Proctor - Prologue

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Chapter 1


Proctor
Jess B.


Prologue:

So miserable a place as this, he thought despairingly.
I lift me head but wince and again, I surrender, letting it slump sluggishly to one side. I hear me own breath as well and tis unnatural to one’s own self that I recall. Tis ragged or bewitched in some respects. Never before should I think air would sound that of a rattle in a babe’s crib but here I sit and I hear rattling in me owns chest every time I exhale. If I should sub come to, in which awaits us all I suppose inside these walls of the Fort, I pray my demise be peaceful; I shall not unite with the others in pain as they suffer the fever and grow welts of sorts that penetrate from flesh. Perhaps sickness might be me last escape if tranquility does not bless me soul for thy starvation or the feeling of veins going so numb and cold, I shall never know or wake to witness another sunrise.
A few of the men have already perished along the march in ankle-deep snow. I cannot speak for them, but I felt and still do, feel deceived. Those men, so poorly clothed, with a few pelts draped around or blankets that wrapped their skin, they were the first to bid us farewell within a few miles. I admit, I am not properly clothed me self either but here I remain, alive, but so uncomfortable.
Food, he thought hungrily.
I’d give me big toe if it meant a satisfying meal! I cannot recall when it was I was allowed so much as a strip of meat. Too long I suppose.
Me neck begins to ache, and once more I brace me self by biting down hard and slowly but gently lift. I get it about half way so I am able to see straight out but quickly, the familiar heaviness rekindles the predicament me poor body endures since we arrived this December.
I bare witness to the most melancholy spectacle and for I wish not to see it any longer, I deliberately lower me head and cast sorrowful eyes to me toe sticking through the worn, black leather of me shoe. I attempt to wiggle it. The digit wishes not to agree. I release a long sigh but hack and cough in between before I am allowed a full exhale. In these thoughts, I focus on the spectacle, even though as brief as it was, I feel the rhythm of me breathing increase and me body tenses up like that of a wench underneath, pleasuring. I look down. Me brown breeches, I know, are in need of repair. Under two cuttings of heavy wool tied back on the tops of each leg, still the chill finds it merry way through me bones, causing further discomfort.
To further distract of what I just bared witnessed too, I grab either side of me coat, and pull the sides tighter. Perhaps one should make the effort to stand if ye should die presently but even that simple task is beyond me control. So, here I sit with me thoughts, and await when the Gen’ls make their way over here. They move from one body to the next; it will only be a few moments when I hear the sloshing of boots.
Last edited by Fishr on Fri Feb 27, 2009 2:22 am, edited 3 times in total.
The sadness drains through me rather than skating over my skin. It travels through every cell to reach the ground. I filter it yet strangely enough, I keep what was pure and it is the dirt that leaves.




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Hi Samuel! I'm going to try my best at reviewing this, though I'm not terribly good at historical fiction. That being said, here we go! :)

I would have to say that this is at Valley Forge, during the American Revolution. Parts of the description remind me of other such descriptions in history books and similar novels. This isn't bad in my opinion. I rather liked this prologue. It describes the setting and pulls you right into the story. I was immersed in it at least. I liked how you are writing in dialect. It adds to that sense of immersion even more.

The only complaint I have is that this seems too poetic for a common soldier during the American Revolution. The words and concepts this speaker uses seem to fit an officer more. Then again, I'm not as acquainted with this era as you are, so it is quite possible I am completely wrong.

That's it from me. Feel free to PM me if you have any questions, or wish to scream at me for some slight. Good job, and good luck with this. :)

-Conrad
Garrus Vakarian is my homeboy.




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Squee! :D

*Huggles Connie*

Yeah, reviewing HF can be challenging. On the other hand, I actually was more curious about the character, and you focused on him right away. So, thank you. :)

I found it interesting that by his dialect, he came off as more of an Officer. See, I don't plan my stories much. I just go with the flow. It does make it time consuming for editing purposes but way more fun with surprises.

I'm not very good with Prologues but I felt this story needed one so I'm happy it kept your interest and without directly mentioning the setting. Most times, I put the date of the era, and I still might use that crutch, but I wanted to see if I could show the reader my setting without saying so and ta da! You guessed it, Connie. Yay!

Again, thanks for reading and your opinions. Means a lot.

