Paradise Island (2)

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I know exactly where I'm going with this story now! A lot of you guys mentioned how you felt kind of distant from the character, and that's what I was going for with this story. As you'll find out in this next section, the main character is insane, and driven to depression by the plane crash. I'll try to steer clear of the general direction Lost is going, so yeah. I hope you like this part!

-

Alexandra stood in a grove of trees, conversing quietly to Ash Paul, the youngest survivor. Her back was turned to me, so I couldn’t read her lips. Ash, who rarely talked anyway, barely moved his lips, so they were virtually unreadable.
I was not spying.
I was merely watching.
Getting frustrated, I stood up from where I was sitting on the cold beach and slowly walked closer to them. Ash’s eyes flickered to me, and I froze. He looked back at Alexandra, and I drew nearer. I could hear her voice.
“—bodies? Kyle doesn’t know what to do with them. Lena and Yuri, the older Russian couple, can barely manage to walk, and No Name, I think, is insane. Did you see how he tried to—“ Alexandra’s voice decrescendoed into a whisper, and I couldn’t catch the last part of her sentence.
“Ash, you, Kyle and I are the only ones that can make the decision. Either we burn them, or we throw them into the sea,” Alexandra said. Ash frowned and looked over to the pile of bodies. His dark locks hung in his eyes.
“Can’t we bury them?”
“That would take too much time, and we need all the time we can get. We will have a proper ceremony for the dead, but we need to spend all the time we can to start finding shelter. Getting some food, you know.”
There was something bubbling inside of my heart. Some kind of foreign anger that needed to be unleashed.
They were thinking of letting go of Lydia.
I imagined her corpse burning in the stinking pile of bodies.
I imagined her slender body drowning in the freezing water.
No.
They weren’t going to take my Lydia. If I had to steal her myself, I would, but I would not let them take her away from me.
I took ten steps in the direction of the pile of bodies, and Kyle appeared from behind a tree.
“Where’re you going?”
I didn’t reply; instead, I kept walking.
“Lydia’s dead, isn’t she?”
I stopped.
“Look, I’m sorry,” Kyle continued. “You think this is hard for you? I lost two of my older brothers the same way you lost your Lydia.” His voice wavered.
“She’s not dead,” I whispered, my fingers curling into my hand and forming a fist.
“As much as we’d all like to think that—“
Lydia is not dead!”
“Yes she is!”
My boiling anger steamed out through my fists and my knees and my eyes. Kyle stepped back, trying to defend himself.
“Get away from me, you freak!” he cried, but I didn’t hear him.
No.
I didn’t want to hear him. There's a difference.
By the end of the day, I knew, there would only be five survivors.
Kyle thought otherwise.
Fighting back with all his strength, he slugged my stomach, and I toppled over. He sent a mighty kick to the back of my head, and darkness was beginning to overtake my vision.
“Try that stunt again, freak, and I’ll put your lights out like I shudda done yesterday,” he spat, and walked away, leaving me to my throbbing pain.
I cried.
I hadn’t cried since Mom died, twelve years ago.

*

They burned Lydia while I was out cold. The air stunk for the rest of the night.
When I awoke, I was alone.

*

I pulled myself up from the muddy beach and staggered over to the other’s ashes.
(i went down, down, down into the burning ring of fire. and it burns, burns, burns. this ring of fire. this ring of fire)
“Lydia?” I whispered into the night. The stars overhead drooped a little lower than they usually did, and they didn’t shine as brightly as they had before.
Lydia didn’t answer.
“Lydia?” I asked again. “Lydia, where are you?”
My bare feet walked over the black ashes, and I could almost hear the sound of Death, slaughtering my Lydia again and again and again
(and it burns, burns, burns. this ring of fire. this ring of fire)
and again.
“What have they done to you?” I asked the ashes. They swayed with the cool, night air.
I dropped to my knees, and my hands clasped together.
I bowed my head, thinking about the Lord and Jesus and the Virgin Mary.
“Why?” I asked them. “Why me? What did I do to deserve this?”
They didn’t reply, because they were dead, just like Lydia. In all those years that Mom had brought me up in the Catholic Church, she taught me that God hears every prayer. He answers every prayer.
Where was he now, in my greatest time of need?
(and it burns, burns, burns. this ring of fire. this ring of fire)
Just write -- the rest of life will follow.

