CHAPTER 1—TYNAN
In Sulaimon, four kingdoms stretch to the four corners of that vast land, each ruled and guarded by four dragon dynasties.
To the East, across the feathery meadows, upon an island hovering not far from the coast lays the Zale Dynasty. Serpent-like dragons slither through pure ocean waters and fields, slipping so silently it looks like a gentle wind swaying the tall reeds. Raised facets glitter like sapphires and diamonds upon smooth, aqua-blue scales. They are the most playful of the dragon families, the gentlest dragon rulers. They catch fish and rabbits for the people of the island and protect them from sharks, wolves, and other fiercesome creatures. Serene by nature, the Zale dragons spend much time in meditation, studying peace and charity towards all. Thus they require from their human inhabitants the lightest of the required tributes. In exchange for care and protection, the Zale Dragons oblige only an annual feast which the people prepare and share with the dragons.
To the West, the treacherous, harshly windy Valther Mountains loom. On top stands the Gauthier Dynasty. Unlike the elegant Eastern palace clad in gold and light silks, the Gauthier Dragons live in a sturdy, stone fortress. They are the fiercest of the dynasties, a warring family. They do not war needlessly, though if the humans of their land were ever threatened, they would brutally defend them until death. Many a time their strength protects the people from wild mountain beasts. Thick, leathery, long wings battle snow and ice to find those humans who lose their way. The dragons also quarry great rocks, minerals, and precious gems which their human architects build with and the blacksmiths forge into great armor, weapons, all sorts of fine things. Thus, the tribute the Gauthier dragons require every year includes some of their blacksmiths’ most excellently crafted armor, weaponry, and jewelry. The Gauthier dragons are great collectors, admiring the humans’ abilities to create such magnificent wonders despite their frailties.
Vardon lay to the South in a deep and evergreen valley. It is a place of farmers, and both the dragons and humans inhabiting that land possess a gift in making things grow. The dragons bear scales which, when rubbed into the earth, fertilize the dirt with rich nutrients, helping crops grow strong, lush, and full while endowing many people with healing powers. The tribute Vardenian dragons require is an annual portion of their people's bountiful harvest. They also commission a healer to annually travel abroad, representing Varden by healing any ill they come in contact with.
These three dynasties…
They all sound like something out of an ancient, oriental myth or fairy tale. The concept of humans and dragons helping and living in harmony with one another, without fear. To me, that’s exactly what they are. A distant dream only read of, told of secretly, quietly yearned for.
I live in Tynan, the fourth dynasty, where the dragons do provide much protection, and there is much need of it. Our dynasty is set high in the northern mountains where wild animals and avalanches are ever constant. But the tribute they require in return is so horrible, no one speaks of it. I cannot even utter it here, now, on paper. In fact, I will soon have to lay down the pen because my fingers tremble, scrawling nervous, illegible scribbles across the pages signifying the last days of my life. The unspoken truth grows all the more real, close, and unbearably frightening.
For, you see, I am the new Quelda of Tynan.
CHAPTER 2—QUELDA
I look up abruptly, pen clattering on the desk as someone knocks then peers inside. A man of my own Tynanian race. Ice blue skin and hair reveal this. My skin is white, my hair gold, a rarity among our people and perhaps another reason why I sit in this room. Such features are considered a sign of greatest purity.
Lines of resolute sorrow, regret, and deepest apology etch the azure face. Longing cerulean spheres reflect the color of my heart, frozen in fear.
“It is time, my lady Crisilin,” he mutters shamefacedly, as if wishing to be suddenly rendered mute. But I understand. He possesses no more choice than I.
“It’s ‘My Quelda,’” I correct kindly, then add, “I remind you only for your own sake. You know you'll be put to death if you use my own name now.”
“Quelda” is a sacred title among the Tynanian Dragons. Bestowing it makes me “sacred” to them. I am no longer Crisilin. Uttering my true name is blasphemy unless used by the man who will soon be my husband, whom I will soon lie with. A man I do not even know, am totally unprepared to be with. At least he wouldn’t be either. Both the Quelda and her mate must be young virgins, and the Quelda herself must be her parents' firstborn. Our people marry at an early age. I never thought so before, but now it seems excessively early. Perhaps just because it is I who now faced such a marriage.
“I thank you for looking out for me,” he says gently, torment still glinting in his eyes, “and I commend you for even having the ability to think of me, my Quelda. You are a brave child. If I did not have my own children to think of, I would take on your own bravery, call you by your rightful name, and risk death without fear.”
