Open Sewer River

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Jumping down from the window sill the kids said hello to the old, black-velvet night. It was a familiar one, like the ones from early childhood, from fifty years ago, from ten thousand million years ago. It was a dark night. Black velvet. Wind coursing through tree tops and making twigs skitter across the ground. It was too familiar for them to be able to appreciate it, and the underlying danger entirely escaped their notice. But the danger was there anyway, absorbed into the air and the tree trunks and floating back and forth as they expelled a breath and then sucked it right back in.

They jumped from the window sill and landed on the old sand-paper sidewalk. It was a familiar feeling sidewalk, like from all the times they smacked to the ground off bikes and scooters and felt the grit embed itself into their palms. It was the same rough dust and uneven tiles as always, forever-- grandfathers, fathers, cousins, nieces touched it and came away with the same imprint on their palm. This sidewalk was too familiar, and so they didn’t even notice the blood on it. They stood up, brushed off their hands, and didn’t even notice the wet. It was such a boring old night.

They ran down the sidewalk and one of them said, “No, no, no.”

“What?” said another one.

“Well..” the first one said again. But he was cut off. The danger had smacked him out and just the blood ran from his nose and into his mouth. Then he lay down on the sand-paper sidewalk and let the night eat him up.

“What?” the other kid repeated. But he kept running and the others did too. It was such a normal windy night that the air could bleed and tongues wouldn’t taste it. The sound of the rubber sneakers on the cement was the slapping it always was and everyone’s mind was crammed full of familiarities that the sound brought. They all sang to themselves as they ran along.

Presently the group came to a chain link fence which surrounded a playground way out on the eastern end of town. Millions of hinges creaked along the fence as all the pieces of rusty metal all swung together and out. The kids saw the fence and saw a million fences before it. They each took their time latching onto its holds and hoisting themselves over the top, singing their song and forgetting their scratched and burning hands. The blood from their hands wouldn’t stop coming and they tumbled over the tops of the fence backwards, head first, uncontrollable. But they didn’t yell and they let themselves hit the floor.

The ones who got up, got up.

They kept on running. The wolves ate them and the possums bit them. The raccoons came and circled around them looking for things they didn’t even have. The danger everywhere came and presented itself to the kids, but the kids were focused on the tape in their minds and the world spun on without their knowing it. The ones who survived, survived.

Or, anyway, the one...

A really snappy little fighter. A blank jaded mind.

This one kid kept running alone, after the others fell, and let the fiery, nauseous feeling of intense running fill him up. He ran out of the playground and over the golf course and under the freeway bridge and through the open-sewer river, with one hand on his splitting and smacking heart. It was all a movie reel in his head, all of it, and the screams of the dead and the eeriness of the moon did nothing to him.

He waded, tripping, spitting, through the open sewer river. And eventually he reached the other bank, heaving himself up onto the concrete with his palms, imprinted with grit from his parents, his grandparents, his nieces, yeah, all of them. He heaved himself up and kneeled on the opposite bank and let the new world drop into him. He was a little plastic cup, and into him the world poured water. New and ice cold.

On the other side of the border he coughed up water. He was still bleeding, but he felt the pain now. In a new town he stood up.




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Hello okkervilpuddle!
Well, first things first. This story actually caught my attention early on, which is a plus. Your description was nice, but as the story went on, I began to lose some interest for lack of understanding. I got confused, I didn't know what was going on. Overall I enjoyed the read, and I would love to see more, I want to know what happens after the crossing of the "sewer river/border"

Nit Picks

from ten thousand million years ago

I noticed you used a lot of "Million" In here, I guess their isn't anything wrong with it, but was one of the things that slowly made my interest fade away. I suppose more creativity would do, and possibly more realistic number :)


They jumped from the window sill and landed on the old sand-paper sidewalk.


We know they are jumping, Maybe you can remove the bold text and replace it with: As they jumped, while they jumped
Again, there isn't anything exactly wrong with it, but I think an edit their would keep people more focused on what you are trying to show.


grandfathers, fathers, cousins, nieces

This was something that I think really needs to be fixed. First of all, Nieces was very random. It sort of sticks out and again takes focus off what you are trying to make the reader feel. Maybe and edit to: Grandparents, Parents and cousins this way, you keep the examples, but making them less specific.


They ran down the sidewalk and one of them said, “No, no, no.”

“What?” said another one.