Would love help on this.




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Hey J!

I am not losing interest in this, but I will say that everything seems like it's going a little to fast. Just pace yourself Jare, you have all the time in the world.

Um, you know I'm not that good at grammar and such unless it's glaring, so you're going to have to wait for somebody else to come by.

I like your MC but he seems a bit static and I really can't see what he'll do from here, which is good, I suppose because now I'll have to continue to read to find out.

That's all the advice I have for now. Pace yourself.

This was a good read, and I can't wait for more.

Ta,

~ Angel

P.S. I liked the way you chose to structure this.

Favorite part:

I pulled myself up from the muddy beach and staggered over to the other’s ashes.
(i went down, down, down into the burning ring of fire. and it burns, burns, burns. this ring of fire. this ring of fire)
“Lydia?” I whispered into the night. The stars overhead drooped a little lower than they usually did, and they didn’t shine as brightly as they had before.
Lydia didn’t answer.
“Lydia?” I asked again. “Lydia, where are you?”
My bare feet walked over the black ashes, and I could almost hear the sound of Death, slaughtering my Lydia again and again and again
(and it burns, burns, burns. this ring of fire. this ring of fire)
and again.
“What have they done to you?” I asked the ashes. They swayed with the cool, night air.
I dropped to my knees, and my hands clasped together.
I bowed my head, thinking about the Lord and Jesus and the Virgin Mary.
“Why?” I asked them. “Why me? What did I do to deserve this?”
They didn’t reply, because they were dead, just like Lydia. In all those years that Mom had brought me up in the Catholic Church, she taught me that God hears every prayer. He answers every prayer.
Where was he now, in my greatest time of need?
(and it burns, burns, burns. this ring of fire. this ring of fire)
True love, in all it’s celestial charm, and
star-crossed ways, only exist in a writer’s
mind, for humans have not yet learned
how to manifest it.




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Yay! Part two~ Here are a few of my comments! ^_^

Her back was turned to me, so I couldn’t read her lips. Ash, who rarely talked anyway, barely moved his lips, so they were virtually unreadable.


These two lines seem very similar -- they both end by saying the narrator couldn't read the speaker's lips. Try shifting up one or the other!

Alexandra’s voice decrescendoed into a whisper, and I couldn’t catch the last part of her sentence.


I don't think 'decrescendoed' is a word, because 'decrescendo' is a term adopted from Italian and not suitable to be bent into an English verb. Look for another word like 'fell' or 'descended'. I don't think that you need the comma here either, though I'm not quite sure.

we need all the time we can get. We will have a proper ceremony for the dead, but we need to spend all the time we can


See how this section begins and ends with the same phrase? The repetition is evident and sort of breaks up the flow of the writing, so even though it's dialogue, try making a new phrase to illustrate what they need.

He sent a mighty kick to the back of my head, and darkness was beginning to overtake my vision.

“Try that stunt again, freak, and I’ll put your lights out like I shudda done yesterday,” he spat, and walked away, leaving me to my throbbing pain.

I cried.

I hadn’t cried since Mom died, twelve years ago.


The sequence of events here is a bit cloudy, because you say that the narrator begins to black out, but then he still hears Kyle's parting words and even has time to cry as well! I do, however, like the insert of dialect into Kyle's speech.

The stars overhead drooped a little lower than they usually did, and they didn’t shine as brightly as they had before.


This sentence seems awkward to me. How can stars drop lower? Wouldn't that mean they appeared larger? In that case, wouldn't they seem at least a bit brighter, rather than pin points in the sky? I dunno, but you might want to try to rework it. ^_^

I am /in love/ with your last sequence in this piece, though. The last part of this whole passage is especially poignant and well-written. Good work! I look forward to following the rest of this story! ^_^




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Ah well. I have yet to be killed, but it is good again. :D I cannot wait for the next one!

