Magic Class is Now in Session

4 posts
User avatar
Gender None specified
Points 1190
Reviews 36
Okay, so for my current project (a sequel to my novel-in-editing) one of the main plotlines is that my MC is learning magic. Now, I want to show some of her magic lessons, but I'm at a loss for what goes on in them. I have the magic system all figured out - except for one vital component, and that is how a new magician is introduced to the art.

So basically, this is how it works: Magic is the manipulation of mental "objects", meaning that it can affect anything that has a mind. So, mind-reading, illusions, even "petrification" of a human being are all possible - while fireballs, telekinesis, and flying are not. The magician either manipulates these mental objects using her willpower, or effects a change in the mental objects by doing something in the physical world that invokes a sympathetic response (i.e. ritual magic - magic words, gestures, the burning of a candle).

I guess my problem arises from the fact that a new magician would have to do a lot of mind-exploration, which isn't very interesting to watch. Also, her mentor is not the most.... stable of people, so I want her training to be more intense and dangerous.

Any ideas would be appreciated.




User avatar
Gender Female
Points 1217
Reviews 7
Maybe describe how it feels to explore a persons mind? That would be pretty interesting.




User avatar
Gender Other
Points 89625
Reviews 1272
I tend to do a more deus ex machina thing, where something just "snaps" in her mind and suddenly she can do all this stuff. That works if you need rushed training, since if she doesn't get her powers under control quickly everybody's in trouble.

I saw a very good mind-exploration scene in a book called The Naming (I would not suggest you buy this book, seeing as it's about 400 pages long and consists of people talking about what's wrong for the entire first half). It was chapter 3, and the MC has somebody explore her mind and she has a lot of buried memories. Basically, if you give your character a dark side/dark memories, watching her face them is a lot more interesting.

Hope I helped!
A writer is a world trapped in a person— Victor Hugo

Ink is blood. Paper is bandages. The wounded press books to their heart to know they're not alone.




User avatar
Gender Female
Points 790
Reviews 2
Have his/her (I'll call it "his") instructor have him meditate. Make the MC become aware of more than just the physical evidense of a being, but more the mind and soul. Let the mind wander through the creatures around her like in a forest, but make it dangerous by having the MC be careful he can make it back to his own body, something the instructor should be able to do but is "unstable".

Describing the memories of different people she passes by would be good. One day, the MC is ready, instructor take him into town to take a look at people. MC is overwhelmed hearing a billion things, yadda yadda. Of course if MC is a hidden secret weapon it is dangerous if he stumbles into the mind of an enemy because he is to untrained to block enemy from penetrating his mind, once the enemy has felt his energy, he can track him much easier, or worse.

Well that was my random idea. Hope it helped!



I have hated words and I have loved them, and I hope I have made them right.
— Markus Zusak, The Book Thief