Castle Gladeheart

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It's not that violent but im giving it a 18 rating anyway. I checked for errors, but might have missed some. you can point those out but please focus on the story! Thanks!
~hiadel


Castle Gladeheart
I’m not exactly sure why I bought the castle. There’s nothing particularly spectacular about it when you look around. The greatest thing I can think to say about the place is that it gives Dracula’s place a run for its money when it comes to the creep factor. Dark hallways with torches and fading rugs give it that impersonation of not being one of the happiest of places to settle down.
I guess the decision about buying the castle didn’t rest all in my hands. I remember the day the real estate agent was guiding my wife Lissa and I across the grounds of the property. It took no time at all for her to fall in love with the place. Lissa ignored everything I had to say about the castle being a terrible place to live, and to think about how on earth our children would be able to bear living in such a miserable place, and about the horrible hallways and how I felt that one day I would turn the corner and run into Frankenstein’s long lost creation one day. She told me that she loved the portraits in the study and how all the gardens outside wrapped around the castle like a giant snake.
Her reasoning was enough for me. I’m a pretty unsure person and I generally just go with whatever she thinks is best anyway. It’s not like I care very much what my home looks like. All I care about is getting my work done downstairs in my new workroom. It’s a nice wide open space with a decent area for me to paint my masterpieces. I’m a professional painter that does that abstract stuff you see a lot of in the city. The stuff that sells for upwards of 10,000 dollars. I know its all crap though. Who on earth spends 10,000 dollars on a picture that anyone can paint? They say it’s all about compassion and feeling but I think otherwise. I truly can’t understand how that works. It’s alright with me though as long as I’m on the feeding end.
Now that I think about it, I kind of like the castle. It has its benefits. In our study we have this massive wall of portraits with famous people scattered around all over it. My personal favorite is the one of Winston Churchill. The artist had made his balding head shine in a way that can only be compared to a freshly harvested crop. Lissa’s favorite was the one of Sir Eric Williams. I’d catch her starring at that portrait a million times. Every time I caught her I’d ask her why she liked him so much. She’d always reply by saying that she loved to romanticize about him and how she always wanted to him. Ha! How I could only laugh at that every time I heard it. I liked that portrait as well though. Sir Williams was this dashing man from the 1700’s era. He had this massive breastplate on and in his left hand held a saber decked with a golden hilt up to his side. Black hair covered his head, and combined with a thin goatee made him stand out as a true knight in shining armor.
The other Thursday I was painting like I usually did during the afternoons in my workshop when I decided to take a break and read in the study for awhile. Laying on one of my favorite couches, I picked up gave the wall of portraits a quick glance before diving into my book. Before hitting the water though my mind tugged at me: something was missing. I ran my eyes across the wall to discover that Sir Williams was missing. His portrait was still there hanging, but the figure itself was not in the picture. All that was left in the picture was an empty chair he had been sitting in.
Immediately I stood and ran to go get Lissa. I couldn’t believe what I had just seen and needed someone to tell me I was wrong, to tell me that I was just seeing things. So I ran down the hall towards the sewing room where I could normally find Lissa at this time of day. When I reached the room I stopped before grabbing the door handle. I heard faint noises coming from within the sewing room. Normally I’d just barge in and see what it was, but with the disappearance of Sir Williams I was left to expect the unexpected today. Fortunately the door was already ajar and I could press it just a little to get a better view of the room without making noise and calling Lissa’s attention. Peering in I only had to press the door an inch to get enough of a view of what was happening. It shocked me out of my senses. It rattled me so much that I was halfway tempted to slam the door wide open and confront the problem head on but I knew that wouldn’t be the smartest idea. What I saw was this: Sir Williams in the flesh bent over a table with Lissa on her back. To say the very least from my view through the doorway they seemed to be enjoying each other beyond a reasonable doubt, and that was putting it lightly. Backing away from the door I went down the corridor, not sure as to what to do about it.
I felt betrayed, humiliated, and most of all frightened. My wife is having an affair with a picture? Part of me wanted as I said earlier to barge in there and fight that knight of her. I knew that wouldn’t work though. I’m not very strong, and I’m sure he would beat me to a pulp without even trying. The thing that really bothered me though was Lissa. If I had barged in and confronted them, what would she of said? She can’t call it rape. I saw that smile she had on her face, and when you smile like that it’s definitely not rape. Now I know that she always wanted to do more than just romanticize about him.
Walking back from the sewing room I discovered another oddity: Winston Churchill. He was in the kitchen drinking some tea. I didn’t say anything. I just stood at the doorway leading into the kitchen and realized that all of the portraits in this house might posses this power to come out of their frames. Leaving Churchill to his business, I left the kitchen to plan how to find out how the castle worked.
Every Thursday following that strange day the portraits came out of their walls. I would never actually see them come out, they would just magically appear. I’d pass by Lissa’s sewing room and hear the table pounding against the ground through the door. Winston Churchill was just down the corridor with Franklin D. Roosevelt sipping tea. I’d look outside from the terrace at the top of the castle’s highest tower to look down at the gardens snaking along the property to find circles of women dancing and singing songs that lit up the dark castle’s skies. Peacocks would march by them and parade around. Filing along the main hallways I’d see a circus of things ranging from wild lions to Jesus himself, baptizing people. There was a woman in the corner that was always in the state of giving birth. Stalin himself stood at the front doors of my castle and would give booming speeches about defending the homeland in front of a mob of Russians.
I’m not sure what triggered it, but I think I know how to solve my problem with Sir Williams. After all this happened to me I realized that the magic wasn’t in the portraits: it must be within the castle itself! That’s why tonight I’m sitting in front of my easel painting up a true masterpiece. It’s not anything that will come out and hurt me or Lissa, but will solve my problems. Tonight I finally find passion to paint! Forget all that abstract crap, this is where true art is born!
----------
The next morning Lissa walked into the study to fantasize about Sir William and the trips they would take in the sewing room that day. Walking into the study, she had feelings of fear, shock and sadness strike her as she looked at Sir William’s portrait. The knight was there, with his breastplate shining and his hilt gleaming in the light. The thing that was missing was his handsome face, which was instead replaced with a massive bloody hole. It ruined the entire portrait. The remains of his face leaked off of his chin and seemed to drip against his chest. Her husband walked in right then, a smile spread all the way across his face. “Lissa! I want to show you my latest masterpiece!” and pointed to the opposite end of the study where a new self-portrait of himself hung on the wall opposite to Sir William’s. Her husband had a rifle cradled in his arms, smoke coming out of the barrel as if the rifle had just been fired.
Writing is the magical release of emotion from your fingertips. Why on earth do people wish to be wizards when you have writing!