Jess
The sadness drains through me rather than skating over my skin. It travels through every cell to reach the ground. I filter it yet strangely enough, I keep what was pure and it is the dirt that leaves.




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Just to warn you, I really have no idea how to critique this, since my knowledge of your subject is most likely bordering on non-existant. :wink: That said, I'm going to try anyway.

:arrow: Your dialogue seems very convincing. Most people would just throw it a 'ye' here and a 'thou' there and think that makes it historical fiction. I'd fall under that catagory, most likely. :oops: You pull off the style of the times without your piece coming across as hopelessly fake and overdone, though, so kudos to that.

:arrow: It didn't strike me as an Officer's tone of voice, but then again, I'm certainly not very knowledgable in this subject and probably wouldn't be able to tell the difference anyway.

:arrow: Going along with my first note, however-- I've noticed that, oftentimes, people assume that they're doing all of their characterization by adding the old-fashioned language and sticking with the times. It's almost like they assume that, just because their characters and stories are taking place in another era, they are all the same and therefor don't need specific characteristics just like normal old characters. I'm sure you would never do this, but I just thought I'd remind you for future reference. :wink:

Well, that was massively unhelpful. :? Perhaps I'll be of a bit more assistance in the next chapter, yes?

~Evi
"Let's eat, Grandma!" as opposed to "Let's eat Grandma!": punctuation saves lives.




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Such a captivating piece this is! I have some advice for you though. Your dialogue is convincing. But, I feel that you could use a bit of imagery in your piece. Show us where he is instead of telling us. Make your story alive. Also, I think you could introduce your main character a lot more. Tell us his name, physical features things of that sort. Is he shy, outgoing? Let us be able to see him clearly and feel as if we know him. This piece has potential to be something. Great Job! *Gold Star*




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My first suggestion is to give us a location and time period. I read the whole piece through and guessed that it was the American Revolution. The key word there is 'guessed.' You didn't give the reader any sure indication that it is the American Revolution. Your focus was on the character and his thoughts and feelings which is excellent! I would recommend not thinking of listing location and time period as a handicap, but rather as a useful tool, just as dialogue, metaphor, thoughts, imagery, etc. are. I believe a location and time period will immerse the reader even more from the get go.

[s]So miserable a place as this, he thought despairingly.[/s]


This is redundant. You convey this message through the rest of your prologue.

I lift me head but wince and again, I surrender, letting it slump sluggishly to one side. I hear me own breath as well and tis unnatural to one’s own self that I recall. Tis ragged or bewitched in some respects. Never before should I think air would sound that of a rattle in a babe’s crib, but here I sit, and I hear rattling in me own[s]s[/s] chest every time I [s]exhale[/s]breathe. (?If I should sub come to, in which awaits us all I suppose inside these walls of the Fort,?) - I don't understand this portion of the sentence. What does the word sub mean? I pray my demise be peaceful; I shall not unite with the others in pain as they suffer the fever and grow welts of sorts that penetrate [s]from[/s]the (you just used 'the fever', why would you say 'from flesh' unless you say 'from fever'?) flesh. Perhaps sickness might be me last escape if tranquility does not bless me soul for thy starvation or the feeling of veins going so numb and cold, I shall never know or wake to witness another sunrise.



Based on the time period, I doubt this character would use the word "exhale." A beaten down soldier in the Continental Army says his chest hurts when he exhales? The word doesn't fit and disrupts the flow in my opinion.

I found your use of 'from' and 'the' to be inconsistent. Not sure if that was on purpose? Obviously, I'm not an expert on the dialect. Also, the word 'sub' was confusing. And if it's confusing to me, I'm assuming it might be confusing to another read.

A few of the men have already perished along the march in ankle-deep snow. I cannot speak for them, but I felt and still do, feel deceived. Those men, so poorly clothed, with a few pelts draped around or blankets that wrapped their skin, they were the first to bid us farewell within a few miles. I admit, I am not properly clothed me self either but here I remain, alive, but so uncomfortable.


Paragraph is good. Solid.

[s]Food, he thought hungrily.[/s]


I read this, and I went, "What the crap?" You switched to third-person PoV out of the blue. Why? I would change it to something like..."Me stomach keeps grumbling. I hunch over to keep it quiet, but even that barely relieves the starving hollow." Anyway, something to that effect; you get the idea.

