Norrington's Girl

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It was warm that night. Warm so the sweat dripped offa you, warm so your insides boiled like Mama’s pot on the fire. The blinds had all been shut, and the little house was cozy and muggily dark, with Da’s cigar smoke blending pleasantly with the smell an’ steam of Mama’s tuna stew.

But we’d eaten by then, and it was almost bedtime. Amos and Anna had already been put up in the tiny next room, and I could hear their little snores from where I was on the patched-up couch, so’s it almost made me fall asleep too.

“Liza,” said Da, tossing the end bit of his cigar into the fire and turning to Mama. They was sitting on the hearth-rug together, and I pretended I wasn’t there, hoping they’d talk ‘bout interesting things and I could listen. “Liza, have ye heard any news from the castle lately?” Mama worked up at the big place, on the cliff by the sea, and she nearly always had news, gossip I ate right up. I dunno, but I s’pose Da picked out the things that might actually matter at some point.

“Not much, no,” said Mama. She wasn’t so low-born as Da, she had a fancy bit of upper-class accent I always tried to copy. Said she was same as Da at heart, didn’t like bein’ able to read when he couldn’t, but it always sounded a bit like a lie.

Couldn’t be. Mama never lied.

“There’s been some hustle-and-bustle, talk of raiders coming along our way, but it’s been so long, no one really believes the rumors. Prince Aaron’s going to be crowned king next month, but of course, our sort won’t be worrying much about that.”

I yawned, and Da looked over, smiling a little in the firelight. “You still up, Addy? Thought I saws you go to bed arf an hour ago.”

“Am now, Da,” I said. There wasn’t much point in stayin’ up if all Mama had to talk about was princes and coro-whatsits, and besides, Polly had promised me we’d go berry-hunting the next day. Big girls who’ve seen eight summers like me need all their rest to go runnin’ about finding food for their families.

Pulling myself up importantly, I walked the way I thought a queen might across the rushes and the threadbare rug, smiling at Mama and Da as I went. “G’night milady, milord,” I said, and strode away into the bedroom as they busted up laughing behind me.

Ten minutes later I’d changed into my nightdress and snuggled in beside Amos and Anna, though I didn’t put on the cover, it was so hot. I lay and wondered what raiders were, and why Mama stuttered when she said it—were they a sort of rat? Maybe the big kind that sometimes got into our larder, with those flashy red eyes and dirty grey coats. The kind that bit Amy.

I gulped and blinked furiously in the dark. Dead’s dead, Da said. Ain’t nothin’ you can do about that.

It seemed a long time later that I heard Da banking the fire in the next room, Mama bangin’ about as she cleaned up the dinner things. Anna stirred next to me and I caressed her soft little head, whispering silly little things so’s she’d stay asleep. I was the big sister after all. Big sisters had responsities, so Mama said. ‘Specially to little kids like Anna.

Then there was a sound like a door slammin’ open, and Mama screamed real loud, the way the cats do some nights when they’re fightin’. I popped outta bed all of a sudden, and yanked open the door, bein’ a girl of acshun, like. There was Da on the floor, an’ his face was…wrong. He didn’t have a mouth no more, or he did, but it was – it was too big, went clear up to where his nose shoulda been. But it wasn’t, and blood, blood was everywhere—

“Addy! Addy, go and get Anna and Amos, get out through the window!” Mama yelled, and she looked frightened, frightened horrible, and there were two men at the door, one with a gun…

“Whaddya want?” I demanded, stepping forward, pretending I wasn’t scared. But I was, so scared I almost peed myself, and there was another man holding Mama back, smilin’ something awful.

The man in the doorway glanced over, looking at me the way someone might look at a flea or a cockroach. He barked something to the one behind him, in a tongue I’d heard before but didn’t understand, and the second man came forward, grabbed me by the scruff of my neck and dragged me out the front door like a sack of potatoes.

There was more yelling, and I heard Mama scream again, even out there in the muggy heat with the town all outta their beds, running through the dirty streets, chased by men just like the one still holding the back of my nightie. I was too scared now to move, too scared to struggle, so’s we stood there together, quiet, listening to the sound of cloth ripping and men laughing from inside.