“I know, Zephire.” I place a hand on his shoulder, trying to comfort. After all, he’s been a faithful servant in the seven days I've been cooped inside my new and lavish palace quarters. He has brought food, drink, books, paper, whatever I needed or wanted. Not that I’ve been able to eat or drink anything but bread and water. Part of some “purifying” ritual the Quelda must pass through.
He lingers a few moments more, eyes yet glittering with sorrowful tears. Nothing I can say will erase nor even ease their pain. How desperately he wants to freeze this moment so we don’t have to continue to the next. I would wish this myself, save I care too much to get him into trouble. I remind him quietly, “It is time, my servant Zephire.”
He takes a deep breath, grants a solitary nod of forced resolution, then turns and walks silently down the hallway. I follow on noiseless, bare feet.
We wind up and down the familiar corridors. Our path reveals the first stop. The room teeming with mounds of straw and the spinet, a small, piano-like instrument which can spin fibers into cloth. This is one of the powers granted by the dragons to the Quelda alone. Spinning straw into gold so she may bless the Tynanian Dynasty with great riches. I wish this was all their tribute required.
The Quelda is to spin straw into gold an hour every day for the duration of her reign. When the last of the straw is spun, her rule ends. The straw always lasts for about nine to twelve months, depending.
I enter the room and start playing a melancholy tune which cranks the straw into gold. My fingers shake again. I am not just spinning straw into gold. I craft the fibers of the gown that will bear me to my death. I would say my funeral, but nothing will remain save perhaps a few shreds of gold stained with red...
The hour which usually drags by flees like a half-dead vapor this evening. The marriage so rapidly careening towards my present will start the beginning of my life’s end, and with a complete stranger. I wonder if I will even like him, if I will be able to love him. If we’ll grow so overwhelmed with fear and loneliness as the end draws nigh that, even if we don’t love each other as man and wife, we’ll cling to each other. Hold each other with a specialness only born through the warped, sacred tradition...
The door opens slowly with a gentle creak, as if the person tries to break the hard news softly, wishing for the coming truth not to be as greatly as I. It’s as if the door's faint groaning shares my agony and horror. As if the person's slow movements mean to sooth, grant me a few more precious moments.
I abruptly cease playing, stand, and look up as the person enters. A long, grey cape and hood conceal her entire body. She is my aunt, Simone, the tallest servant in the palace. None of the other women come close to her six feet and two inches. She cannot reveal herself during the ceremony. I must see no one’s eyes from the gold-spinning until when I meet my husband. She cannot speak either, but she lowers the hooded head in what I understand as a nod. I nod back and follow her from the room.
We traverse several corridors. I glance out the arched windows we pass. It is a black night, as is every night on this mountain. The blackness always seems appropriate but now more than ever. However, tonight, the bright, white stars shine uncommonly in the blackness, reflecting what should be a glorious, pure experience yet mocking with almost tangible laughter.
We enter a room where several concealed, women servants cluster around a circular, ivory pool of water. They all nod to it. I step in. Cold waves shock my feet, traveling immediately throughout the rest of my body, providing no comfort from the frigid wind blowing through the open window. The Quelda must learn to be strong and to suffer trials with humility and meekness. I frown anyways. Why should I want to be humble for those who landed me here?
I mean the dragons, of course. The servant women have little more freedom than I and no more say. So I obey as they begin their series of nods and hand motions and other silent commands. The loose robe and gown slips from my body. I am certain not to touch the cloth into the water, lest it should need to be purified all over again. This is a process I hear takes hours. I wonder if the women would really take the time to perform the purifying ritual all over again for some simple and harmless mistake. Would they choose to get themselves in trouble with the dragons for some fault of mine just to suspend my life a few hours more? Because the Quelda is sacred; she cannot be punished.
I don’t try anything though. I allow them to scrub every inch of my body, the water wafting a scent of many different flowers and minerals, stirring memories of running through fields, collecting stones, weaving flowery necklaces with….
No. He is as dead to me now as I am to the outside world. I must focus only on the task at hand and the other who will soon be my only "he". I must numb myself to all else. There is only to shun or to shudder oneself into a depthless, black hole…
I wonder how exactly the servants purify the water, if they host any real magic properties or if it’s all just part of the ritual. I conclude on the latter. The dragons wouldn’t risk giving us magic anymore.
