Spirited #3

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3

It is the day of Aphrodite, so he wants, as always, to buy his mother something beautiful.

The world is contorted in his young eyes: there are no people that can block his way, not this day, so he runs with an unneeded urgency, images spinning and flashing by. His shoes scratch against the pavement as he races to beat the crowds. To anyone else, it seems the idea is ludicrous – thousands line the streets ahead of him; their voices, calls and shouts taunt him. Ferocity grips his face and he digs deep to run faster and get to the doors before anyone else. But his world is contorted. They are bigger than him, and even though he chooses to ignore them, the paths begin to block, the perception is forcibly narrowed.

He slows. Ferocity turns to desperation. His eyes glimmer with tears as he searches for an opening to slip through. After all, he is small and agile, there are gaps that very little other people could find, and he must buy his mother something beautiful.

The coins in his left hand are slippery with cold sweat, but he grips them tighter, unwilling to lose them. Maybe this time, he whispers to himself. Maybe this time the shop will sell something he can afford. Maybe this time he can run home, without disappointment, his prize in his hands instead of his unspent coins, and make his mother happy. She smiles less and less. He notices more and more. He wants her to be happy, for she is all he has in this contorted world of his, the only thing he has to hold on to.

But the people stop him. Someone grabs him by his shirt and yanks him back. They mutter something, but he does not listen, struggles instead through another closing gap and forces himself between legs and feet and hands. He cannot see where the doors are but he hears them: the clicking and the sound of air moving. It cannot be long now, he tells himself, it cannot be long before the coins are gone to be replaced by something even shinier. He knows what he wants. The silver ring with the small cross that rises from it. Somehow he fits. He does not know why, but knows his mother will love it.

At last he passes through the doors, squeezing past one of the big people and into the market, where all the shops flash bright lights and he smiles like the joy is infectious. The plants, the sunlight that creeps through the roof, the glittery floors and walls, he loves it all. Anything that shines he cannot stop looking at. He knows where he is going. He has made the journey so many times he knows all the shortcuts. He sprints along a small alleyway, misses the crowds and the queues along the main walkway, and keeps running. A big man in dark clothing shouts at him to stop running, but he knows he is doing nothing wrong, he is simply enjoying himself, he is a shopper, and only his mother tells him what to do. Only beauty tells him what to do.

The floor is slippery. His feet skid, they don’t scratch, and the ground collapses beneath him. The momentum carries him too far forward, and he is falling, falling, and there are people he is going to hit. He throws his arms up to protect his head.

An arm stops him. “Be more careful,” it says. “You’re gonna hurt yourself and other people. You gonna stop running now?” He looks up and sees the man in black clothing. The man shakes his head over and over again.

His young eyes fill with tears once more, and he gets up and runs. He is never going to stop running, no matter what the man says. Only when he is with his mother can he stop. He looks after her. He must buy his mother something beautiful.

His head swims. It starts to pound, slowly at first, but then with the frequency of a drumbeat, until he is forced to rub it over and over, even as he runs.

But all is forgotten. His smile returns. The shop is in sight. Tucked into the corner, as always, the boy’s smile turns into a huge grin and he speeds up, like a runner with the finishing line in sight. His prize is just past the threshold.

He passes a tall man outside who breathes smoke.

The boy doesn’t like him. He pushes the door open. A man in black he has never seen before is staring at him.

It is the day of Aphrodite. He wants to buy his mother something beautiful. But a chill runs up his back, his head still pounds, and he knows that this day isn’t the same as the others.
Nate wrote:And if YWS ever does become a company, Jack will be the President of European Operations. In fact, I'm just going to call him that anyways.




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This is kinda of odd. I liked it but I didn't like where it is. I kinda dont understand why this is in this place. It's like a character sketch of the boy. Mybe he is important latere but i'm confused cause we were just about to rob a jewlry store and now were following this boy.