Da, I thought. Da, why aren’t you getting your gun? Why aren’t you savin’ Mama, or Amos and Anna—or me? But Da didn’t come out, and suddenly the man was dragging me away from the screams and the house, dragging me down the street, muttering to himself, an’ never letting go of me.

We got down to the docks at last, and I tried to forget the things I’d seen, the courtyard where Hera Jackson and another bad man were wrestling around, and him laughing like anything—Mrs. Corburn and Tommy, lyin’ in the street, not moving, all messed up just like Da.

“What’s your name?” It was a rough voice, and I jumped, ‘cause I’d never heard it before, though I knew everyone in town. It was the man holding on to me, and his foreign blue eyes sparked as he looked down at his pris’ner.

“M-m-m-my n-name?” I sputtered, shivering as the humid wind blew through, pulling at me and ruffling his funny yellow hair. “A-Adelaide, s-sir. What’re they doin’ to Mama and Amos and Anna?”

He smiled, but it wasn’t a smile, it looked ‘s if he’d eaten somethin’ that didn’t agree with him, the way Da looked the day he scarfed down all those rotten tomatoes. My breath was comin’ fast then, and I remember he yanked me ‘round so’s I could see the big dark boat pulled in at the harbor, all the throngs of dark figures running down and bein’ dragged an’ cryin’ and—

Something hard hit me, right square in the back of the head, and then the darkness was total, like the hole where Da’s face shoulda been.

***

Thanks for reading! Just something that popped into my head today. I left out the italics because I'm lazy, but...what do you think? It's a first draft and rather sloppy, I know--just, should I write more, or leave it here, or what?

No nitpicks please! All constructive criticism greatly appreciated.
Well, I can't eat muffins in an agitated manner. The butter would probably get on my cuffs. One should always eat muffins quite calmly. It is the only way to eat them.

--Algernon, The Importance of Being Earnest




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Hoy. And 'tis Imp, to scrimp and scribble like ink riddles -- or rills -- all over the scraps slight-sight, stills and bits of prose tracked in by truth.

More or less poetically inelegantly put.

“Liza,” said Da, tossing the end bit of his cigar into the fire and turning to Mama. They was sitting on the hearth-rug together, and I pretended I wasn’t there, hoping they’d talk ‘bout interesting things and I could listen.


I loved this for the voice. It gives Addy a sound and a character one recognises right off -- one can hear in the rather run-on sentence, which is apt; and see or feel it, as it were, in what she says. It links her tone with her action. It leaves a picture for the reader. Characterisation. ^_^

“Am now, Da,” I said. There wasn’t much point in stayin’ up if all Mama had to talk about was princes and coro-whatsits, and besides, Polly had promised me we’d go berry-hunting the next day. Big girls who’ve seen eight summers like me need all their rest to go runnin’ about finding food for their families.


This might come out a bit clearer if you broke up the sentences. For flow, it seems, a little girl might be interjectin', so to speak, in a bit more fluent and sudden way. ^_^ That is, the two long sentences run together somewhat. Perhaps, I's a big girl and then FULL-STOP And me, having seen eight summers and all, need to get my rest to go runnin about the next day.

Or some such thing like so.

As far as that sort of thing goes -- sentence variation -- you did it wonderfully here:
Couldn’t be. Mama never lied.


Also, works neatly on the level of characterisation. We get Addy's voice; her perception of and her relationship to her mum.

It seemed a long time later that I heard Da banking the fire in the next room, Mama bangin’ about as she cleaned up the dinner things. Anna stirred next to me and I caressed her soft little head, whispering silly little things so’s she’d stay asleep. I was the big sister after all. Big sisters had responsities, so Mama said. ‘Specially to little kids like Anna.


Oy, I really do like Addy's voice. I'd warn you not to lay it on too thick. But I tend, myself, to be a bit too eager to curtail anything -- er, rather minimalist. And I wouldn't want to put that on you. Anyhow, I thought the above might be somewhat heavy on the little-kid sort of sound and dialect.