I’d give me big toe if it meant a satisfying meal! I cannot recall when it was I was allowed so much as a strip of meat. Too long I suppose.


Good characterization in this paragraph. You could even just get rid of the paragraph above and use this.

Me neck begins to ache, and once more I brace me self by biting down hard and slowly but gently lift. I get it about half way so I am able to see straight out but quickly, the familiar heaviness rekindles the predicament me poor body endures since we arrived this December.


Good.

I bare witness to the most melancholy spectacle and [s]for[/s] I wish not to see it any longer, I deliberately lower me head and cast sorrowful eyes to me toe sticking through the worn, black leather of me shoe. I attempt to wiggle it. The digit wishes not to agree. I release a long sigh but hack and cough in between before I am allowed a full [s]exhale[/s]breath. In these thoughts, I focus on the spectacle, even though as brief as it was, I feel the rhythm of me breathing increase and me body tenses up like that of a wench underneath, pleasuring. I look down. Me brown breeches[s], I know,[/s] are in need of repair. Under two cuttings of heavy wool tied back on the tops of each leg, still the chill finds it merry way through me bones, causing further discomfort.


Love the word digit. The rest is pretty good. I thought 'for' was useless for dialect, and 'I know' is redundant. 'Exhale' feels out of place.

To further distract of what I just bared witnessed to[s]o[/s], I grab either side of me coat, and pull the sides tighter. Perhaps one should make the effort to stand if ye should die presently but even that simple task is beyond me control. So, here I sit with me thoughts, and await when the Gen’ls make their way over here. They move from one body to the next; it will only be a few moments when I hear the sloshing of boots.


Good. One too many 'o's on 'to.'


Overall, a very interesting piece. Well, done with the dialect. Very captivating. It reminded me of reading The Adventures of Huckleberry Finn and having to focus really hard on reading because the southern accent was so thick.

Some of my editing marks I question just because I don't want to detract from your dialect, but I also want to avoid confusion in reading the piece. So, I'm feeling a little ambiguity, but I hope they will be of use to you!
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Hey guys.

Evi-

Nonesense. You've been very helpful. You've given me your opinion/thoughts. Thank you.

Ballerina -

Hehe, thanks. I'm not sure where I'll be led, but we'll see. Have a question for ya though.

But, I feel that you could use a bit of imagery in your piece. Show us where he is instead of telling us.
Just wondering, where am I lacking in imagery?

Aeroman -

Thank you for your critique. It was very helpful and as soon as I finish this novella, I'll get right on to everyone's suggestions and edits.

Yeah, I thought "exhale" sounded weird, lol. My mind just went blah... I think "exhale" comes up on more than one acccount in the other chapters, so you've been warned. ;)

As for the setting, like where Proctor is currently encamped, this is an experimental piece. By throwing out clues to the reader as they progressed through the chapters, my goal was to show them what fort he's actually at. In the last chapter, (that was my original plan), the name of this fort will be revieled eventually.

You know it's winter, it's December, you've discovered it's the Revolutionary War. :)

Cheers, everyone.
The sadness drains through me rather than skating over my skin. It travels through every cell to reach the ground. I filter it yet strangely enough, I keep what was pure and it is the dirt that leaves.




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Hey there Samuel!

Well, when I was in Middle School, American History was one of my favorite classes even though the history books weren't really exciting to read about. This was brilliant and if I had read something like this then, I think the class would have been even better.

The dialect is nice and oh, well, everyone has pointed out everything, and all I can say is great job!
and here's a gold star!

Ta,

~Angel
True love, in all it’s celestial charm, and
star-crossed ways, only exist in a writer’s
mind, for humans have not yet learned
how to manifest it.




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Hey there, Angel!

Thank you so much. I didn't realize this little story would get such attention. I'm very glad you enjoyed yourself. :)

And yay! Gold Star! Woot, woot!

I hope everyone likes the editing, hehe.
The sadness drains through me rather than skating over my skin. It travels through every cell to reach the ground. I filter it yet strangely enough, I keep what was pure and it is the dirt that leaves.



Believe only half of what you see, and nothing that you hear.
— Edgar Allan Poe