My boiling anger steamed out through my fists and my knees and my eyes.

I had to re-read this sentence a couple of times before I understood it. You're saying this because the MC started hitting the other one, but you can't hit anyone with your eyes. It confused me because you can hit somone with your fists and knees, but your eyes?
Do you get what I mean?
That sentence just bothers me a lot.

(i went down, down, down into the burning ring of fire. and it burns, burns, burns. this ring of fire. this ring of fire)


This was the only time you did this so that's why I pointed it out. You forgot to capitalize the I.

I am liking this Bear! My favorite part is Angel's favorite part too. I like the way you are coming along with the MC. You can tell that he is going a bit insane.

And that part at the end! It makes me interested about where you are going to take this!

Good job! :D
"A journey of a thousand miles must begin with a single step." ~ Lao-tzu

Attack, IM, or PM me at any time. I will respond. ;)




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Yo, Jared! Here by request:

so I couldn’t read her lips. Ash, who rarely talked anyway, barely moved his lips, so they were virtually unreadable.

As said, this could so with a little rewording. You seem to be repeating the idea of being unable to read the lips. You could just merge them together, I suppose.

decrescendoed into a whisper

Yuck. Go a little simpler: "dropped to a whisper". Because you're less likely to have a reader scratching their hurting brain with that.

“Get away from me, you freak!” he cried, but I didn’t hear him.

Hm? How can the narrate describe something he doesn't hear? There'd be more of a mystical air to this if you just said that his lips moved but all the sound was gone, or something like that. Alright, after reading on I see that it's because he didn't want to hear him. Well, I think the whole "no sound coming out" would work well anyway, because if he didn't want to hear, he wouldn't have.

Alrighty :)

Well, I much preferred that chapter the previous one, but I still feel that he's being overshadowed by everyone else. I know that he can't really think about much because he's so confused, but he might never see his family, friends, everyone else ever again. I'd compare that to his loss of Lydia and his mother, to show that he might have to suffer it again. And didn't he get injured at all from the plane crash? Not even a strained muscle or anything? It might make us care more and have somewhat a pity for him, but you know. His growing insanity might be a good area for that too.

I don't have a lot more to add, unfortunately. But I really did like this chapter, and the no-capitalisation bit with the ring of fire was well done.

Best,
Mark
"A man's face is his autobiography. A woman's face is her work of fiction." ~ Oscar Wilde




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I'm late. : (
Sorry I can't properly give you a review (because it seems everyone has beaten me to it). I liked the very end, though.
Oh,and I agree with Angel, pace yourself.
Can't wait for the next!
~MV
I realized that I said I'd be gone for only two weeks...but I was gone for much longer.I hope to stay on this time. :)




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Hey Jared!

This was good, but I enjoyed the last chapter better, I think. It had more conflict, more disaster. In this chapter, things were kind of stagnant, going nowhere.

I think that you should consider describing the setting a little more, describing the pile of bodies, describing the stink of the make-shift crematorium, describing the sweat and the blood and the urine and the hysteria. Make things grittier, grimmer. I want to see the struggle of these people. I want to feel as helpless as they do. Alexandra and Kyle and everyone else really, feels kind of fake, and the only thing that characterizes your main character as crazy is his obsession with Lydia (I'm not a fan of that name, by the way.) To fix all this, you just need to focus on making things more chaotic (and describing more). It feels like this story is being acted out mechanically, on a backdrop of a beach, with secondhand props.

I'm not sure if I like the use of the song "Ring Of Fire". It seems like it was just thrown in to the mix to make things look experimental. If you want it to mean anything to us, describe the burning bodies, or tell us why your main character has that song on his mind. Otherwise, cut it.

conversing quietly to Ash Paul


Cut 'conversing' and just say 'talking'. And the kid's name reminds me of Pokemon for some reason.

or we throw them into the sea


This would not work, unless they were farther out to see. The tide would just carry the bodies back.

So, in essense, work on making things darker and work on making your setting more real.

