On Finding Oneself

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As if one day a younger
me was walking on the beach and,
bending down to pick up a
water-smooth rock, did not feel
herself lose me, feel me slipping out of her
own pocket, falling neatly and silently
into the spaces between
the grains of sand.
"My pet, I've been to the devil, and he's a very dull fellow. I won't go there again, even for you..."




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Hello Cade!

I know our poetry styles clash, so this review might simply be a cranky style rant from me, but I'll give it anyway because it might be of some use. :lol:

For me, I feel like this poem goes no where. Once you strip away all the asides, you're left with:

As if one day a younger me was walking on the beach and did not feel herself lose me.

In my opinion, that doesn't go anywhere. It needs some sort of thump, a conclusion, an ending. It starts up and drops, which leaves me unsatisfied and perplexed.

I understand it. Picking up the rock representing picking up a new self, the old self falling out, and I can see how the lack of going anywhere could reflect the lack of self going anywhere, but it bugs me too much for me to accept it simply as a poetic device. I want it to go somewhere, I want it to say something, and I want it to affect me. But it doesn't.

Again I think this is our difference of style. ^^ Oh well! Best of luck.
“It's necessary to have wished for death in order to know how good it is to live.”
― Alexandre Dumas, The Count of Monte Cristo




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I'm annoyed by the (purposeful?) omission of "It is" at the start. Beginning with "as if," if chosen, sounds like the narrator is doubtful it actually happened. I'm not sure whether you want to propose this idea as definitive or with an element of doubt.

This feels like a stanza stolen from a poem, and put here out of its home. I like the concept but think this is isolated and too solitary on its own, without a preceding, or following, stanza. As it is, though, I like it. I'm a great fan of poetry about identity, but I think you could have been more ambitious.

Some other ideas:

1. You use "feel" twice in quick succession. Changing one might spice it up a little.

2. The verbs aren't the most exciting -- walking, bending, slipping, falling.

3. I really like your line breaks. It's refreshing to see a poet on these boards that can control the flow of their poem well and guide the reader through the lines.

Thanks!
Nate wrote:And if YWS ever does become a company, Jack will be the President of European Operations. In fact, I'm just going to call him that anyways.




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Hello there!

Hmm, I think this has the potential to be something greater. It just seems like you have one huge sentence that's simply a statement. Throw in some colorful words and make it flow.

For example:
One day I was walking
down the street. I saw a
bird in the tree. It was gold
and blue and it looked at me.
And before I could take a picture,
it flew away.


This isn't lyric poetry, it's more like narrative poetry but it's the only thing I can think of as an example right now.
One day my soul was walking slowly
down the desolate street. My tired eyes saw a
bird whose wings leaked a golden crimson. Its
cerulean eyes stared at me majestically. And
before I could take a picture of it, the bird flew
away it's wings flapping in the mist of the morning
star.


Do you see the difference? Take advantage of words and make it more bright, is the only advice that I can give.

Good luck and keep writing,

~Angel
True love, in all it’s celestial charm, and
star-crossed ways, only exist in a writer’s
mind, for humans have not yet learned
how to manifest it.




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For lyric poetry, I reccomend a little more descriptive language.

water-smooth rock, did not feel

herself lose me, feel me slipping out of her


There are too many "feel"s. Yes, you are emphasising, but no, that doesn't cover it.

own pocket, falling neatly and silently

into the spaces between

the grains of sand.


I like the metaphor of the old self falling into the place where the rock was. Definitely my favourite idea in the poem.

I can tell that you are attempting to create a very powerful poem with simple words, but there is a fine line between simple and boring. "Walking", for example. There are hundreds of words you could use instead, and believe it or not, these can make the poem more gripping.

Overall, a nice little poem. A few tweaks can turn it into a memorable piece. Keep writing!
Does anyone else smell books when they read them?



But answer me this: how can a story end happily if there is no love?
— Kate DiCamillo, The Miraculous Journey of Edward Tulane