Directed Forgetfulness

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---
Version 3
---

They jumped from the helicopter: the cold, dark water
devouring their time, toes, hands,
digit by digit, their vision frame by frame,
as eighteen people got seventeen lifejackets
to divide amongst themselves.
He said he’d keep her afloat, they both did,
and the three kept sternly to the middle
as the rest bowed around them.
The waves pull higher, barely shot back by the rain,
and all hold close as the biggest waves mass…
but never come:
The director’s yell cuts through the air
and the waves roll away: the curtain of water lowering.
They swim back to the dock while
the girl singled out struggles in the still choppy waves
word balloons bubbling with water.


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Version 2
---

A group jumped into the water
(seventeen lifejackets, eighteen people).
The clear leader said he'd keep her afloat,
the one on the left, the one on the right,
echoed in sincerity
draping her arms around their shoulders
keeping her eye level with the rest of the group;
them three in the middle
to hold the rest together as well.
The waves came high and they remained;
all in the same boat of an ocean ready to sink.
The storm becomes violent and drops rain and wind
The group stays close and the biggest wave looms...
but never comes.
The director's yell cuts through the air
and the waves die down and the lights come back on
and they swim back to the boat while
the girl singled out struggles in the still-choppy waves
as her speech bubbles become filled with water.


---
Version 1
---

A group jumped into the water
(seventeen lifejackets, eighteen people).
The clear leader said he'd keep her afloat,
the one on the left, the one on the right,
echoed in sincerity and held her up.

The waves came high and they floated together
all in the same boat of an ocean ready to sink.
The storm becomes violent and drops rain and wind
The group stays close and the biggest wave looms...

but never comes. The director yells cut and
the waves die down and the lights come back on and
they swim back to the boat while
the girl without a lifejacket struggles in the still-choppy waves as
her speech bubbles become filled with water.
Last edited by Leja on Sun Aug 12, 2007 3:20 am, edited 4 times in total.




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XD

This is a movie shoot, isn't it? Funny! And I love the line "speech bubbles" since it is so... fictional, and yet this poem seems very real.

Nice job! :D
Ubi caritas est vera, Deus ibi est.

"The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the Master calls the butterfly." ~ Richard Bach

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Interesting concept. The end sure suprised me. I expected her to die and then the leader to basically implie "we shall never speak of this incident again."
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Different, that's all I have to say here. And I mean it in the most positive way ever :)

Sorry, this wasn't useful at all.

Cheerios, Chandni
I should not keep on, I'll just creep on creepin'on.




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:lol:

The surprise twist at the end got me. I liked this, though it felt a little more narrative-y than poetic, if you get what I'm trying to say. Still, it was an interesting concept, and I agree with ChurlishLassy in that I thought it would have a tragic ending. I still think it is a slightly seriocomic ending; it can be read in several different ways. It actually reminded me of a story I heard about an actress who died in an accident while working on the set of a movie.
give me my Romeo; and when he shall die,
take him and cut him out in little stars,
and he will make the face of night so fine
that all the world will be in love with night,
and pay no worship to the garish sun...




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But there is a tragic ending; the girl drowns at the end!

Even though the waves were made specifically for the movie shoot, the danger was still real; even though these people were just actors, when the lights came back on, the system still fell apart and the girl is still helpless.




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Hey Amelia,

I like the concept and the well overall content of your poem but at times it doesn't quite sound like poetry, it's a bit simple. More recounting than poetry.

the one on the left, the one on the right,
echoed in sincerity and held her up.


The echoed in sincerity, that sounds nice. It's a good piece of lexical choice. But the simple "held her up" doesn't bring much to the poem, a more colourful way of phrasing it, a more descriptive way would help the flow as well.

I don't think that you're going for simplicity, because I do believe that simple sentences, and simple word choices can make a good poem but I don't think that is what you were going for here.

The twist at the ending was a good touch, changed everything around a bit and because you stated in plainly (maybe you were going for simplicity?) the tone isn't one of shock or horror but matter of fact which works well
Sing we for joy and idleness,
Naught else is worth the having. -- Ezra Pound

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A special thanks to everyone who reviewed (and a normal thanks for anyone who just took the time to read all the way through)

Mad, I'm not sure how much I did with the "held her up" part, but...it's different/I tried. Am I closer or farther away?




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Much better. I think that version 2.1 is a real improvement. Flows really nicely.
Sing we for joy and idleness,
Naught else is worth the having. -- Ezra Pound

PM if you're in need of a review.




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Mwahaha! I've dug up something from the dregs of my portfolio ^.^ with the aim of making it more poetic. Is it getting better?




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This is awesome ^_^

as eighteen people got seventeen lifejackets
I hate when people use the word "got" for "have"

The waves pulled higher, barely shot back by the rain,
your tense was a bit off here.

the girl singled out struggles in the still choppy waves
word balloons bubbling with water.
the line transition in these is weird, and I don't really get it...

I really liked this ^_^ Not the best poem I've read, as it is emotionless, but it's still beautiful. Great words and imagery. I didn't/haven't read the other versions, but this one is good.

Bravo, Melia!
“It's necessary to have wished for death in order to know how good it is to live.”
― Alexandre Dumas, The Count of Monte Cristo




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I really like this. My favorite one was the third version of the poem. The Seventeen lifejackets and eighteen people bit worked a lot better in that form. The end also caught me off guard. I loved how it turned from something so real into something as simple as a movie shoot! Great job on this.

Keep it up!
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