At last, scrubbed raw and unable to control my extreme shivering, I am given a nod to come out of the tub. Stepping carefully onto the towel laid on the floor—my feet must not touch anything until my husband removes the satin slippers now slipped on my feet—several women step forward to dry then clad me in the appropriate clothes. Another gown, pure white silk, another robe of the same. Both richly embroidered, yet beyond that, simple and not very warm. Perhaps the dragons don’t wish to waste any of their gold on too lavish a wardrobe. After all, the dress is a nightdress, not a wedding gown, but it’s white, so I suppose it serves both purposes. The lack of undergarments is strange, but maybe this is to encourage the marriage's only purpose, serving as a constant, uncomfortable reminder.
A blue ribbon ties back my curls. My aunt leads me from the room. We climb a stair and walk noiselessly down another hall. A silence, not like peace but like death, breathes loudly in the complete hush. I can almost hear it, as though the dragons lurk invisibly, tormenting with cold, piercing breath. We reach the end of the hall and the arched, red doors accented elaborately with gold carvings. Before them stands one of the dragon’s priests in white robes and the humbly lowered, balding head hiding behind his hood.
My aunt turns and slips so quietly down the corridor, I don’t notice until I turn and see her gliding around the corner at the hall’s far end. I turn back to the priest. He waits a bit, as if assuring we are alone. Then he lights the incense, showering me with white rose petals, sprinkling me with sweet waters, blessing my purity. Another priest somewhere does the same to my husband even now. My heart beats faster as he slides too quickly through the rituals joining us in that perfect union.
At last, he steps aside, holding his hand towards the doors.
Sickness swirls in my stomach along with fear. The doors loom large and red like a wall of blood or fire. I don’t know what I fear more, what the ceremony signifies—the beginning of freedom's end, of my life as I know it, of my childhood—or the ceremony itself. Now, in this moment, the fear of the former passes away as the latter looms closer, so close it is now, my dreadful, terrifying, unknown now.
I realize why this part is the hardest. I must open the door. I must reach out and grab the cold handle granting my right of passage into the life I must both face and hate. I suddenly feel small, shy, and weak, as though the blood-red door and its brightness grow, its fire ensnaring, consuming me with hopelessness. I feel so alone and suddenly yearn for the young man I will meet on the other side. All I want is someone to cling to. I suddenly want him to at least like me, be kind to me, hold me, love me even, just as much as I suddenly want to do all these things to him. I suddenly realize why this part is hardest for the Quelda yet also the easiest. Because all I want is to run away from that door, yet knowing I can’t, open it and run to him...
I reach out, clutch the handle firmly, pull, and slip through. The door echoes loneliness as it shuts. I stand in the final stretch, the hall with the blood-red carpet. Red is not a very pure color. Perhaps it is meant to encourage the passion which cannot exist between two people who don’t even know each other. Fear even now encourages some sort of passion.
I force myself to walk down the hall, heart pounding, panic gripping so hard it grows difficult to breathe, to even see. I need to hold onto someone, something.
I reach the final red and golden door.
Stumbling to a stop, I grasp the handle and take in a last, deep breath. This is it. This is where I lose my childhood. Where I must become someone else, where my now must transform. Where I must struggle to survive, hold on to what will remain of myself. Where I must hope my soon-to-be-known husband will show gentleness, kindness, and mercy towards me, share my fear, hope, longing...
I open the door. He sits on the edge of the bed, swinging his legs and wringing his hands. A small connection races between us, his fright an instant part of mine. My first, small sign of hope. The second comes as he stands to face me, the light of the fireplace illuminating his face, his handsome curls, his sparkling but troubled eyes. I gasp, the sickness in my stomach changing to that of relief, wonder, horror as I breathe:
“Chalom.”
CHAPTER 3—CHALOM
“Crisilin,” he breathes as I sit beside him, my legs too awed to continue standing. His face reflects the same wonder and horror. He traces my jaw ever so tenderly as if I am some spirit who might vanish if he dares touch me too harshly. An inner torment coupled with relief shines in wondering eyes. Ahh, Chalom. My best friend. More than that, my betrothed from birth.
Yes, it may seem strange that our people would dare place hope in betrothals which might be broken if their son or daughter is chosen. Indeed, many no longer practice this custom because seeing such sacred promises shattered is like snapping the few threads of hope yet binding the fragile fragments of their hearts.
