogged down.

To others she had been just another Fated. To Rae she had been a way of life.

Who is this she? It seems like Rae might be talking about herself, but that doesn't really make sense. As it is, I have no idea - another piece of mystery.

“You want me to dispose of her… body?”

And there's a body? But, on the other hand, this is a prologue. You can get away with being elusive because all you're doing is giving a taster of what's to come, and after the prologue we have the contrast of a first chapter, which is more straightforward and introduces to the character and setting.

Except, the first chapter also dives straight in, not quite as much as the prologue but still enough to make it almost overwhelming, what with Allen apparently going mad, and hearing snatches of song, and seemingly having an unsatisfactory relationship with his mum.

Basically, what I'm saying is, there's so much stuff in this - really interesting stuff, stuff that I want to know more about, but stuff that you have a whole novel in which to tell. You don't need to cram it all in so quickly and doing so has a negative effect.

But I really hope you keep going with this because after mulling over all that's happened so far, how could I not? :smt003

PM me if you have an questions or anything! :)



Stories don't end because you stopped paying attention.
— SJ Whitby