More though, I'd merely say don't over-do it. I don't think you have, as yet.

Then there was a sound like a door slammin’ open, and Mama screamed real loud, the way the cats do some nights when they’re fightin’.


I'd like feel that sound -- expanded. Does it sound to Addy as impersonal or animal like as a cat? Or is a strange mix for her, human but foreign? And as it's her mother... I like the description.

I popped outta bed all of a sudden, and yanked open the door, bein’ a girl of acshun, like.


Er, I'd kill "like". "Being a girl of..." works aptly. Only again, I rather wonder how that feels to Addy. Is this a moment of normal action? Is she all on reaction right now?

There was Da on the floor, an’ his face was…wrong. He didn’t have a mouth no more, or he did, but it was – it was too big, went clear up to where his nose shoulda been. But it wasn’t, and blood, blood was everywhere—


Bloody bleeding hell.

Yes, I can see it. Oy, I can see it through Addy's disconnected gaze. You've broken up the sentence length; em-dashed it-- and the cadence as well as the words make the perfect image.

There was more yelling, and I heard Mama scream again, even out there in the muggy heat with the town all outta their beds, running through the dirty streets, chased by men just like the one still holding the back of my nightie.


Not necessary -- but does it still sound like a cat?

“M-m-m-my n-name?” I sputtered, shivering as the humid wind blew through, pulling at me and ruffling his funny yellow hair. “A-Adelaide, s-sir. What’re they doin’ to Mama and Amos and Anna?”


A bit heavy on the s-s-s-s-s-s-s-stuttering. It'll get the point across, I think, with less distraction, to leave it at "M-my name?"

He smiled, but it wasn’t a smile, it looked ‘s if he’d eaten somethin’ that didn’t agree with him, the way Da looked the day he scarfed down all those rotten tomatoes.


You've done a wonderful work with detail - this as an example. It gives the reader a sense of the past as well as present; and characterises Addy more clearly, more tangibly, each time. Tomatoes. ^_^

Something hard hit me, right square in the back of the head, and then the darkness was total, like the hole where Da’s face shoulda been.


Total? Word-choice seems less apt. But I still quite like the description; casts back to come forward.

Er, hope that wasn't nitpicky, Sela. There's something light as well as earthy about this, in Addy's voice and in the setting, that keeps it from being treacly, and makes it feel true, to an extent. Oy, yes, it is somewhat rough as a first draft. But it's got more than its measure of groundwork to be a tale. ^_^





IMP
ex umbris et imaginibus in veritatem

"There is adventure in simply being among those we love, and among the things we love -- and beauty, too."
-Lloyd Alexander




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Hey, that was great.
Nice accent, nice way of wording things as seen and comprehended by a littl girl in a poor family in some sort of kingdom. Is it a kingdom with magic and strange races, or a kingdom with humans and interhuman strife? I guess time will show.
I enjooyed reading this, because the rhythm flowed smoothly. You inserted very skillfully scraps of info to let us figure out the relevant context.
I hope you don't ran out of steam. Seeming that you are still quite young, and probably unsure yourself where this will all go, I implore you to make it all a tight novelette of 10 - 15 000 words. Don't try to go for a novel (yet), but also don't leave this as an open ended story.
As the plot unfolds, take care to not write about stuff you have yet not experienced and have no understanding of. There are already certainly lots of things which you have experienced, modify them, insert them, and this will avoid awkward unbeliavable moments and instead will make the characters and plot convincing.
Don't forget that you have outlined a context - a world - which is different from ours. try to continue making the character emotions and interactions appropriate. It would be a style killer, if people suddenly started behaving and talking like contemporary school kids or their parents. Just a warning.
Good luck
she got a dazed impression of a whirling chaos in which steel flashed and hacked, arms tossed, snarling faces appeared and vanished, and straining bodies collided, rebounded, locked and mingled in a devil's dance of madness.
Robert Howard



One by one they went / And, though each laughed as he returned to earth / Their souls were in their eyes.
— Alfred Noyes (Watchers of the Sky)