As he cups my face in both hands, drawing closer until our bodies press close, the fear of my slipping between his fingers slowly melts from his eyes. My tears come. I shudder from the deepest wells of my heart to the tips of my delicate fingers which grasp his loose shirt, clutching him tight. I shake with a swell of uncontrollable emotions forcibly controlled for too long. I bury myself closely in his chest. Maybe if we can become one just long enough, I can sink into him, find escape from this torture. Why, must the dragon's curse mar all things beautiful? He is the only man I ever thought I could love. Yet his fate is now sworn to mine, bound. As the sobs come, softly at first, he wraps me in his arms. Then the torrents release more ardently.
Only after they quiet does he speak softly, “When I heard you were to become the next Quelda, I entreated the dragons to allow me to become your husband. I said we were already betrothed before, that I already loved you with a pure love. They gave me trials to pass through, trial after trial which I thought would never end. But finally I passed, and they appointed me the Quelda’s husband. But as I sat waiting for you, I was afraid it wouldn’t really be you. The thought was partly selfish because I didn’t really want you to have to suffer the same fate, but I didn’t want to go through the rest of my life, however short, without you...”
I tremble within the comforting cage of his arms. The more he speaks, the more I understand: he makes this choice for me. Shivers grip. I cannot stop them anymore than I can stop the rest of this catapulting fate. But revolted as I am, I can only love him more and cannot scold him. Is this not what I wanted, to be held in the arms of someone who loves me and whom I love? And, our positions reversed, would I not have done anything to assure I could live the rest of my life and die by his side?
“Please don’t be upset, Crisilin,” he pleads, warmly familiar breath tickling my ear. “I only did this because I love you, because I could not live with myself being parted from you, leaving you to suffer alone the rest of your life.”
“I know,” I whisper, tucking my head beneath his chin and trying to cuddle closer though this is impossible unless we become one. But, with a small, sad, yet hopeful smile, I remember we are one now.
He carries me in his arms then, laying me on the bed. This is the first time I look around at our room. It is not a large room, but the fireplace and huge, canopy bed create a cozy atmosphere. Apart from the bed and a desk with some writing paper and a quill, it is unfurnished. Perhaps this is also to help keep the Quelda and her new husband on task.
The bed itself is white ivory. Firelight dances with rainbow feet upon white silks and satins. Walls gleam a vivid red. No windows exist. I doubt this is for privacy. Our lives are no longer a private matter.
He lays me back on the soft bed, my head nestling into one of the velvety pillows. I look up into his eyes. He hovers, caressing the tip of my nose with his finger, running his hands across my cheeks and neck. A new nervousness suddenly seeps inside. With each fleeting touch, bees buzz within my stomach, a lightness intoxicates my mind, my breath involuntarily gasps and quickens. He leans down, pressing himself close, careful not to lie too heavily on top. Our feet kiss beneath the downy covers. Then, for the first time, his lips kiss mine, so sweetly and tenderly. Somehow, my lips know how to respond. They would not have known how to respond to anyone else’s. His lips, body, heart, every part of him has always been mine, and mine his. He smiles, stroking my hair, and I shakily try to return the smile.
“We’re married, Crisilin,” he breathes slowly, almost wonderingly. “You’re my wife now.”
I can’t help grinning more fully. He utters "wife" as if it is magic. As if it fills him with the greatest awe and honor. As if he could never hold a more valuable treasure. Somehow, even in this place, our marriage—our joining together of bodies, hearts, souls for all eternity—is still sacred, pure, beautiful. Because it is us, Chalom and I. Until morning, nothing else is.
But as my thoughts dance upon the coming morning, the pure moment is marred with a hideous dread of the hideous thing to come. The horror inescapable by the Quelda. I wonder if, a year from now, when I must go through it myself, the memory of tomorrow will be as horrible as literally having to suffer the same torment twice.
My breath quickens again. He kisses my forehead, stroking my cheeks and hair.
“I know. I dread it too. But for now, we are together...”
He kisses me again, longer, more fervently. I kiss back, a strange warmth filling my body, an unfamiliar desire. I am not sure exactly what I want—my friends claim I am naïve for my age—but I know I want him very badly, because I love him so.
But the red walls taunt, reflecting the pain which must be suffered tomorrow. I don’t feel the walls’ intended passion, their symbolism of blood rushing to our lips and warmth through our bodies. Instead, I feel the dreadfulness of blood lust, their crimson, heartless thirst.
I pull back and he looks down concernedly.
“Did I do something wrong?”