“Well..” the first one said again. But he was cut off. The danger had smacked him out and just the blood ran from his nose and into his mouth. Then he lay down on the sand-paper sidewalk and let the night eat him up.


This, and mostly the rest afterward really confused me :shock: more detail into what is actually going on would be great, You don't have to tell exactly what it is, but more detail into what actually is happening.

Presently the group came to a chain link fence


The bold, just doesn't seem to fit in front of this sentence, I think it could be removed.

Millions of hinges creaked along the fence as all the pieces of rusty metal all swung together and out.


I wont stress the "Millions" Since I already have.
X number of hinges creaked maybe the word hinges could be removed and replaced with something else, I don't think chain link fences have all that many "hinges"
All the rusty pieces of metal swung together may sound better in replacement to what you have.

The blood from their hands wouldn’t stop coming

This sort of confused me. Maybe you could delete this and replace with or something of the sort: The blood from their burning hands dripped

They kept on running. The wolves ate them and the possums bit them. The raccoons came and circled around them looking for things they didn’t even have.


The wolves are eating them while the run? This again just sort of threw me off :P
'Coons in my experience don't circle people while they are running either, remember, they are running (for an unknown reason) if they are so determined would these things stop them?

This one kid kept running alone

The bold just doesn't fit right honestly.

Everything else just sort of fell from here, It almost seems as if you rushed to put this piece out.
I like it, I can't wait to read the revision and some more, all in all more detail could be added to some parts and more insight as to what really is going on.

I hope this review helps you out!!

-Zerkk :twisted:
"When then going gets weird, the weird turn Pro." - Hunter S. Thompson

"when all else fails and you can't extend a story, Ingest large amounts of hallucinogens or create a long lost brother" -- Zerkk

Demeter!




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Hey! So, the previous reviewers made some good points about phrases that stick out or need to be reworded. I'll point out a couple more.

It was a familiar one, like the ones from early childhood, from fifty years ago, from ten thousand million years ago.

grandfathers, fathers, cousins, nieces over the years ancestors had touched it and came away with the same imprint on their palm.


I feel that these two phrases are too similar. You don't want to overdo lists in prose, because it makes your tone drag. And plus, neither of these are vitally important to the storyline. If you delete what I underlined, you could get across the same description and have it flow better. And perhaps rephrase it with what I put into bold.

“Well..” the first one said again.


Either a period here, after 'well', or three dots for an ellipsis. (...)

The raccoons came and circled around them looking for things they didn’t even have


I love the abstract, almost stream-of-consciousness feel your imagery has everywhere else, but this image doesn't quite sit so well. It sticks out. Try rephrasing it, saying in more detail, perhaps, exactly what it is that the raccoons are looking for and the children don't have.

but the kids were focused on the tape in their minds and the world spun on without their knowing it


Another slightly-off phrase here. Tape in their minds?

In a new town he stood up.


This seems so anticlimactic. I'll touch on this some more later, in my overall evaluation, but you build up all this metaphor and imagery and wild, violent language, and then this ending-- he reaches a new town. Huh? What about all the dead clawing at his eyes? The water analogy about him being a plastic cup was better. This is such a wild, unconfined piece, though-- and this ending was too much of a concrete, ordinary line to do it justice.

:arrow: I actually think this is written very well. For me, the problem is clarification. No, not even. I don't think you need to explain to us very clearly what's going on; that's the beauty of description and analogies. But here your hidden meaning is a bit too hidden. You have lovely phrases and interesting images, but it doesn't really mesh together into one cohesive theme. I feel like I should come away from this with a stronger, single idea, or lesson, but I don't really. Instead I come away thinking, "Well, that was an interesting story, I wonder if it's supposed to mean something?" Ambiguity is good, absolutely, but I just wish that you had even one strong underlying message. I didn't get it.

I think, because of various elements, you were aiming for 'redemption', or something along those lines. That's great. But this ending (ending line, especially) is, like I said, hurried and incomplete. Try to flesh out a more powerful chord to end on. Leave us feeling something. Something like this:

The ones who got up, got up.


I really liked that line. Its frank tone made me think.

All in all, a really well written story that just needs some clarification and meaning behind it! Good job.

~Evi
"Let's eat, Grandma!" as opposed to "Let's eat Grandma!": punctuation saves lives.



I always prefer to believe the best of everybody; it saves so much trouble.
— Rudyard Kipling