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Wow! Certainly a winner. You're right, there are grammatical/stylistic errors here and there, but the plot is fantastic. It reminds me of the short story "The Yellow Wallpaper," by Charlotte Perkins Gilman, actually. Have you read that? I recommend reading it. You can find it online. It's similar to your story. As for the plot, it's great. I love how it's told in the husband's perspective all the way down until he shoots Sir William's portrait. I think you could make the part where he thinks his wife is cheating on him a little bit more dramatic, though. His thoughts should be racing in utter shock and anger...

Well, I really love these types of plots, and you did a great job. So, kudos.




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Hey there, I'm here for a review!

First off, plotwise I found your story to be quite interesting and clever! The idea of paintings being able to come alive in the castle is really cool; I think you could really take this story and run with it, if you so chose.

That being said, I felt that you lacked some emotion from the MC. He discovers that these paintings are coming alive every Thursday and he's not completely shocked at first? I'd like to see a little more reaction from him, and especially with the part where his wife is having an affair. I understand that he knows he's too weak to confront Sir William, but my goodness, would a man really have that clear of a head when he sees what's going on?

Okay, now onto my nitpicks. :)

Hiadel wrote:Dark hallways with torches and fading rugs give it that impersonation of not being one of the happiest of places to settle down.


I don't know if this word is really the right one; perhaps "impression" would work better.

Lissa ignored everything I had to say about the castle being a terrible place to live, and to think about how on earth our children would be able to bear living in such a miserable place, and about the horrible hallways and how I felt that one day I would turn the corner and run into Frankenstein’s long lost creation one day.


Okay, this is one long run-on, but I really like it. Great rhythm through it and I'm loving the humor. Only thing is you've got "one day" twice there, about Frankenstein; you're going to need to cut one out.

She’d always reply by saying that she loved to romanticize about him and how she always wanted to him.


Eh? Either you're missing some words or you need to chop the "to" out of it.

The other Thursday I was painting like I usually did during the afternoons in my workshop when I decided to take a break and read in the study for awhile. Laying on one of my favorite couches, I picked up picked up what? gave the wall of portraits a quick glance before diving into my book.


Little confusing here, I think you're missing a few commas.