“No.” I feel suddenly embarrassed. “But I don’t think I can do this tonight.”
He smiles sadly, looking disappointed yet understanding. Perhaps he hoped to distract himself from thoughts of tomorrow.
“I want to do this when we can focus on each other,” I add. “Our first time—it should be special.”
He nods, eyes glittering with sincere agreement. I’ve always loved his honest heart.
“You’re right. I’d like the same thing.”
I know we both wonder if we’ll ever really be able to have that experience. We certainly won’t tonight.
He lies beside me, drawing me into his arms. I lay my head upon his strong chest, listening to his heartbeat. It’s not nearly as fast as mine, as if he’s somehow able to calm it just to sooth me. Cuddling close, I allow the rhythmic humming, the gentle stroking of his hand around my waist—his other hand curls in my hair—to lull me asleep.
Yawning, I mumble, “I wish our first time could be when we are free...”
“We’ll be free someday,” he assures.
I know this. But there will be only one path to that freedom. And it is not the freedom I speak of and yet wish for.
My mind clears all thoughts of dread and fear. I allow it to fade to black, concealing the cruelly swirling red images. As his heartbeat sings sweetly, the quiet numbness of sleep envelops me in its temporary, deceitful, yet blessed web of peace.
CHAPTER 4—TRADITION
I wake in Chalom’s arms. But his heartbeat now races wildly, his breathing no longer steady. He holds me with tense arms, his body resting against mine with stark rigidity. The passing of sleep gives way to a new wakefulness, granting clearer thoughts of the dawning day.
I sit up enough to see his eyes staring at the canopy. They are wide, like stormy clouds shadowing a once-placid sea. He turns his head and smiles feebly.
“Good morning, sweetheart.”
“Is it morning?”
“I don’t know.” He solemnly glances about. The fireplace still blazes—someone must replenish it during the night—but that is the only light the room offers. If it is morning, we cannot tell without a window.
“I feel awake enough for it to be morning,” he continues gravely, “But perhaps my nerves have woken me so vividly...”
This time I touch his cheek, drawing his face towards me so our eyes meet. “It will be okay. We’ll be together.”
I lay my head back on his chest. “Let us pray for them, that it will happen quickly, that they will not have to endure the pain for long.”
His chin gently rubs my head as he nods.
In my heart I pray, quivering, trying to quench the grotesque sickness churning in the pit of my stomach. Praying for them means having to think about what we will see and hear. We’ve seen and heard it all too well before, but now things are so changed. We go today to watch our inevitable future...
A knock raps too loudly on the door, like thunder, and I jump. A voice declares too flatly and thus too harshly, “It is time. Rise and prepare yourselves for the ceremony.”
Thick silence drowns again, and I half wish for the awful voice to return. Suddenly, even Chalom's own arms aren’t enough. Even they cannot symbolize life, only death. Not life, not today. Everything is death.
I shudder as if death already ensnares me in long, curled claws. I hug him tighter, closing my eyes like a child trying to shut out a bad dream, but he whispers the inevitable words in my ear:
“We have to get up, love, we have to get ready.”
Even his own voice is too devoid of emotion and meaning. But perhaps that is how all voices are bound to sound today. Perhaps it is easier. I rise to obey and dress.
* * *
The goldenrods sway proud and tall in the Field of Sunlit Gold.
I sit inside a Coliseum-like building encompassing a wide, perfectly circular field. I block out the hundreds pressed closely in their seats, mumbling, talking, laughing too frivolously. For a moment, I even shut out Chalom's touch, except for his warmth on my hand, like the warmth of the legendary golden fields. The golden fields which used to sprawl across this sickly expanse. Its grass is now short, brown, choppily dead. Yet, although I only ever heard tales, I hoped in and imagined them so vividly their memory shimmers more clearly real than the image I now reluctantly view. The dragons, their ice blue and white scales gleaming cruelly in the vainly shining sun, slither onto the field...
This is the only field in all Sulaiman which bears golden soil. The Tynanian Dragons breathe upon the soil, the moisture and magic granting the life needed for the goldenrods to grow. The goldenrods blanket the field like a solid sheet of waving, glinting sun. Their petals are made of pure, real gold, partly transparent, said to be the closest thing ever seen to the purest Celestian gold read of in the White Scrolls.
The people use the gold of the flowers to trade with other dynasties and to create beautiful things, healing powders, and other magics. Each family pays annual tribute by offering some precious gift crafted from the precious gold.