-Kylan
"I am beginning to despair
and can see only two choices:
either go crazy or turn holy."

- Serenade, Adélia Prado




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Hello, again! :D

Alrighty, well most of the little nit-picks that I would have picked have already been mentioned (and there were hardly any at all :D ) except, I think, for:

My boiling anger steamed out through my fists and my knees and my eyes

I love the way you describe this, however, the use of 'and' seems a bit too repetitive. I think it would have a much stronger, even angrier, effect if you replaced the 'and' s with commas so it would read something more like:

My boiling anger steamed out through my fists, my knees, my eyes I think structuring the sentence in that way would reflect his anger in a much stronger way.

The parts in italics:
(i went down, down, down into the burning ring of fire. and it burns, burns, burns. this ring of fire. this ring of fire)

I absolutley loved this. The way you didn't capitalize it and everything was extremely well done :D Althought I still think they would work better outside of the brackets. This is purely because they seem to say a lot about how the whole situation is affecting him and his mental state and putting them in brackets seems to sideline their importance and so I think it would have a better effect outside of the brackets. It's a minor detail though really because I still like it either way :D

Overall
I enjoyed this chapter slightly more than the last one, I can't really pinpoint why though. I think maybe it's just because the situation has been well established and I can really get into your writing and what's happening though.
I will second Kylan, though, I think the last chapter had more direction. This only reaslly applied to the endling though, and I don't think you should change anything, just possibly add something more onto the end to give it more direction to lead onto the next chapter? But, that being said, either way I still want to read more!

It would be great if you would keep PM-ing me when the new chapter comes out! I can't wait to read more :D

Sofi.
'Don't you just love these long rainy afternoons in New Orleans when an hour isn't just an hour but a little bit of Eternity dropped into your hands- and who knows what to do with it?'
T.W.




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Hey Jared, Stella here, thought I'd do Part Two!

I. NITPICKS

Ash’s eyes flickered to me, and I froze.


flicker to me suggests on-off like a light. flicked, maybe?

Lena and Yuri, the older Russian couple, can barely manage to walk,


Okay, if there's six of them, she wouldn't refer to them as "the older Russian couple."

Alexandra’s voice decrescendoed into a whisper,


LOL, Jabber used exactly the same word and I questioned it, so now... Okay, apparently decrescendo is a word. I've never used it, always crescendo and dimmuendo, but whatever. Is it a verb? Microsoft Word doesn't recongnise decrescendoed, if that's any help. Why don't you just say lowered?

(i went down, down, down into the burning ring of fire. and it burns, burns, burns. this ring of fire. this ring of fire)


You do know you've missed a line? Just checking it's intentional.

Okay...

II. SURVIVAL SKILLS

How long have they been on this island? It's going to get cold at night... I'm guessing they've been there for at least a few days? With no shelter? What have they been eating? How do they stay warm?

Are they in the tropics? Because there's no question of having a ceremony for the dead as opposed to letting them lie there. You can't let bodies lie there. They're gooing to rot and stink and attract flies and animals. They're a health hazard. I know, they're on a desert island, everything is a health hazard, but leaving bodies is just plain stupid. Especially if there's a Lord-of-the-Flies-esque beast around. Also, how did they light the fire?

III. THINK FOR A SECOND

Imagine this: a plane from, um, Dublin to New York has crash-landed on an island in the Atlantic. Only a handful of people survive. One of them is you, and you can't remember your name. There's an oldish couple there, who are badly injured, and three able-bodied people. We don't know how long we're going to be stuck there. You've clearly lost your mind, and the old ones don't speak great English. So that means that we're just going to leave you out of the loop, does it? Of course not. Are we not going to even try to find out your name, who you are, where you're from? Of course not.

You have to remember that your characters are people. Surviving a plane crash has got to be a bit of a bonding experience, and even if it wasn't... would you honestly act the way these ones are now?

IV. OVERALL

Interesting. Good.

Hope I helped!

-Stella.
"Stella. You were in my dream the other night. And everyone called you Princess." -Lauren2010



History repeats itself. First as tragedy, second as farce.
— Karl Marx