If I had barged in and confronted them, what would she of said?


"Have."

Walking into the study, she had feelings of fear, shock and sadness strike her as she looked at Sir William’s portrait.


I don't know...compared to your previous descriptive wording, this just sounds a little flat. Like you're listing off her emotions, you know?

And I love how you end the story. Brilliant, absolutely great ending.

Okay, that's it! Great job on the story; keep up the good work! :D Feel free to PM me with any questions.
There are two kinds of folks who sit around thinking about how to kill people:
psychopaths and mystery writers.

I'm the kind that pays better.
~Rick Castle




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Hi Hiadel,

Overall, I feel ambivalent about this piece. I'm not sure I agree with your decision to tell everything that happened with narrative summary rather than show us the actual scenes as they unfold. I felt kept at a distance from the piece. I'm not feeling the protagonist's emotional state - you lapsed into telling not showing at crucial points. The writing needs tightening and clarifying. And the final twist confused me more than entertained me.

What I'm seeing when I look at the writing is (a) a lot of "nothing words", weak qualifying words that only dilute the meaning of the sentence, and (b) overly complex sentence structures that dance around the point. I suspect you could cut the wordcount here quite substantially by removing all the unnecessary elements and end up with a shorter, tighter, more powerful story. Let me demonstrate what I mean using the first paragraph.

Hiadel wrote: I’m not exactly (unnecessary) sure why I bought the castle. There’s nothing particularly (unnecessary) spectacular about it when you look around (unnecessary). The greatest thing I can think to say (unnecessary) about the place is that it gives Dracula’s place a run for its money when it comes to the creep factor. Dark hallways with torches and fading rugs give it that impersonation (this word doesn't mean what you think it means - maybe impression?) of not being one of (unnecessary) the happiest of (unnecessary) places to settle down.


This leaves me with:

I’m not sure why I bought the castle. There’s nothing spectacular about it. The greatest thing about the place is that it gives Dracula’s place a run for its money when it comes to the creep factor. Dark hallways with torches and fading rugs give it that impression of not being the happiest place to settle down.


This is 57 words to your 71 and conveys exactly the same stuff. If I wanted I could cut this down even more without sacrificing any of the meaning. So I'm cutting over 20% without even trying - just by taking out the unnecessary nothing words.

In addition, I noted several points at which I had no idea what you were trying to say. Two examples:

#1. Churchill's "balding head [shone] in a way that can only be compared to a freshly harvested crop". A balding head is a smooth shiny surface. A freshly harvested crop is not. I can't understand what image you're going for here.

#2. The painting knight's "Black hair covered his head, and combined with a thin goatee made him stand out as a true knight in shining armor." Apart from this sentence being ungrammatical, it also makes no sense. How can you tell that somebody is a "true knight in shining armour" just by their hairstyle? Is there something particularly noble about a goatee? Is dark hair inherently more chivalrous than blond? Again, I'm not following your logic here.

Finally, I'm not sure I ever really understood the protagonist or the decisions he took. If he feels so strongly about the castle "being a terrible place to live" and calls it a "miserable place" and "horrible", his claim that "It’s not like I care very much what my home looks like" is clearly a lie. (My pet theory here is that the protagonist is incredibly passive-aggressive and likes to play the martyr, pretending that his wife forced him to live in this horrible place, when an actual grown-up would just have chosen to live somewhere else.) When he catches the painting knight having sex with his wife, his only reaction is to ... go to the kitchen. I'm not sure why. Why doesn't he just shoot the knight himself instead of making a painting version of himself to shoot the guy? If he fears that he's not strong enough to kill the knight, why would a painting version of himself be any stronger?

Ultimately, I feel like this needs: 1. tightening by about 30% to lose the unnecessary words; 2. more immediacy, showing us scenes instead of telling us summary; and 3. more cohesive, logical, sympathetic characterisation.

Hope this helps, Hiadel.

Cheers,
Karsten




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Omgosh! That was amazing! I absolutely loved the ending! It was so ingenuitive and creative. A great short story, excellent job.
~AJ
"Weren't you banished to FoodCourtia? Shouldn't you be...frying something?"
"Oh, I quit that after I heard about this!"
"You quit being banished?!?!"
~Invader Zim




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Thank you for all of the helpful pointers!
Writing is the magical release of emotion from your fingertips. Why on earth do people wish to be wizards when you have writing!



Why do we only rest in peace? Why don't we live in peace too?
— Alison Billet