The previous Quelda and her husband, those who ruled for a year, those whose reign must end with the coming of mine and Chalom’s, walk onto the field behind the dragons. The Quelda shakes and sobs violently. Her tormenting cries wrench my heart, make me suddenly want to vomit. We sit so close her maddened eyes glitter vividly, like two suns blazing with a final, vehement flame before setting. She tries to run, but her husband—does anyone even know their names?—holds her back, holds her close to console or at least calm her enough to make the awful thing easy as possible.
I want to close my eyes but am suddenly unable, knowing they deserve someone to watch, to share their last moments, someone who truly understands. And no one could possibly ever understand besides Chalom and I and those who’ve gone before. So, despite the hundreds gathered, some sorrowfully, some to enjoy the show, we are the only two left in their world.
The golden fields sway, petals clinking together, almost singing. There is more than enough gold for all, both dragons and humans, enough to care for all of Sulaiman and many worlds besides.
The Quelda and her husband are appointed. A new, young couple gets to share in this blessed ritual each year. Together they weave the goldenrods into fine things for all of Sulaimon. Together they are taught the ancient wisdoms of the Tynanian dragons, great magics and philosophies. Together they rejoice in their peaceful, pure joining of eternal love…
But...
The Coliseum is built, the old traditions give way to those both new yet hideously ancient.
Shouldn’t we be past such things, shouldn’t someone try to stop this?
The flowers die, drowned in the shedding of blood. At first, it is a subtle transition. The people hardly notice at first, hardly protest. But then—
The next Quelda is forced to weave straw into gold to appease the dragons’ unquenchable lust, greed, desire for more and more. The humans of Tynan themselves will not see, touch, or use any of the gold spun by the Quelda. They will be forced into poverty, struggling to survive.
A pain of rage and hatred grips powerfully again as I remember being forced to stand before them. How they whispered words tainted with a lying softness, as if totally ignorant of the horrors they endowed that day.
* * *
"Our most blessed and beloved Quelda…" echoed the voice seemingly drenched with as white a sincerity as his bristling, snowy scales. But I knew those words shone black as his coal eyes. I knew their kindness was as frail as a morning's mist, easily dissolved with one, half-hearted kiss from the sun's palest glow. "We bequeath you, most sacred and pure treasure of our dynasty, with the greatest gift we can offer, the gift of our magic, our gold. May you transform Tynan with your beauty as those who have passed before you…"
How could they utter such deceitfully calm words, as if, in bestowing a pathetically small portion of their power, they made every other terrible part of their plan okay? As if it stamped out the awfulness, as if a few shreds of gold could wipe clean a slate drenched with years of red?
Then they breathed their tainted breath upon me, endowing their gift to spin straw into gold, a gift they are not deserving of.
* * *
Because they deserve no gift beyond the horrors they now force upon this young couple, and, in a year’s time—or less than that if we do not produce a child—Chalom and me.
I shake my head, vainly trying to erase the memories which cling as sharply to my heart as the dragons' claws digging into the earth, gleaming in the sun's mocking warmth. My aunt's story, or what is left of it, floats back into my mind…
It is just as well though that none see the new gold spun by the Quelda—the sight of it would have broken their hearts. It is not nearly as gloriously pure as that grown in peaceful times.
Now the gold, our lives, everything, is marred by the rubies.
They lay the Quelda beside her husband, binding her because she writhes like someone possessed. And she is, not of a demon, but of terror, anguish, fear, unbearable torture, especially as the baby is laid between herself and her husband. Her screams slice like a thousand knives threatening to burst the heavens open with some vengeful storm. I tremble all over, contorting with each shriek, piercing blades slicing all over my body, searing my heart with each agonizing cry. Chalom squeezes my hand, but I am numb now except to her excruciating torture.
Then the dragons bear down with bloodthirsty snarls, claws gleaming like cruel swords. They silence her and him as well, for even her husband loses his nerve in the end, crying out. The last awful sound is the baby’s cry quieted too abruptly. And with their silence, the storm, the rain of blood. Because the dragons of Tynan no longer require a sacrifice of gold.
The Field of Sunlit Gold has become the Field of Rubies.
This was an (unedited, author's version)excerpt from my novel Bloodmaiden, just published with Old Line Publishing! Do enjoy, and if you like enough to read the whole book, here is the link to get your own copy:
http://www.oldlinepublishingllc.com/ind ... aiden.html