Just my opinion. It was still good just threw me from the main story.
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Indeed, I'm not sure whether I want to keep it yet or not. It's a scene I want to write, but right now it hasn't come out right. Thanks for the comment, Adam. I think the main problem is the lack of a proper conflict. The boy is crucial, but this probably wasn't portrayed very well.

Anyway, thanks again!
Nate wrote:And if YWS ever does become a company, Jack will be the President of European Operations. In fact, I'm just going to call him that anyways.




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*hugs* Jack, my friend, I finally found a frakking scanner.

Image
Image
Image

Oh, and keep this scene. Pretty please.
Cal.
Fraser: Stop stealing the blanket.
[Diefenbaker whines]
Fraser: You're an Arctic Wolf, for God's sake.
(Due South)

Hatter: Do I need a reason to help a pretty girl in a very wet dress? (Alice)

Got YWS?




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Oh, I love you, Cal.

*donates all his points to the most wonderful reader and critiquer ever*

You. Totally. Rock.
Nate wrote:And if YWS ever does become a company, Jack will be the President of European Operations. In fact, I'm just going to call him that anyways.




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Oy, so much more smooth than #2, and you've gone back to the deceptive poetic prose of the prologue. Though, unlike the prologue, you've no ideas clashing with action; and slips on like the boy, determined on illusory simplicity.

The first sentence caught me immediately. ^_^

A big man in dark clothing shouts at him to stop running, but he knows he is doing nothing wrong, he is simply enjoying himself, he is a shopper, and only his mother tells him what to do. Only beauty tells him what to do.


Casting back to the prologue, yes? This stuck especially on all things positive, and as a representation of what you've managed throughout. There's the child's reasoning, to the point and plain; and the underlying hollow of something else with the final sentence. Beauty.

Honestly, Jack, I think the departure from Pyth's and Ajax world and prose to this is an excellent lull, in no sense of it being dull either. It's like a glance down from Olympus. ^_^

It is the day of Aphrodite. He wants to buy his mother something beautiful. But a chill runs up his back, his head still pounds, and he knows that this day isn’t the same as the others.


And you pull-off ending with the same sharp impression of your beginning, on the day of Aphrodite.

I have nothing to complain of, noticeably.



IMP
ex umbris et imaginibus in veritatem

"There is adventure in simply being among those we love, and among the things we love -- and beauty, too."
-Lloyd Alexander




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Ah, Jack! I love it!

Do you want to know what I love best? ...you don't automatically assume that your readers are in a vegetative state. You use a different style, a different POV, a different tense, and you use subtle clues- but it is rather clear how this ties into Chapter 2.

And it's just subtle enough that it makes your readers feel clever to have figured out that connection.

You know I'm a sucker for your poetic style, so I don't have a whole lot to say in the realm of nit-picking, but just a question- how are you going to transition the different pieces into one another? If you venture much farther than literary boards, where we're all veterans of slugging through odd scene juxtapositions, you're going to get a loud, rallying cry of, "What the heck is going on?"

I don't think you need to worry about it so much now, so early in the story- especially when it's going beautifully- but keep in mind when you're editing and re-reading how you're going to preface and lead into each new piece.
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*babbles some more superlatives*

Thank yoooo. I wasn't sure about this chapter whatsoever, it was really an experiment, but it seems to have gone down quite well; I'm glad you understood it all.
Nate wrote:And if YWS ever does become a company, Jack will be the President of European Operations. In fact, I'm just going to call him that anyways.




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I love the kids devotion to is mother and how very, very, much he wants to get something for her.

Only beauty tells him what to do.


I also like how this loops back to 0.1.

You can feel his rushed pace in your words, which works out really nicely.

Gah, this is so beautifully done. At the beginning it was a little thick to get through, but it picked up very quickly, and nicely. I'm enjoying this so much, I wish I didn't have only two more to read ^_^ You have an amazing voice.
“It's necessary to have wished for death in order to know how good it is to live.”
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